WATCH: George Jackson Feat. Wes Corbett, “Mississippi Sawyer”

Artist: George Jackson featuring Wes Corbett
Hometown: Christchurch, New Zealand
Song: “Mississippi Sawyer”
Album: Hair & Hide
Release Date: Single, August 25; Album, October 29
Label: George Jackson Records

In Their Words: “I live just up the road from the house where the legendary musician John Hartford once lived, on the edge of the Cumberland River in Madison, Tennessee, and for this live video we had the amazing opportunity to record the take in the crow’s nest on top of Hartford’s old riverside home. The current owners were very generous to let us film in that space and they even keep John’s old chair up there, a nod to when he used to sit in that same room overlooking the river and play banjo himself. It was magical to get to play in that room!

“Wes Corbett and I played a version of ‘Mississippi Sawyer’ together while we were warming up together one afternoon by jamming on some fiddle tunes in preparation for arranging some music to record on my banjo and fiddle duets album, Hair & Hide. It was immediately so much fun and had such a great energy to it that I decided then and there that I wanted to record it with Wes for the album. This tune lends itself really well as a way to bring together elements of old-time fiddling that I bring to the table and of virtuosic bluegrass banjo playing from Wes, as well as being a great vehicle to muddle the lines of both genres as we play it together.

“I ended up taking a deep dive on some old recorded versions of ‘Mississippi Sawyer’ from various old-time fiddlers after that initial jam, and came across two really unique versions that I loved from a couple of legendary West Virginia old-time fiddlers, Ernie Carpenter and Edden Hammons. I liked elements of both of their versions so I decided to take inspiration from Ernie’s A part and Edden’s B part to create this really fun and unique take on this great old chestnut fiddle tune that’s endlessly fun to play. Wes is one of our generation’s great picking banjo players and it was so fun to get to work on this tune with him and hear how he improvises around the melody so fluidly. I hope you all enjoy this!” — George Jackson


Photo credit: Natia Cinco

LISTEN: Seth Mulder & Midnight Run, “Carolina Line”

Artist: Seth Mulder & Midnight Run
Hometown: Gatlinburg, Tennessee
Song: “Carolina Line”
Release Date: August 24, 2021
Label: Mountain Fever Records

In Their Words: “We’re so excited for everyone to hear our new single, ‘Carolina Line.’ It features our guitar player Ben Watlington singing lead in a Osborne Brothers-inspired arrangement that we had fun coming up with. Ben really connected with the song vocally and personally and always finds a way to make each song he sings his own. ‘Carolina Line’ was brought to us by our good friend Jerry Salley, and we feel that it represents our various musical influences. We hope everyone enjoys it as much as we enjoyed recording it.” — Seth Mulder


Photo credit: Miranda Goff

WATCH: Elder Jack Ward, “The Way Is Already Made”

Artist: Elder Jack Ward
Hometown: Itta Bena, Mississippi, and Memphis, Tennessee
Song: “The Way Is Already Made”
Album: Already Made
Release Date: August 20, 2021
Label: Bible & Tire Recording Co.

In Their Words: “I can just about sing anything anyone else sings. I never bragged on myself, but this was a gift from God and the Bible says, ‘A gift comes without repentance.’ In other words, you don’t have to be a Christian to be able to sing. If you’ve got that God-given gift you can do it — your choice if you want to sing rock ‘n’ roll, blues, gospel — but I choose the right side.” — Elder Jack Ward


Photo credit: Matt White

LISTEN: The Isaacs, “Turn! Turn! Turn!”

