Country Stars
Country Songwriters

While every country star knows how to tell a good story, it takes a particular strain of excellence to also be able to write one.

Songwriting is the gravitational center around which Good Country orbits. Lyrics that strike at the oceanic spread of human existence, chords that evoke its sprawling underbelly – the songwriter weaves both words and notes together, using each as a tool to explore the other.

Uniquely attuned to the value in lyrical narrative and authenticity, country music self-selects its fair share of multi-hyphenate talents who, beyond their performative prowess or instrumental skills, have a knack for setting pen to paper. From Willie Nelson to Kacey Musgraves, country carries an extensive lineage of talented songsmiths. The following collection merely scrapes the surface of the best country star songwriters. Unsurprisingly, this list is a tangled web with many superb songwriters covering, popularizing, and collaborating on one another’s songs in true communal country fashion.

Willie Nelson

With over 300 songwriting credits to his name, Willie Nelson is indubitably one of the most prolific songwriters of all time – not just in country. Having written his first poem at the age of six, Nelson has nearly nine decades of steadfast dedication to the craft under his belt. Patsy Cline’s 1961 recording of “Crazy” lifted his songwriting further into the limelight. His pen went on to produce such potency that it helped define an entire new subgenre in the ‘70s— “outlaw country.”

Prized for his rebellious and forthright lyrical attitude, Nelson values raw emotion over placative commercial appeal, ironically earning him one of the most successful careers in country history. Over the years, Nelson has delivered a seemingly endless stream of hits performed by both himself and countless other musical giants, including Loretta Lynn, Merle Haggard, and Dolly Parton, just to name a few.

Bobbie Gentry

Bobbie Gentry is the keeper of a robust legacy of composing and performing. Having written her first song at age 7, Gentry taught herself to play a slew of instruments throughout her youth. When she attended college at UCLA, she began performing her songs out at the occasional nightclub, signing to Capitol Records some years later as an aspiring songwriter. In 1967, Capitol Records released “Ode to Billie Joe,” a song that Gentry had written and recorded herself. Gentry told The Washington Post that despite wanting to write songs for other artists, she only sang “Ode to Billie Joe” herself because it was cheaper than hiring another singer.

Despite her previous obscurity and the song’s dark tenor, “Ode” crept up the charts, surpassing the likes of Aretha Franklin and The Doors until it eventually pushed “All You Need is Love” out of the No. 1 spot. This astronomical success marked only the beginning of an industrious career for Gentry; she would go on to write and perform several other smash hits in addition to becoming the first woman to host a variety show on the BBC. She would later produce, choreograph, and write the music for her own nightclub revue in Las Vegas prior to retiring from show business.

Roger Miller

The King of the Road had range! Roger Miller’s songwriting legacy entailed chart-topping hits he wrote and performed himself, such as (of course) “King of the Road,” “Dang Me,” and “England Swings,” in addition to many that he wrote for other artists, such as “Billy Bayou” for Jim Reeves and Ray Price’s “Invitation to the Blues.”

His imaginative impulse made him uniquely qualified for the projects he took on later in life, including writing the music and lyrics for several songs in the 1973  animated Disney film Robin Hood, in which he also voiced Alan-a-Dale, the film’s rooster narrator. His acting career was even furthered by another musical project – Miller wrote the entire score for Big River, a Broadway musical based on Mark Twain’s The Adventures of Huckleberry Finn. The musical premiered in 1985 and earned a total of seven Tony Awards, including Best Score. Miller even played the part of Pap (Huck Finn’s father) onstage for three months following the original cast member’s departure for Hollywood.

Kacey Musgraves

One of the most influential women in today’s country sphere, Kacey Musgraves has sculpted a name for herself for both her instrumental/vocal prowess and her impactful songwriting capabilities. Her solo catalog is chock-full of compelling songs that explore the “nuances of being a human, alive and experiencing consciousness,” as she told The Cut. The thoughtful universality of her songwriting has attracted a distinguished array of performers, with Musgraves contributing her skills to songs performed and recorded by Martina McBride, Miranda Lambert, and Deana Carter, among others.

