Artist:Kate Prascher Hometown: Hudson Valley, New York Latest Album:Shake The Dust (out August 30, 2024) Personal Nicknames (or Rejected Band Names): Kate or Katie. I go by my middle name, which I have always thought of as a Southern thing. Growing up in Tennessee, it was not uncommon to go by a middle name or even a family nickname and it has taken some explaining over the years. Especially when I moved to New York.
What rituals do you have in the studio or before a show?
I like to move some way or other, I will often practice yoga and try to get out of my head a little bit. I also warm up my voice and hands, drink tea, and run through whichever songs are new or have parts that need attention. I try to practice the week before a show and avoid day-of practicing whenever that’s possible, especially when there is new material. I have also started working with visualization this year. It is a thing I’m trying, so that I can see the audience in my mind before I meet them and give my brain a roadmap for how the next performance will go.
What other art forms – literature, film, dance, painting – inform your music?
Books are a huge part of my life and a big part of my songwriting practice. I read all the time, all different kinds of things. I think of reading as stuffing my brain with words that are then (hopefully) at my fingertips when I sit down to write. Reading so much has given me a clearer picture of what good storytelling can be, the moves a writer can make to hide, to expose, and to captivate. And it has taught me about characters. I do the same kind of gathering with music, I pack my mind with good songwriting – or bad – and try to name the things that work or don’t work, things that I find interesting, and ideas or themes I would like to filter through my own voice. Also, I find myself asking: What’s fun and intriguing? Why do I love this song so much?
Which elements of nature do you spend the most time with and how do those impact your work?
I am lucky to live in the Hudson Valley now. This after years of city living. I see the mountains every day; a privilege that I do not take for granted. There is something about this area, the Shawangunk Ridge and the Catskills, that cradles a person and whispers of things I’ve never known. I go walking or for a hike and usually return with a more rounded perspective. These old beings, these mountains, offer some kind of magic to us who live around here. They have seen things that they keep secret, but maybe also transmit in some silent way. I know at least one song of mine has come from a walk through the mountains, over a railroad trestle near my house.
What is a genre, album, artist, musician, or song you adore that would surprise people?
I love the Cranberries. Everybody Else Is Doing It, So Why Can’t We? was on heavy rotation in my preteen years. I love Dolores O’Riordan’s voice and the intensity that she could hammer across, but then release to tenderness. Love and love. Also, who doesn’t adore Snoop Dogg? Watching him at the Super Bowl in 2022, the charisma he threw out in that giant arena, surrounded by other huge stars, reached past the fireworks and through the screen. He. Is. So. Good. But you didn’t need me to tell you this.
If I didn’t work in music, what would you do instead?
I would very likely be a writer. I am word nerd at heart and not sure I could ever really let go of that part of myself. Maybe an actor? I thought I was going to be an actor for a while, even majored in theater. I am sure the actors and writers who have worked tirelessly and sacrificed daily to master their craft just love hearing this casual statement from me!
I do have a day job, as an elementary school teacher, love the kids, love the work, I learn something every day from teaching. It is a part of my life I am very proud of.
Double-, triple-, quadruple-threats are not uncommon in country music, not in the least. It’s a frequent occurrence, tripping over or into a country artist that’s a songwriter, vocalist, multi-instrumentalist, writer, thinker, and so much more. In fact, until more recent decades, wearing many hats was seen as a sort of prerequisite to making hillbilly music. After all, this is “just” country music, it’s got a wide and deep DIY tradition, and the folks who make it often have to also load in the gear, sell the merch, post on social media, and produce the albums, play the demos and scratch tracks, write the lyrics, and otherwise steer the creative ship.
Some of the most successful artists and most original voices in country music are perfect examples of how multifaceted skill sets translate directly to star power. You may not need to be a Telecaster shredder to make it onto the radio or you may not need to be able to pick like Mother Maybelle to make a living, but if you can back up your songs with mighty playing, it certainly translates with audiences.
From Chet Atkins, Dolly Parton, and Wanda Jackson to Charlie Daniels, Willie Nelson, and Bonnie Raitt, here are just a few legendary examples of hugely successful country artists who are or were excellent musicians and instrumentalists, too.