Artist: The Isaacs
Hometown: Hendersonville, Tennessee
Song: “Turn! Turn! Turn!”
Album: The American Face
Release Date: August 13, 2021
Label: House of Isaacs

In Their Words: “When selecting cover songs for our project, The American Face, one of my first suggestions was the song ‘Turn! Turn! Turn!’ Growing up in New York City in the ’60s, I was a big folk music fan. I had a folk album out on Columbia Records in 1968, so I followed so much of that scene. The song was taken from Ecclesiastes 3:1-8 and seemed like such an appropriate song for nowadays. It was written by Pete Seeger in 1959 and released in 1965 by the Byrds. Once my family and I listened to the song, we just knew we had to record it. We wanted to do the song with The Isaacs feel to it. So, we tried to build the song with harmonies throughout the lyrics. It certainly brought back so many memories to me personally… living through the music era in the ’60s, which was such a turning point in history. An exciting time in many ways.” — Lily Isaacs


Photo credit: Frederick Breedon

Artist of the Month: Amythyst Kiah

Amythyst Kiah is having a moment with Wary + Strange, an album that positions her among today’s most compelling singer-songwriters. Although she is an East Tennessee native, her personal lyrics somehow feel universal — this isn’t an album about rivers and mountains, but instead touches on identity (“Black Myself”), grief (“Wild Turkey”), and unsolicited advice (“Soapbox”). Written from a place of questioning and reckoning, a gently-played song like “Firewater” would satisfy anyone who enjoys an acoustic aesthetic, as well as those who draw confidence from the music of others.

“A lot of these songs come from a moment in my 20s when I was grappling with trauma while also trying to navigate the experience of being a Black and LGBT woman in a white suburban area in a Bible Belt town,” says Kiah, who moved to Johnson City after growing up in Chattanooga. “I’ve had moments of feeling othered in certain aspects of my life, and it took me a long time to figure out who I wanted to be and how to move through this world.”

With that perspective and a guitar in hand, she’s been sharing her music on stages ranging from the Grand Ole Opry to Newport Folk Festival to Jimmy Kimmel Live, where she performed “Black Myself.”

Upon announcing the record, she noted, “‘Black Myself’ is the first song I’ve written that was confrontational. I’d always made it a point to sing songs that anybody could relate to, but this was something that had been welling up inside me for a long time, and working with three other Black women in Our Native Daughters put me in the position where I finally had the courage to put those words out. The reception of the song so far has given me hope that there are people out there who are ready to confront the shared trauma of racism, to look within ourselves and see how we might be perpetuating racist beliefs, and to do what is needed to create equality for all people.”

Next month, Kiah (pronounced “KEE-uh”) is in the running in multiple categories for the Americana Music Honors & Awards. (As a solo artist, she’ll compete for Emerging Act of the Year, while “Black Myself” is up for Song of the Year. Our Native Daughters is also up for Duo/Group of the Year.) With this incredible career momentum, she’s criss-crossing the country in the months ahead: After a gig with Brandi Carlile and Sheryl Crow at the Gorge in Washington, she’ll be everywhere from Maine to Mexico, with a MerleFest gig in the mix too. Enjoy new music and some crowd favorites in our BGS Essentials Playlist with Amythyst Kiah below. And don’t miss our two-part Artist of the Month interview. Read part one here. Read part two here.


Photo credit: Sandlin Gaither

WATCH: Charlie Worsham, “Half Drunk”

Artist: Charlie Worsham
Hometown: Grenada, Mississippi
Song: “Half Drunk”
Album: Sugarcane EP
Release Date: July 16, 2021
Label: Warner Music Nashville

In Their Words: “‘Half Drunk’ tells the story of the first time I told my wife I loved her. I’d just been fired by my publisher and my manager had quit management that week, but I was singing that day in one of my favorite rooms in all the world, the Station Inn. Powered by Yazoo Pale Ale, applause, and a sense that this girl I was crazy about might just be more special and more permanent than the whole music industry thing, I turned to Kristen, said those three magic words, and she said ‘I love you too.’ I hope this song inspires a lot of drunken making out and maybe a few last-time-saying-I-love-you-for-the-first-time moments.” — Charlie Worsham


Photo credit: Jason Myers

Sam Williams Carries His Country Music Legacy to Late Night Debut

On his primetime television debut, Sam Williams makes a powerful statement. Grandson of the legendary Hank Williams and son of Hank Williams Jr., the rising recording artist previewed his debut album, Glasshouse Children with a riveting performance from his grandfather’s old house in Franklin, Tennessee. In an extended one-shot capture, Sam Williams does his name proud with a beautifully-written song called “You Can’t Fool Your Own Blood.” Out of a less-than-usual childhood and recent family tragedy, he has emerged with a style that is both poetic and hard-hitting, pulling no punches in his blend of honesty and vulnerability.

