Watch Tracy Chapman and Luke Combs’ Stunning Performance of “Fast Car”

Since the Grammy Awards ceremony on February 4, the country and folk music worlds have waited with bated breath for the Recording Academy to share a stand-alone video of Tracy Chapman and Luke Combs’ stunning collaboration on their mutual, cross-generational hit, “Fast Car.” Late last week, the Academy made our dreams come true – you can now watch the performance in its entirety. (View above.)

The song was a highlight of the Grammys’ primetime telecast and, to its global audience and more than one commentator, signaled a sense of unity and come-togetherness that many feel is woefully lacking in the current zeitgeist, news cycle, and pop culture content machines. Chapman seemed to glow while Combs quite obviously basked in her limelight, content in sharing the stage and the iconic song with one of his childhood heroes. Chapman, something of a recluse in the past two decades, occupied the enormous Crypto.com Arena stage with a quiet confidence and an undercurrent of joy. An electric energy emanated from her guitar strings as she picked the unmistakable melodic hook. Then, on the song’s soaring chorus, the two sang in unison, finding power and common ground in a lyric that has now been sung, heard, and enjoyed by millions more – and entirely new generations.

In the audience, celebrities and musicians like Taylor Swift, Michael Trotter of the War and Treaty, Brandi Carlile, and many more sang along boisterously, indicating the staying power of the song and its lyrics – and the long-lasting adoration held by so many for Chapman.

“Fast Car” will continue to resonate long into the future – and not just on road trip playlists. It’s a perfect, sonic example of the angst endemic to the American dream, of queer placemaking and history-telling, and of all the ways a story so specific, granular, and microscopic could feel entirely universal and relatable. There’s a reason why so many listeners have needed reminding that Combs didn’t, in fact, write the song himself – no matter who we are, where we come from, or who we love, we all so easily see ourselves reflected in “Fast Car.” We’re each hungry for that reflection; “Fast Car” is satiating and then some.

For a brief moment during the Grammys’ 66th Awards Ceremony, we were all contented, joyful passengers in Chapman and Combs’ cosmic “Fast Car.” Let’s each take time to continue to inhabit that moment, as we navigate the traffic of our busy, distinct, distracting, and often divided lives.


 

WATCH: Josh Fortenbery, “Sewing the Same Seam”

Artist: Josh Fortenbery
Hometown: Juneau, Alaska
Song: “Sewing the Same Seam”
Album: No Such Thing as Forever
Release Date: January 12, 2024 (single); March 8, 2024 (album)

In Their Words: “‘Sewing the Same Seam’ is an uptempo existential crisis. Like many songs on No Such Thing as Forever, it indulges in a bit of fatalism while also worrying that I’m capable of more than I admit. I’m a sucker for worst-case scenarios —maybe things won’t get better and not everything turns out alright. And when I linger on those thoughts, it gets easier to convince myself I know what I’m talking about instead. This live take was filmed at a house in Juneau that often hosts songwriters, with the same band that plays on the record.” – Josh Fortenbery

Track Credits: 

James Cheng – Bass
Lindsay Clark – Fiddle
Andrew Heist – Mandolin/vocals


Photo Credit: Annie Bartholomew

WATCH: Sarah Jarosz Performs on CBS Saturday Morning

In December, our current Artist of the Month, Sarah Jarosz, appeared on CBS Saturday Morning with her band to perform three tracks from her upcoming album, Polaroid Lovers (out January 26). Watch all three performances right here, on BGS.

The octave mandolin in her arms is the most “traditional” touch of each of these songs. The full band sound, which is ripe with influences from Jarosz’ new home base of Nashville, Tennessee, shines under the stage lights – vibey electric guitars mingling with energetic keys and the low-end, buzzy hum of her mando.

From “Jealous Moon” to her subtle, love-laden paean to New York, “Columbus & 89th,” to the slow burning and erotic “When the Lights Go Out,” Jarosz demonstrates an ease at this point in her career, a sly smile that says she knows exactly what she’s doing, even when she’s out on a limb. It’s a confidence born of living her entire adult life in the spotlight – after all, she won her first Grammy Award when she was merely eighteen.