Chet Atkins
A record company executive, producer, and pioneer of the “Nashville Sound,” Chet Atkins was also a one-of-a-kind guitar picker, renowned across the globe for his unique style – which was inspired by Merle Travis. Atkins certainly made “Travis picking” his own, arguably eclipsing all of his predecessors and continuing to influence guitarists today. An inductee of the Country Music, Rock and Roll, and Musicians’ Halls of Fame, Atkins’ impact is hard to understate and his resume includes work with Dolly Parton, Elvis Presley, Hank Snow, Waylon Jennings, and countless others.
DeFord Bailey
One of the first superstars of the Grand Ole Opry, DeFord Bailey was a world-class harmonica player who was also the first Black performer on WSM’s fabled stage. Some sources also credit Bailey as being the first musician to record music in Nashville. However you approach his career and music, Bailey was a seismic presence in the earliest days of country. Born in 1899, Bailey faced constant racism, bigotry, and marginalization on the Opry, in Nashville, and as he traveled and performed. He passed away in 1982 and was posthumously inducted into the Country Music Hall of Fame in 2005.
Glen Campbell
Even at the highest heights of Glen Campbell’s superstardom, he refused to let his superlative instrumental skill take a backseat to his roles as frontman, songwriter, Hollywood actor, TV star, and tabloid veteran. Campbell’s approach to country music as a true multi-hyphenate celebrity bridged generations, connecting the hardscrabble, DIY generations where multiple skills were necessary to make a living to the modern era, where he helped pave a way for famously multi-talented picker/singer/writers like Vince Gill and Brad Paisley to not be pigeonholed as one thing or the other.
Ray Charles
Any conversation around or collection of superlative country pickers and musicians would be glaringly incomplete without the inclusion of Ray Charles. His incursions and experimentations in country music are many and infamous. His 1962 album, Modern Sounds in Country and Western Music is routinely listed as one of the best country albums of all time. He’s worked with and performed with Willie Nelson, Merle Haggard, Ricky Skaggs, Travis Tritt, Johnny Cash, Glen Campbell, and many, many more. Plus, his country forays demonstrate a deep, holistic understanding of the genre. Charles is a quintessential country multi-hyphenate and country-soul in the modern era would feel especially lacking without his seminal contributions to that tradition.
Charlie Daniels
It’s hard not to wonder what young, hippie, “long-haired,” Vietnam War-opposing fiddler Charlie Daniels would have thought of his older self, and his more harebrained and often hateful beliefs later in life. But the controversial and outspoken musician, at all points of his career, was a picker’s picker. Over the course of his life he performed and recorded with Earl Scruggs, Bob Dylan, Leonard Cohen, and many more. But his chief contribution to American roots music may just be his fiery, unhinged fiddling on “The Devil Went Down to Georgia.” Just wander down Lower Broadway in Nashville on any given Saturday night to feel the impact of that particular show-stopper. In this clip, he chats and performs “Uncle Pen” with Scruggs and Del McCoury.
Vince Gill
That buttery voice, that stank-face inducing chicken pickin’, that high, lonesome sound – Vince Gill is all at once country and bluegrass, Nashville and Oklahoma, western swing and old-time fiddle. Whether with The Eagles, preeminent pedal steel guitarist Paul Franklin, the Time Jumpers, or so many other outfits, bands, and iterations, Gill is simply right at home. Because, at his core, he’s just a picker. He may play arenas, but he knows he belongs at 3rd & Lindsley or the Station Inn. Or Bluegrass Nights at the Ryman. A quintessential picker-singer-frontman, Gill continues to define the myriad ways country stars can maintain their selfhood and personality – instrumentally and otherwise – even in their wild successes.
Merle Haggard
Speaking of chicken pickin’, country’s most famous Okie was a shredder, too. A sad song, a glass of (misery and) gin, a Telecaster, and the Hag – that’s all we need, right there. Merle’s playing style, even at its most technical and impressive, was simple and down to earth. You could tell he cut his teeth playing bars, fairs, and honky tonks. You could almost hear him pulling himself up by his bootstraps as he played.
Wanda Jackson
The Queen of Rockabilly has been slaying rock and roll, hillbilly music, and the guitar for more than seventy years. In 2021 she released her final album, Encore, when she was 84 years old. It features her signature passion and fire – and performances by Elle King, Joan Jett, Angaleena Presley, and more. Jackson has been representing the vital contributions of women to rockabilly and rock and roll for her entire career, just as often commanding the stage with her growly, entrancing voice and her powerful right hand.
