The Show on the Road – Asleep at the Wheel (Ray Benson)

This week on The Show On The Road, we bring you a talk with the half-century-spanning, Grammy-winning ringleader of one of American roots music’s most durable and iconic bands, Ray Benson of Asleep at the Wheel. The episode is a celebration of their fifty years of diligent song collecting, Western swing camaraderie, and epic genre-spanning collaboration — and features first listens of their new record, Half a Hundred Years, which drops on October 1. The record covers old classics and tells new stories, with spritely cameos from fellow Texans Lyle Lovett and Willie Nelson.

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Aligning behind Benson’s commanding, deep voice and impeccable song-historian’s taste, Asleep at the Wheel has managed what few bands in country music — or any genre — have: Keeping a talented, rotating band of mostly-acoustic players together from 1972 on, with little break from the road. Willie Nelson and others have long championed their work, and indeed the band has had fans in even higher places: on September 11, 2001, the group was set to perform at The White House.

Asleep at the Wheel’s story is really one of perseverance and transformation. How did a Jewish kid from the the Philly suburbs end up as a Texas cowboy music icon who toured with Bob Dylan and George Strait (just ask Bob about changing identities), wrote songs and acted in movies with Dolly Parton and Blondie, and became the foremost interpreter of the rollicking music of Bob Wills & His Texas Playboys? Only in America, you could say, but Benson would just tell you that he loves the music deep in his bones, and it’s what he wakes up every day to create and save.

One of the most forward-thinking things Benson did from the very beginning was share the mic with a myriad of talented female vocalists, which maybe confused some radio programmers (“Who is leader of this outfit?”), but made their road shows eternally entertaining and unique. That tradition continues. Also featured on the new record are lovely collabs with Lee Ann Womack and Emmylou Harris.


Photo credit: Mike Shore

The BGS Radio Hour – Episode 220

Welcome to the BGS Radio Hour! Since 2017, this weekly radio show and podcast has been a recap of all the great music, new and old, featured on the digital pages of BGS. This week we have John Prine’s final recording, a BGS exclusive performance from Americana duo Jackson+Sellers, a playlist in 3/4 time, personally curated by Dori Freeman, and much more.

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John Prine – “I Remember Everything”

The Americana Music Association was able to celebrate the works of its community in-person last week, for the first time since the beginning of the pandemic, with the 20th Annual Americana Honors & Awards held at the historic Ryman Auditorium. And one of the night’s biggest awards, Song of the Year, was given posthumously to none other than John Prine for his final recording, “I Remember Everything.” Watch below to see John perform the song himself, followed by a tribute from Brandi Carlile, Margo Price, and Amanda Shires at last week’s awards ceremony.

Martin Sexton – “Riding Through the Rain”

New York’s Martin Sexton spoke on performing at Madison Square Garden, his pre-show and pre-studio rituals, the influence of artists and performers from Black Sabbath to Looney Tunes, and more in a recent edition of 5+5.

Rod Gator – “Out Here in Echo Park”

Rod Gator wrote “Out Here in Echo Park” during his last year living in Echo Park, when every evening he’d walk down to the L.A. River and sit along the bank. Take a listen, and you might start missing Echo Park, too.

Jackson+Sellers – “Hush”

Jackson+Sellers’ debut album, Breaking Point, comes out next month, but until then, we’re listening to the song that brought the pair of songwriters together as a duo. Jade Jackson initially reached out to Aubrie Sellers about singing harmonies on a new song she had written, and the rest is history! On their partnership, Jackson says, “Collaborating with someone who’s so energetically strong, it gives you even more creativity and license to explore.” Watch the duo’s performance of “Hush” from our Yamaha Artist Sessions below.

Dori Freeman – “The Storm”

For a recent Mixtape, our friend and songwriter Dori Freeman crafted us a playlist celebrating waltzes –her favorite type of song — which always touch her heart in ways other songs don’t.

