The BGS Radio Hour – Episode 205

Welcome to the BGS Radio Hour! Since 2017, this weekly radio show and podcast has been a recap of all the great music, new and old, featured on the digital pages of BGS. This week, we bring you new music from Sara Watkins featuring her old bandmates from Nickel Creek, newly released tracks from Shakey Graves’ archive, and so much more! Remember to check back every Tuesday for a new episode of the BGS Radio Hour.

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Sara Watkins (feat. Nickel Creek) – “Blue Shadows on the Trail”

Sara Watkins recently sat down with BGS to talk about the set of film classics that defined her childhood, and are featured on her new album. With songs like “Pure Imagination” and “Moon River,” this album isn’t just for kids, even if it was first imagined as a collection of lullabies. Instead, it’s a meditative look at these songs which have impacted more than just one generation. And who could forget this classic from the 1980s classic comedy Three Amigos?

The Ladles – “Pages”

Here’s a song about the experience of reading through an old journal and being confronted with your past self — not a particularly comfortable experience. However, for Katie Martucci of The Ladles, it’s a reminder that at any given moment, we only know what we know, and we’re all doing the best we can.

The Antlers – “Porchlight”

“Porchlight” is about a powerful partnership, “knowing somebody so well as to recognize when they’re lost, and helping them find their way back home.”

Andrew Adkins – “This Old Knife”

When asked to be a part of a tribute album to singer-songwriter John Lilly, Andrew Adkins knew exactly what song he wanted to sing: one that he’d had a remarkably personal connection to the first time he heard it.

Shakey Graves – “Roll the Bones”

It’s hard to believe that Shakey Graves’ debut album Roll the Bones came out 10 years ago. Since the album’s quiet 2011 release, he’s emerged from the shadows, releasing multiple albums and garnering a substantial following. In celebration of the decade since, Shakey brings us Roll the Bones 10, a deluxe edition which also features 15 unheard songs from the same era as the original album.

Bridget Rian – “Trailer Park Cemetery”

Inspired by a trailer park cemetery seen while driving through Florida, this song is more a commentary on life than it is death. Bridget Rian says she has a “fear of being forgotten, of not making a difference” with her life – and this song was a mode of expressing this fear.

Jason Davis (feat. Dan Tyminski) – “Modern Day Jezebel”

Dan Tyminski sings lead and plays guitar on this tasty modern bluegrass tune from Jason Davis.

Peggy Seeger – “Gotta Get Home By Midnight”

Folk legend Peggy Seeger is our Artist of the Month for April here at BGS, and we’re so grateful to have been able to speak with her on her new album First Farewell, her lifelong career in folk music, her hopes for social justice and peace, and much more.

Garrison, Gordy, Hargreaves, Walsh – “Sports”

Bluegrass instrumental supergroup Garrison, Gordy, Hargreaves, Walsh have set their fun, rollicking instrumental tune “Sports” to a zany, hand-drawn music video by banjoist Danny Barnes.

Donovan Woods – “Whatever Keeps You Going”

Canadian singer-songwriter Donovan Woods recently joined BGS for 5+5 on reading lots of fiction, a memorable London show, writing with Lori McKenna, and more.

The Sweet Lillies – “My Brother’s Hill”

Boulder’s The Sweet Lillies bring us their version of a tune originally released by The Stray Birds, a song they chose because they were deeply inspired by its stunning vocal harmonies, its beautiful and meaningful lyrics, and its old-timey structure.

Giri Peters – “Fallin'”

Those who frequent bluegrass festivals in the south may already be familiar with the young savant Giri Peters. Giri and his sister Uma quickly gained popularity in the last number of years for their impeccable musical skills, not to mention at such a young age. Giri, originally known as an up-and-coming mandolinist, has continued to grow as a songwriter and solo artist. His most recent single is a testament to his musical and artistic growth, and brings much promise of an exciting career ahead.

June Star – “I Don’t Wanna Know”

“Human beings are messy emotional creatures,” says June Star’s Andrew Grimm. “Sometimes when we struggle to communicate in relationships it’s because there’s the voice we speak with and that voice in our head. ‘I Don’t Wanna Know’ bounces between a professed love to another person and a confessed loneliness on the inside.”