Willie Nelson
Who would Willie Nelson be without Trigger? Without a tasty, less-is-more, nylon-string guitar solo? For decades, Nashville, Music Row, and guitar players around the world have been emulating his particular sound as a guitarist – whether they know it or not. Sure, he’s a hit songwriter, a star and front-person, a collaborator of Snoop Dogg and Frank Sinatra, and a connoisseur of fine bud, but perhaps more than all of these accomplishments, Willie is an impeccable picker. He can hold his own with the best of the best, because he is the best of the best.
Brad Paisley
Brad Paisley’s fame crested at perhaps the perfect time for him in country music, combining a rip-roarin’ guitar playing style with a sound that was entirely trad while carrying touches of the bro country wave that was about to inundate the genre. As such, he was able to build a career on the diversity of his skill set, before Music Row and the power behind it began prioritizing music that didn’t need to be musical and voices that didn’t need to be singular. Luckily, Paisley is both those things and more, and despite the many eyebrow raising moments across his career, our faces more often show shock at his mind-bending skill as a guitarist than anything else.
Dolly Parton
How is it that Dolly Parton can play so many instruments so impeccably with those iconic acrylic nails!? Nowadays, you are just as likely to hear Dolly performing to a track – yes, she does lip sync and pantomime playing along with recordings – but don’t get it twisted, she absolutely can play a passel of instruments from her beloved “mountain music” traditions. She plays guitar, banjo, auto-harp, dulcimer, and has even been known to pick up a bedazzled saxophone from time to time – though we can’t guarantee she actually knows how to play that one, we’re still blown away.
And what about thatone viral video with Patti LaBellewhere they play their acrylics like washboards? Dolly can make music with just about any instrument.
Bonnie Raitt
How many people do you think enjoy Bonnie Raitt’s soulful blues and Southern rock sounds without knowing she’s also often the one playing the guitar solos and making that bottleneck slide weep? Raitt is a Grammy winning songwriter, a fantastic vocalist and song interpreter/collector, and – above all, in this writer’s opinion – a superb guitar picker, especially playing slide. She can hold her own with just about anyone, and she has. Her phrasing and use of melodic space demonstrates that she’s been honing her craft for her entire life. That taste can’t be taught, it has to be found. Boy, has she found it.
Marty Stuart
Marty Stuart’s long, fabulous, superlative career began with him filling the role of sideman for such luminaries as Lester Flatt, Johnny Cash, Vassar Clements, and Doc Watson. He plays guitar and mandolin, working up his chops as a youngster with pickers like Roland White as his mentors. When his solo career took off after his Columbia debut in the mid-eighties, his ear for fine picking remained present throughout his music – however far afield from those early bluegrass and country days he may have traveled, stylistically. Whether bringing in psychedelic surf sounds or Indigenous flavors of the American West, Stuart’s catalog of music centers virtuosity that’s never gratuitous. And his band, the Fabulous Superlatives, featuring crack guitarist Kenny Vaughan and multi-instrumentalist Chris Scruggs, represent a high level of picking prowess, too.
Tedeschi Trucks Band
By many measures, Derek Trucks is the world’s foremost living slide guitarist, but don’t overlook powerhouse vocalist and co-band leader, Susan Tedeschi in order to venerate Trucks! Both started playing as youngsters – Trucks when he was a kid and Tedeschi when she attended Berklee College of Music. These two are guitar and blues royalty, helming one of the most impactful modern blues and Southern rock orchestras on the planet. They’re consummate musicians, knowing just how to surround themselves by players who support and challenge, both. Even with their laundry list of personal accomplishments, together, Tedeschi & Trucks – who are also married – are so much greater than the sum of their parts.
Keith Urban
Keith Urban brings a scruffy, down to earth guitar playing style to his polished and glam mainstream country sound. Yes, even as far away as Australia, having instrumental chops means having country currency. When he moved to Nashville in the early ‘90s, with a few Australian radio hits and awards under his belt, he immediately found work as a side musician and co-writer in Music City. It wasn’t long until his star ascended stateside, too – and then, as quickly, around the world – bolstered by arena-ready guitar. Now readying his first album since 2020, Urban shows no signs of slowing down, with the music or the picking!
It’s a national holiday. Patron saint, Willie Nelson. And perhaps his heir would be Kacey Musgraves? Or Billy Strings. Or Margo Price. Or Snoop Dogg. We’ve got options.
Bluegrass and country may be upheld as the pinnacles of wholesome, “American values” music, but in reality artists have been putting the GRASS into bluegrass since as long as that term has been in popular usage. (And damn, does it look good on a sweatshirt, too.)
