Tag: essentials playlist

Artist of the Month: Dailey & Vincent

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Dailey & Vincent have ventured well beyond bluegrass by paying respect to musical tradition, singing like siblings (although they aren’t), and delivering their signature goofy one-liners. Year in and year out, they bring an entertainment value to their show, whether it’s on a tour of performing arts centers, starring in their RFD-TV series, or appearing at the Grand Ole Opry.

Although Jamie Dailey and Darrin Vincent came from highly regarded bands before forming their duo, they are now certainly trailblazers in their own right. For example, Dailey delivered an insightful IBMA keynote address in 2018 about branding bluegrass. And they have shown the ropes to a decade’s worth of rising talent.

Coming up later in the week, BGS will post exclusive, one-on-one interviews with both Jamie Dailey and Darrin Vincent, shining a year-end spotlight on their remarkable career. In the meantime, please enjoy our brand new BGS Essentials playlist.

Illustration: Zachary Johnson

Artist of the Month: Brittany Howard

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Brittany Howard embarked on a road trip to recalibrate after stepping away from Alabama Shakes, the Grammy award-winning band known for anthems like “Hold On.” Those relentless highway miles gave her time to rest before roaring back with Jaime, one of the year’s most compelling new albums — and her first as a solo artist.

The acclaimed project is named for Howard’s late sister, who died as a teenager from a rare cancer, but these songs are all about Brittany Howard, and namely her experiences with racism, sexuality, religion, and other touchy topics that are rarely addressed by artists at the peak of their mainstream popularity.

Not to say it’s all heavy — for example, the breathtaking “Stay High” may be the album’s sweetest moment. The production, which is also credited to Howard, is especially remarkable, as Jaime feels like a unified statement, even as the inspirations run the musical gamut. And of course her electric guitar prowess is ceaselessly stunning.

In her first tour dates behind the record, the Alabama native skipped the Shakes catalog in favor of material on Jaime, along with tracks from her other bands. But for our BGS Essentials, we put ’em all in there. Enjoy this hand-picked playlist from our BGS Artist of the Month, Brittany Howard.

Illustration: Zachary Johnson

Artist of the Month: Old Crow Medicine Show

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From their earliest days of busking and playing to capacity crowds at the Station Inn, Old Crow Medicine Show has shown they know how to pull in a crowd. Now they’ve captured that raucous, captivating energy in their newest release, Live From the Ryman, recorded during the group’s numerous headlining performances at the landmark Nashville venue.

The band has seen its share of setbacks and lineup changes over the years, but their catalog is surprisingly limber. In other words, the songs from Eutaw and O.C.M.S. blend seamlessly with tracks from newer releases like Remedy and Volunteer.

It’s a testament to the vision of band founder Ketch Secor, who tells BGS, “If they had tried to stop us a long time ago, they probably would have been able to, but they never tried. We were never curtailed. We were asked to be quiet and to clean up, but nobody ever said ‘no’ enough times for us to pay attention.”

Look for a two-part interview with Old Crow Medicine Show coming up on BGS this month, and enjoy our Essentials playlist.

Photo credit: Crackerfarm; (L-R): Charlie Worsham, Cory Younts, Critter Fuqua, Ketch Secor, Joe Andrews, Morgan Jahnig

Artist of the Month: Vince Gill

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Who doesn’t love Vince Gill? His pristine tenor fits beautifully into bluegrass, country, Western Swing, and even classic rock, as he tours as a member of the Eagles. Still, the good-natured Opry star tells BGS that bluegrass remains close to his heart.

“You get the right band, the right drive and the right thing — I tell people it rocks as hard as the Rolling Stones. When it’s right — it’s really, really right — it’s like a freight train coming at you,” he observed during a visit in his Nashville home, just a few days after his annual summer appearance at Bluegrass Nights at the Ryman.

He continues, “It’s awesome — even in the middle of it. I don’t know that it translates far away like it does in a circle of it. We practiced over here the other night, and just being in this room and being this close to everybody was so much fun.”

