Bluegrass Turns 75

We’re taking a different approach to the Artist of the Month concept this September, as we acknowledge the upcoming 75th anniversary of bluegrass music. Many historians consider its origin to be that December night in 1945, as bandleader and mandolin master Bill Monroe established guitarist Lester Flatt and banjo picker Earl Scruggs as part of the Blue Grass Boys lineup during a Grand Ole Opry show at the Ryman Auditorium. At that pivotal moment, a new American art form was born.

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Although bluegrass is unquestionably rich in history, it is still evolving to this day. In an effort to cover all the decades since then, BGS will offer five posts this month about the evolution of bluegrass, from that indispensable first generation to the newest class of talented pickers. [Read about the first generation.] [Read about Rodney Dillard and the Dillards.] [Read part one of our New Grass Revival oral history. Read part two here.] [Read about 10 women who made bluegrass better in the ’80s and ’90s.] [Listen to our 21st Century Bluegrass playlist.]

Our staff has also collected our personal favorites from the immense bluegrass canon in the playlist below. We owe a lot to Monroe, Flatt & Scruggs, and all the musicians who have led us to this milestone, and we’re proud to reveal our theme this month as Bluegrass 75.


 

LISTEN: Rhiannon Giddens, “Don’t Call Me Names”

Artist: Rhiannon Giddens
Hometown: Greensboro, North Carolina
Song: “Don’t Call Me Names”
Release Date: August 23, 2020
Label: Nonesuch

In Their Words: “The framework in the song is a love affair, but it can happen in any kind of connection. The real story was accepting my inner strength and refusing to continue being gaslit and held back; and refusing to keep sacrificing my mental health for the sake of anything or anyone.

“I don’t often write personal songs but this one has stayed with me — it poured out then and has just sat there waiting for the right time. I got a chance to do it with some incredible musicians and a fabulous producer and I’m thrilled it’s going to be out in the world; when I listen to it, the anger that I felt then is the anger I feel [now] at my entire country being gaslit, held back, and sacrificed. We have to keep saying NO to toxic behavior, no matter how small or large the stage, and keep saying it nice and loud.” — Rhiannon Giddens


Photo credit: Ebru Yildiz

LISTEN: Bella White, “All I Gave to You”

Artist: Bella White
Hometown: Calgary, Alberta, Canada; now living in Nashville
Song: “All I Gave to You”
Album: Just Like Leaving
Release Date: September 25, 2020

In Their Words: “‘All I Gave To You’ feels explicitly gentle to me. However, underneath all that sweetness, there is definitely a tinge of heat. A little fire burning in 18-year-old Bella. I wrote it about being far away from something that I wanted so badly and for all I know, irrationally. A puppy love interest. It talks about wanting to be wanted, or better yet wondering if you’re wanted… a common theme in songwriting. Something I believe to be extremely human. Wanting to feel revered and liked. Especially by those that you’re fond of. In retrospect, I wrote ‘All I Gave To You’ when I was 18 and liked a boy, wasn’t sure if he liked me back, and then tried to be a poet about it.” — Bella White


Photo credit: Sheena Zillinski

BGS 5+5: Twisted Pine

Artist: Twisted Pine
Hometown: Boston, Massachusetts
Latest album: Right Now (August 14, 2020)
Personal nicknames: Kathleen Parks is KP or Kat. Dan Bui is Fireball or Bu Nasty. Anh Phung is Lil Phungus. Chris Sartori is Moose.

What other art forms — literature, film, dance, painting, etc — inform your music?

I would definitely say dance has had a big influence on how I hear, feel, and listen to music. I started out as an Irish dancer before I picked up the violin and I studied dance up until the year before I had to pick what kind of art school I would apply for. Would I study music or dance? I guess you can figure out the outcome, but I’m thankful to have studied it for so long because it definitely has influenced my groove, and feel. Anh is a great dancer too! Who knows, maybe one of these days we’ll work up some moves for a TWP set! — Kat

What was the first moment that you knew you wanted to be a musician?

I grew up with classical music lessons: first on piano and then violin. I wasn’t super passionate about it, but I didn’t hate it either. One Saturday, I happened to see Sam Bush playing on PBS, and knew I wanted a mandolin. As soon as I got it, a Fender A-Style with a pickup, a couple of friends came over with drums and electric bass. We jammed for hours and that’s when I knew I wanted to be a musician. — Dan

What’s your favorite memory from being on stage?