Kris Kristofferson

This September marked a year since his passing, but Kris Kristofferson’s legacy continues to burn bright. His songs maintain a rugged, raw quality without sacrificing any of their vibrance. Though Kristofferson only landed one No. 1 hit on Billboard’s Hot Country Songs chart performing his own original material, his songs were platformed by many others featured on this list, including “Help Me Through the Night,” which Sammi Smith, Loretta Lynn and Willie Nelson recorded, and “For the Good Times,” a tune made famous by Ray Price that was later recorded by Dolly Parton, Merle Haggard, Willie Nelson, and more. Kristofferson also penned a fair number of tunes for The Highwaymen, the country supergroup composed of Waylon Jennings, Willie Nelson, Johnny Cash, and Kristofferson himself, including their titular hit, “Highwayman.”

Trisha Yearwood

Author, singer, chef, Food Network television show host – just when we thought Trisha Yearwood had done it all, her 16th studio album, The Mirror, arrived this past July to showcase yet another talent you may not know that she held all along: songwriting. In an interview with Billboard, Yearwood recounts that discouragement during her college years largely held her back from incorporating songwriting into her career over the past three-plus decades. “It made me think I wasn’t a songwriter and I just always downplayed it,” she says.

The Mirror boasts powerful co-writes with many songwriters who’ve contributed to Yearwood’s earlier albums, including Rebecca Lynn Howard (“I Don’t Paint Myself into Corners”) and Maia Sharp (“Standing Out in a Crowd”). Of homing in on her songwriting craft, Yearwood shares, “It was really something that clicked a couple of years ago. I started writing and it was really kind of therapeutic and really evolved naturally out of something I felt like I needed to do and I’m so happy with how it came out.”

Merle Haggard

Widely recognized as one of the most legendary singer-songwriters of the country canon, Merle Haggard was a staunch believer in writing from his own experiences – of which he had many worth writing about. After losing his father at age nine, Haggard wound up in all sorts of trouble, from several stints in juvenile detention to developing a strong hitchhiking and train hopping habit. His rambunctious tendencies followed him into adulthood and eventually landed him in prison after an attempted robbery and subsequent failed jailbreak.

In 1960, Haggard’s life changed forever upon attending a Johnny Cash concert while incarcerated at San Quentin State Prison, which deeply inspired him. Upon his release later that year, Haggard set out to forge his own country career, garnering unspeakable success. From “Workin’ Man’s Blues” (co-written with Roy Edward Burris) to “The Bottle Let Me Down,” many of Haggard’s songs have become perennial classics.

Jimmy Buffett

Of all the narrative-focused songwriters, Jimmy Buffet undoubtedly took the premise of “world-building” the most literally. “Margaritaville,” the hit song which Buffett claimed took him only six minutes to write, has a transcendent legacy. From hotels to casinos to Broadway musicals, Buffett’s profoundly popular songwriting grew an empire. Of course, “Margaritaville” was certainly neither the beginning nor the end of Buffett’s extensive songwriting career; having released 30 albums (8 of which are certified gold and 9 of which are certified platinum or multi-platinum by the RIAA), Buffett was credited on upwards of 350 songs over the course of his life.

Don Gibson

Responsible for the songwriting behind some of the most famous songs in country history, Shelby, North Carolina, native Don Gibson was such a force that he, in fact, penned two of his most influential songs in the same day. “Oh Lonesome Me” and “I Can’t Stop Loving You” – which would go on to be recorded over 700 times by other artists including Ray Charles, Kitty Wells, and Loretta Lynn – were both conceived in a trailer park north of Knoxville, Tennessee, in 1957.

Bonnie Raitt

In addition to being the utter powerhouse musician that she is, Bonnie Raitt also knows her way around some lyrics. Having written most of her own music and with artists like Stevie Nicks and The Chicks covering her songs, Raitt’s songwriting has left an indelible mark on the blues, country, and Americana scenes. She’s known for her thoughtful and emotionally dynamic posture; for instance, her song “Down the Road” was inspired by a New York Times article Raitt read about a prison hospice program. Another, “Just Like That,” earned her a GRAMMY for Song of the Year and was inspired by a news segment featuring two families experiencing either end of an organ donation. Written from heartful depths, Raitt’s lyrics are both inspired and inspiring.