Kirby Brown – “Ashes and Leaves”

“Ashes and Leaves,” the latest from singer-songwriter Kirby Brown, is a meditation on acceptance: “Sometimes, we are the ones being left — by lovers, friends, family, etc. At other times, we are the leavers. Maybe this is one of the inevitable arrangements of life…”

Brad Kolodner – “Foggy Mountain Special”

Old-time musician and radio host Brad Kolodner was a recent 5+5 guest, speaking about his new album, Chimney Swifts, his earliest on-stage memories, the soul-nourishing experience of the Appalachian String Band Music Festival, and more.

Béla Fleck featuring Sierra Hull & Molly Tuttle – “Wheels Up”

No matter how far afield he may roam, with his new album our Artist of the Month Béla Fleck wants the world to know his bluegrass heart will always call bluegrass home. And this rip-roaring number is about as bluegrass as it gets. The studio recording features the talents of Molly Tuttle and Sierra Hull, while this live performance below features Fleck’s current all-star live lineup: Sierra Hull on mandolin, Michael Cleveland on fiddle, Mark Schatz on bass, Bryan Sutton on guitar, and Justin Moses on dobro.

The Barefoot Movement – “Back Behind the Wheel”

“Back Behind the Wheel” is ultimately a song about hope and the idea of letting yourself feel what you need to feel, but not allowing that to be the end of the journey. “When it comes to this, I don’t know what it means to quit…”

Tammy Rogers & Thomm Jutz – “I Surely Will Be Singing”

“I Surely Will Be Singing,” a new release from songwriter Thomm Jutz and The SteelDrivers fiddler Tammy Rogers, was written at the beginning of the pandemic, as a hymn to nature and to the spirit of human resilience in the face of adversity.

The Secret Sisters – “Dust Cain’t Kill Me”

A new Woody Guthrie compilation from Elektra Records isn’t just a tribute album, it’s a reimagination. Home in this World: Woody Guthrie’s Dust Bowl Ballads features a host of compelling modern artists — like John Paul White, Colter Wall, and Chris Thile – offering their takes on Guthrie’s seminal Dust Bowl Ballads. One standout is The Secret Sisters performing “Dust Cain’t Kill Me.”

With such passion at the heart of it, Home in This World brings new life to music that has shaped American culture in the 20th and 21st centuries. “Woody Guthrie’s Dust Bowl Ballads is as relevant as ever,” producer Randall Poster states. “While profiteers exploit our natural resources, there is a growing sensitivity to the harsh farming practices that put our well-being at risk, and a concerted movement toward regenerative agriculture that can reinvigorate the soil and push back on climate change. I asked some of my favorite artists to help render these songs, hoping that this collection will reinforce the enduring power and prescience of Guthrie’s music and reveal the power of song.”

Caleb Lee Hutchinson – “I Must Be Right”

Caleb Lee Hutchinson teamed up with Trey Hensley on a new song, “I Must Be Right,” as he tells us: “I have been a fan of Trey for quite some time and was very excited to write with one of my favorite guitar pickers… It’s one of my favorite songs I’ve ever written as a result.”

Abby Posner – “Low Low Low”

Los Angeles-based musician and songwriter Abby Posner is joined by Constellation Quartet on a new video for “Low Low Low,” a beautiful, contemplative song about depression, anxiety, and learning how to live with the darkness within.

Colin Linden – “Honey On My Tongue”

“Roots music and blues do speak to a lot of people right now. Much of the healing and release you get from listening to this music… has shown itself to be so vital in these times… I hope the memories of every soul who has loved and been loved are like honey on our tongues,” says Linden of his track, “Honey on My Tongue.”