Miles Gannett – “Thunder River, Tumbling Down”

Miles Gannett heard the melody and some lyrics of this song, including the lines “Thunder River, tumbling down; catch your babes before they drown” in a dream — and it kind of creeped him out. He sat with it for a couple of years before it all came together in this final semi-apocalyptic song.


Photos: (L to R) Shakey Graves by Magen Buse; Sara Watkins by Jacob Boll; Peggy Seeger by Vicki Sharp

The BGS Radio Hour – Episode 202

Welcome to the BGS Radio Hour! Since 2017, the Radio Hour has been our weekly recap of all the great music, new and old, featured on the pages of BGS. This week we’ve got music by Charley Crockett, Danny Barnes, Rhiannon Giddens, and more! Remember to check back every week for a new episode of the BGS Radio Hour.

APPLE PODCASTS, SPOTIFY

Charley Crockett – “Lesson in Depression”
After Charley Crockett’s 2020 release, Welcome to Hard Times, we didn’t expect another great record so soon – but here we are! Crockett’s latest, Lil’ G.L. Presents: 10 For Slim Charley Crockett Sings James Hand, is a tribute to his hero, Texas’ James “Slim” Hand, who passed away in 2020.

Reid Jenkins – “Strange Lover”

New York City’s Reid Jenkins brings us a new single from his upcoming project, A Beautiful Start, due in April on Nettwerk. “Strange Lover” explores the tension between avoiding the unknown and being drawn in by the thrill of beauty and discovery.

The Golden Roses – “When I’m Gone”

John Mutchler of the Golden Roses wrote this song after visiting his grandfather’s neglected grave – but it’s more like the song was sent to him. “When I’m Gone” asks the question (while we’re still alive) of whether or not anyone will come and visit us when we’re gone.

Valerie June – “Fallin'”

This west-Tennessee born and Brooklyn-based artist is our March Artist of the Month here at BGS!

Israel Nash – “Canyonheart”

From Dripping Springs, Texas, Israel Nash joins us on a 5+5 this week – that is 5 questions, 5 songs. We talked with “Izz” about everything from nature to songwriting to the larger purpose of his career: to be inspired, create, and inspire others to create.

Andy Leftwich – “Through the East Gate”

The bluegrass world hasn’t heard much from Andy Leftwich since he left Ricky Skaggs & Kentucky Thunder several years back. The fiddler (and overall multi-instrumentalist) just signed a deal with Mountain Home Music Company, and this first single is an excellent sign of what’s still to come from Leftwich!

Danny Barnes – “Awful Strange”

It’s been just over a week since the Grammy Awards, where so many deserving roots artists (and friends of BGS) were recognized for their work with multiple nominations. One who sticks out is Danny Barnes, formerly of the Bad Livers, whose 2020 album Man on Fire garnered a nomination for Best Bluegrass Album. BGS caught up with Barnes from his Northwestern home to talk about the record, his creative methods, and how he’s remained busy during the pandemic.

Drew Holcomb and the Neighbors – “I Need to Go Somewhere”

Drew Holcomb shares a sentiment that is familiar to us all – we need to go somewhere, just anywhere. As the world’s cabin fever continues to grow, the promises of warmer weather, vaccines, and brighter days are ahead. Continue to stay safe, until we can all join Holcomb on that journey.

Greg Loiacono and Jamie Drake – “Bound to Fall”

From Southern California, Loiacono and Drake bring us a song in the spirit of the old heartbreak numbers by artists like Patti Page and the Everly Brothers. Their first duet, “San Felipe,” provided a platform for the writing and recording of “Bound to Fall.” It definitely seems they’re natural collaborators, here’s hoping they keep at it!

Jackson Scribner – “County Rd 497”

Jackson Scribner wrote this song in the front of his grandparents’ house that sits on County Rd 497. It’s about the things we have in our young life that feel like they’ll never go away – but as we get older, life changes, people and places come and go, and there’s never certainty of what comes next.

Williamson Branch – “Which Train”

From their new album Heritage & Hope, family band Williamson Branch brings us a video this week for “Which Train,” a haunting tune about eternal decisions. The all-female harmonies drive that train feel, just like the lonesome whistle.

