We find ourselves at a proverbial crossroads in Southern Appalachia. Our land battered by the devastation of a hurricane, scorched by scores of wildfires; ancient rivers, swelled by floodwaters, carving new courses through the landscape. Yet the land and its peoples persist. As artists, we are the guardians of the stories of the people in our communities – stories of hope and love, of loss and desperation, of a community rising above tragic circumstance. Stories of Resilience.
On our new album, we reflect in song about what it means to meet the moment with music that both binds our wounds and demonstrates our healing. In bearing witness to this time and place, we recognize that the path forward is not just survival – it is the conscious choice to innovate, to adapt in the face of adversity. It is in that choice that we find meaning, and renewal.
The songs on this playlist refer to the theme of resilience or have a connection to specific songs on our album of the same name. We wanted to share the work of some of the other artists that wrote the material and/or inspired the songs we recorded. Check out and follow these folks – especially if they are new names. Their catalogs are terrific discoveries and their work is excellent! – Unspoken Tradition
“Linemen” – Zoe & Cloyd
John Cloyd Miller is the author of the song “Weary Town” from our album. Zoe & Cloyd are longtime friends and Western North Carolina natives who experienced the ravages of hurricane Helene in their neighborhood. “Linemen” is a tribute to the heroes of the rescue and recovery effort as they were on the front lines of restoring power to the region. God bless these Linemen!
“Katie and Burl” – Acoustic Syndicate
We wanted to share the original version of this song that we re-recorded for our album Resilience. Acoustic Syndicate is a seminal North Carolina fusion-grass band and writer-guitarist Steve McMurray is a dear friend.
“Dust Bowl Children” – Alison Krauss & Union Station
One of our favorite songs and artists! A story of trials, tribulations, and resilience from another point in history.
“Papertown” – Balsam Range
Western North Carolina native Milan Miller wrote this song as well as one from our album called “Weeds Don’t Wither.” This is the true story of the North Carolina mountain town of Canton and its paper mill that was the heart of the town’s industry. The mill has since been closed, adding an extra layer of disparity to the story.
“Alleghenies” – Saravanan Sankaran
From our bass player’s solo album Back To Bassics. It’s one Sav wrote about his Western Pennsylvania mountain home! This is a mainstay of our live set.
“Weary Town” – Unspoken Tradition
This song’s theme is at the center of our new album. It holds new meaning for us in the wake of the great flood disaster that came to our Western North Carolina home. When we play it live, we dedicate it to the city of Asheville and the resilient people of WNC.
“Back in Yonder’s World” – Norman Blake & Tony Rice
This song! And the album it’s from, Norman Blake & Tony Rice 2, is a “desert island” album for us.
“Margie” – Danny Paisley & The Southern Grass
This artist is one of our biggest influences, especially for Sav. We were thrilled and honored to have Danny join us on “I’ll Break Out Again Tonight” as a featured vocalist!
“Moments” – Unspoken Tradition
One of the first singles we released from the new album. Written by the album’s producer, Jon Weisberger, it embodies the sincerity of appreciating the subtle moments in life.
“I’m In a Hurry (And Don’t Know Why)” – Alabama
This country-rock hit was a radio staple in its time. We thought it would make a great bluegrass song. To hear our version, listen to our Mixtape below or, better yet, check it out on the new album!
Jackson and the Janks, we started in a living room in New Orleans. Piano and guitar playing old gospel songs and trying to make a dance band. First there were two, then a third came in to use the bathroom – he was living in his van out front at the time. He sat down and played along after nature’s call. Over a year it grew from there, adding bass, saxophone, and steel guitar. We started playing shows in New Orleans, sweaty dance shows, and we didn’t have a name other than “the garage gospel band” (officially, Sam Doores’ Garage Gospel Band). We’ve branched out now and adopted New York janks into the family.
The Janks as a name came up, describing all things Janky. An old time, do-it-yourself way of playing, inspired by New Orleans R&B, rock and roll, honky tonk, and of course the sacred songs.
This playlist is a mix of sounds that influence the sentiments of Jackson and the Janks. Rollicking dance music, garage band approach, songs of love and lost love, sweet and sour, irreverent. – Jackson Lynch, Jackson and the Janks
“My Journey To The Sky” – Sister Rosetta Tharpe
There’s something wrong if Sister Rosetta is not in the conversation. True muse and queen progenitor of rock and roll, she kills me with her gospel.
“Rockin’ Bicycle” – Fats Domino
The great Fats Domino. I picked this because it inspires an approach to songwriting that gets overlooked. Have fun with the lyrical content and make fun music.
“Unchained Melody” – The Fleetwoods
I don’t take baths, but listening to this tempts me to try it out. The harmonies do it to me. My favorite version of this song.
“No More Tear Stained Makeup” – Martha & the Vandellas
This one has that lyricism and rhyme that I love. Taking a simple theme and so cleverly making it heartbreaking, don’t see it coming. Smokey Robinson at his best.
“Young Boy Blues” – Snooks Eaglin
New Orleans for real songster Snooks Eaglin played everything. Country blues, jazz, and pop songs of his day. That’s the job: play what people want to hear, do it good, and make it your own.
“Let’s Leave Here” – Jackson and the Janks
It’s about trying to not be the last one at a party that’s going under. Nothing’s happening, but you gotta leave before something does. “Gates are dropped, the service stopped, at the shop on the corner…”
“I Got Loaded” – Keith Frank & the Soileau Zydeco Band
This is a great zydeco version of a swamp-pop party song. Keith Frank (son of the famed Preston Frank) and his whole family make some of the best music I’ve ever had the privilege to dance to.
“Sweet Nothin’s” – Brenda Lee
Sugar, spice, everything nice.
“Sitting on my front porch, well do I love you? Of course,” Brenda growls and tucks me in.
“Who Will The Next Fool Be” – Charlie Rich
This speaks for itself. Just listen to how Charlie Rich sings the word “Who.”
