The BGS Radio Hour – Episode 206

Welcome to the BGS Radio Hour! Since 2017, this weekly radio show and podcast has been a recap of all the great music, new and old, featured on the digital pages of BGS. This week, we bring you new music from jam-grass band Leftover Salmon, the debut single from Watchhouse (formerly known as Mandolin Orange,) and so much more! Remember to check back every week for a new episode of the BGS Radio Hour.

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Leftover Salmon – “Boogie Grass Band”

Leftover Salmon has been playing what you could call “boogie grass” for over 30 years now. After their COVID-induced live music hiatus, the founding Colorado jam-grass band brings us a new album Brand New Good Old Days, and this next song celebrates that boogie grass sound that everyone loves.

Avi Kaplan – “Song for the Thankful”

Avi Kaplan brings us a song about finding gratitude and beauty in every realm of life, good or bad. His hope for the listener is that they can “find gratitude in their life regardless of what end of the spectrum they are currently in.”

Peggy Seeger – “Lubrication”

As our Artist of the Month for April Peggy Seeger put it herself, “Folk is full of raunchy songs, but they’re not often sung.” In our recent interview, and on her recent album First Farewell, Seeger ruminates on the joys and sorrows of aging.

Sam Armstrong-Zickefoose – “Heart of Mine”

Sam Armstrong-Zickefoose wrote this song about feeling you’re on the outside looking in. Sometimes even after moving towards the direction of “fitting in,” it’s still easy to feel out of place.

John R. Miller – “Faustina”

John R. Miller is a true West Virginia picker-singer-songwriter if there ever was one. While inspired by folks like John Prine and Steve Earle, Miller is celebrated among the same stature — including by his friend from the same region, Tyler Childers. We mark John R. Miller’s 2021 signing with Rounder Records with “Faustina,” a single that brings promise of a great debut record.

Lady Nade – “Willing”

From Bristol, UK, Lady Nade wrote “Willing” to foster acceptance, loyalty, and friendship. The video was filmed in her hometown along the route of a Black Lives Matter protest last summer. As she explains, “the way the video and song came together portray the message of self, as well as community.”

John Mailander’s Forecast – “Returning”

For fiddler John Mailander, “Returning” captures the collective feeling amongst the musicians in the studio playing together at the time of recording, the rediscovery of connection and joy after so many months of isolation.

Watchhouse – “Better Way”

After more than ten years as the duo Mandolin Orange, burdened by the dichotomy between the name and the music they strived to create, Andrew Marlin and Emily Frantz changed their name to Watchhouse, deciding through the COVID-19 pandemic that the time for change was now, given the growing and soon-to-be opportunities for bands to share their music on a live stage again. Here’s their first single since the change!

Alex Heflin – “Guest Room”

With his new album, Room for Everyone, Alex Heflin intends to highlight that inclusivity in both genre and personality always adds interest and excitement to a medium. In this case, the track “Guest Room” benefits from that approach.

Zach Schmidt – “I Can’t Dance”

Zach Schmidt spoke with BGS in a recent edition of 5+5 on the influence of Guy Clark – and greasy enchiladas! – on facing loss and working through it, spending time with Mother Earth, and more.

Mark Rubin, Jew of Oklahoma (feat. Danny Barnes) – “My Resting Place”

Mark Rubin wrote this old-time bluegrass number inspired by the drive of Jimmy Martin, yet based on a 100-year-old Yiddish poem. He says, “If I’m being honest, I wrote it with Del McCoury in mind as the thought of a 100-year-old Yiddish labor ballad sung on bluegrass stages cheers me to no end.”

Richie Furay – “Go and Say Goodbye (Live)”

Rock and roll legend Richie Furay’s new collection 50th Anniversary Return to the Troubadour celebrates his long career with bands like Poco and Buffalo Springfield — and his connection with former bandmate Stephen Stills’ music remains as strong as ever. Furay has recorded this song, written by Stills, with every band he’s been a part of over a half-century career.

The Rose Petals – “They Say You Loved a Good Man”

“They Say You Loved a Good Man” was written about former president Calvin Coolidge and his wife Grace, but ultimately, it’s a song about regret — living your life with the best intentions, yet still falling short of expectations.

Abby Hollander Band – “Still Got It Bad”

Abby Hollander recently joined BGS for a 5+5 — that is, five questions and five songs — and brought us this tender bluegrass heartbreak tune.


Photos: (L to R) Peggy Seeger by Vicki Sharp; Watchhouse by Kendall Bailey; Avi Kaplan by Bree Marie Fish

WATCH: Christina Alden & Alex Patterson, “Hunter”

Artist: Christina Alden & Alex Patterson
Hometown: Norwich, UK
Song: “Hunter”
Album: Hunter
Release Date: May 7, 2021

In Their Words: “This is a story of unusual friendship and strength in companionship, inspired by the beautiful work of Finnish photographer Lassi Rautiainen. In Finland’s northern forests a grey wolf and a brown bear — two typically solitary animals — were found to have formed a magical bond; playing, eating and hunting together. We loved the imagery of old pines and misty lands setting the scene for this natural wonder. Recorded at home in Norwich during the lockdown of 2020/2021.” — Christina Alden & Alex Patterson


Photo credit: Ben Alden

Artist of the Month: Allison Russell

Allison Russell has already made an exceptional impression in roots music — first in the duo Birds of Chicago, then as a member of Our Native Daughters. Now with her new album Outside Child, she’s putting her own story front and center. Whether she’s singing in English or French, Russell’s voice feels like satin, comfortable and cool. Yet she weaves some of the most painful memories of her formative years in Montréal into the fabric of her Fantasy Recordings debut.