Photos: (L to R) Dori Freeman by Kristen Crigger; John Prine by Danny Clinch; Jackson+Sellers by Ashley Osborn

LISTEN: Angus Gill, “The Scrapbook”

Artist: Angus Gill
Home: New South Wales, Australia
Song: “The Scrapbook”
Album: The Scrapbook
Release Date: September 24, 2021
Label: Rivershack Records/MGM

In Their Words: “My Nan has diligently collected every newspaper article or clipping about me that has ever gone to print and often saved multiple copies of each one. She’s said to me for years that she wants to put them all into a scrapbook and gift it to me. She started to compile the scrapbook shortly after her Alzheimer’s diagnosis, but in the middle of putting it together, we had to make the difficult call to move her into a nursing home. She promised she would finish it and several months ago, she actually managed to, which was beautiful. I saw a pretty poignant idea in this story, which I told to my friend Bill Whyte and we wrote ‘The Scrapbook’ shortly after. Nan’s not doing great at the moment, but it’s very special to me to have this song on the record as the title track. It sums up this collection of songs well because there are a lot of personal snapshots of my life on this album.” — Angus Gill


Photo credit: Jackson James

LISTEN: Jeremy Pinnell, “Goodbye L.A.”

Artist: Jeremy Pinnell
Hometown: Southgate, Kentucky
Song: “Goodbye L.A.”
Album: Goodbye L.A.
Release Date: October 1, 2021
Label: SofaBurn Records

In Their Words:Goodbye L.A. was a special situation. I was introduced to Jonathan Tyler through a mutual friend and I was a little nervous about making a record with Jonathan. But we took a leap of faith and and found out it was the best thing we could’ve done. The feeling of excitement was present in the studio. New songs, new ideas flowing in and then hearing the playback was such a positive experience. I’m excited for people to hear these songs we wrote mostly from being on the road and I hope they enjoy it as much as we enjoyed making it. We’ve worked really hard to make this album. Long hours, hardly any pay, and many nights away from home make this album what it is.” — Jeremy Pinnell


Photo credit: Melissa Fields

MIXTAPE: Staci Griesbach’s Great American Songbook of Country Music

The Great American Songbook of country music is a vast terrain to cherish and celebrate. So vast, in fact, that to narrow it down into one playlist of favorite “picks” is an incredible challenge! That said, I’m sharing here a selection of songs that are some of my all-time favorite lyrics and melodies. (The kind of songs you’d take with you to a desert island.) When you look through this list, it is no doubt that you’ll agree: each one of these songs rightly deserves its space in the pages of 20th century American music history for the mark the songwriters and the musical icons performing them have made. The generations these songs have touched (and hopefully will continue to touch)… the audiences moved by performances, in some cases to tears… all from the impact of a single song. Amazing!

As I hope to do with my Songbook series of recordings, my artistic path honors these songwriters and musical icons in reimagining these songs in a new way, offering an inspired interpretation of some of these classic songs (as you’ll see below). I hope you enjoy a slice of what I like to call “My American Songbook.” — Staci Griesbach

Dolly Parton – “Coat of Many Colors”

Dolly Parton’s “Coat of Many Colors” celebrates its 50th anniversary in 2021, and in my mind, there may be no more perfect storytelling song with a purpose in all of country music. Through the lyrics, Dolly approaches some important underlying themes in her message with this song. From humble beginnings to the love of a mother to encouraging self-talk and faith to the discussion of bullying, this song is so inspiring no matter where you live or what your upbringing was like. Coupled with her incredible human compassion and all she does with her celebrity to make the world a better place, Parton continues to be awesomely inspiring. For my interpretation, we played up the whimsical nature with the Joseph and the Amazing Technicolor Dreamcoat reference to also celebrate Dolly’s immense talent in the Broadway space. Fun fact: I was once “Narrator” in the musical production, so there’s a special sort of kismet connection!

Willie Nelson – “Blue Eyes Crying in the Rain”

When a song is recorded by Hank Williams, Roy Acuff, Willie Nelson, and probably hundreds of other artists, you may wish your name was songwriter and country music legend Fred Rose. Willie Nelson’s voice and this song pair so well for me. It’s his renditions — especially the live acoustic ones where he brings the tempo down — that are my favorite.

Patsy Cline – “Crazy”

If you’re going to do a playlist about country music standards, then this one has got to be on the list and perhaps top the list. As the most-played jukebox hit in history, the combination of Willie Nelson’s pen and Patsy Cline’s voice makes for a combination that never gets old.