There’s obviously too many to choose from but maybe one of the more ridiculous ones was a 5 minute appearance in a choir singing “B*tches Ain’t Sh*t” by Dr. Dre on the “Just for a Laughs” live television special, “XXX: The Nasty Show,” accompanied by Ben Folds and hosted by Bob Saget. What a hoot! — Anh

Since food and music go so well together, what is your dream pairing of a meal and a musician?

I would take Prince to the Highland Kitchen in Somerville (Mass.) for brunch. We have a shared passion for breakfast; I wonder what he would think about their pancakes (they are the best ever). — Chris

Which elements of nature do you spend the most time with and how do those impact your work?

Growing up in New York’s Hudson Valley I had pretty direct access to little mountains, trails, and the Hudson River. I always feel grounded after going for a hike, and being able to view a sunset, and a clear night sky really seems to impact my lyrics and how I get musically inspired. What I love most is when the band can stay in a cabin during tour, I feel cozy and comfy and I love being able to hear the sound of crickets nearby. That’s the stuff! — Kat


Photo credit: Joanna Chattman

LISTEN: Golden Shoals, “Old Buffalo”

Artist: Golden Shoals
Hometown: Nashville, Tennessee
Song: “Old Buffalo”
Album: Golden Shoals
Release Date: August 7, 2020
Label: Self-released, distributed by Free Dirt

In Their Words: “This one fits in a genre I like to call Cowboy Existentialism. You’ve got imagery like buffalo, coyotes, hobos, and trains. The cheerful mood of the song belies themes of economic inequality, and the burden of worldly possessions, summed up in lines like ‘it’s mighty hard to catch your meal when you ain’t had enough to eat.’ The melodies and cadences of this song are derived, intentionally or not, from old American fiddle tunes like ‘Roll Boys Roll’ and ‘Booth Shot Lincoln.’

“I originally wrote it with clawhammer banjo as the accompaniment, but I had really been searching for a song to do with two guitars as a faster breakdown to showcase the style of flatpicking I love to do. We’re really emulating the two-guitar style of Norman and Nancy Blake here. They have always been a major influence on us. Norman is one of my favorite guitar players, along with Doc Watson and Michael Daves. I’m not a big fan of the more modern bluegrass guitar players; I gravitate toward those whose playing is more rooted in the old-time square dance fiddle style — very rhythmic, very driving, a little dirty.

“Playing a ’33 Gibson L-00 helps me get the sound I want too. Nothing like the growl a well-loved Gibson has to it. This guitar also fits my body better. I’m not a large person, and although I love dreadnaughts, a 00 body size is way more comfortable for me.” — Mark Kilianski, Golden Shoals


Photo credit: Kyle Wolff

MIXTAPE: An Organic, Mountain Home Playlist

There’s never been a time when working people haven’t needed to lean on one another — and to look beyond the present day — just to get by, but the present moment often seems especially fraught. Nothing speaks better to each present moment than music, whether it’s making space for respite and healing or providing encouragement and inspiration for the struggle.

Here at Mountain Home Music Company and Organic Records, our artists speak in unique, distinctive voices, yet each of these mostly southern artists have been unafraid to offer up songs that address the universal themes and social challenges of our times— whether they’re looking inward or to the outside world. — Ty Gilpin

(Editor’s Note: Find the entire playlist below)

Aaron Burdett — “Echoes”

“Echoes” is a product of this era, a processing of my own thoughts and feelings. I have questions about my surroundings and myself. It’s about current conditions but also about elements of our humanity that are centuries old. Uncertainty defines much of life in the year 2020 and I believe in recognizing and honoring it. Answers will not arrive until the right questions are asked. — Aaron Burdett

Tellico — “Courage for the Morning”

I was thinking about how people’s actions can inspire others, from the great revolutionary leaders to the everyday efforts of ordinary people. So, if you sing along to this song, you will be saying to yourself “I will walk, I will sing, I will bring a little courage for the morning.” That is something each one of us can take to heart and really think about: What is it that I can do to help another person in this world? — Anya Hinkle, Tellico

Balsam Range — “Richest Man”