“Life Is Too Short” – Benny Spellman
A great ballad deep cut from the man who gave us that deep voice on “Mother In Law.” Operatic. ”
We do big things in a hurry/ Let’s do what’s right to live…”
“Immigration Blues” – Duke Ellington
This secular hymn is my favorite shit. Early Duke’s orchestrated pieces like this make me regret and hope, sad and happy.
My gourd banjo journey began on a crisp, winter day in downtown Ithaca, New York. While an undergrad at Ithaca College early in my banjo-playing days, I stopped by the local acoustic instrument store and saw a peculiar banjo-like creature hanging high up on the wall. I was instantly hooked. It had five strings and a short drone string just like my banjo. I could play the same clawhammer style I was familiar with, but everything felt and sounded different. The instrument had an earthy, plunky, and rich tone. Besides being completely fretless and tuned a few steps low, the head was made of a gourd that smelled like dirt. Flash forward 15 years and here I’ve just released an album of solo, unaccompanied gourd banjo music called Old Growth.
These days, I play a gourd banjo built by Pete Ross, an immensely talented banjo maker who lives in my hometown of Baltimore, Maryland, a town full of banjo history. The first professional banjo maker in the world, William Boucher, set up shop in Baltimore in the mid-19th century. The neck of this banjo, notably the scroll-shaped headstock, is modeled after the Boucher style. In addition to being a tool for creative exploration, the gourd banjo serves as a prism into the complex history of the banjo. It’s a reliable conversation-starter everywhere I go. For more on banjo history, I encourage you to read Well of Souls by Kristina Gaddy.
While compiling this list, I was struck by the sheer variety in tone and texture possible with the gourd banjo. While the instrument connects to the early roots of old-time music, it continues to serve as a platform for innovation. Every player is unique. This list features gourd banjoists from around the world playing traditional and original material. Let’s go on a deep dive into the gourd banjo! – Brad Kolodner
“Josie-O” – Adam Hurt
Arguably the most influential gourd banjo album of our time, Adam Hurt’s Earth Tones is sublime. Cover to cover, this is a dreamy album of solo gourd banjo pieces and it’s on regular rotation at my house. Adam is one of today’s most influential clawhammer banjo players and there’s no question his gourd banjo playing, and this album specifically, introduced the gourd banjo to much wider audiences inspiring countless musicians along the way.
“Old Growth” – Brad Kolodner
The title track of my new album Old Growth is a dark, spooky tune I wrote in the depths of winter, yearning for those sun-filled summer days in the vibrant forests just north of town. I tuned my banjo extra low on this track, hence the extra mellow vibes. The title speaks to the seemingly ancient sound of the gourd while nodding to how this music continues to evolve.
“Julie” – Rhiannon Giddens
A song inspired by a conversation between an enslaved woman and her mistress during the Civil War, Rhiannon Giddens’ use of the gourd banjo is particularly poignant on “Julie.” Rhiannon is a tremendous ambassador for the banjo. She’s reframing the conversation around the history of the instrument and the role Black folks have played and continue to play in American Roots music. The early incarnations of the banjo made by enslaved Africans were gourd banjos.
“Rolling Mills” – Pharis & Jason Romero
Based in Horsefly, British Columbia, Pharis & Jason Romero build some of the most gorgeous (gourd-geous?) banjos in the world. Jason Romero built the gourd banjo he’s playing on this track. Both are immensely talented musicians who take great care in their instrument building and songcraft.
“Darling Cora” – Nora Brown
One of the most exciting young banjo players on the scene today, Nora has a deep reverence for the roots of old-time music. Her playing is absolutely sublime. She plays a gourd banjo very similar to mine also built by Pete Ross in Baltimore. All gourd banjos are handmade, which gives each one a unique sound.
“Long Hot Summer Days” – John Showman & Chris Coole
Chris Coole is a banjo hero of mine and his gourd banjo playing on this John Hartford track fits perfectly. The slinky nature of the fretless gourd truly embodies those sluggish long, hot summer days.
“Gourdness” – Arnie Naiman
Arnie is one of Canada’s finest banjo players and a clever tunesmith to boot. I first heard his playing on the compilation album The Old Time Banjo Festival produced by Cathy Fink & Marcy Marxer.
“Goodbye, Honey, You Call That Gone” – Jake Blount
Ok so, technically, Jake isn’t playing a gourd banjo on this track. He’s playing a fretless banjo with nylon strings which sounds an awful lot like a gourd banjo. The next incarnation of the banjo in the mid-19th century after the gourd banjo was along the lines of what you’re hearing on this track.
“Four and Twenty Blackbirds Dancing on a Deer Skin / Twin Sisters” – Teilhard Frost
Teilhard Frost resides on Wolfe Island in Ontario and is a longtime member of the band Sheesham, Lotus & Son. He set out to build gourd fiddles many years ago and now specializes in gourd and tackhead banjos.
“The Rain Done Fell on Me, Pt. 1” – Justin Golden
Primarily known as a blues guitarist and songwriter, Justin Golden plays a mean gourd banjo. Based in Richmond, Virginia, Justin is a gem of a human – and he’s been going through a real challenging time as he’s currently battling stage 4 cancer. There’s a GoFundMe for him here.
“Wild Bill Jones” – Ken & Brad Kolodner
When my father Ken and I first started making music together nearly 15 years ago, we figured the fiddle and banjo would be the core focus of our music. We soon realized the percussive nature of the hammered dulcimer and the drive of clawhammer mesh together beautifully. The gourd banjo adds yet another dimension to this unusual texture, especially when cranked up to the tempo of “fast.” That’s Ken Kolodner on hammered dulcimer, Rachel Eddy on guitar, Alex Lacquement on bass, and myself on gourd banjo.
“Western Pine” – Talise
In compiling material for this list, I came across this lovely original song by the Canadian artist Talise featuring gourd banjo. I’m excited to dig more into her work!
“Jagged Mountain Is on Fire (Gourd Banjo)” – Andrea Verga
Born and raised in Italy, Andrea Verga is one of today’s most inventive and creative clawhammer banjo players. He writes adventurous melodies; this tune is inspired by the jagged peaks of the Dolomite Mountains in Andrea’s home country.