As NYC did on past albums, Nashville certainly oozes from the songs on Polaroid Lovers, but never in pedestrian or predictable ways, as evidenced by these gorgeous performances from CBS’ Saturday Sessions. Jarosz uses Music Row sounds, textures, and professionals – Daniel Tashian produced the album and quite a few in-demand Music Row songwriters have co-write credits on the project – not as molds in which she fits her music, but each as springboards launching her into new sonic territory, which still hearkens back to songs and tracks we now view as classic Jarosz.

Enjoy these three performances while you look forward to Polaroid Lovers’ release on January 26th – and to our upcoming Artist of the Month feature, coming later in the month. Read more about our AOTM and explore our Essential Sarah Jarosz Playlist here.


Photo Credit: Shervin Lainez

WATCH: Autumn Nicholas Performs “Baggage” for From One to Tenn

Artist: Autumn Nicholas
Hometown: Born in Fayetteville, North Carolina, living in Nashville, Tennessee
Song: “Baggage”

In Their Words: “To be able to share our music in such an incredible, intimate way, in such a breathtaking setting was pure joy for us and we hope that comes through with the recordings. We are grateful to From One to Tenn. for including us in this series and are excited to share our music as part of the program.

“We’ve had the pleasure of working with Pilot Moon on a few other projects and it’s always an amazing experience, they are uniquely able to capture emotion in a raw, unfiltered, and honest way.

“Opportunities to help lift and amplify our music, such as the One to Tenn. series, are invaluable to us as artists and humans, as it allows us to connect more broadly with new people in a very compelling way.” – Autumn Nicholas

“John, Dave, and I have been coming to AmericanaFest for a few years to sit back, relax and enjoy the music.  Last year, we decided that, in 2023, we would set something up that’s fun, helps musicians, and benefits the AMA. It was important to us that we dream up something big that would inspire the musicians and offer them an opportunity that doesn’t come around very often. Once the Schermerhorn [Symphony Center] agreed to rent us the venue, we knew this series was going to be special.” – Joel Malizia, Pilot Moon Films


Video Credits: Filmed by David Allison, John DeMaio, and Joel Malizia, Pilot Moon Films / Islander Entertainment
Audio captured – Brett Blandon
Mixed/Mastered – John Kelly
Special thanks to Helene Cronin & Victoria O’Campo

Photo Credit: Video stills courtesy of Pilot Moon Films

WATCH: Jim Lauderdale & the Po’ Ramblin’ Boys, “Drop the Hammer Down”

Artist: Jim Lauderdale and The Po’ Ramblin’ Boys
Song: “Drop the Hammer Down”
Album: The Long and Lonesome Letting Go
Release Date: September 15, 2023
Label: Sky Crunch

In Their Words: “The first place I heard The Po’ Ramblin’ Boys and got to sit in with them was at MerleFest a few years back.  Now we have come full circle with an album together and a song that Josh Rinkel and I wrote called ‘Drop the Hammer Down.’ Here is the first time we performed it, last spring at MerleFest.” – Jim Lauderdale


Photo Credit: Jim Lauderdale by Scott Simontacchi; the Po’ Ramblin’ Boys by Amy Richmond.

WATCH: Sean Trischka, “Why You Been Gone So Long” (feat. Jacob Jolliff)

Artist: Sean Trischka
Hometown: Fair Lawn, New Jersey
Song: “Why You Been Gone So Long” (feat. Jacob Jolliff)
Release Date: May 19, 2023 (single); June 2, 2023 (video)

In Their Words: “50 years ago, almost to the day, Clarence White melted faces and stole hearts when he sang ‘Why You Been Gone So Long’ at a show in a small room in Stockholm, Sweden. The recording of this essentially punk-rock performance can be found on The New Kentucky Colonel’s Live in Sweden record, which has been living rent-free in my head from the moment I heard it.