Cam

Best-known for her Grammy-nominated 2015 hit, “Burning House,” Cam (AKA Camaron Ochs) is one of the most prominent songwriters in the contemporary country scene. Another star and composer, in addition to her own four studio albums, Cam has writing credits featured on work from some of the largest industry giants in any genres. She has composed material for artists from Sam Smith to Miley Cyrus and 2024 saw her songwriting, backing vocals, and production lending a hand in several songs off of Beyonce’s chart-topping, culture-shifting country release, Cowboy Carter.

John Hartford

John Hartford’s talents truly knew no bounds. In addition to his multi-instrumental expertise, he was a fleet-footed clogger who could tear up a rug while he played. And he sure did know how to write a song. His most successful songwriting credit, “Gentle on My Mind,” (popularized by Glen Campbell and henceforth covered over and over again) earned him three GRAMMY awards and a listing among BMI’s Top 100 Songs of the Century. With covers from folks like Loretta Lynn, Willie Nelson, Dolly Parton, Merle Haggard, and many more, it’s safe to say Hartford was one of the most respected – and most recorded and most covered – roots songwriters of his time. And of our time, too, as evidenced by this I’m With Her performance of “Long Hot Summer Days,” a Hartford original fiddler Sara Watkins once recorded on her own solo project.

Chris Stapleton

A fav of Good Country and our audience alike, Chris Stapleton has had a tremendously successful performing career in both bluegrass (via The SteelDrivers) and country (as a solo artist). His guitar prowess and smoky vocals aren’t his only claims to fame; even before his rise to stardom, Stapleton had written songs for some of the most commercially successful names in country and beyond. He’s been the pen-power behind songs for industry giants such as Luke Bryan, Kenny Chesney, Darius Rucker, George Strait, Lee Ann Womack, and more. Adele even recognized the potency of Stapleton’s powers back in 2011, having recorded a version of his smash hit SteelDrivers song “If It Hadn’t Been for Love” on a deluxe version of her album 21.

Dolly Parton

They don’t call Dolly Parton the queen of country for nothing! Illustrious and industrious, Parton estimates that she’s composed nearly 3,000 songs in her lifetime, with somewhere around 450 of them recorded. Her ability to world-build through dynamic characters and narratives has set the modern country standard for story-songs, with “Coat of Many Colors,” “9 to 5,” and, of course, “Jolene” being just some of her most chart-topping successes. She’s also written plenty for other artists – think Merle Haggard, Kenny Rodgers, Hank Williams Jr., Waylon Jennings, Emmylou Harris, and Tina Turner, just to name a few. And of course, we’d be remiss not to mention that Parton penned the biggest hit of Whitney Houston’s career!

Darrell Scott

In 2007 Darrell Scott was named the Americana Music Association’s Songwriter of the Year, and this year, 2025, he received a Lifetime Achievement Award from the organization, too. In short, Darrell Scott is a songwriting powerhouse – in addition to his status as one of Nashville’s premiere session musicians.

Similarly to many other artists on this list, albeit with his own stylistic flares, Scott champions the narrative song, writing tunes full of dynamic characters and story arcs that mesmerize. Outside of his own successful solo work, songwriting for others is the bedrock of Scott’s career. Among countless other contributions, Scott wrote the Chicks’ “Long Time Gone” (later to be sampled in Beyoncé’s “Daddy Lessons”), Travis Tritt’s hit song, “It’s a Great Day to Be Alive,” and the ever-relevant “You’ll Never Leave Harlan Alive,” which has been covered by Patty Loveless, Brad Paisley, Chris Stapleton, Kathy Mattea, Luke Combs, and many more.


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Photo Credit: Kelly Christine Sutton

Carolina Calling, Shelby: Local Legends Breathe New Life Into Small Town

The image of bluegrass is mountain music played and heard at high altitudes and towns like Deep Gap and remote mountain hollers across the Appalachians. But the earliest form of the music originated at lower elevations, in textile towns across the North Carolina Piedmont. As far back as the 1920s, old-time string bands like Charlie Poole’s North Carolina Ramblers were playing an early form of the music in textile towns, like Gastonia, Spray, and Shelby – in Cleveland County west of Charlotte.