Special guests on the album include the McCrary Sisters, Ruth Moody, Erin Rae, and Yola. Upon revealing the project, Russell wrote, “This is my first solo album. It is acutely personal. It was hard for me to write, harder still to sing, play, and share. Also a relief. Like sucking the poison from a snake bite. Thanks to the supreme empathy, musicality, kindness, sensitivity, and humour of each artist who brought these songs to life with me, the recording process became — by some mystical alchemy –joyous and empowering…. Eased by loving communal laughter as much as shared tears.”

Specifically pulling from the childhood trauma she experienced at the hands of her stepfather, she adds, “This is my attempt at truth and reconciliation and forgiveness — a reckoning and a remembrance. This is my attempt to be the hero of my own history, despite the shame that has been my closest and constant companion all these years.”

We are proud to present Allison Russell as our BGS Artist of the Month for May. In the days ahead, look for a new performance video, an exclusive interview (read part one here)(read part two here), and a sleek style shoot with this singular artist, who now calls Nashville home alongside her partner JT Nero and their young daughter. Discover more of her musical journey with our BGS Essentials playlist.


Photo credit: Marc Baptiste

LISTEN: Carsie Blanton, “Mercy”

Artist: Carsie Blanton
Hometown: Philly (via New Orleans and Virginia!)
Song: “Mercy”
Album: LOVE & RAGE
Release Date: April 30, 2021
Label: So Ferocious Records

In Their Words: “I wrote ‘Mercy’ for my husband Jon, who I’ve been with for thirteen years. My early experiences of love were a mixed bag; what seemed like love was often more about control. Through Jon, I found out that love can be a gentle force that allows us to become more ourselves. Once I discovered that, I was able to envision a whole world of love; a world that’s less about control and more about compassion.” — Carsie Blanton


Photo credit: Shervin Lainez

LISTEN: Beth Whitney, “I Go”

Artist: Beth Whitney
Hometown: Leavenworth, Washington
Song: “I Go”
Album: Into The Ground
Release Date: May 28, 2021
Label: Tone Tree Music

In Their Words: “In the 1960s, my grandparents started a tradition in our family called ‘the 9-day Backpack’ that continues in different forms to this day. I’ve joined about five of these and to tell the truth, I do not backpack gracefully. Mosquito and horse fly bites turn into big welts. I’m blistered from boots and bright pink from the sun… but as the wilderness takes me in, it starts to heal me somehow and I come into focus.

“I wrote this one with Gina Belliveau and Brittany Alvis at a songwriting retreat some friends and I hosted in the mountains. The assignment was to write a song inspired by one of our favorite poems, ‘The Peace of the Wild Things,’ by Wendell Berry. These two were a joy to write with and are both featured in the recording.” — Beth Whitney


Photo credit: Eratosthenes Fackenthall

WATCH: Josephine Johnson, “Where I Belong”

Artist: Josephine Johnson
Hometown: Savannah, Georgia
Song: “Where I Belong”
Album: Double High Five EP
Release Date: April 16, 2021

In Their Words: “‘Where I Belong’ is inspired by characters from those Patrick O’Brian British Navy novels set during the Napoleonic wars. Love and high seas adventure, to be sure. Andrew Sovine and I recorded the song in hopes of paying homage to the ethos and spaciousness of Daniel Lanois. Andrew plays electric leads, slide guitar, and Omnichord over my acoustic guitar. Mike Kapitan adds subtle keys and did the final mix and master. Alison Davis, a crew of local Savannahians, and I filmed the video in 18 hours all in one day on Tybee Island and Thunderbolt, Georgia.” — Josephine Johnson


Photo credit: Bailey Davidson

WATCH: John Splithoff, “Steady”

Artist: John Splithoff
Hometown: New York, New York
Song: “Steady”
Album: All In
Release Date: April 23, 2021

In Their Words: “I felt a lot of doubt about making music and was stuck creatively when I wrote ‘Steady.’ The words came from a place of gratitude for the people who keep me grounded and have helped me get through just about anything. Checking in with friends and family through everything was key to staying inspired and encouraged this last year. Shooting this video outside Savannah, Georgia, on a summer evening accompanied by crickets made for a really peaceful night.” — John Splithoff


Photo credit: Lauren Jones

LISTEN: Ted Russell Kamp, “Lightning Strikes Twice”

Artist: Ted Russell Kamp
Hometown: Los Angeles, California
Song: “Lightning Strikes Twice ”
Album: Solitaire
Release Date: May 7, 2021
Label: PoMo Records