“Ard Aoibhinn / The Hunter’s Purse” – Steve Baughman
Steve is one of today’s most influential Celtic fingerstyle guitar players – he’s also one of the most creative banjo players out there. He even plays clawhammer on guitar! This medley features a pair of Celtic tunes played on gourd and mandolin.
“Pompey Ran Away” – Clarke Buehling
Considered to be the first banjo melody officially documented, “Pompey Ran Away” dates back to the 18th century. Hailing from Fayetteville, Arkansas, Clarke Buehling is a renowned banjo player and historian who has long been an advocate for the gourd banjo.
It is positively astounding to me that Special Consensus has been running the road for 50 years. When bass player Marc Edelstein and I decided to make the band a full-time entity, we thought it would be for two or three years and then we would return to “normal life.” Instead of getting the music bug out of my system over the years, traveling throughout our country and around the world only intensified my love of playing bluegrass music.
Been All Around This World is Special C’s 20th band record and our eighth on the Compass Records label. Our wonderful producer Alison Brown has helped raise the bar for the band – resulting in the band receiving eight IBMA Awards and two GRAMMY nominations.
Reflecting on the band’s golden anniversary, I looked back over our body of recordings and selected 15 songs that we are especially proud of – songs that received awards, that did very well on bluegrass music airplay charts, or consistently received (and continue to receive) requests at our live shows.
I appreciate this opportunity to present these songs from every era of the Special Consensus. It has been an honor to play banjo alongside such phenomenal musicians on these songs. I hope you will enjoy! – Greg Cahill, banjo player and founder
“Dream of Me” (1983; not on Spotify)
“Dream of Me” appeared on our Blue Northerns recording, released in 1983, and featured Chris Jones on guitar/lead vocal, Paul Kramer on mandolin/vocals, John Rice on electric bass/vocals and fiddle, and yours truly on banjo. Yes, electric bass! We were quite happy with the band sound for this second band recording – and who would not be happy when hearing Chris Jones sing every time we performed.
“Freight Train Boogie” (originally released 1986, re-recorded for 2000’s 25th Anniversary)
Released in 1986, this title song featured Dennis White on guitar, harmonica, and lead vocals, our honorary band member Ollie O’Shea on fiddle, Tim Wilson on mandolin/vocals, Scott Salak on acoustic bass, and yours truly on banjo/vocals. This song was requested for years, and we were very honored that our friend, the great Jethro Burns, wrote the liner notes for the album.
“Fourteen Carat Mind” (1991, re-recorded for 2010’s 35)
From our Hey, Y’all release, this track featured the fabulous singing of Dallas Wayne and always received a strong response. The song also featured Dallas on bass, Marty Marrone on guitar/vocals, Al Murphy on fiddle, Don Stiernberg on mandolin, and yours truly on banjo/vocals. The folks in Finland admired his voice as much as we did and lured him to their country to record and perform after hearing him on tour there with Special C. He and his wife lived there for seven years.
“Ten Mile Tennessee” (1996)
From our Strong Enough To Bend release in 1996, this featured the smooth lead vocals of guitarist Bobby Burns with Diana Phillips on bass, Colby Maddox on mandolin, and yours truly on banjo. This beautifully written song continues to be requested at our shows to this day and we are always happy to sing it.
“Another Day With The Blues” (1998)
“Another Day With The Blues” was brought to the band by Andrea Roberts, our bass player at the time, and she sang lead on the song that appeared on the 1998 Our Little Town recording. Chris Walz played guitar/vocals, Colby Maddox played mandolin, and I played banjo/vocals. We recorded the song in the key of C and Andrea wanted me to use the capo at 5th fret, but I did not want to do that. She felt it would sound much grassier, given the melody and flow of the song, so I relented, put the capo on the 5th fret, and it was the first Special C song to ever chart on the Bluegrass Unlimited Top 30 songs chart.
“Carolina in the Pines” (2010)
This was a massive “hit” song for Special C, from our 2010 Pinecastle Records release, Route 10. Josh Williams sang lead and played mandolin, Jamie Clifton played guitar/vocals, Tim Dishman played bass/vocals, and I played banjo. This song received so much attention that we are still referred to as the “Route 10 Band” – and we not only keep the song in the band stage repertoire, we recorded it again for the new Been All Around This World release.
“Today Has Been A Lonesome Day” (2005)
This song was always a show-stopper when Ron Spears sang it at the top of his lungs, usually at the end of a set. Although there were several songs on this 2005 Everything’s Alright recording that consistently received requests, Ron’s amazing singing on this song made it an event! Justin Carbone is on guitar, Tres Nugent is on bass, and I played banjo.
“Wild Montana Skies” (2014)
Included on the 2014 Compass Records Country Boy, A Bluegrass Tribute To John Denver recording, this track features mandolin player Rick Faris singing with Claire Lynch. Dustin Benson played guitar/vocals, Dan Eubanks played bass, Rock Ickes played Dobro, and I played banjo. This song became a favorite of our fans and received a lot of airplay. It also won the International Bluegrass Music Association’s Recorded Event of the Year award.
“She Took The Tennessee River” (2018)
This track comes from the 2018 Compass Records recording Rivers and Roads, which won the IBMA Award for Album of the Year and was GRAMMY-nominated for Best Bluegrass Album. Becky Buller and Jon Weisberger wrote the song and Becky played fiddle on the track along with Nick Dumas on mandolin/vocals, Rick Faris on guitar/vocals, Dan Eubanks on bass, and I played banjo. We were honored to have Bobby Osborne join us for a verse on this one.
“Squirrel Hunters” (2018)
Also from our Rivers and Roads album, “Squirrel Hunters” was one of John Hartford’s favorite tunes to play and, with the help of his daughter Katie, our producer Alison Brown, and some technology, John introduces the tune and plays the first fiddle solo on the recording. Rick Faris is featured on guitar, Nick Dumas on mandolin, and Dan Eubanks on bass along with Alison Brown on twin banjo and 10 String Symphony (Christian Sedelmyer and Rachel Baiman) on fiddles. This recording won the IBMA Collaborative Recording of the Year Award.
