LISTEN: Leftover Salmon, “Boogie Grass Band”

Artist: Leftover Salmon
Hometown: Boulder, Colorado
Song: “Boogie Grass Band”
Album: Brand New Good Old Days
Release Date: May 7, 2021
Label: Compass Records

In Their Words: “This old Conway Twitty song was recommended for the band by our friend Ronnie McCoury years ago. It speaks to where we sit on the musical spectrum. We love country, bluegrass and rock music and like to do them all at the same time! This song acknowledges that while taking it taking it in a uniquely Salmon direction.” — Vince Herman, Leftover Salmon


Photo credit: John-Ryan Lockman

WATCH: Annie Moses Band, “In My Grandpa’s Pulpit”

Artist: Annie Moses Band
Hometown: Nashville, Tennessee
Song: “In My Grandpa’s Pulpit”
Album: Tales From My Grandpa’s Pulpit
Release Date: April 16, 2021
Label: Gaither Music Group

In Their Words: “My grandpa was a larger-than-life man. His life was the backdrop for the project, Tales From My Grandpa’s Pulpit. D. Riley Donica was a crack shot, expert horseman, bush pilot, armchair historian, a deputy sheriff, and the preacher at the same mountain church for 50 years. He grew up in a place riddled with violence. He lived through the murder of his father and, many years later, his stepfather. In the prime of his life he was responsible for having a sheriff brought to the area to help with the issues of crime. The sheriff was murdered within a week, leaving behind a widow and three young children. There was an eye witness to the murder, but no one would testify out of fear. The killer was a known quantity and hired by a crime boss that ran all manner of illegal filth between four states — Arkansas, Oklahoma, Louisiana, and Texas. Their headquarters was a place called Dogpatch and it sat right where these four states met and only a couple of miles from my grandpa’s brand new church house.

“So Grandpa picked a fight with the bad guys by writing in his weekly newsletter and preaching against the silence and cowardice of the community that allowed a safe haven for these murderers. One week later the new church house was burned to the ground. The close of this story involves a few steely-eyed, Clint Eastwood-style confrontations, the Oklahoma Bureau of Investigation and the murderer being convicted and put in prison, because my grandpa was courageous. Through the years he became known as a minister of the gospel who taught with his Bible on top of the pulpit and his gun on the shelf below. He frequently and famously said, ‘It ain’t right to do nothing when something ought to be done.’ The song ‘In My Grandpa’s Pulpit’ is a snapshot of his story.” — Annie Dupre


Photo credit: David Bean

LISTEN: June Star, “I Don’t Wanna Know”

Artist: June Star
Hometown: Baltimore, Maryland
Song: “I Don’t Wanna Know”
Album: How We See It Now
Release Date: April 16, 2021
Label: WhistlePig Records

In Their Words: “Human beings are messy emotional creatures. Sometimes when we struggle to communicate in relationships it’s because there’s the voice we speak with and that voice in our head. ‘I Don’t Wanna Know’ bounces between a professed love to another person and a confessed loneliness on the inside.” — Andrew Grimm, June Star


Photo credit: Shane Gardner

WATCH: The Sweet Lillies, “My Brother’s Hill”

Artist: The Sweet Lillies
Hometown: Boulder, Colorado
Song: “My Brother’s Hill”
Album: Common Ground
Release Date: June 4, 2021
Label: Americana Vibes

In Their Words: “We selected ‘My Brother’s Hill’ because we were deeply inspired by the composition’s stunning vocal harmonies, beautiful and meaningful lyrics, and old-timey structure, especially the cross tuning of the violin. We felt with our instrumentation and devotion to harmony singing that it would be a fun challenge to recreate the song. We started performing the song in 2019. Our version was truly well-received, at which point we began to consider recording it. As luck would have it we ran into the song’s composer Oliver Bates Craven at Folk Alliance in 2020 and were able to ask his permission to record the song. Oliver was enthusiastic at the prospect of hearing his song recorded by us. This gave us the encouragement we needed to go ahead and show it to our producer Tim Carbone of Railroad Earth. Tim immediately and resoundingly said, ‘Yes, let’s do it!’ Having the approval from the songwriter and our producer, as well as the enthusiasm of the band, the decision was made to record ‘My Brother’s Hill.'” — Julie Gussaroff, The Sweet Lillies


Photo credit: Michael Weintrob

WATCH: Andrew Adkins, “This Old Knife”

Artist: Andrew Adkins
Hometown: Fayetteville, West Virginia
Song: “This Old Knife”
Album: April in Your Eyes – A Tribute to the Songs of John Lilly
Release Date: April 16, 2021
Label: Diamond Ranch Records

In Their Words: “I’ve always admired John Lilly as a person and as a songwriter. The first or second time I saw him perform, he played ‘This Old Knife’ and I was in love. I literally stuck my hand in my pocket and held the knife that my father gave to me. When asked to be a part of this album, I knew exactly what song I wanted to sing, because I’ve sang it so many times since I first heard it that night.” — Andrew Adkins