In Their Words: “I wrote this one in Nashville last year while I was on tour with Duff McKagan. We had a day and a half off so we got together and started talking about Billy Joe Shaver and wrote this one in his style. I started out with the cool intro riff and we wrote a cool classic story song. It was originally going to be a honky-tonk song but as I got thinking about the record I decided to rework and make it the first bluegrass song on any record of mine. I played all the instruments and then sent it to Don Gallardo and he added his harmony vocal.” — Ted Russell Kamp


Photo credit: Karman Kruschke

LISTEN: Brandon Jenner, “Life for Two”

Artist: Brandon Jenner
Hometown: Los Angeles, California
Song: “Life for Two”
Album: Short of Home EP
Release Date: June 11, 2021
Label: Nettwerk

In Their Words: “After a show in Copenhagen, Denmark, I was approached by a woman who felt inspired enough to tell me about how much my music meant to her. As always, I was very humbled by her kind words. She would go on to ask an unexpected favor of me. Little did I know, her confidence in me and my songwriting would change my life forever. She told me that she was diagnosed with a health issue that was sure to end her life within a few years and that she was struggling with the fact that she would be leaving her young children behind to navigate life on their own. She asked me if I would write a song about her experience. I gladly accepted and began thinking about this new song right away. For me, the direction for the song was to write a letter, from her perspective, about what she would want her children to know before she passes. A letter filled with comforting words and some advice on how she thinks their lives would be best lived. ‘Life for Two’ became the title and I hope this song brings some comfort to those who are going through personal loss in their own lives.” — Brandon Jenner


Photo credit: Cassy White

The Show on the Road – Ani DiFranco

This week on The Show On The Road, we bring you a truly inspiring talk with the activist, author, and free-spirited feminist folk icon Ani DiFranco, who just released her lushly orchestrated twenty-second album: Revolutionary Love.

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Many things have been said about the music Ani DiFranco has created for the last thirty years since she burst on the scene with her fiery self-titled LP in 1990. With her shaved head on the cover, fearlessly bisexual love songs, dexterous guitar work and hold-no-prisoners lyrics sparing no one from her poetic magnifying glass, DiFranco’s persona became almost synonymous with a rejuvenated women’s movement that blossomed in the late-1990’s Lilith Fair moment. And yet she was always a bit more committed to the cause than some of her more pop-leaning contemporaries, who faded away as soon as their hits subsided.

Framing herself somewhere between the rebellious folk-singing teacher Pete Seeger and the gender-fluid show-stopping rock spirit in Prince, (who she recorded with after he became a fan,) DiFranco was always just as passionate about raising awareness for abortion rights, ensuring safety for gay and trans youth and bringing music to prisons, as she was promoting her latest musical experiment. She began playing publicly around age ten, and as a nineteen-year-old runaway from Buffalo, NY, she started her own label, Righteous Babe Records, that allowed her to operate free of corporate (and overwhelmingly male) oversight. Indeed, despite gaining a wide international fanbase she has released every album herself since the beginning — as well as championing genre-defying songwriters like Andrew Bird, Anaïs Mitchell, Utah Philips, and others. It was DiFranco’s encouragement that helped Mitchell’s opus Hadestown become a Tony-winning Broadway smash. DiFranco may have been deemed a bit too left-of-center for pop radio, but her beloved 1997 live record Living In Clip went gold.

Let’s get something out of the way real quick: was this male podcast host initially a bit intimidated to dive into her encyclopedic album collection after admiring her work from afar and believing the songs were not meant for his ears? Indeed. I grew up with girlfriends and fellow musicians who rocked Ani’s Righteous Babe pins and patches on their jean jackets like they were religious ornaments. What I found during this mind-bending conversation, and after listening to her polished and mystical newest record especially, was that DiFranco has never tried to push away people that don’t look or talk like her — or tried to mock or belittle conservative movements she doesn’t agree with or understand. There is a deep kindness and empathy in her songwriting that I never expected and in her 2019 autobiography, No Walls And The Recurring Dream, she acknowledges how lonely and exhausting it can be trying to fight against a societal tide that doesn’t want to stop and give you space to be who you are.

What became increasingly clear during our conversation was that DiFranco wants to make music for everyone. She prides herself on her quirky, multi-generational fanbase — with grandparents and kids, dads and sons, daughters and aunties alike singing along to favorites like “Both Hands,” “Untouchable Face,” and covers like Woody Guthrie’s “This Land Is Your Land” at packed shows across three continents.

I had my own goosebumps-inducing moment singing with Ani that I’ll never forget. The oldest folk festival in America, The Ann Arbor Folk Fest, once put me on stage to sing harmony on “Angel From Montgomery” with DiFranco at the acoustically perfect Hill Auditorium. I attended the University Of Michigan years earlier and I saw John Prine sing that classic in that same room, and it felt like a full circle moment. Seeing how DiFranco transfixed the crowd that night, and how the women songwriters and musicians offstage especially watched her with such admiration made me want to see what her music — which I had never fully listened to — was all about.

If you have a chance, listen to Revolutionary Love start to finish, and stick around to the end of the episode to hear DiFranco read lyrics as poetry.


Photo credit: Daymon Gardner