Who has not thought about being the Richest Man? But what defines being rich? To have a life without regrets is easier said than done. The sacrifices made for gain can seldom be undone. The things lost and those won will only show with time. — Buddy Melton, Balsam Range

Thomm Jutz — “What’ll They Think Up Last”

When you enter John Hadley’s Fiddle Back Shack you are immediately in the moment and in a different world. I can’t think of any other house like his. Hadley is one of the most stunningly great creative minds I know — so is Peter Cooper. We gathered at Hadley’s funky Madison, Tennessee home one Sunday morning, talking over coffee. Hadley said something like “I wonder what they’ll think up last…” yeah, me too. — Thomm Jutz

The Gina Furtado Project — “The Things I Saw”

All throughout my childhood, I went to the river when I needed comfort of any kind. No matter what happened in my life, good or bad, the river was always the same. The plants and critters and smells and sounds became like old friends; always welcoming and beautiful in every way. I imagined a secret society whose mission was to fight hatred with love.

I’ve taken that little vision into my adult life, and enjoy trying to spot members of this secret society (and trying to be one myself!) They can be flowers, animals, sunsets, people you pass on the street — any person or thing that refuses to let darkness and negativity take over, and instead chooses to exude pure and unstoppable love. — Gina Furtado

Love Canon — “Things Can Only Get Better”

Love Canon has made a career from expertly covering classic ’70s and ’80s pop songs with acoustic instruments. In this Howard Jones hit, they found an anthem for trying times. — Ty Gilpin

Amanda Anne Platt & the Honeycutters — “Brand New Start”

Asheville-based, Americana-leaning outfit the Honeycutters have built an increasingly storied career through their sensitive, skilled musicianship and the distinctive songwriting and voice of Amanda Platt. “Brand New Start” is about a scenario we could all use right about now. — Ty Gilpin

Balsam Range — “Trains I Missed”

Do we recognize when opportunities missed are really fate taking us in a better direction? How many times have you found yourself missing one train and taking another to right where you’re supposed to be? — Ty Gilpin

Zoe & Cloyd — “Where Do You Stand”

“Where Do You Stand” is a commentary on the state of our national discourse. Often, it’s the farthest ends of the political spectrum that make the news and it seems like inflammatory rhetoric is the only thing that gets heard these days. I’d like for us to remember that we’re all connected and are more alike than we are different, no matter who tries to convince us otherwise. For us to move forward, we have to find common ground on which to build a path toward a sustainable future. — John Cloyd Miller, Zoe & Cloyd

Jeremy Garrett — “Circles;” “What Would We Find?”

“Circles” is a song I feel like many people can relate to. Sometimes you feel like you’re going in circles, but there is always light on the other side if you can just keep going and perhaps change your vantage point.

For “What Would We Find?” we were riding out through the Black Hills and it struck me how it looked as though, if you could take all the timber away and expose just the rocks and barren land, what would you find? It seemed as though there were hidden layers of possible treasures in the rocks under the timber — perhaps like relationships can be sometimes. I only had the idea and a basic melody, and had the opportunity to write with one of my heroes, Darrell Scott.  — Jeremy Garrett

Front Country — “Good Side”

Almost a capella from a group that has never shied from issues of social justice. Hailing from the west coast but now residing in Nashville, Front Country has consistently campaigned for marginalized members of our community. This powerful message is both personal and universal. — Ty Gilpin

Zoe & Cloyd — “Neighbor”

“Neighbor” is a song meant to inspire us to act with empathy, and to remember our shared humanity. It’s important to recognize our similarities rather than fear our differences. — Natalya Zoe Weinstein, Zoe & Cloyd

Aaron Burdett — “Rockefeller”

“Rockefeller” is, on the surface, just a fun song about wishing for more than you have and being envious of others. Dig a little deeper though, and the song brings in hints of income and economic inequality. But then the chorus is all about making do and being content with what you do have. So it’s a song with a few layers to jump back and forth between. — Aaron Burdett

The Gina Furtado Project — “Try”

The societal pressure to be a certain way can be overwhelming. ‘Try’ just came to me one day when I felt particularly defeated. We win some, we lose some; we do admirable things and less than admirable things. That is what it is to be a human, and as long as you know you try, it’s not a big deal either way. — Gina Furtado