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In this second episode of Carolina Calling, a podcast exploring the history of North Carolina through its music and the musicians who made it, we visit the small town of Shelby: a seemingly quiet place, like most small Southern towns one might pass by in their travels. Until you see the signs for the likes of the Don Gibson Theatre and the Earl Scruggs Center, you wouldn’t guess that it was the town that raised two of the most influential musicians and songwriters in bluegrass and country music: Earl Scruggs, one of the most important musicians in the birth of bluegrass, whose banjo playing was so innovative that it still bears his name, “Scruggs style,” and Don Gibson, one of the greatest songwriters in the pop & country pantheon, who wrote “I Can’t Stop Loving You,” “Sweet Dreams,” and other songs you know by heart. For both Don Gibson and Earl Scruggs, Shelby is where it all began.

Subscribe to Carolina Calling on any and all podcast platforms to follow along as we journey across the Old North State, visiting towns like Greensboro, Durham, Wilmington, Asheville, and more.


Music featured in this episode:

Charlie Poole & The North Carolina Ramblers – “Take a Drink On Me”
Flatt & Scruggs – “Ground Speed”
Don Gibson – “I Can’t Stop Loving You”
Andrew Marlin – “Erie Fiddler” (Carolina Calling Theme)
Hedy West – “Cotton Mill Girl”
Blind Boy Fuller – “Rag Mama, Rag”
Don Gibson – “Sea Of Heartbreak”
Patsy Cline – “Sweet Dreams ”
Ray Charles – “I Can’t Stop Loving You”
Ronnie Milsap – “(I’d Be) A Legend In My Time”
Elvis Presley – “Crying In The Chapel”
Hank Snow – “Oh Lonesome Me”
Don Gibson – “Sweet Dreams”
Don Gibson – “Oh Lonesome Me”
Chet Atkins – “Oh Lonesome Me”
Johnny Cash – “Oh, Lonesome Me”
The Everly Brothers – “Oh Lonesome Me”
Neil Young – “Oh Lonesome Me”
Flatt & Scruggs – “Foggy Mountain Breakdown”
Bill Preston – “Holy, Holy, Holy”
Flat & Scruggs – “We’ll Meet Again Sweetheart”
Snuffy Jenkins – “Careless Love”
Bill Monroe – “Uncle Pen”
Bill Monroe – “It’s Mighty Dark To Travel”
The Earl Scruggs Revue – “I Shall Be Released”
The Band – “I Shall Be Released”
Nitty Gritty Dirt Band – “Will The Circle Be Unbroken”
The Country Gentlemen – “Fox On The Run”
Sonny Terry – “Whoopin’ The Blues”
Sonny Terry & Brownie McGee – “Born With The Blues (Live)”
Nina Simone – “I Wish I Knew How It Would Feel To Be Free”


BGS is proud to produce Carolina Calling in partnership with Come Hear NC, a campaign from the North Carolina Department of Natural & Cultural Resources designed to celebrate North Carolinians’ contribution to the canon of American music.

BGS & Come Hear NC Explore the Musical History of North Carolina in New Podcast ‘Carolina Calling’

The Bluegrass Situation is excited to announce a partnership with Come Hear North Carolina, and the latest addition to the BGS Podcast Network, in Carolina Calling: a podcast exploring the history of North Carolina through its music and the musicians who made it. The state’s rich musical history has influenced the musical styles of the U.S. and beyond, and Carolina Calling aims to connect the roots of these progressions and uncover the spark in these artistic communities. From Asheville to Wilmington, we’ll be diving into the cities and regions that have cultivated decades of talent as diverse as Blind Boy Fuller to the Steep Canyon Rangers, from Robert Moog to James Taylor and Rhiannon Giddens.

