BGS Long Reads of the Week // April 10

Butterfly in the sky… I can go twice as high…

Let’s all read more together, how about it?! For a month now, our #longreadoftheday series has been looking back into the BGS archives for some of our favorite reporting, videos, interviews, and more — featured every day throughout each work week. You can follow along on social media [on FacebookTwitter, and Instagram] and right here, where we’ll wrap up each week’s stories in one place.

Our long reads this week are wise, comforting, thoughtful, illuminating, and more than a touch heartbreaking, as we say goodbye to one of the most poetic and cosmically poignant songwriters to ever live: John Prine.

Della Mae Offer Encouragement and Illumination on Headlight

Now nearly a decade into redefining what it means to be an all-woman band in bluegrass, Della Mae has learned a major lesson over the years: That you don’t need to care what everyone thinks about you all of the time. In fact, you don’t need to care what anyone thinks about you at all. Album after album the women behind Della Mae reinforce this message, musically, lyrically, and then some. [Read our interview]


The Dead South Have A Message for Bluegrass Purists

It’s not meant to be combative, The Dead South know they push the boundaries of what traditionalists would consider bluegrass, but that’s not the point. They’re not claiming to be the best, they’re not trying to “steal” anything, they’re just trying to have fun and be part of the community. They sat down and described their music making process and mission with us last year. [Read the full conversation]


John Prine: The Difficulty of Forgiveness

This week, it felt like we all woke up one day in a duller universe, without one of the greatest singer/songwriters to ever walk this earth: John Prine. He was our Artist of the Month in May 2018. His new album at that time, The Tree of Forgiveness — it would be his last release — wasn’t a “victory lap” for the legend. It was one of his greatest works.

So this week, we re-shared that feature in memory of and honoring a man who changed the lives and the music of each and every one of us, whether we knew it or not. [Read]


The Georgia Sea Island Singers: Kept Alive by Song

Are you familiar with the Georgia Sea Island Singers? Bessie Jones was one of the more famous singers among them. Song collector and folklorist Alan Lomax documented their slave songs, sharecropping narratives, children’s play songs, gospel tunes, and old folk dances during his time on Georgia’s St. Simons Island — first in the ’30s and again in the ’60s. It’s another example of this country’s vast and diverse musical traditions, many of which go forgotten or undervalued. [Read more about the music of the region]


I Am A Poor Wayfaring Stranger: 20 Versions of an American Classic

To wrap up the week, we chose a long read of the day that’s more of a long listen of the day. A truly unparalleled song in western folk traditions, “Wayfaring Stranger” has been covered and recorded by so many artists. In this post from the BGS archives we collected quite a few notable versions, by many of our favorites and some of the biggest stars on the planet. Who sings your go-to rendition? Let us know in the comments. [Check out the full list]


 

WATCH: The Slocan Ramblers, “New Morning”

Artist: The Slocan Ramblers
Hometown: Toronto, Ontario, Canada
Song: “New Morning”
Album: Queen City Jubilee
Label: SloMusic

In Their Words: “I wrote ‘New Morning’ right after our second album Coffee Creek came out, and it came to me pretty quick. There’s this funny period after you put out an album — a moment of calm and then the crashing realization that it’s on to the next one. It’s that push to get back to work that got me writing again, and this song came out first. I was listening to Béla Fleck’s Tales from the Acoustic Planet, Vol. 2 endlessly around that time, so maybe you can find some bits of inspiration in there. Big thanks to Trent Freeman (check out his awesome band The Fretless) for the videography.” — Adrian Gross, The Slocan Ramblers


Photo credit: Jen Squires

WATCH: Valerie Smith, “From a Distance” (With Claire Lynch and Irene Kelley)

Artist: Valerie Smith (with Claire Lynch and Irene Kelley)
Hometown: Bell Buckle, Tennessee
Song: “From a Distance”
Label: The Single Factory/Bell Buckle Records

From the Artist: “It was an honor to be a part of the recording of ‘From a Distance,’ which sends a powerful message of hope, love, faith, and peace. It was beautifully written by Grammy-winning songwriter Julie Gold. When producer Midnite Mike Pokalsky called me to record this well-known song I was hesitant to do it, because Bette Midler and Nanci Griffith had already established the classic sound and captured the beauty of the lyrics. However, when I was offered the chance to share vocals with dynamic artists Claire Lynch and Irene Kelley in a new acoustic arrangement, I jumped at the chance! The all-acoustic treatment in this fresh new version really captures the meaning in the lyrics because it brings things down to the purest form. True to the song’s purpose, the recording includes a lineup of amazing instrumentalists (Becky Buller, Jim Hurst, Frank Solivan, Mike Munford, Ronald de la Vega, Mike Pokalsky). The world is really hurting right now and we can only hope that a higher power is watching over our big bright blue ball from a distance.” — Valerie Smith