Photo credit: Tara Fowler

WATCH: Sonja Midtune, “Los Angeles”

Artist: Sonja Midtune
Hometown: Los Angeles, California
Song: “Los Angeles”
Album: Dreams Melt Away (EP)
Release Date: April 2, 2021

In Their Words: “‘Los Angeles’ is a song with multiple meanings. What starts as a love song quickly turns into an analogy about the relationship; pretty on the surface, but messy underneath, just like Los Angeles. It asks the question, ‘Are WE Los Angeles?’ and ends with me accepting L.A. as my home, but wow, I am lost here. The music video was shot by my boyfriend at all of my favorite unique L.A. spots that I’ve discovered through the years. He loves the song. 🙂 We had a blast!” — Sonja Midtune


Photo credit: Michelle Lanning

The Show on the Road – Caroline Spence

This week on The Show On The Road, we feature a conversation with an admired and sharp-witted singer-songwriter in the fertile Nashville Americana scene, Caroline Spence.


LISTEN: APPLE PODCASTS • SPOTIFY • STITCHER
A sought-after lyricist who mines her own vulnerabilities and lovelorn past to tell delicately crafted story-songs, Caroline Spence’s voice seems to always hover angelically above the page, bringing to mind new-wave country pop heroine Alison Krauss or her vocal hero, Emmylou Harris.

Growing up in Charlottesville, VA daydreaming to Harris’ signature twangy honey-toned records like Wrecking Ball, Spence admittedly was a bit starstruck when the silver-maned lady herself came on board to sing harmonies on the title track of Spence’s newest LP, Mint Condition. It quickly became a critic’s darling and an Americana radio staple nationwide.

As a conversationalist, she usually leads with cheerful southern modesty, but beginning with her 2015 debut, Somehow, Spence wasn’t afraid to push at country music’s guy-centric boundaries. She brought aboard a talented group of genre-defining collaborators like blue-eyed soul hero Anderson East and pop-folk favorite Erin Rae to give the songs new heft. Her follow-up Spades And Roses brought more lush atmospherics to her yearning acoustic stories, elevating the clear-eyed feminine power behind emotive songs like “Heart Of Somebody.”

While Spence will tell you she is just furthering the empowered spirit of roots songwriter pioneers who came before her, during this time of high anxiety, her deeply felt love songs like “Sit Here and Love Me” and “Slow Dancer” seem especially fitting, touching on her bouts of depression and her inability to connect with the ones who are trying to help her through.

Sometimes sad songs truly do make people happy, and if you’re feeling a bit low, maybe pop on her newest single “The Choir,” about finding your people when you need them most.


Photo credit: Angelina Castillo

LISTEN: The Shootouts, “Saturday Night Town”

Artist: The Shootouts
Hometown: Northeast Ohio
Song: “Saturday Night Town”
Album: Bullseye
Release Date: April 30, 2021
Label: Soundly Music

In Their Words: “It was inspired by a book I read about a historic small town in Ohio. Throughout the book there were stories of fun-loving locals who would cut loose at the end of a long week, referring to it as a ‘Saturday Night Town.’ I instantly knew that was meant to be a song title. We all come from, or know someone who comes from, a small town like this. Even if they end up leaving, it’s hard to get that out of your blood. I think we can all relate to a much-needed break at the end of a long week, no matter what town you call home.

“That same book inspired another track called ‘Rattlesnake Whiskey,’ which is also on Bullseye. Both of those songs were written in 2015, before The Shootouts began. They were some of the first original songs we performed live, and they quickly became fan favorites. They didn’t quite fit with the batch of tunes that became our debut album, Quick Draw, but they definitely felt like a perfect fit for Bullseye. Luckily, Chuck [Mead, producer] thought so too. I think we got the definitive versions, and I’m glad we finally got to record them both.

“Fun fact: We end almost every show with ‘Saturday Night Town’ and have almost since the inception of the band. It really allows the band to stretch out a bit and trade some tasty licks.” — Ryan Humbert, The Shootouts


Photo credit: Jamie Escola

8 of Our Favorite Underrated Sitch Sessions

Since our first excursion to Bonnaroo in 2013 BGS has been filming, crafting, and releasing Sitch Sessions with the absolute best and brightest musicians and artists in roots music. We’ve been so fortunate to work with new and old friends, freshly discovered and up-and-coming artists, and legendary performers with enormous legacies. After nearly eight years, we’ve amassed quite an archive of sessions, and within that archive more than a few stellar songs and performances have seemingly fallen to the wayside. 

These 8 Sitch Sessions from the BGS archives are a few of our most favorite, underrated moments from our years of shooting sessions. We hope you’ll enjoy a few of these “reruns” — and take a deep dive into our past featured videos yourself!