Merle Haggard – “That’s the Way Love Goes”

Merle Haggard could sing the phone book to me, and I’d fall in love. This classic Haggard tune shows off some of his trademark moves, hitting the low notes with a sense of natural charm that could arguably make any gal swoon. His influence from Lefty Frizzell, who penned the song and had a strong arm in shaping many of country music’s early male voices in terms of style, is clear.

Anne Murray – “Could I Have This Dance”

I’m a sucker for a country waltz and the romantic in me gets caught up in this lyric every time I hear it. While the vocal is more modest in range and dynamic, it’s the sweetness of the tune that makes it feel like you’ve just put on your favorite winter sweater and nestled up to the fireplace.

George Jones – “He Stopped Loving Her Today”

Classified by many as the greatest country song of all time, it’s an exemplary tale of great songwriting paired with incredible talent. The song, the lyrics, and the vocal performance George Jones gives in this tear-stained ballad can’t possibly leave a dry eye in the room, no matter how many times you’ve heard the recording! This was the first song we tackled for my album celebrating Possum’s 90th birthday, and I was thrilled when songwriter Bobby Braddock shared his praise. In my cover version, arranger Jeremy Siskind arguably created a stage for this song to really sit in a spotlight it has never been in before.

Ernest Tubb – “Waltz Across Texas”

Listening to this song play as a young girl, I used to dream of being swept off my feet in love someday, filled with the imagery of waltzing across a big ballroom with someone serenading me. When Ernest Tubb calls out his band members, it feels like you’re right in the room listening as they’re playing. I’ve always enjoyed his iconic characteristics in his sense of showmanship.

Patsy Cline – “Walkin’ After Midnight”

Several songs in Patsy Cline’s catalog can be called standards in country music and this is one of them. A favorite for many girl singers who adore her, Patsy’s swagger comes through in her bluesy vocal performance adding just the right touch of cry to connect us with her desire for finding love. For my cover version, also from arranger and pianist Jeremy Siskind, the song offers more of a meditative groove creating a moodiness that implores a sense of searching matching the lyrics with a more internal reflection.

Ray Price -–”Make the World Go Away”

The great Hank Cochran had a way with songwriting and that’s no secret. One of my favorite songwriters in Nashville history. His songs create a lasting impression, especially this one recorded by Eddy Arnold, Elvis Presley, Martina McBride, and the late great Ray Price.

Tammy Wynette – “‘Til I Can Make it On My Own”

When you put Tammy Wynette, George Richie, and Billy Sherrill in a room, you know a hit song will find its way out of the door. Wynette’s performance is simply stunning here, and this song really showcases her dynamic range as a vocalist. I also really enjoy Martina McBride’s cover on her standards tribute album.

Merle Haggard – “Today I Started Loving You Again”

The poetic nature of Merle Haggard’s catalog cannot be questioned, and while he’s known as the poet of the common man, it’s his love songs that have me right in the palm of his hand. Penned along with Bonnie Owens, this song might top the Haggard catalog for me.

Dolly Parton – “Here You Come Again”

Only recently I became aware that this song was written by the great Cynthia Weil and Barry Mann. I’ve always associated the song with Dolly, and with her incredible songwriting prowess, it was a natural assumption. This is definitely one of my favorite songs in Dolly’s catalog. For my cover, which is the flip side of my Digital 45 with “Coat of Many Colors,” Jeremy Siskind and I explored a ballad context to really bring out the emotional quality of the lyrics and the feelings that bubble up when you’re so in love with someone and forget for a moment that they’re not good for you.

Hank Williams – “Cold, Cold Heart

There’s a lure around Hank Williams like no other in country music. And it’s no surprise when you listen to Williams’ catalog why George Jones and so many others looked up to and tried to emulate Williams at the beginning of their careers. A true country music standard for its number of covers (including Tony Bennett), I’m a huge fan of Norah Jones’ performance.