“Alberta Bound” (2023)
From our Great Blue North Compass Records release, this song spent a few months in the number 1 position on the Bluegrass Unlimited Top 30 Bluegrass Songs chart and shared the very first IBMA Video of the Year Award with Authentic Unlimited. We consistently receive requests for this song that features mandolin player Michael Prewitt on lead vocal with Greg Blake on guitar/ vocals, Dan Eubanks on bass/vocals, me on banjo along with our Canadian friends Ray Legere on fiddle and Pharis and Jason Romero, John Reischman, Patrick Sauber, and Trisha Gagnon on vocals. The song also won the IBMA Collaborative Event of the Year Award.
“Snowbird” (2023)
Also from the Great Blue North, this recording is one of our most requested songs and also appeared on the Bluegrass Unlimited Top 30 Bluegrass Songs chart. The recording features IBMA 2023 Male Vocalist of the Year Greg Blake on lead vocals and guitar, Michael Prewitt on mandolin/vocals, Dan Eubanks on bass/vocals, Claire Lynch on harmony vocals, and me on banjo. Beautiful song!
“What Am I Doin’ Hangin’ ‘Round” (2025)
Alison thought this Michael Martin Murphey song made popular by The Monkees would be a great showcase for Chris Jones’ smooth vocals. All of us loved the idea and we had a blast in the studio recording this one with Greg Blake trading lead vocals with Chris, and Rick Faris and Dallas Wayne joining Dan and Brian on harmony vocals.
“I’m Always On A Mountain When I Fall” (2025)
We really wanted to showcase Dallas Wayne’s fabulous vocals on the new project and what better way to do that than by featuring him on a song made popular by Merle Haggard. Dallas sang in country music clubs in Chicago for years before joining Special C and he left the band to lead a country band in Finland. When he stepped up to the mic and launched into the first verse, we all were literally spellbound. It was truly amazing to watch and hear him so effortlessly deliver such an incredible performance.
“Wish We Had Our Time Again” (2025)
This was the grand finale of sorts for our 50th anniversary album. Even though it’s about a past relationship, the sentiment in this John Hartford-penned song somehow seemed perfect for us. Standing next to former bandmates Chris, Dallas, Robbie, Rick, Josh and Ashby in the studio – people who have remained best friends over so many years – along with my more recent best friends Dan, Greg, and Brian, literally brought tears to my eyes. Made me realize how fortunate I have been to have these phenomenal musicians and producer Alison as best friends forever in my 50 years of making music “all around this world.”
Now that summer is finally here and I’m about to embark on tour to support the release of my new album, I’m dreaming about idyllic summer pastimes, driving with the windows down, and crossing my fingers that I can force the band to have ice cream on the beach at least once. My new album, Afterglow, celebrates the rebuilding of self and who we become in the wake of life’s big cosmic shifts. The album has an ethereal, playful energy unlike any other record I’ve ever put out and it feels fitting that it’s being released in June (a Gemini baby!).
I never went to summer camp. My best fantasies about it fall somewhere between Wet Hot American Summer, The Parent Trap, and the tales my best friend spun while sitting on top of her sparkly pink trunk, freshly home in the late summer of 1999. In my dream scenario here, I am in an old school bunk with the most amazing women and songwriters four walls can hold; can you imagine what the moonlit campfire harmonies would sound like?! – Anna Vogelzang
“Limelight” – Tune-Yards
This song has the best groove of the summer; I cannot stop listening to it. “We all get free in the family” –Merrill is an incredible soul and I want to be around her fierceness all the time.
“The Light” – Anna Vogelzang
Of all the songs on the new record, this one is the most groove-forward. When I think about summer I think about wanting to move and groove, and this song makes me move every time I play it (or hear it!).
“Night Still Comes” – Neko Case
If I puked up some sonnets, would you call me a miracle?
Neko Case is one of my musical heroes and this song is so singable. That transition from intro to tempo, the way the background vocals fill the spaces – it all feels like dancing on a warm night.
“(You Make Me Feel Like) A Natural Woman” – Aretha Franklin
The clip of Aretha playing this song at the Kennedy Center just resurfaced on my algorithm. Watching Carole King watch Aretha sing is such an incredible joy bomb and brought tears to my eyes, even though I’ve seen the clip a million times.
“Can I Talk My Shit?” – Vagabon
I love Vagabon’s melodies so much; I started hearing about her around town when I lived in LA and have been soaking up each album since. This “honestly I’m ready to go” hook is so dreamy.
“True Blue” – boygenius
“You said you wanted to feel alive so we went to the beach…” There are so many songs I love on this record, but this one is all summer, all the time. Belting out harmonies on this near-perfect chorus while driving along Lake Michigan is something everyone should try at least once.
“Baby I’m Sorry” – mmeadows, Monica Martin
I’m obsessed with this new song from two of my all-time favorite singers. I know from experience that Moni is down to belt it out late into the night and the production on this entire track is so killer, I can’t get enough.
“The Returner” – Allison Russell
When Alli does this song live with her Rainbow Coalition, it’s otherworldly. I had the joy of jumping on stage with them for this tune at Thalia Hall and the energetic power of singing out, “If you think you’re alone, hold on, I’m comin’” cannot be denied.
“Make It Hot” – Mirah
I have been in love with Mirah since I saw her sing in a basement of a neighboring college almost 20 years ago. I love the descending chord progression on this chorus so much and arriving at the outro feels like a moment of pure triumph.
“not a lot, just forever” – Adrianne Lenker
I got to hear Adrianne play this song at a campfire hang at Kerrville once and it felt like a spell being cast – her specific song sorcery is unmatched.
“We the Common (For Valerie Bolden)” – Thao
I am a forever Thao stan and could’ve chosen so many different songs of hers, but this one’s chorus is so goddamn catchy and such a great sing-along moment (and all while speaking truth to power).