Nathan Bowles – “Burnt Ends Rag”

One of our favorite shooting locations is a rooftop in downtown Los Angeles, where countless BGS Friends & Neighbors have taped their Sitch Sessions over the years. One of our favorites is this clawhammer banjo performance by Nathan Bowles, which demonstrates that old-time music and its trappings can be perfectly at home in modernity — and in urban settings, too. More banjos in DTLA, please and thank you!


Andrew Combs – “Firestarter”

One fine AmericanaFest week in Nashville in September a few years back we partnered with Crowell Floral, Jacob Blumberg, and Dan Knobler on The Silverstreak Sessions, a series of Sitch Sessions set in a vintage Airstream and flanked by gorgeous flowers and verdant foliage. At the time, “Firestarter” had not yet been released — now you can hear it on Combs’ 2019 release, Ideal Man. For this session all Combs needed was his guitar, this heartfelt song, and that honey sweet, aching voice. 


Alice Gerrard – “Maybe This Time” 

Every opportunity we’ve had to collaborate or speak with Bluegrass Hall of Famer and living legend Alice Gerrard, we’ve taken it! This session is two of a pair we shot with Gerrard, the other a stark, awe-inspiring a capella number that was quite popular on our channels. This Alice original, “Maybe This Time,” is cheerier, lighter, and has that charming old-time bounce in its bluegrass bones. 

With a new documentary film available, You Gave Me a Song, perhaps it’s about time for another session with this hero of ours!


Ben Sollee – “Pretend”

Maybe you’ve seen Mark O’Connor play fiddle while skateboarding, or Rushad Eggleston performing all manner of acrobatics and avant garde silliness with his cello, but do you remember when Ben Sollee toured America by bicycle? In this 2016 session, Sollee demonstrates his cello-while-pedaling chops. 

We’re firm believers that the world needs more bluegrass, old-time, and Americana cello and we’re happy to return to this archived Sitch Session for that reminder!


Caroline Spence – “Mint Condition”

Another session filmed on our home turf in Los Angeles, Nashville-based singer-songwriter Caroline Spence brought “Mint Condition” to her taping fresh off her debut, eponymous release on Rounder Records in 2019. “Mint Condition” displays Spence’s unique skill for writing strong, unassailable hooks that on almost any other songwriter’s page might trend cheesy or trite. Spence instead displays the simple profundity in her lyrics, a skill evidenced plainly in this session.


Laura Veirs – “July Flame”

Over the years, we’ve partnered with festivals, companies, and brands on tailor-made sessions — like our Portland series, where we partnered with our friends at Ear Trumpet Labs on some of our most popular, most viral Sitch Sessions ever! This beautiful, sunny, summery rendition of “July Flame” by Laura Veirs certainly deserves a re-up. 

In 2016, after this session was published, Veirs went on to release case/lang/veirs with Neko Case and k.d. lang. Remember that!? 


Kelsey Waldon – “Powderfinger”

We first filmed a Sitch Session with Kentuckian country singer and songwriter Kelsey Waldon in 2015 — after the release of her debut album, The Goldmine, in 2014. In the time that’s elapsed since, Waldon has followed her golden debut with two more impeccable studio albums, the latest being White Noise / White Lines, which was released on the late John Prine’s Oh Boy Records in 2019. On the tail of White Noise / White Lines, Waldon gave us this gorgeous cover of Neil Young’s “Powderfinger” displaying her talent for cover song interpretations as well as original song sculpting.


Sunny War – “He Is My Cell”

Guitarist and singer-songwriter Sunny War has just released a brand new album, Simple Syrup, as charming and entrancing as ever and built firmly, yet again, upon her unique and idiosyncratic guitar picking style. In 2018 she released With the Sun, an album that included “He Is My Cell,” which ended up featured in a Sitch Session in early 2019 on BGS. 

War recently appeared as a guest on our Shout & Shine series – read our interview here. 


 

LISTEN: Acoustic Syndicate, “Sunny”

Artist: Acoustic Syndicate
Hometown: Shelby, North Carolina
Song: “Sunny”
Release Date: April 9, 2021
Label: Organic Records

In Their Words: “‘Sunny’ is one of those things that’s been on my ‘list of things to finish’ for quite some time. Based on an idea for a short story that I was working on some years ago, it’s a discussion about love, coping with loss, hope, and ultimately, redemption. I’ve been carrying that melody around in my head for years and finally got lucky enough to find the right words to go with it. The tune was one that I was kinda holding in reserve for a possible solo project at some point. After putting it together and sharing with the other fellas, they were all in to record it. The piano (Brian Felix) and violin (Lyndsay Pruett) were part of the original idea, and it was such a pleasure to watch it materialize in the studio on a super solid track by Fitz, Bryon, and Jay. Being back in the studio after seven years has been a real treat. I love the process of recording, and I have missed it very much. Our engineer, Clay Miller, is a ‘steely eyed missile man’ and has the patience of Job! He makes the recording process an absolute joy. I’m so grateful and honored to be making new music with these dudes again.” — Steve McMurry, Acoustic Syndicate


Photo credit: Sandlin Gaither