Gill’s childhood memories shape a large part of Okie, his exquisite new album — an acoustic-oriented project that puts his voice and songwriting at the forefront. Look for our two-part interview this month with this member of the Country Music Hall of Fame, and in the meantime, enjoy our Essentials playlist.

Photo credit: John Shearer

Kitty Wells at 100: Still the Queen of Country

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Kitty Wells, who shall always remain the Queen of Country Music to its most traditional fans, would have marked her 100th birthday today. Her legacy is secure, due to the 1952 smash, “It Wasn’t God Who Made Honky Tonk Angels.”

Wells lived to be 92 years old, long enough to enjoy an exceptional exhibit about her life and career at the Country Music Hall of Fame and Museum in 2008. The hometown salute — she was born in Nashville — brought her back into a much-deserved spotlight one last time before her death in 2012.

And to think, she just about quit the music industry altogether after initial dismal response to her early records. Even though she recorded it with a $125 paycheck foremost on her mind, according to the Los Angeles Times, “It Wasn’t God Who Made Honky Tonk Angels” turned things around in a big way.

Beloved by fans and her peers, Wells was inducted into the Country Music Hall of Fame in 1976, while her singles were still charting. In all, Wells placed 81 singles on the Billboard chart, including classics like “Making Believe,” “Heartbreak U.S.A.,” and “I Can’t Stop Loving You.” Here are some of her finest moments on record.

Artist of the Month: Buddy & Julie Miller

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Buddy & Julie Miller have assembled one of Nashville’s most satisfying songwriting catalogs — and although their songs have been covered by a multitude of artists, there is something undeniably ethereal about hearing them sing together. As our Artist of the Month in July, Buddy and Julie continue to prove they’ve still got it. Don’t miss “I’m Gonna Make You Love Me” and “Secret” from their latest album, Breakdown on 20th Avenue South, in the playlist below. And check back later this month for much more content, including our in-depth BGS interview.

Illustration: Zachary Johnson

ARTIST OF THE MONTH: Pete Seeger

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Beyond the significance of May 2019 being BGS Artist of the Month Pete Seeger’s 100th birthday month, this is a chance to recognize that Pete is an artist for every month. His gentle cantor, amiable smile, expertise on both banjo and guitar, rattling voice, respect for the music of the past while making it relevant for the present, political awareness, and constant fight for social justice make him a man for all seasons.

All month long, BGS will be celebrating Pete’s legacy — a legacy that lingers years after his passing. To kick things off, here’s our all-encompassing playlist of the Essential Pete Seeger to get you up to speed. And if you want to dig deeper, check out Pete Seeger: The Smithsonian Folkways Collection, which includes a 200-page book with essays, commentary, photographs, and liner notes, along with six CDs of classic and unreleased music.

Illustration: Zachary Johnson

ARTIST OF THE MONTH: Andrew Bird

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Our April Artist of the Month is Andrew Bird, and the fascinating thing about him — besides the fact that he’s both indie music star and violin / whistle prodigy close to the level of Chris Thile — is if you really dig into his 20+ year career (his first album was released in 1992!) he often incorporates and records Irish / Scottish fiddle reels, traditional country (“Richmond Woman” “If I Needed You”), and string arrangements that would be just as fitting on a Punch Brothers record as they would be among his adventurous electronic looping, poppy hooks, and deeply layered tracks (and whistling, so much whistling.)

Later this month, we’ll have an exclusive interview with Bird, who stopped short of nothing — well, almost nothing — in order to recreate a classic painting for the cover of his newest album, My Finest Work Yet. Amid the historical references, he’s approaching modern political topics, too: extremism on both sides, self-sacrifice for the public good, and the way in which we engage with our enemies

He explains, “The trick of writing a message song in 2019 is finding a way not to turn off a jaded populace. That’s the real challenge. After the election in 2016, people were saying we have this sacred duty as artists, but it’s not quite that simple. If you’re too on the nose, you lose people. I had to figure out what the vocabulary was going to be for these songs, how history might play into them. If you start naming places and people ad current events, you lose people.”

For now, get primed for the month ahead with a collection of some of his best work in our new Essential Andrew Bird playlist on Spotify:

Photo illustration: Zachary Johnson