With an undoubtedly heavy burden of expectation, Williams blossoms in this realm of singer-songwriters who are more forlorn than raucous, standing with the likes of artists such as Donovan Woods and Ruston Kelly. Although his television debut was one for the books, perhaps the more exciting news is of the debut full-length record, set for a release later this summer on UMG Nashville. Music from Sam Williams has undoubtedly been a long time in the making, but the good news for us is that it’s almost here. Watch his performance on The Late Show with Stephen Colbert below.


Photo credit: Claire Joyce

LISTEN: Phil Leadbetter, “I Will Always Love You”

Artist: Phil Leadbetter
Hometown: Knoxville, Tennessee
Song: “I Will Always Love You”
Album: Masters of Slide: Spider Sessions (Various Artists)
Release Date: June 25, 2021
Label: Mountain Home Music Company

In Their Words: “I always loved this tune. I remember the first time I heard Dolly sing this live, it just killed me! Not only her voice, but the lyrics to the song were so heart-wrenching. I saw her many times telling the story about how the song came about. The story is a very sad one. I used to drive around and listen to that song from several of Dolly’s compilation albums, and it always had such a great melody that I kept hearing in my head over and over. I started messing with it, and liked the direction it was going. In 2010, I got a brand new Scheerhorn guitar. I was at a friend of mine’s home, and I was curious to see how the guitar sounded. I started noodling around and playing different songs to see how the new guitar sounded. My friend told me that I should seriously think about keeping the track. The track got lost over the years, but one day while looking through a bunch of files, I found it!! Me and my engineer worked on it, and I had thought about using it a few years back. So happy I saved it so it could be part of the Masters of Slide album.” — Phil Leadbetter


Photo courtesy of Phil Leadbetter

LISTEN: Hannah Juanita, “Hard Hearted Woman”

Artist: Hannah Juanita
Hometown: Chattanooga, Tennessee
Song: “Hard Hearted Woman”
Album: Hardliner
Release Date: June 11, 2021

In Their Words: “Well, I’m glad I don’t feel like a ‘Hard Hearted Woman’ anymore! But that is how I felt coming out of my last relationship. Turning 30, moving back to Tennessee, and leaving the life I had built out West behind definitely had me feeling alone… but it was the good kind of alone. I may have felt hardened to love, but I was so ready and excited to do my own thing and make music. I remember well the night I wrote this song. All my friends were out honky-tonkin’ around Nashville, but I felt heavy-hearted and went home because it was time to sit down with my guitar and get this song written. It had been rolling around in my head for too long.” — Hannah Juanita


Photo credit: Jody Domingue

LISTEN: Tray Wellington, “Pond Mountain Breakaway”

Artist: Tray Wellington
Hometown: Originally from Ashe County, North Carolina and now calls Johnson City, Tennessee home
Song: “Pond Mountain Breakaway”
Release Date: May 28, 2021
Label: Mountain Home Music Company

In Their Words: “I actually wrote the main riff to this song while playing electric guitar — but then, while playing banjo the same day, I tried it out with more of a bluegrass feel, and thought, ‘Wow, it would be cool to write a fast, upbeat instrumental around it.’ When recording, I got to the session late because my car broke down on the way, and while I was trying to think of a name for the tune during the actual recording session, Wayne Benson, who plays mandolin on the track, asked me, ‘Where did you break down?’ I replied, ‘A place called Pond Mountain,’ and he said, ‘Call it “Pond Mountain Breakdown.” I thought that was a great idea, but as I was thinking about it later, I realized that I don’t get a full breakdown vibe from this tune — and when I thought that a little variation in bluegrass titles wouldn’t be a bad thing, I decided to make a slight change to ‘Pond Mountain Breakaway.’” — Tray Wellington


Photo credit: Rob Laughter