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LISTEN: Scott Cook, “Rollin’ to You”

Artist: Scott Cook
Hometown: Edmonton, Alberta, Canada
Song: “Rollin’ to You”
Album: Tangle of Souls
Release Date: August 7, 2020

In Their Words: “On August 7, I’ll be releasing my seventh album, Tangle of Souls. It comes packaged in a 240-page, clothbound hardcover book, the apotheosis of a long-running, possibly unhealthy obsession with liner notes. This is the first of those songs I wrote — yodeling and laughing to myself in a rented room in Chicago — and it planted the seed of an idea that led to making a string band record. The aesthetic is often the first thing I have in mind, before I even know what the album wants to be about, and this time around I wanted a string band, with a fiddle, because the fiddle is the electric guitar of acoustic music.

“I’d been touring a fair bit in Australia with Liz Frencham, a killer upright bass player with a studio in her backyard, and on one of those tours we got to talking about making a record. I brought over fellow Albertan and longtime collaborator Bramwell Park to play banjo and mandolin, and Liz connected with an Aussie fiddler named Esther Henderson, who I’d never met. I named the band ‘Scott Cook and the She’ll Be Rights’ after an Aussie expression meaning ‘it’ll be OK’ or ‘don’t worry about it.’ (You might say it’s somewhere on the spectrum between nonchalance and negligence.) We arranged the songs along that tour and cut the record at the end of it, then I spent the next year or so writing the liner notes. 🙂 ” — Scott Cook


Photo credit: Kate Baker

WATCH: Zoe & Cloyd, “Where Do You Stand”

Artist: Zoe & Cloyd
Hometown: Asheville, North Carolina
Song: “Where Do You Stand”
Label: Organic Records

In Their Words: “‘Where Do You Stand’ is a commentary on the state of our national discourse. We had the idea for the line, ‘When all that’s left is left, right, or wrong’ in regards to the hyper-polarization we’ve been seeing for a while and we built the song from there. We wanted the song and video to be thought provoking and a call to action. Some people will always attempt to pit us against one another for personal and political gain but we can’t let divisive, inflammatory rhetoric win the day. For us to move forward, we must find common ground on which to build a path toward a just and sustainable future.

“We filmed the video not far from our house in Fairview, North Carolina, outside of Asheville. The old building with the painted tree is right along the road and we thought it was a quirky rural spot that contrasted nicely with the political imagery. The other location was an abandoned ball court that had some interesting delineated grass with a sort of ‘line in the sand’ vibe. It also looked a bit post-apocalyptic. The fence shots represent several concerns such as the border wall, the lack of voice and access in certain communities, and feelings of powerlessness to change the status quo.” — John Cloyd Miller


Photo credit: Sandlin Gaither

The Show On The Road – Rising Appalachia

This week on the Show On The Road, a conversation with Chloe Smith of Rising Appalachia. In 2005 she founded this unique partnership with her sister Leah after their relentless world travels finally intersected in southern Mexico, where Leah had started mastering the banjo.

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Growing up in a musical family of traditional string-band players and contra-dance leaders near Atlanta, Rising Appalachia’s latest release, Leylines, mixes the rustic front porch sound of their childhood family jam sessions with a neon-tinted modern backbeat of dancehall electronics and mystical protest. That could have felt incongruous, but somehow these influences mix beautifully with their ethereal, intertwined vocals and darting fiddle-and-banjo runs.

While our host, Z. Lupetin, was able to catch up with Chloe for this cross-country conversation, Leah has been marooned in Costa Rica since the world shut down in March and continues to work from there. The sisters and their talented six-piece band have become a beloved fixture at music festivals throughout the United States, but have also played stages in Colombia, Costa Rica, India, Italy, Hungary, Bulgaria, The Czech Republic, Ireland, Scotland, and more. 

Always looking to challenge the traditional carbon-hungry touring routine, Leah dubbed their group as part of a growing “slow music movement”, and in this episode, Z. talks with Chloe about the time they toured remote Canadian farming islands via sailboat. It’s that kind of intimate and innovative traveling that Chloe would like to return to whenever the COVID-19 shutdown lifts in the coming years.

Stick around to the end of the episode for an acoustic version of “Harmonize” from Leylines, and check out Rising Appalachia’s newest single “Pulse,” featuring Dirtwire.