Patsy Cline – “Lonely Street”

From Kitty Wells, Melba Montgomery, and Emmylou Harris to Ray Price, George Jones, and Tammy Wynette, this song has been recorded many times over. While Andy Williams’ version might have hit the highest notes on Billboard’s charts, it’s Patsy Cline’s heartache-filled performance that is my favorite version. There were a few of her classic hits that didn’t make my tribute album and this one might top that list.

Kris Kristofferson – “Help Me Make it Through the Night”

The stories of Kris Kristofferson and Bill Withers have always touched me in the fact that both of them were working everyday jobs (sweeping floors and working at an airplane parts factory respectively) when their demos catapulted them into the spotlight. I’ve seen Mr. Kristofferson perform this live a few times and my heart melts every time.


Photo credit: Kim Thiel

On “Radio Silence,” The Highwomen’s Natalie Hemby Lets Her Voice Be Heard

Natalie Hemby’s new single “Radio Silence” puts her cunning sensibility as a songwriter on full display, while drawing on the strengths of co-writers Rosi Golan and Daniel Tashian. No slouches themselves, Golan is an accomplished songwriter whose music can be heard on countless TV shows and films, and Tashian is a writer and producer in Nashville with credits such as Kacey Musgraves’ Golden Hour.

With this dream team in support, Hemby’s weighty single encapsulates the anxiousness of being cut off from a friend — a true story that hits close to home. “This song is basically about being ghosted by a friend, only not because of a fallout, but because your friend doesn’t want to drag you into their struggles, so they shut down,” says Hemby. “I was the friend, and Rosi Golan was the one reaching out. We wrote the song with Daniel Tashian.”

An acclaimed writer and two-time Grammy Award winner, Hemby will releasing her first major label record as a solo artist, following her work with the Highwomen, the collaborative group with Brandi Carlile, Maren Morris, and Amanda Shires. “Radio Silence” and lead single “Heroes” precede Pins And Needles, an album that leans on her rock and roots musical influences, due out October 8 on Fantasy Records. “Pins And Needles is the record I never got the chance to make and I always wanted to,” she adds. “It’s the late 90’s sound, which is the sound of my young adult life.”


Photo credit: Alysse Gafkjen

WATCH: Jackson+Sellers, “Hush” (Yamaha x BGS Artist Sessions)

Artist: Jackson+Sellers (Jade Jackson and Aubrie Sellers)
Hometown: Los Angeles, CA and Nashville, TN
Song: “Hush”
Album: Breaking Point
Release Date: October 22, 2021
Label: ANTI-

In Their Words: “I really loved [Aubrie Sellers’] voice and asked if she’d be interested in doing a co-write / duet. I wasn’t expecting a response but moments after I sent the message she responded with she’d love to. I knew the song would benefit from heavy female vocal harmonies, but working with Aubrie was such a boost. Collaborating with someone who’s so energetically strong, it gives you even more creativity and license to explore.” — Jade Jackson


Editor’s note: Watch more of our Yamaha x BGS Artist Sessions here.

The BGS Radio Hour – Episode 219

Welcome to the BGS Radio Hour! Since 2017, this weekly radio show and podcast has been a recap of all the great music, new and old, featured on the digital pages of BGS. This week we have a previously unreleased live performance from Emmylou Harris and the Nash Ramblers, as well as Béla Fleck’s return to bluegrass, a conversation on songwriting with Rodney Crowell, and much more.

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Béla Fleck – “Round Rock”

Our current Artist of the Month recently gathered an incredible crew of bluegrass power pickers for a live rendition of “Round Rock,” a tune that he included on his recent album My Bluegrass Heart, but that he had in his back pocket for nearly 20 years. He had been saving the piece for the right band to come along, and with this lineup, he has certainly found the players up for the task.