We hope you ascend to new heights this 4/20, and while we’re at it we hope you enjoy these 16 high lonesome roots songs perfect for the occasion.
Roland White – “Why You Been Gone So Long”
Roland White, his late brother Clarence, and the Kentucky Colonels are known for “Why You Been Gone So Long,” and in 2018 Roland re-recorded the number on his IBMA Award-nominated album, A Tribute to the Kentucky Colonels, with a star-studded cast of friends.
Also known for his monthly shows at the World Famous Station Inn in Nashville (pre-COVID), every time Roland sings the line, “Nothing left to do, lord, so I guess I’ll go get stoned,” the crowd erupts with laughter. To this writer, though, that line feels less like a hilarious non-sequitur from a septuagenarian bluegrasser and more like sage wisdom. I guess I will go get stoned!
Selwyn Birchwood – “I Got Drunk, Laid & Stoned”
As modern bluesman Selwyn Birchwood put it in our premiere of this track, “This song proves that you can party to blues music.” That may seem like an obvious fact to a blues fan, but the uninitiated deserve to know the blues isn’t just about what you’ve lost, it’s about what you gain – through the music and otherwise. As Birchwood concludes, “‘I Got Drunk, Laid and Stoned’ is the epitome of what I feel is missing in a lot of blues music right now. You’ll find all of the rawness, edginess, and boundary pushing that I love…” That is the blues.
Ashley Monroe – “Weed Instead of Roses”
No matter the occasion, when you’re reaching for flower… buds – reach for weed. Ashley Monroe makes a compelling case that men are certainly not the only ones in country who can live up to the outlaw moniker. Guthrie Trapp chicken pickin’ along is the cherry on top of this cannabis bop.
John Hartford – “Granny Wontcha Smoke Some Marijuana”
For all those who’ve ever imagined hotboxing a steam-powered aereo plane, here’s a lazy, loping sing-along that kicks into barn-burning — or, grass burning? — country meets honky-tonk meets bluegrass. You’ll be calling it “mary-joo-wanna” now too.
David Grisman & Tommy Emmanuel – “Cinderella’s Fella”
If you’re here, you must be celebrating 4/20, so you might know about Cinderella – a potent, hazy strain that Dawg attributes to his late friend Jerome Schwartz in Petaluma, California. If Cinderella were a princess instead of a strain of cannabis, Grisman would certainly arrive at her door with glass slipper in hand. Instead, we assume he fits her with a glass bowl instead? This performance by Grisman and Tommy Emmanuel is sweet, tender, and jaw-dropping. Classic “Dawg music.”
Courtney Marie Andrews – “Table For One”
Everyone self medicates, whether they’re aware of it or not, it’s just that touring musicians — by the very nature of their jobs — face their self medications, “crutches,” and vices everywhere they go. Courtney Marie Andrews, a lifelong Americana nomad, captures the depression and melancholy of touring perfectly in this haunting song, which reminds the listener that you don’t really want the life of the person on stage, no matter how glamorous it might seem. If the sometimes foggy dissociation of weed smoking were bottled and infused into a song, it would be this track.
New Lost City Ramblers – “Wildwood Weed”
Have you ever asked yourself the question, “What if Mother Maybelle smoked pot?” With this song — a Jim Stafford hit — The New Lost City Ramblers kinda did!
New life side quest unlocked: smoke weed from a corncob pipe.
Kacey Musgraves – “Follow Your Arrow”
It’s April 20th and your arrow is pointing directly at your bong. F*CK, water pipe. Follow that arrow, babies! Do you! Light up a joint. (Or don’t.)
Nah, do.
Charlie Worsham feat. Old Crow Medicine Show – “I Hope I’m Stoned (When Jesus Takes Me Home)”
We’ve loved Charlie Worsham and the bluegrass bona fides underpinning his brand of modern country for quite a while, but it’s extra perfect when he sits in and otherwise collaborates with the fellas in Old Crow Medicine Show. Heaven’s golden streets? Overrated. What about its fields of pot?! I mean… it will have amber waves of cannabis, will it not? It’s called “heaven.”
Margo Price – “WAP”
She’s partnered with Willie’s Reserve to release her own branded strain of weed, “All American Made,” and she’s infamous for smokin’ and tokin’. But in this Daily Show withTrevor Noah spot featuring comedian Dulce Sloan, Price is called upon to prove the point that if “WAP” were a country song, the universe would still be as upset at its radical centering of female pleasure and agency. (She’s right, of course.) Thank GOD for Sloan and Noah making this point, because it’s given us this country-rendition of Price singin’ “Need a hard hitter, a deep stroker/ a Henny drinker, need a weed smoker.” Perfection.