“The ruggedness of Clarence’s voice paired with the comfortable looseness of the band reminded me why I love bluegrass, but also why I love rock music. I wanted to do something that would pay tribute to both the song and the energy of that version.

“I played all the instruments on the basic track and, during recording, left a space for a guitar solo that I assumed I’d clumsily crank out myself at a later date. But as dumb luck would have it, I had lunch with Jacob Jolliff shortly after recording and immediately thought his unabashed, incredible, stream-of-consciousness playing style would be perfect for the track. We recorded his performance at my apartment in New York City – and he melted my face and stole my heart.

“As for the video, it’s my chaotic visual rendering of a bluegrass/rock mind-meld. I hope you enjoy. <3” – Sean Trischka


Photo Credit: Sam Kassirer

WATCH: The Lowlies, “Simple Reminder” (feat. Sara Watkins)

Artist: The Lowlies
Hometown: Delevan, New York
Song: “Simple Reminder” (feat. Sara Watkins)
Album: The Lowlies
Release Date: October 6, 2023
Label: Airloom

In Their Words: “Maybe the most hope-filled tune I’ve written. There’s something simple and obvious, but somehow deep and mysterious about how uplifting a springtime morning with birds singing hits me every year. And I used those images to portray the new life I felt actually one day in the dead of winter, a season of depression and addiction. A friend called me out of the blue from across the hemisphere to tell me hi and say my work was inspiring him that day. He doesn’t know it, but that call somehow sparked a springtime in my life. It was the simplest thing, but also the truer thing… more true than the thoughts swirling in my head.” – Caleb Spaulding


Photo Credit: Brian and Christina Shaw

WATCH: Laura Cortese & the Dance Cards, “Three by Three”

Artist: Laura Cortese & the Dance Cards
Hometown: San Francisco, CA / Ghent, Belgium
Song: “Three by Three”
Release Date: April 28, 2023
Label: Compass Records

In Their Words: “…The song tells the story of a walk [my daughter and I] took together in early Spring 2021. I used her favorite syllables from an old Dutch children’s song in the chorus to see if she noticed. And … she did! The first time I sang it for her, she sang along. So naturally, we had her join in on the track itself.

“After the recording of ‘Three by Three’ in Colorado with Jayme Stone, we headed to Oregon on tour. While there, we were invited by boutique microphone maker, Ear Trumpet Labs, to take a tour of their workshop and film a video using their beautiful hand-built microphones. It had a been a rainy day, but just as we started to play, the sun came streaming through the big glass window at the back of the workshop.” – Laura Cortese


Photo Credit: Marc Ripper

Top 10 Sitch Sessions of the Past 10 Years

Since the beginning, BGS has sought to showcase roots music at every level and to preserve the moments throughout its ever-developing history that make this music so special. One of the simplest ways we’ve been able to do just that has been through our Sitch Sessions — working with new and old friends, up-and-coming artists, and legendary performers, filming musical moments in small, intimate spaces, among expansive, breathtaking landscapes, and just about everywhere in between. But always aiming to capture the communion of these shared moments.

In honor of our 10th year, we’ve gathered 10 of our best sessions — viral videos and fan favorites — from the past decade. We hope you’ll enjoy this trip down memory lane!

Greensky Bluegrass – “Burn Them”

Our most popular video of all time, this Telluride, Colorado session with Greensky Bluegrass is an undeniable favorite, and we just had to include it first.


Rodney Crowell and Emmylou Harris – “The Traveling Kind”

What more could you ask for than two old friends and legends of country music reminiscing on travels and songs passed and yet to come, in an intimate space like this? “We’re members of an elite group because we’re still around, we’re still traveling,” Emmylou Harris jokes. To which Rodney Crowell adds with a laugh, “We traveled so far, it became a song.” The flowers were even specifically chosen and arranged “to represent a celestial great-beyond and provide a welcoming otherworldly quality … a resting place for the traveling kind.” Another heartwarming touch for an unforgettable moment.