The Kody Norris Show – “Farmin’ Man”

Kody Norris’ “Farmin’ Man” is a true-life account of the American farmer – from the perspective of Kody himself, who grew up in a tobacco farming family in the mountains of east Tennessee. “I hope when fans see this they will take a minute to pay homage to one of America’s greatest heroes…”

Katie Callahan – “Lullaby”

Katie Callahan wrote “Lullaby” on the edge of the pandemic, before anyone could’ve imagined the way parenting and work and school and home could be enmeshed so completely. The song became a sort of meditation for her amidst the chaos.

Della Mae – “The Way It Was Before”

For Della Mae’s Celia Woodsmith, the process of writing “The Way It Was Before” was one of the toughest. [The song] “took Mark Erelli and I six hours to write (three Zoom sessions). Half of that time was spent talking, looking up stories, getting really emotional about the state of the world. We wanted to make sure that every word counted, so we took our time and tried to honor each of the characters (who are actual people). The pandemic isn’t even behind us, and yet I keep hearing people say that they can’t wait to get back to “the old days.” There’s so much about “the old days” that needs changing. After everything we’ve been through in the last 18 months, I found that writing a song like this felt impossibly huge. I may not have finished it if it hadn’t been for Mark.”

Ross Adams – “Tobacco Country”

The inspiration behind singer-songwriter Ross Adams’ “Tobacco Country” came from the idea of always staying true to your roots and remembering the people who helped you follow your path and dreams.
It’s a track paying tribute to the South.

Swamptooth – “The Owl Theory”

Savannah, Georgia-based bluegrass band Swamptooth wrote this jammy, energetic tune based on a Netflix series and true crime mystery with an unlikely theory that involves an owl. Read more from Swamptooth themselves.

Emmylou Harris & The Nash Ramblers – “Roses In The Snow (Live)”

A September 1990 performance by Emmylou Harris and the Nash Ramblers at the Tennessee Performing Arts Center in Nashville had been lost to time, but now, Nonesuch Records has released it as a new live album, which features a slew of songs that were not performed on the iconic At the Ryman record.

Jon Randall – “Keep On Moving”

“‘Keep On Moving’ started with a guitar lick and a first line,” Jon Randall tells us. “Once I put pen to paper, I never looked back. That’s exactly what the song is about as well. Sometimes I wish I could just get in the car, hit the gas and keep going. I think we all feel that way and probably hesitate to do so in fear of finding somewhere you don’t want come back from. What if there is a place where nobody gives a damn about where you come from and the mistakes you’ve made? That would be a hard place to leave.”

Fieldguide – “Tupperware”

“Tupperware” came to Canadian singer-songwriter Field Guide all at once in about 20 minutes. It’s a song about his early days living in Winnipeg, but it’s also more generally about the beautiful parts of life that aren’t meant to last forever, and coming to terms with that.

Rodney Crowell – “One Little Bird”

Courage and truthfulness. Those qualities permeate Rodney Crowell’s new album, Triage; in fact, it’s safe to say they’ve guided Crowell’s entire career. In our latest Cover Story, we spoke to Crowell about the new project, making amends, mortality, and so much more.

“I learned a long time ago,” he explains, “If it’s coming from my own experience, there’s a good chance I’m a step closer to true. And I can mine my personal truth, but confessional only goes so far. I’ve tried to walk that line; if I can carefully write about my own experience and put it in a broader perspective, then [for] the listener, it becomes their experience…”

Triage, as specific and particular as it gets, feels like it contains truth that belongs to each and every listener. “That’s why I feel like I have to be really careful; if I make it too much about my experience, then I start to tread on the listener’s experience.”

Suzanne Santo – “Mercy”

In a recent edition of 5+5, Suzanne Santo shared her thoughts on the emotional alterations of cinema, the gift of playing music for a living, taking long, rejuvenating walks, and much more.

Jordan Tice (featuring Paul Kowert) – “River Run”

Hawktail members Jordan Tice and Paul Kowert collaborated on an original tune, “River Run,” during lockdown. According to Tice, the song “started with a little lick I had been carrying around in the key of D — a speedy little cascading thing that felt good to let roll off the fingers that I’d find myself playing in idle moments.” The end result evokes the lightness and constancy of a swiftly moving river as it passes over rocks, rounds curves, and speeds and slows. “[I] hope you experience the same sense of motion while listening and are able to glean a little bit of levity from it.”