Rhiannon Giddens and Francisco Turrisi – “Waterbound”

This spring brings about a second collaborative record from Rhiannon Giddens and Francisco Turrisi! The second single, “Waterbound,” is originally from the 1920s, but its lyrics are especially true for Giddens in this day and age, who has spent the pandemic in Ireland, looking across the Atlantic toward her North Carolina home.

Samantha Crain – “Bloomsday”

An Indigenous singer-songwriter from Shawnee, OK, Samantha Crain brings us a song of her upcoming I Guess I Live Here Now EP. “That old traditional gospel song ‘This Little Light of Mine,’ it feels so childlike and so ancient and wise at the same time and it has such a calming effect on me,” Crain told BGS. “I wanted to incorporate that feeling of hope and lightness in with my lyrical explorations of mindfulness and fortitude in my own life.”

Abigail Dowd – “Beautiful Day”

To end this week’s BGS Radio Hour, Abigail Dowd brings us a new single, written while living at various friends’ homes after a flood, while waiting on the city to buy and demolish her own home. Though those days sound bleak, in Dowd’s memory they are gifts of time, as she gives us a reminder to enjoy the moment, and have faith that a brighter day is always coming. There’s a mantra for your Tuesday!


Photos: (L to R) Valerie June by Renata Raksha; Rhiannon Giddens by Ebru Yildiz; Charley Crockett by Ryan Vestil

MIXTAPE: An Indigo Takeover by Spotify’s Laura Ohls

“Our Nashville-based team had been having ongoing conversations since early 2019 regarding just how diverse the taste of our country music audience was. It was clear to us that there were many modern songs in the genre, touching on Americana, rock, roots, and bluegrass, that had sonic and thematic throughlines. We were also seeing many of these artists on the road together (Marcus King Band joined Chris Stapleton, Yola toured with Kacey Musgraves), talking to each other on socials, echoing the strong community within the scene. With this in mind, the goal was to create a playlist brand that reflected these intersections and the audience appetite for a playlist of this nature. With the success of the playlist since its launch in March, Indigo has continued to be a priority for us, which is reflected by enthusiastic listening from users. We’re celebrating the playlist this month with a sizzle video, new video playlist formats, artist sharecards, billboards, and more, in hopes of bringing more fans aboard the Indigo train.” — Laura Ohls, Senior Editor, Folk & AAA, Spotify

 (Editor’s note: Listen to Laura Ohls’ Indigo Takeover Mixtape below.)

Zach Bryan – “Heading South”

Twenty-three years old and on active duty in the US Navy, Zach Bryan might not be what one would expect from a country act on the rise. The Oklahoma native’s self-released material from the fall of 2019 is gaining traction on Spotify, creating buzz throughout the Nashville music industry. At the time of its initial release he had no publicist, no manager, no team to speak of whatsoever, yet his live videos sparked the interest of an audience on social media — which ultimately led to the flood of activity on streaming we are seeing today. His biggest song to date, “Heading South,” has been included in our Indigo playlist since its launch in March and remains a consistent tentpole track. Though he hasn’t had the opportunity to tour as a result of deployments and the pandemic, expect crowds of fans when the time comes.

Caylee Hammack – “Small Town Hypocrite”

One of country’s most notable rising stars, Caylee’s powerful and vulnerable ballad proves how strongly personal songwriting still resonates in the genre. A vocal standout in the playlist, you’ll feel her heartbreak and strength throughout the song.

Flatland Cavalry – “War With My Mind”

While the song was not written during the pandemic and this time of quarantine, the Texas band’s newest song lyrics grapple with internal battles we all face due to lack of stability, isolation, or just general disruption, which certainly resonates with listeners today.

Brent Cobb – “Keep ‘Em on They Toes”

A real toe-tapper, this track encourages the listener to follow your own path versus one that has perhaps been laid out for you. The song also suggests taking higher ground when being tested by others, some sage advice we could all use during these stressful times. Cobb’s classic, warm tone shines through this cut.