“Scaled to Survive” – Leyla McCalla
Summer laid out for us in a groove! This guitar tone, the percussion groove, and Leyla’s heavenly voice create the perfect summer storm. I love Leyla and have such a deep respect for her artistry.
“Ancient Light” – I’m With Her
Another mixed meter groove-forward campfire jam. I love this song, especially the breakdown, but really I’m loving the whole new album so much. These ladies are such a great hang and I would love their hilarity and power trio vibes in our cabin party!
“California” – Joni Mitchell
There is no song hero greater than Joni, and there is no song that feels more like summer to me than California. The opener might as well be today: “They won’t give peace a chance; that was just a dream some of us had.” On days where I really miss LA, I find myself humming this tune without even realizing it.
“King & Queen” –Anna Vogelzang
This track opens Afterglow and is a totally casual ode to toxic relationships – and really hits how good it feels when you realize you’ve outgrown someone, or something, and finally leave them in the dust. It’s giving running on the beach and into the sunset.
Growing up with access to all of recorded music, it’s hard to imagine not enjoying a wide range of styles. When we all met around fifteen years ago, it was fun to see where our backgrounds overlapped and where they didn’t. Eventually, after lots of road testing, we ended up with some kind of sound to our band that is pretty unique. Our new album, No Bad Ideas, is an expression of that. It’s all over the place, but somehow not.
For this Mixtape, we set out to include music that’s influenced us as a band, inspired our playing and songwriting, or otherwise shaped us as people. Some of these are tunes that have been with us a long time, some of them we just listened to in the van while we’ve been on tour. It’s all over the place, but there’s a through line as well. No Bad Ideas in a playlist! – The Faux Paws
“TSA” – Danny Barnes
Just banjo, drums, and voice. It’s weird, sparse, beautiful, and one of those songs I’ve been coming back to for years. – Andrew VanNorstrand
“Rockingham” – The Faux Paws
This song is all about the excitement and uncertainty of moving to a new place and finding community, even if you aren’t necessarily ready for it. – AV
“Backstep Cindy” – The Freight Hoppers
July 1998. I am ten years old. I wander into the dance tent at the Grey Fox Bluegrass Festival and my tiny little mind is blown into a thousand pieces as I experience the absolutely insane energy of The Freight Hoppers. I’ve been chasing that feeling ever since. This. Tune. F-ing. Rocks. – AV
“Odds of Getting Even” – Maya de Vitry
I can’t get enough of this album. Maya sounds great. Her band sounds great. The material is great. This song has a subtle message of patience and perspective that really speaks to me. Play it again. – AV
“He’s Gone” – Caleb Klauder & Reeb Willms
Caleb and Reeb played for my wedding! They are true cornerstones of the amazing Pacific Northwest Americana scene and are launching a new festival this week, Orcasfest. Caleb wrote this song about his childhood dentist, who was also his best friend’s dad/second dad. – Chris Miller
“Jesus Was a Cross Maker” – Judee Sill
I am always telling people about this singular artist and I feel like her music is still pretty underground in my circles! She had a wild childhood and was caught up in the Laurel Canyon California music scene, experimenting with psychedelics and reflecting on her Christianity. The result is music that doesn’t sound like anything else I’ve ever heard. – CM
“For Me It’s You” – Jobi Riccio
I heard Jobi play this song in a hotel room in Kansas City during Folk Alliance and it broke me. Like, truly deeply broke me the way only a great song can. Everyone has a dream they know probably won’t come true. I needed this song. Maybe you do, too. – AV
“15 Below” – The Faux Paws
Every time we play this, Noah makes my jaw drop – and we captured some of that on the record. This tune came to life when we were quarantined in Newport, Rhode Island, January 2022. We went to try and find a bird on the beach and it was insanely cold. – CM
“Artificial Intelligence” – Jim Lauderdale
Most of the time we spend in the van is actually listening to terrifying podcasts about the seemingly inevitable AI future. I grew up seeing Jim Lauderdale play and I appreciate how he can remain frozen in a time of “real country” while still plundering the depths of current philosophical issues. – CM
“the 1” – Taylor Swift
Noah really, really, really likes Taylor Swift. And he picked this song. And that’s all. Hope you like it. Noah really likes it. A lot. Contact Noah directly for more details on how much he likes Taylor Swift. – AV
“Straight Back” – Taylor Ashton
I love the way this song slips and slides. Smooth groove, clever lyrics, ooo-eee-ooo-eeyoo hook in the chorus. It’s impossible to pin down. And why would you want to pin it down anyway? Just let it do its thing. Don’t worry about it. – AV
“You Are Also Them” – Jenny Ritter
I came across Jenny Ritter randomly around fifteen years ago and have been obsessed with her music ever since. We actually recorded our Backburner EP with the same engineer (Adam Iredale) on tiny Mayne Island, British Columbia. This track coincidentally has Zoe Guigueno on bass! – CM
“Unknowing” – Busman’s Holiday
I don’t have a long history with this song, but we were recently on tour in Nashville and Zoe played it for us. I just can’t shake it. You ever get the sense that a song is perceiving you just as much or more so than you are able to perceive it? I hope this song likes me. – AV
The first music I learned to play was a mix of classic country, western swing, and contest-style fiddling from Ontario. I fell in love with twin fiddle harmonies and a tight rhythm section. Listening to these two fiddle legends riffing off of each other is such a joy. – AV
“I Just Wanna Listen to the Band Play” – Freddy & Francine
These guys (Bianca and Lee) are some of my idols, both in the way they make music and live with intention. As it seems we can’t beat the robots in the great war coming, I think the only hope for music and art is if we decide to be a little more intentional about … everything. This song is from 2020, but more relevant than ever! – CM
I’ve been enamored by the West since I first set a dusty boot down in Marathon, Texas – a town that would be my spiritual hometown, if such things existed.