Chris Stapleton – “Might As Well Get Stoned”
Look, you can’t mess with the hits. This list wouldn’t/shouldn’t exist without this song on it. Chris Stapleton, perhaps the biggest crossover artist — crossing over from bluegrass to mainstream, of course — in roots music since Alison Krauss proves his allegiance to whiskey and weed in this jam from his smash major label debut, Traveller.
It’s like he took Roland’s advice! Might as well…
Peter Rowan – “Panama Red”
Peter Rowan’s career has been well-peppered with southwestern and Latin folk-flavored bluegrass, but did you know he wrote “Panama Red”? This live recording is suitably trippy for 4/20, with a slight atonal warble as if the record were slightly warped on the turntable and the pickers holding on for dear life to Peter’s delightfully languid phrasing — that somehow drives as much as it lays down for a weed-induced siesta. Everybody’s acting lazy…
Billy Strings – “Dust In A Baggie”
He means kief, right? Right??
Guy Clark – “Worry B Gone”
How every “worried man” in Americana, country, and the blues still has a job when “worry B gone” exists is perplexing, isn’t it? Granted he was not a medical professional, but Guy Clark’s endorsement surely must stand for something. Don’t give me no guff, give me a puff!
Willie Nelson – “Roll Me Up and Smoke Me When I Die”
Did you know that funerary and embalming processes are actually incredibly harmful to the environment and often non-sustainable? But this style of cremation must be ideal. Do it for the earth. Think green. HaHA!
John Prine – “Illegal Smile”
Love that plant peeking from behind John Prine like a shoulder angel. Let’s all do Prine proud and don illegal smiles today, how about it?
With that in mind, let’s not celebrate today without also striving towards decriminalization, decarceration, and the expungement of criminal records for anyone currently imprisoned on marijuana charges. Illegal smiles no more!
Pictured: Limited edition BGS herb grinder. Want one? Let us know in the comments and we might add them to the BGS Mercantile!
Artist: Ryan Culwell Hometown: grew up in Perryton, Texas; lives in Nashville now Latest album:The Last American Personal nicknames (or rejected band names): Earl the Squirrel and the Combat Brigade
What’s your favorite memory from being on stage?
Several years ago I was on stage in a honky-tonk in Texas. I had my eyes closed and was playing a very long solo on guitar, when the crowd started roaring and cheering. I thought I had become a golden god, but when I opened my eyes, my friend Daniel Davis, the bass player, pointed out into the crowd where a fight had broken out.
What other art forms — literature, film, dance, painting, etc — inform your music?
I like words. Reading is important to my process. I read poetry, short stories, novels, etc. If I’m not reading then I run out of fuel pretty quickly. When I was a kid I would write poetry on the walls in black magic marker. I’m sure my parents were furious, but they never showed it; they just kept encouraging me to play with words.
What was the first moment that you knew you wanted to be a musician?
When I was 10, I wanted to be a painter, an author, a professional baseball player, and Bon Jovi. There was a pretty good chance that I would have played college sports at a high level, but I ripped my shoulder out of socket a few times and all my plans instantly changed. At the time I was devastated, but now I look back and think it might have been providential. I quickly turned all my attention towards words when sports fell away and that played a big part of how I wound up playing music. Also, I have Siri setup to call me Bon Jovi, just for kicks.
Which elements of nature do you spend the most time with and how do those impact your work?
I’m always looking for water. Lately I’ve been fishing a lot with Megan McCormick who co-produced The Last American. Water has a certain draw and fishing is like performing magic. Another friend of mine, Adam Riser, is one of the top kayak fisherman in the nation and he always describes fishing as reaching into another mysterious dimension and pulling a creature through to the other side. I like that way of thinking about it.
How often do you hide behind a character in a song or use “you” when it’s actually “me”?
I don’t really hide when I write. In fact, I do the opposite. I step into other people’s shoes and try to feel through them, so sometimes it’s actually “you” but I’m saying “I” so I can sympathize more. On my last two records, I think I’m about as honest and vulnerable about myself as I could possibly be without getting naked in front of a microphone. Actually, whose to say I didn’t record these songs naked? Maybe I did.
Photo credit: Neilson Hubbard
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