The series’ first episode, focusing on the creative spirit of retreat in Asheville, premieres Monday, January 31 and features the likes of Pokey LaFarge, Woody Platt of the Steep Canyon Rangers, Gar Ragland of Citizen Vinyl, and more. Subscribe to the show wherever you listen to podcasts, and be on the lookout for brand new episodes coming soon.

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10 Old Sweet Songs That Keep Ray Charles on Our Mind

The musical and cultural impact of Ray Charles is extraordinary and spans the pantheon of American popular music. He was an outstanding multi-instrumentalist (though best known for piano and alto sax), vocalist, bandleader, songwriter and composer in the non-lyrical sense. His innovations include helping craft and popularize the secularization of gospel music, now otherwise known as soul, and bringing new attention and expanded audiences to country music, which was the earliest idiom he loved and played before blues, jazz, R&B, or soul.

Though his earliest material was heavily influenced by Charles Brown and Nat “King” Cole, Charles (full name Ray Charles Robinson) quickly developed a highly stylized, immediately recognizable singing and playing approach. He became an expressive, evocative vocalist, one of the finest interpretative singers of all time, and a skilled improviser as an instrumentalist, able to deliver intense and memorable melodic statements or energetic solos while heading either small combos or large bands.

Charles is remembered as a trailblazer on the music business side as well, signing a contract in the early ’60s that gave him creative control over his sessions, something that allowed him to record in genres that many felt Black artists should avoid. The extensive list of Ray Charles’ achievements include 18 Grammy Awards, the Kennedy Center Honors, the National Medal of Arts and the Polar Music Prize, as well as a Lifetime Grammy Achievement Award and 10 recordings inducted into the Grammy Hall of Fame. Among the 2021 inductees into the Country Music Hall of Fame, Ray Charles is finally earning his place in the Veterans Era category.

The Ray Charles Foundation released the new box set, True Genius – The Ultimate Ray Charles Collection (Tangerine), in September, roughly two weeks before what would be Charles’ 91st birthday. The six-disc, 90-song collection is unquestionably the most comprehensive sampler available of his music from 1960 until his passing in 2004. It combines vintage, familiar hits with many previously unissued gems, most notably a 1972 Stockholm concert that’s not available other than through purchase of the set. There’s also a wonderful coffee table book with rare photos and comprehensive liner notes from Ray Charles Foundation President Valerie Ervin and music journalist A. Scott Galloway. A special message from Quincy Jones concludes what’s obviously an essential collection for any serious music fan.

Here are our 10 choices for selections from the set, although if we chose these tomorrow we might easily pick another 10. Ironically, none are Charles compositions, though that wasn’t the intention, and we could certainly go back through and do a separate listing of Charles’ pieces. However I would argue none of those, even some that I’ve loved my entire life, top these 10 renditions of other songwriters’ works.

“Georgia On My Mind”

The official anthem of the Peach State, it was co-written by Stuart Gorrell and Hoagy Carmichael, and was Charles’ first post-Atlantic hit for ABC-Paramount in 1960. It also marked his first collaboration with Sid Feller, who not only produced and arranged, but conducted the recording. Besides being a huge hit, it earned Charles plenty of recognition outside R&B and soul circles while garnering four Grammy Awards.


“Hit The Road Jack”

Percy Mayfield had many immortal R&B hits, but not that many folks are aware he wrote “Hit The Road Jack.” Mayfield even sent it to Art Rupe as an a cappella demo, but Charles transformed it in much the same way Aretha Franklin did Otis Redding’s “Respect.” The song is spiced by the interaction of and exchanges with Margie Hendrix, and it soared to the top of the Billboard pop and R&B charts in 1961, though it had more staying power on the R&B side. It topped that chart for five weeks, and ultimately won a Grammy for Best Rhythm and Blues Recording.


“I Can’t Stop Loving You”

Don Gibson’s original recording from 1957 is tremendous, but Charles’ 1962 rendition introduced a host of listeners who weren’t regular country fans to the song’s lyrical and musical potency, It was also the tune that turned Modern Sounds in Country and Western Music into a powerhouse anthem. The song remained atop the Billboard pop charts for five weeks. When John Belushi did a straight-up masterful imitation of Charles’ singing that tune on Saturday Night Live years later, it cemented how much it resonated in the lives of ’60s music fans.