I made my last record, Marathon, with my incredibly talented friend Davis Naish in a tiny adobe house in that little town. For the new record, we camped out in his Los Angeles studio, so I figured, “Hey, let me put together a playlist that I think captures the way I feel about the vast stretch of land that lies between Marathon and LA.” Road trip! – Drew Kennedy
“Desperados Waiting For A Train” – Guy Clark
Guy was born in Monahans, Texas, not too far from Marathon, so this feels like a natural starting point. To me, there are few artists who are able to capture the spirit of Far West Texas like Guy Clark. With equal parts romance, unflinching honesty, and those trademark turns of phrase that make him a hero to songwriters who know, Guy can always make me feel like I’m standing beside him in the little movies that are his songs.
“Levelland” – James McMurtry
If you trekked due north and just a little east out of Monahans, eventually those sand hills and mesas play out into plains so flat and wide open it can make the uninitiated feel uncomfortable. A friend once told me a buddy of his said he didn’t like it because “there was no place to hide.” From what or whom didn’t matter. You’re just out there, totally exposed–the only thing breaking the perfect line between land and sky. Those McMurtrys sure know how to tell a good story. Anyway, if we kept going north we’d be getting farther away from California, so let’s hang a left.
“Watch It Shine” – Walt Wilkins
Walt Wilkins is another songwriting hero and I’m lucky to call him a friend, as well. The Poet Laureate of the Hill Country teams up with Owen Temple to take you on a ride following the Rio Grande as it snakes south from Taos towards Santa Fe. It also features one of my favorite lines I’ve ever heard in a song: “They say there’s iron in these mountains, and in bone and skin and mud/ They say that iron only comes from stars, so stars are in my blood.” Goosebumps every time.
“Low Sun” – Hermanos Gutiérrez
Put a ranch water in my hand, fire up this album, and cue a good sunset. The only three ingredients I need to find my favorite places inside my mind no matter where on earth I am. Doubly effective if I’m already in one of my favorite places.
“Don’t Worry” – Marty Robbins (single, 1961)
We’re getting out into the type of landscape most people who’ve never visited the desert picture in their heads when someone mentions it. Saguaros, red rocks. We’re well beyond El Paso now, so we’ll go with this beauty from Marty Robbins. Yes, that is the coolest guitar solo of all time. I’ve heard several different stories about how they got that sound, but however they came by that tone, hell yeah.
“Willin'” – Little Feat
We’ve covered a lot of ground… maybe we’re dragging a little bit after all of those miles. The boys in Little Feat know how we feel, and they’ve got our back.
“Queen of California” – John Mayer
Now that we’re pulling into town we need something we can nod along to with our Wayfarers on and our hair blowing in the sweet California breeze, as we take in the sights. This song is a badass way to kick off a record, too.
“Beautiful World” – Colin Hay
I mean, when we get there one of the first things we’re gonna do is jump into the Pacific, right? I love that Colin Hay sounds like Colin Hay and nobody else and man, do I love the way he writes a song.
“It Never Rains In Southern California” – Trent Summar & The New Row Mob
I love their version of this song. It’s not all sunshine and roses out there, you know.
“California Poppy” – Theo Lawrence
I was shocked when I found out this guy was from France. Sometimes people in Texas are shocked when they find out I’m from Pennsylvania. Point is, if it’s in you, it’s in you. I would believe it if you told me the ghosts of Buck Owens and Don Rich were sprinkling a little of that Bakersfield dust around the studio the day they laid this one down.
“Mama Told Me Not To Come” – Randy Newman
I’ve aged out of today’s version of this kind of party, but that doesn’t mean I don’t expect to see some unexpected things whenever I’m out in LA. Another one-of-one, Randy Newman.
“Texas Time” – Explorer Tapes
And with that, let’s turn this big baby blue Cadillac convertible around and head back home. I assume that’s the kind of ride we’d want for this road trip. Thanks for tagging along.
One of my most consistent sources of inspiration, when it comes to writing and recording my own songs, is the music of my friends and contemporaries. JVC is an album made amongst friends and the songs were written, if not with their direct help, by the grace of a friend’s emotional support or a colleague’s awe-inspiring set during a time of my life that otherwise felt lonely and lifeless.
In the spirit of that, here’s my Mixtape of 12 songs from contemporary inspirations of mine, whether I know them well or not at all, many of them local to the Nashville scene. – Jack Van Cleaf
“Afterlife” – Joelton Mayfield
This playlist is in no particular order, except maybe when it comes to this song. “Afterlife” was my most-streamed song last year, and Joelton Mayfield is one of the few artists I’ve considered dropping everything for and driving eight hours to catch a set (particularly when he opened for Robert Earl Keen in Winston-Salem). I’m lucky to be close enough in his orbit to catch most of his shows in Nashville, and they never cease to amaze me. If I want my faith in the importance of music restored, I go see a Joelton Mayfield show.
“Laughing Out Loud” – Ethansroom
I’ll never forget when my best friend sent me this song he just wrote. I was holed up in a motel next to my restaurant job in Carlsbad, California, while my family was all down with COVID. He sent me this as a voice memo and I listened to it as I was getting ready for bed; then I listened to it again. It gripped me from the get-go and it still amazes me. I have the privilege of playing nearly every show and recorded track I’ve ever put out alongside Ethan Fortenberry. His musical prowess is only rivaled by his capacity for love, as evidenced by his latest record. This song will always be one of my favorites.
“Lying Lately” – Emma Ogier
Emma Ogier is opening on tour for us this May and it is no exaggeration to say I feel lucky to see her in venues this size while it’s still possible. Emma’s brother, Aidan, also an extremely talented player and writer, is a good friend and introduced me to her music when he invited me to their show in San Diego, when I was living there. Anyone who has seen Emma live knows how powerful her performances are. Songs like this, and the trove of unreleased music I’ve heard her play, keep me inspired and constantly on the edge of my seat for the next line she delivers.
“Groundhog Day” – Nic Fair
I saw Nic play a Halloween set at the East Room just over a year ago and I’ve been itching to see another show of his since. His vocal runs will stun you first, but directly after that you’ll be immersed in his lyrical world of unexpected images and keen metaphors as exhibited in “Groundhog Day,” one of my personal favorites that I remember clearly from that Halloween show.