Sarah Jarosz and Aoife O’Donovan – “Some Tyrant” 

In the summer of 2014, during the Telluride Bluegrass Festival we had the distinct pleasure of capturing Sarah Jarosz and Aoife O’Donovan’s perfectly bucolic version of “Some Tyrant” among the aspens. While out on this jaunt into the woods, we also caught a performance of the loveliest ode to summertime from Kristin Andreassen, joined by Aoife and Sarah.


Rhiannon Giddens – “Mal Hombre”

Rhiannon Giddens once again proves that she can sing just about anything she wants to — and really well — with this gorgeously painful and moving version of “Mal Hombre.”


Tim O’Brien – “You Were on My Mind”

Is this our favorite Sitch Session of all time? Probably. Do we dream of having the good fortune of running into Tim O’Brien playing the banjo on a dusty road outside of Telluride like the truck driver in this video? Definitely.

Enjoy one of our most popular Sitch Sessions of all time, featuring O’Brien’s pure, unfiltered magic in a solo performance of an original, modern classic.


Gregory Alan Isakov – “Saint Valentine”

Being lucky in love is great work, if you can find it. But, for the rest of us, it’s a hard row to hoe. For this 2017 Sitch Session at the York Manor in our home base of Los Angeles, Gregory Alan Isakov teamed up with the Ghost Orchestra to perform “Saint Valentine.”


The Earls of Leicester – “The Train That Carried My Girl From Town”

In this rollicking session, the Earls of Leicester gather round some Ear Trumpet Labs mics to bring their traditional flair to a modern audience, and they all seem to be having a helluva time!


Sara and Sean Watkins – “You and Me”

For this Telluride session, Sara and Sean Watkins toted their fiddle and guitar up the mountain to give us a performance of “You and Me” from a gondola flying high above the canyon.


Punch Brothers – “My Oh My / Boll Weevil”

The Punch Brothers — along with Dawes, The Lone Bellow, and Gregory Alan Isakov — headlined the 2015 LA Bluegrass Situation festival at the Greek Theatre (a party all on its own), and in anticipation, the group shared a performance of “My Oh My” into “Boll Weevil” from on top of the Fonda Theatre in Hollywood.


Caitlin Canty feat. Noam Pikelny – “I Want To Be With You Always”

We’ll send you off with this delicate moment. Released on Valentine’s Day, Caitlin Canty and Noam Pikelny offered their tender acoustic rendition of Lefty Frizzell’s 1951 country classic love song, “I Want to Be With You Always.”


Dive into 8 of our favorite underrated Sitch Sessions here.

5 Videos to Welcome You to the World of Orville Peck

For the past few years, Orville Peck has graced our ears – and our screens – with a western drama that’s uniquely his. Not only do his impressive vocals and gauzy soundscapes – complete with mysterious electric and steel guitar – take the listener to a dreamy wonderland somewhere between the throwback sounds of pop music from days gone by and classic country from the likes of Patsy Cline, but the accompanying music videos – and his identity always hidden by his signature mask – have created a universe and perpetuated an aesthetic that has broken into the mainstream. Western fringe and cowboy hats seem to be everywhere these days, and while this millennium’s “yeehaw” culture was certainly brought to the masses by Lil Nas X, Orville Peck has carried it on with leather, rhinestones, and chaps – and a dramatic, distinctly countrypolitan sound.

His videos seem to transport us into a fever dream, each one a unique world all its own, but still grounded firmly in our familiar reality, and floating along the airwaves of the now-familiar, surreal world of Orville Peck. From a hazy daydream at the Chicken Ranch brothel in Reno, to chilly, isolating mountain landscapes, blossoming hope despite the consuming grasp of nostalgia, and the Daytona sands, here are five of our favorite examples that construct Orville Peck’s cinematic universe, in both song and scene:

“Dead of Night” (Pony)


“No Glory in the West” (Show Pony)


“Summertime” (Show Pony)


“The Curse of the Blackened Eye” (Bronco)


“Daytona Sand” (Bronco)


BONUS: “Legends Never Die” with Shania Twain (Show Pony)


Listen to our Essential Orville Peck playlist celebrating our Artist of the Month here.