“You Don’t Know Me”

While Eddy Arnold did a wonderful version of Cindy Walker’s “You Don’t Know Me” in 1955, Charles enjoyed another huge crossover hit off the Modern Sounds LP in 1962. That one didn’t make it to the top as it peaked at No. 2. It also didn’t enjoy as much acclaim or praise, but it’s every bit as magnificent in terms of performance.


“Busted”

Harlan Howard saw his 1962 gem become a hit in two different, yet related styles. Johnny Cash had a country hit, then Ray Charles did a fabulous soul version that earned him the 1963 Grammy Award for Best Rhythm and Blues Recording. Interestingly, the Cash and Charles versions vocally aren’t that far apart, though the arrangements and overall performances reflect the different production approaches.


“Crying Time”

Buck Owens’ original was the B-side of his bigger single, “I’ve Got a Tiger by the Tail,” in 1964. The Ray Charles version two years later proved a much bigger hit, though not a pop chart smash in the manner of some past Charles country covers. It did earn a pair of Grammy awards, plus enjoyed Top 10 pop and R&B success. It was even a number one hit on, of all things, the Easy Listening chart. Charles would later join Barbra Streisand in a duet rendition on a 1973 TV special that wasn’t quite as memorable as the ’66 single.


“Let’s Go Get Stoned”

This song was recorded first by the Coasters in 1965, and later by Ronnie Milsap as the B-side to the single “Never Had It So Good” that same year. But the Charles version, powered by his dynamic lead vocals, soared to number one in 1966. The song actually had an ironic feel for Charles, who recorded it shortly after getting out of rehab, where he kicked a 16-year heroin addiction. This was among the earliest hits for the famed husband/wife songwriting and performing duo Nickolas Ashford and Valerie Simpson, joined on it by Josephine Armstead.


“Living for the City”

The very first album a young, fledgling artist named Stevie Wonder recorded was A Tribute to Uncle Ray in 1962. Some 13 years later, Charles would repay the honor with this glittering cover of Wonder’s valiant hit from the Innervisions album. Charles would eventually win another Grammy for his rendition, though this wasn’t as big a hit on the contemporary R&B side.


“Seven Spanish Angels”

This tune co-written by Troy Seals and Eddie Setser proved a big duet hit for Charles and longtime friend and chess partner Willie Nelson. The song featured Charles doing the first verse, first and second choruses, with Nelson singing the second verse and joining Charles on the outro. Interestingly, this became the biggest country hit Charles ever enjoyed in terms of chart position, as it spent one week at number one and remained on the charts for 12 weeks. It was initially released on Charles’ 1984 LP Friendship, and then again on Nelson’s 1985 compilation release, Half Nelson.


“I Can See Clearly Now”

This is famous more for when it was performed than the fact it was one of the few reggae tunes Ray Charles ever covered. The Johnny Nash original was the first reggae song to top the American charts in 1972, but Charles gave it new fame when he performed it as the musical guest on Saturday Night Live in 1977.


Photo Credit: Norman Seef

Born in North Carolina, These 10 Stars Shaped Classic Country Music

When it comes to bluegrass and classic country music, North Carolina offers a talent pool that rivals any other state. It’s also red hot on the modern country scene, with stars like Eric Church, Luke Combs, and Scotty McCreery hailing from the Tarheel State. Some would say these contemporary musicians are following in the footsteps of these 10 North Carolina-born artists who made a mark in country music history.

Earl Scruggs
b. 1924 in Flint Hill, N.C.

Without the banjo innovations of Earl Scruggs in Bill Monroe’s band, would we even have bluegrass? “The Ballad of Jed Clampett” and “Foggy Mountain Breakdown” are obvious Flatt & Scruggs classics, though his catalog runs deep — and his creativity blossomed further in the ’70s with the Earl Scruggs Revue. The city of Shelby has renovated its courthouse into the interactive Earl Scruggs Center.


Don Gibson
b. 1928 in Shelby, N.C.