“Wow, I love this beautiful version of ‘From a Distance.’ It is sung with such unadulterated purity. Just straight-ahead honesty. There’s no pretense. Just love. Val Smith gets right to the heart of the song, and right to the heart of the listener. Plain and simple GREAT.” – Julie Gold, songwriter


Photo credit: Lisa Scimeca

LISTEN: James Hyland, “Ghost”

Artist: James Hyland
Hometown: Austin, Texas
Song: “Ghost”
Album: Western
Release Date: May 1, 2020
Label: James Hyland Music

In Their Words: “‘Ghost’ is about how strong the past can influence our emotions that drive us to make the decisions that shape our future. This song is about writing and creating songs that my dead heroes would enjoy. I imagine they’re in the room with me as I’m writing and if the line isn’t good enough for the imaginary people there in my room, how could I possibly keep it and play it for the people who are alive? Every couplet counts. The character in the song is haunted by their dead heroes, whose unwritten songs manifest in the writings of the one they influence.” — James Hyland


Photo credit: Ty Hudgins

WATCH: Reflection and Unrest in Billy Strings’ “Enough to Leave”

Following his newest record, Home, Billy Strings has sustained his success and enjoyed a rising position among the modern bluegrass ranks. With each subsequent release, he cements himself as a consummate bluegrasser, wowing audiences with his picking, singing, and writing.

“Enough to Leave” is a ponderous number, and Strings calmly delivers a performance wrought with apparent unrest; as the song moves through wonder and doubt, his firm guitar playing matches with a lead that slowly incorporates a distorted tone, adding dimensions to the theme of reflection in the song. Words can only do so much to describe Strings’ artistry — the real thrill of it has to be heard to be properly experienced. Watch the in-studio performance of  “Enough to Leave” on BGS.


Photo credit: Jesse Faatz

MIXTAPE: Bradley & Adair’s Generations and Inspirations Collide

“We went into the studio and decided to do a whole album of duets. These are old songs, some of them are from the ‘40s, ‘50s, early ‘60s, one from the ‘80s, and a new song. We grew up with these songs and our parents grew up with these songs. Just like our latest record, many of the songs on this playlist are songs we’ve loved all of our lives. At the same time, some of them are newer, or unique takes on previous hits. That’s the great thing about music is the diversity and uniqueness that comes with it. We hope you enjoy some of our picks!” — Dale Ann Bradley and Tina Adair

Jack Greene – “There Goes My Everything”

This was the first song I heard on the radio. – DAB

The Osborne Brothers – “Once More”

I’ve been listening to them my whole life and am a student of their classic and seamless harmonies. This song is an example of that. – Tina

Simon & Garfunkel – “The Sound of Silence”

It’s a prophetic song that is still unraveling today as in the ‘60s. A look at human nature that continues to be so thought-provoking. – DAB

Alison Krauss & Union Station – “So Long, So Wrong”

This song encompasses everything I love about bluegrass. Great playing, fantastic vocals and an absolute amazing production/arrangement. – Tina

Glen Campbell – “Galveston”

It’s just a consummate recording in every way. – DAB

Brandy Clark – “Stripes”

This is one of my favorite written “new” songs. Brandy is one of the most clever songwriters in Nashville right now and this song shows it. Fun fact… I have a version of this recorded. Maybe someday I’ll let everyone hear it. Ha ha! – Tina

The Grateful Dead – “Ripple”

This is a song from The Grateful Dead that so much expresses the way I feel spiritually. – DAB

Blue Öyster Cult – “(Don’t Fear) The Reaper”

Talk about drive and timing with an iconic guitar riff, and one of the best rock bands ever. – DAB

Reba McEntire – “Fancy”

Well I’ve always been a huge fan of Bobbie Gentry’s voice and songwriting; however, one of my heroes in this business has been the one and only Reba McEntire (for her ability to interpret a song, entertain you and her amazing business sense). I admire her on so many levels. Her version of “Fancy” is one that can always entertain a crowd … and I love that. Reba was my first concert I attended outside of local bluegrass festivals. – Tina

The Stanley Brothers – “Jacob’s Vision”

Great writing and singing in pure Appalachian style. This song touched my heart the first time I heard it. – DAB

Harry Chapin – “Cat’s in the Cradle”

This is a song that has taken my breath away. – DAB

Poco – “Crazy Love”