“Tomatoes” – Briston Maroney
Briston Maroney has just come out with an amazing new album. I was lucky enough to get the sneaky link and I’ve listened to it front-to-back over and over again for the past few weeks. To me, JIMMY seems like a perfect balance between where Briston’s been and where he’s going. I hear familiar traces of songs like the ones on “Carnival” while enjoying something totally brand new: like the narrative moment in this song when Briston talks about “picking out his grave at the graveyard” – it’s fresh and I’m addicted to it. I’ve felt very fortunate to have lots of meaningful conversations with Briston about life and art over the years; he continues to inspire me as a friend and from a distance, as an outside observer of his brilliant work.
“co-pilot” – Val Hoyt
I pursued Jack Schneider, guitar virtuoso and tape enthusiast local to East Nashville, to record my live acoustic album because of his work on Val Hoyt’s Muscle Spasms. This record is full of beautiful songs, masterfully written and recorded. Val’s guitar performances coupled with his unique melodic and lyrical approach to songwriting stops me in my tracks. This song has me singing along in my car every time it finds its way, inevitably, to my monthly playlists. It’s the lyrics and Val’s vocal performance that get me, but Jack Schneider’s guitar solo being possibly my favorite acoustic guitar solo I’ve ever heard doesn’t hurt, either.
“Camcorder (recovered)” – Macho Planet
It’s no secret to most of the indie singer/songwriter scene in Nashville, but Macho Planet’s ‘Still, You Don’t Joke About It’ is near flawless. It’s an album I come back to again and again and hold in the highest regard as a blueprint for a successfully crafted full-length record. I find a new gem every time. “Camcorder” could be considered the hit off the record, boasting the most streams. It was my gateway song into Austin’s music, and it functions as a great introduction to an equally magnetic catalogue of songs that will remain special to you long after the first listen.
“Ovid” – Annie DiRusso
I had been bumping the singles to Annie DiRusso’s debut album, Super Pedestrian, for months leading up to its release; it was no surprise to press play on her record on release day and be greeted by this rock masterpiece. The opening line draws me right in (still have no idea what it’s about) and the very relatable reprise keeps coming back again and again every time I hop in the car. It’s one of those lyrics that leaves me surprised I haven’t heard it before, because it feels timeless: “Always looking for something to change my life/ Never wanna hear nothing to change my mind.”
“Heaven Is” – Melanie MacLaren
Melanie does an incredible job of writing Americana songs that carry the torch of greats like Gillian Welch while bringing something totally new, fresh, and honest to the table. Her lyrics are a well-balanced mix of captivating imagery and straightforward truth telling. “Heaven Is” is an awesome example of her ability to make a listener enjoy a song that forces them to face their own mortality.
“high achiever” — Charli Adams
Charli sang on one of the songs on my record, JVC. She lent her voice to the bridge of the second song, “Piñata.” I asked her to do this because Charli’s voice is one of my favorites in the singer-songwriter world. It’s completely unique to her, incomparable to anyone else I can think of. On top of this, Charli’s long been an inspiration to me in her songwriting. Her EP, nothing to be scared of, is a vulnerable look at childhood and self-growth that spares not difficult topic. “high achiever” is one of my slow-burning favorites.
“I Like to Worship the Devil” – Dan Spencer
This man is a master of writing lyrics that engage a sense of humor while still remaining totally sincere and heart-wrenching. Some of the best theological lyrics I’ve heard, put forward so casually, come from Dan Spencer’s songs. This one gets me singing along every time. (Dan’s voice is probably the only one that can get me to sing, full-heartedly at the top of my lungs, “Pissed my pants and shit the bed.”)
“Neighbors” – Future Crib
I was fortunate enough to see Future Crib at their album release show at The Blue Room in Nashville, just a couple weeks before I played mine there. I don’t hesitate to say that they may be the best band we have today. The love amongst the members and in the music they make is so palpable that it’s hard not to feel. Every time I see a show of theirs I feel I’m a part of something important. The performance of this one at their release show, and the energy in the crowd, was particularly memorable.
We’re figuring it out, one day at a time. Sometimes life can go by so fast, one can forget to savor the moment.
These songs keep us present and feeling alive. Our new album, Growing Pains, talks about the highs and lows of life and the emotions that come along with balancing your career and mental health. This collection of songs is what we’re currently listening to as it’s all happening. – Trousdale
“There’s A Rhythm” – Bon Iver
“Can I really still complain” just hits me so hard. The chord progression, the tempo, the production– everything about this song gets me into a meditative zone of presence and reflection. – Georgia Greene
“Sapling” – Foy Vance
“I wished I could go back in time, but all I could do was apologize. Right then, your eyes were healing…” I mean come on. – GG
“Molly I’m Coming Around” – Annika Bennett
This song just feels like a warm blanket of truth – being honest with yourself and others. – GG
“Don’t Stop” – Fleetwood Mac
This one was definitely a sonic inspiration for the album. It has such a positive vibe and message and helps remind us that there’s always another day to try again. – GG, Quinn D’Andrea, Lauren Jones
“Green Light” – Darlingside
This song just feels like a meditation, the chord progression feels like it’s existed forever, and the lyrics feel like they could be spoken as a prayer. Could listen to this song on loop forever. – QD
“Let’s Be Still” – The Head And The Heart
I need a constant reminder to move slower. This song is perfect for that. – LJ
“My Love For You Is A Straight Line” – Ken Yates
This song feels like coming home to myself. – LJ
“Never Been Better” – Ben Abraham
Coming from an artist who also understands the grind of this life we’ve chosen, I feel like Ben puts this feeling perfectly. Sometimes when we’re overwhelmed it’s just helpful to hear that exact feeling validated and put into words. – QD
“Look Up” – Joy Oladokun
I love this song when I need a reminder to zoom out. We can get so caught up in the everyday stress, and the words of this song coupled with the arrangement is the perfect opportunity to remember that this life is so much more than that. – QD
“You Make Me Feel Like Dancing” – Leo Sayer
Listen to this song for an immediate dose of serotonin. – LJ
I left home (a sleepy market town in middle England) the day after high school finished and traveled around the world with just a guitar and a backpack. I paid my way by teaching English and singing songs in cafes. Five years, 36 countries, and two unfinished degrees later, I moved to Canada to marry a girl I’d once met at a party in Beijing and started my new career as a street performer.