This soft-spoken artist is arguably country music’s first triple threat — a commanding presence as a vocalist, songwriter and guitarist. Born poor, he persisted through every bad break until finally exploding in 1958 with “Oh Lonesome Me” and an Opry membership. He remained active on the charts for two more decades. Shelby has honored him, as well, with a live music venue, the Don Gibson Theater.


Fred Foster
b. 1931 in Rutherford County, N.C.

Behind the scenes, it’s hard to fathom just how well-connected Fred Foster was. He founded Monument Records in 1958 and produced all of Roy Orbison’s early hits on that label, gave Dolly Parton a publishing and label deal when she first moved to town, and landed a co-writing credit on Kris Kristofferson’s iconic “Me and Bobby McGee.” He was inducted into the Country Music Hall of Fame in 2016.


Stonewall Jackson
b. 1932 in Emerson, N.C.

After an impressive audition but no track record, Stonewall Jackson was invited to join the Grand Ole Opry cast in 1956. For the next 10 years, he charged the country chart with “Life to Go” (written by George Jones), “Waterloo” (a five-week No. 1 in 1959), and “B.J. the DJ” (No. 1 in 1964). He sued Opry for age discrimination in 2006, then after a settlement, resumed appearances on the long-running show.


George Hamilton IV
b. 1937 in Winston-Salem, N.C.

From North Carolina to the world, George Hamilton IV may be the top international ambassador of his generation. His stardom began as a teenager with an unexpected million-selling pop hit, 1956’s “A Rose and a Baby Ruth.” He signed to RCA and the Opry in 1960, setting the foundation for a decade of radio success with “Abilene” (a four-week No. 1 classic), “Break My Mind,” “Early Morning Rain,” and more.


Del Reeves
b. 1932 in Sparta, N.C.

A 1965 novelty smash, “Girl on the Billboard” finally established Del Reeves as a likable country star (after four other record deals didn’t pan out). He’d go on to issue Top 10 singles through 1971, often singing for truckers on tracks like “The Belles of Southern Bell” and “Looking at the World Through a Windshield.” Known for his big personality, he joined the Grand Ole Opry cast in 1966.


Donna Fargo
b. 1945 in Mount Airy, N.C.

A leading artist of the 1970s, Donna Fargo won a Grammy, an ACM Award and a CMA Award for her 1972 breakout hit, “Happiest Girl in the Whole USA.” The feel-good release reached No. 1, as did her next three singles — and she wrote them all. Fargo taught high school English courses before exploring songwriting. By 1979, she’d notched 16 Top 10 country hits and landed her own syndicated variety show.


Ronnie Milsap
b. 1943 in Robbinsville, N.C.

Easily one of the most identifiable voices in country music, Ronnie Milsap dazzled listeners with charisma, musical talent, and an impeccable ear for hearing a hit. Inspired by R&B and country music alike, the entertainer shared his soul with fans for decades, with an astonishing 49 Top 10 country singles on RCA. One of the best, “Smoky Mountain Rain,” topped the chart in December 1980.


Charlie Daniels
b. 1936 in Wilmington, N.C.

Four decades later, Charlie Daniels Band is synonymous with “The Devil Went Down to Georgia.” Arguably the most famous fiddling song in the country music canon, the single won a Grammy and led to a guest spot in the era-defining film, Urban Cowboy. A member of the Opry and the Country Music Hall of Fame, Daniels remained a highly visible entertainer, especially eager to support causes for veterans and children.


Randy Travis
b. 1959 in Marshville, N.C.

In the mid ’80s, Randy Travis was transformed from a dish-washing hopeful to a country music sensation. Plucked from the kitchen of the Nashville Palace onto the TNN airwaves, Travis was then reportedly rejected by every label in Nashville until finally signing to Warner Bros. And then “1982” changed everything. His resonant voice, though largely silenced now, will live on forever and ever, amen.


Photo of Charlie Daniels courtesy of Charlie Daniels Band, Inc.; Photo of Earl Scruggs by Al Clayton, provided by Sony Music; Photo of Randy Travis provided by 117 Entertainment Group.

Discover more about the North Carolina music scene and #NCMusicMonth through Come Hear North Carolina’s website and on Instagram at @comehearnc.