Skillet Licorice – “3-In-1 2 Step”

Skillet Licorice combined a few different old-timey, ragtime, swinging melodies into a sort of parlor song medley that feels like it came straight out of Texas, complete with banjo and mandolin harmonies.


Photos: (L to R) Rodney Crowell by Sam Esty Rayner Photography; Emmylou Harris by Paul Natkin/Getty Images, circa 1997; Béla Fleck by Alan Messer

WATCH: Single Girl, Married Girl, “Wreck Cut Loose”

Artist: Single Girl, Married Girl
Hometown: Los Angeles, California
Song: “Wreck Cut Loose”
Album: Three Generations of Leaving
Release Date: November 19, 2021
Label: Head Bitch Music

In Their Words: “I’ve always loved torch songs and big weepy ballads, especially country ones. ‘Wreck Cut Loose’ lets me belt and sing like the incomparable voices I grew up listening to and have tried to emulate countless times — Ella Fitzgerald, Judy Garland, Tammy Wynette, and Patsy Cline, but in a contemporary musical setting. We didn’t want to sound like an old country or pop vocal song, but the lineage should be obvious.

“Lyrically, it’s about something most people have gone through in their lives — a breakup, but Dan Morosi, our friend and former drummer, who wrote the song, manages to portray the emotional intensity we feel in the aftermath of being dumped through simple, direct language. It sort of fixates on mundane elements that belie the complex feelings being expressed and examined, all the while building to this heartbreaking crescendo.

“For the music video, we wanted a concept that was not gimmicky but a little tongue-in-cheek. It’s literally one shot once the music starts; I’m walking home from being dumped and encounter multiple friends along the way who try to cheer me up, when all I want to do is go home, be alone, and have a really good cry. It’s all to say that we need a little support in our lives during hard times, that we are stronger together. We hope the video feels like a big group hug.” — Chelsey Coy, Single Girl, Married Girl


Photo credit: Anna Azarov

The Secret Sisters Dust Off a 1940 Woody Guthrie Track on ‘Home in This World’

Eighty-one years ago, an icon of American music released a record that has stood the test of time like few other bodies of work. Legendary storyteller and musician Woody Guthrie’s album, Dust Bowl Ballads, is that record, and now Elektra Records has issued an album that celebrates its musical singularity.

Titled Home in this World: Woody Guthrie’s Dust Bowl Ballads, the collection is far more than a restoration, remix, or remastering. Instead, producer Randall Poster tailored a reimagination of the album and rerecorded it with a slew of carefully curated artists such as John Paul White, Colter Wall, and Chris Thile. One of the highlights is “Dust Cain’t Kill Me,” performed by the Secret Sisters. “One of our COVID lockdown highlights was holing up in a hometown studio to record a tribute song to the great American storyteller, Woody Guthrie,” they said. “We loved swampin’ up his folk tune with a little Alabama mud. Hope y’all like it too!”

With such passion at the heart of it, Home in This World brings new life to music that has shaped American culture in the 20th and 21st centuries. An avid fan as well as an experienced music supervisor, Poster cast the artists by drawing on his keen sensibility for film music. “Woody Guthrie’s Dust Bowl Ballads is as relevant as ever,” he stated. “While profiteers exploit our natural resources, there is a growing sensitivity to the harsh farming practices that put our well-being at risk, and a concerted movement toward regenerative agriculture that can reinvigorate the soil and push back on climate change. I asked some of my favorite artists to help render these songs, hoping that this collection will reinforce the enduring power and prescience of Guthrie’s music and reveal the power of song. I tried to think of these songs as the soundtrack to a movie, building a narrative, a story where the world wakes up to the climate threats and unite to combat it successfully. It’s a great movie.”


Photo credit: Alysse Gafkjen