Hailey Whitters – “Heartland”

The Iowa-native-turned-rising-country-star pays homage to her roots in this nostalgic song about the place she was born and raised. As the saying goes, you can take the girl out of the Heartland…

Cut Worms – “Sold My Soul”

A hint of Neil Young, a splash of Guy Clark, a shake of Gram Parsons, and you get this great tune from Cut Worms, AKA Max Clarke, embodying country-folk storytelling at its finest.

Jonathan Terrell – “Never Makes a Sound”

I have seen Jonathan Terrell’s music described as “Springsteen in a Honky Tonk,” and no song better reflects said description on Terrell’s new record than this one. Passionate and driving, it’s a real rocker on Indigo.

Aubrie Sellers – “Far From Home”

A little bit country, a little bit rock ‘n’ roll, Aubrie makes the kind of gritty Americana that a playlist like Indigo was made for. The title track and opener off her newest album is a more subtle take on her “garage country,” but is exemplary of how dynamic she is as an artist.

The War & Treaty – “Five More Minutes”

The husband-and-wife duo have always written songs that strike a chord and can often bring the listener (me) to tears, but they’ve managed to accomplish this with a song that feels upbeat and… happy? The roots of the song, however, are quite dark. Michael Trotter Jr, after years of mental and financial struggles, contemplated leaving this world. In response his wife, Tanya, pleaded to him, “Just give me five more minutes. Stay with me. Just five more minutes to love you.”

Charley Crockett – “Welcome to Hard Times”

Is there really another song title on this playlist that is more appropriate for our day and age? Following his 2019 album, The Valley, and a severe health scare, Charley’s newest album (and title track) touches on failures and a system that’s rigged for said failures. Crockett is one of those artists that embodies all subgenres and eras under the American roots umbrella, and it’s songs like these that showcase how his art feels old and familiar while simultaneously being new and exciting.


Images and artwork courtesy of Spotify

Songwriter Bruce Robison Reimagines the Music Industry with the Next Waltz

It's no secret that the music industry has suffered something of an identity crisis over the last decade and change, with news just this week that album sales have hit an all-time low while streaming has never been hotter. The current climate is especially hard on new artists, who are forced to seek alternative sources of revenue to supplement the depressingly low figures they earn on streaming services like Spotify and Apple Music.

The frustration of navigating the industry has led some artists to venture away from the traditional model. Songwriter Bruce Robison — known for writing number one songs for George Strait ("Wrapped"), the Dixie Chicks ("Travelin' Soldier"), and Tim McGraw ("Angry All the Time") — is the latest artist to do just that with his new project, The Next Waltz

The Next Waltz, which derives its name from the famed Band concert The Last Waltz, is a video web-series and multi-platform music delivery service that brings music fans into the writing and recording process with some of their favorite country artists. Each installment of the series sees an artist — like the recently featured Jerry Jeff Walker — recording, performing, and discussing a new song, all from Robison's rural studio outside of Austin, Texas.

"I knew I wanted to start moving toward a singles approach," Robison says of the concept. "I knew that it had to have video content along with it, and also I thought we needed a new way of funding the music. So all of those things felt like they had to come together, and I’ve been working on that for a few years. There’s a lot of different moving parts that we’ve been putting together — from the right producers to tell the stories to how we were going to release the music to what the content was going to look and feel like."

Robison's desire to find an alternative means for creating and distributing music was fueled by years spent toiling away as a staff songwriter in Nashville. "I think I mourned the old music business about 10 years," he says. "I really did. I was very, very dissatisfied with my job as a staff songwriter at the time. I knew that that wasn’t what I wanted to do with the next part of my life at all. So this other thing started taking shape and it just continued to evolve. I think, in a broader sense, that even when I started writing music and writing songs and calling myself a songwriter, at the base of it, I was really hopeful to try and make great music," he says. "I’m just obsessive about music. When I was still spending a lot of time in Nashville and writing songs as a staff songwriter, I didn’t feel like that was what I was doing. This, I believe, is my very best opportunity to try and make some great music."