I love the harmonies and guitar fingerpicking and just Poco’s overall laid-back feel with this song. It’s always been a fave of mine. – Tina

Mason Williams – “Classical Gas”

I love the guitar and this is so good! We all wanted and tried to play this. – DAB

Ludwig van Beethoven – “The Moonlight Sonata”

It’s such an emotionally driven piece. I always got lost while listening and felt several different feelings. – DAB

Linda Ronstadt – “Desperado”

Any style, any arrangement… we’ve all been “Desperado.” – DAB


Photo courtesy of Pinecastle Records

Alice Gerrard – Toy Heart: A Podcast About Bluegrass

Old-time legend and Bluegrass Hall of Fame member Alice Gerrard talks to host Tom Power at her kitchen table in North Carolina.

LISTEN: APPLE MUSIC • STITCHER • SPOTIFYMP3

Gerrard tells stories of how she and other college students from the northern U.S. found bluegrass and old-time, of the lifelong influence of the Antioch College folk scene, meeting her Hall of Fame partner Hazel Dickens and making some of the greatest records in the genre. She goes on to describe her split from Hazel, her work since, the creation of print publication The Old-Time Herald, of which she is the founding editor. In tender moments, she shares the last time she ever spoke with Hazel, and describes what she sang to “sing her back home.”

Artist of the Month: Watkins Family Hour

Sean Watkins and Sara Watkins have factored into some of the most accomplished and creative ensembles of the last two decades, while building a cool catalog of their own solo albums, too. Familiar to many as co-founders of Nickel Creek (with Chris Thile), the California siblings are once again teaming up as a duo for brother sister, their second album as Watkins Family Hour.

“From the beginning, our goal was to work on these songs to be as strong as they could be, just the two of us,” Sara says. “And with a few exceptions on the record, that’s really how things were. It was a tight little group of us, working dense days where we could squeeze them in.”

Sara won a Grammy earlier this year for “Call My Name” as a member of I’m With Her (with Aoife O’Donovan and Sarah Jarosz). In addition to producing, Sean has recorded with collectives such as Fiction Family, Mutual Admiration Society, and Works Progress Administration. Their appearances at the Los Angeles club Largo have inspired a number of impromptu collaborations on stage as well. Together, however, the siblings make a powerful unit, capturing a band sound with essentially two people — but incorporating a fresh perspective through producer Mike Viola.

“Mike brings a diverse musical history to his production work,” Sean says. “He’s worked with a lot of people [from The Figgs to Fall Out Boy] that surpass just bluegrass or folk, but his sense of the songwriting craft and melody is right in line with us. He was bringing ideas that we would have never had, and vice versa.”

Enjoy new tracks from Watkins Family Hour in our BGS Essentials playlist, plus choice cuts from throughout their brilliant careers.

Our Artist of the Month interviews are here! (Read part one here. Read part two here.)


Photo credit: Jacob Boll

LISTEN: Dylan McCarthy, “Mosquito”

Artist: Dylan McCarthy
Hometown: From Boulder, Colorado; currently living in Lyons, Colorado
Song: “Mosquito”
Album: Lost & Found
Release Date: May 1, 2020

In Their Words: “‘Mosquito’ was one of the first tunes I had selected for the project and in many ways it was the catalyst for the whole thing. The tune got its name from the mosquito bite I received while writing the tune on my front porch in Lyons, Colorado. The overall approach to this tune was inspired in part by the opening track of Béla Fleck’s Drive, ‘Whitewater.’ I’ve always loved the way they start off that tune and I wanted to try to capture that energy on ‘Mosquito.’ The track features Eric Wiggs on guitar, Bradley Morse on bass, Sam Armstrong-Zickefoose on banjo, and Justin Hoffenburg on fiddle.” — Dylan McCarthy


Photo credit: Kyle Ussery, Flat Nine Design

WATCH: Chris Jones & The Night Drivers, “We Needed This Ride”

Artist: Chris Jones & The Night Drivers
Hometown: Nashville, Tennessee
Song: “We Needed This Ride”
Label: Mountain Home Music Company

In Their Words: “The song is a very recent one of mine that tells the tale of a romantic reunion on a long-anticipated road trip. The journey is more important than the destination in this case. This is the first song we’ve recorded with new Night Drivers Grace van’t Hof and Marshall Wilborn. Grace plays banjo in the band but doubles on ukulele on some songs, which is a little unusual for a bluegrass band, but I’m loving the texture it brings to some of our material. I thought it would be cool to really announce her presence by starting the song with a baritone uke rhythm vamp, which really gives it a different sound right off the bat. Then she switches to banjo midway through the song.” — Chris Jones


Photo credit: Sandlin Gaither