Since then, I’ve played about 3000 gigs, from street corners to stadiums, successfully avoided getting a real job, and raised three amazing ginger kids. I love meeting and singing with people of all walks of life, especially the ordinary, humble folks who are often overlooked. I’m not really interested in finding a niche or a scene – I’m much more keen on finding ways to bridge the gaps between them.
One thing we all have in common is hard times and a need to hold on to hope through our grief and disappointment. Songs have always helped me, and do that, and I feel that I’m not alone. These tunes have inspired and comforted me over the years, and a couple of my own can do the same for you. – Martin Kerr
“Love More, Care Less” – Martin Kerr
I recorded this live in one take, because it’s a song about honesty and acceptance, and because there’s already enough airbrushing and auto-tuning in the world. ‘Love more, care less’ is how I’m trying to live my life now.
“Better, Still” – 100 mile house
This gem of a song beautifully encapsulates the feeling of being a young couple trying to find your place in a senseless world. 100 mile house have disbanded now, and they never got the recognition they deserved, but to me this song is timeless.
“Sometimes” – James
I still remember the first time I heard this song, wedged into the middle seat of an old car with new friends on a dark country road in northern England as the rain poured down. It’s an ecstatic, defiant celebration of song, storms, death, and the meaning of life.
“Big Bird In A Small Cage” – Patrick Watson
The softness of this song’s beginning is so inviting. It grows, line by line, with new instruments and harmonies, the song spreading its wings like the bird in the title. I love a song that grows and lifts and takes you on an unexpected journey. Plus, it’s my wife’s favorite, so I always get extra points for playing it.
“Re: Stacks” – Bon Iver
Usually I favor narrative songwriting with a clear story. But this abstract work of genius somehow immerses me in a world, a heart, and a feeling without making any outward sense. It’s the perfect end to a mind-blowing album, carrying the listener from anguish through acceptance to a new day.
“Feather On The Clyde” – Passenger
Passenger was a street performer when he made this record, busking on the streets of Sydney to pay for the recording and sleeping on the studio couch at night. I love the vulnerability and honesty in this simple song with its intricate fingerpicking that ebbs and flows like the titular river. I remember listening to this 20 times in a row on a long flight home and resolving to allow myself to be carried by the flow of life like the feather he sings about.
“A Case of You” – Joni Mitchell
Possibly the greatest vocal performance on any record ever. I’ve always wanted to cover this song, but never felt I could do it justice. Joni paints vivid pictures of heartbreak with her words and illuminates them with the glow of her perfect voice over a lonely dulcimer. The peak of confessional singer-songwriting. I listened to it endlessly in my first apartment in Beijing when I owned nothing but a sofa, a Discman, and a handful of pirated CDs bought from the street market.
“Fast Car” – Tracy Chapman
I love that this song was rediscovered by a new generation recently, but the original version can never be beaten. As a 5-year-old hearing this for the first time, I’m not sure I understood the whole story at first, but I pored over the lyrics on the back of the vinyl dust-cover in my sister’s room until I knew every word and every note of this young woman’s story from half the world away. The lift into the chorus captures the bittersweet exhilaration of escaping something that was once beautiful, but now has turned dark and needs to be left behind.
“Can’t Unsee It” – Martin Kerr
Unspeakable things are happening in the world at the moment and we’re told to look the other way, to pretend it’s not happening. I made this song to try and express the grief in my heart at witnessing the genocide in Gaza, while being powerless to stop it. The melody is inspired by “Here Comes The Sun,” in the hope that there could yet be some light at the end of this long darkness for the children of war.
“Guiding Light” – Foy Vance
My parents used to sing me to sleep with old Scots lullabies that I only half understood. Foy Vance manages to bridge the gap between Gaelic traditions and the modern world in his music and this song gives me a timeless feeling of home and belonging.
“Innocence and Sadness” – Dermot Kennedy
Hearing Dermot sing this solo for a whole stadium every night was magical. I got to open for him on his cross-Canada tour last year and it was unforgettable. His songs are so nostalgic and so fresh at the same time, ancient and modern, so personal yet universal. I try to reach for that in my own songwriting and performing.
“Farewell And Goodnight” – Smashing Pumpkins
I used to fall asleep to this song every night when I was 16 and 17, when I was trying to figure out who I was, where I belonged, and why the girls I fell for never fell for me. Listening now I can hear it starts with a brush on a snare drum, but I always thought it was the waves lapping on the shore. The song is a calm and wistful end to a chaotic album full of angst and confusion (Mellon Collie And The Infinite Sadness). I think it taught me the value of simplicity and comfort, of contrast and context. I can still hear the click of the stop mechanism that would almost wake me up as the tape ended on my cheap plastic boombox.
Photo Credit: Shaun Scade
This website uses cookies to improve your experience. We'll assume you're ok with this, but you can opt-out if you wish.AcceptRejectRead More
Privacy & Cookies Policy
Privacy Overview
This website uses cookies to improve your experience while you navigate through the website. Out of these, the cookies that are categorized as necessary are stored on your browser as they are essential for the working of basic functionalities of the website. We also use third-party cookies that help us analyze and understand how you use this website. These cookies will be stored in your browser only with your consent. You also have the option to opt-out of these cookies. But opting out of some of these cookies may affect your browsing experience.
Necessary cookies are absolutely essential for the website to function properly. This category only includes cookies that ensures basic functionalities and security features of the website. These cookies do not store any personal information.
Any cookies that may not be particularly necessary for the website to function and is used specifically to collect user personal data via analytics, ads, other embedded contents are termed as non-necessary cookies. It is mandatory to procure user consent prior to running these cookies on your website.