As someone who intimately knows the difficulties of funding a musical project, Robison found an alternative to the traditional record label model: brand sponsorship via Austin's own Real Ale Brewing Company. "They defray it," he says of the brewery. "I think this is going to be the new model. That was part of it, too. My wife [songwriter Kelly Willis] and I made a couple of records and, even when they’re pretty successful these days, they’re not successful by old standards. They’re such money-losing propositions. It was really just a way to say, ‘How do we do this and make it fun?’ And come up with an outcome that will be exciting, where we have a chance for something to really get out there and get legs."

With funding taken care of, Robison is free to focus on what really matters to him: creating great music and giving it the spotlight it deserves. In the short time since launching The Next Waltz, Robison and his team have developed a process that is as enjoyable as it is productive.

"I reach out to somebody and get an idea of when we’re going to go in and record the song, and then we start a process — like back to the ‘50s or ‘60s, where you’re looking for a single that’s really gonna catch somebody’s ear, that’s a great song, that might show a different side of an artist," he explains. "It’s really letting the music show the way, which, honestly, I think was happening back in the decades of that music that we still all listen to all the time. Then, after we pick the song, they come in and we just spend a day shooting the stuff and recording the song. It’s so freaking fun because we aren’t trying to get four songs in a day, so we set up in the morning and kick the song around and really arrange it and get a good vibe on it and take a break for lunch and then we come back and record it. Then we go to mixing it and editing the video and putting together all of the content that we’ll release over the three-week period of time. It’s very dignified and it’s a lot of fun."

While Robison may be having the time of his life, writing and recording with some of his favorite artists, he's also hoping to change the lives of other musicians and, eventually, the music industry itself.

"The secret plan is to replace how people release music, and to have a viable way of releasing singles that are very ambitious, both in how accessible they are and the quality of the music," he says. "It’s no less than being the new way that people can release music and find new fans all over the world, and be putting out the part of their story that’s going to tell people more about them."

Watch Jerry Jeff Walker and Bruce Robison discuss Walker's tune "Mr. Bojangles":

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Spotify Playlist Creator Enters Witness Protection

New York, NY — Ducking into the black, unmarked car and spending the next 24 hours memorizing her new identity, Molly Blackwell paused only to wonder how a job as seemingly innocuous as Spotify Playlist Creator could land her in federal witness protection. For years, Blackwell led a normal life and seemed to have the magic touch at the online streaming service: Most of her playlists reached over 20 million listeners resulting in dozens and dozens of dollars for the artists.

Though aggressively sought-out by managers, publicists, promoters, booking agents, and artists themselves, Blackwell’s identity was kept under wraps for several years until a member of the hacktivist group Anonymous exposed her information as a favor to his folk singer girlfriend.

“It was unreal,” recalls Blackwell. “I’d read about people being doxxed, but the reality of your phone ringing and receiving text messages constantly from numbers all over the world? Crazy. Inbound emails on my account alone caused the global Spotify servers to crash.”

The Anonymous member admitted he didn’t think making Blackwell’s contact details public would get out of hand. “It took me about 10 minutes, including a break to walk my dog,” he said. “I was like, who gives a shit about someone who makes digital mix tapes? Apparently everyone.”

A line of high-ranking music industry executives went on for miles at the Brooklyn brownstone where Blackwell’s address was listed and some had even set up tents on neighboring lawns. Tour bus and van congestion in the neighborhood caused the fire department to be called in to assist with traffic flow.

“We thought police escorts would only be needed for a few days,” said Blackwell. “But after two weeks, the harassment was so bad that the NYPD referred the case to federal law enforcement for witness protection. They said I’m the first, but several other Spotify employees are being considered.”

Blocking two lanes of Atlantic Avenue, touring band I’ll Have the Lobster said they wanted to swing through to try to get their new record into Blackwell’s hands. “It’s worth a shot,” shrugged lead guitarist Joey Frazier. “Getting on a Molly playlist is better than a year’s worth of touring money. I saw on Reddit that she gets home about eight o’clock, so we’ll hang here for a while.”

Unbeknownst to the swelling crowd, Blackwell had been escorted out of the city two nights prior.


The above is a work of satire. Any resemblance to actual persons, living or dead, or actual events is purely coincidental … although entirely likely.

Photo credit: downloadsource.fr