Tag: Steve Earle

The String – Steve Earle and B.J. Barham

Posted on by Chris Jacobs

Two of the most exceptional and provocative songwriters of their respective generations take on America’s political divide and inject some radical empathy in the red/blue schism.

LISTEN: APPLE PODCASTS

Steve Earle addresses coal mining from the heart of a state that didn’t vote like he does in Ghosts of West Virginia. BJ Barham caps off 15 years of leading American Aquarium with the amazing Lamentations, which debuted atop the Billboard Americana chart. This is a timely and complimentary pair of conversations.

BGS 5+5: Reckless Kelly

Posted on by Editor

Artist: Reckless Kelly
Hometown: Austin, Texas
Latest album: American Girls & American Jackpot

Answers provided by Willy Braun

What other art forms — literature, film, dance, painting, etc — inform your music?

I get a lot of ideas from books, lines here and there, but a lot of time they’re just ideas. A theme or a mood. I get some ideas from movies as well but that’s a little more rare. I’d say most of my ideas for songs come from things people say or do in everyday life. I’m always writing things down.

What was the first moment that you knew you wanted to be a musician?

I’ve always known I was going to be a musician. It’s the family business. My dad, uncles, grandpa, brothers, cousins, etc., are all musicians. I grew up singing on stage with my dad’s band and eventually my brothers and I all joined so there was never really any question about what path we were going to go down.

However, to answer the question more directly, I remember when I was about 5 I got up and sang a song with my dad at a chili cook-off. After the show the girl at the concession stand gave me my Coke for free, and I remember thinking that was the coolest thing ever. It may have been what hooked me for good.

Which elements of nature do you spend the most time with and how do those impact your work?

I have a place in Idaho where I do the majority of my writing these days. It’s in the high desert with mountains all around so it’s really inspiring. It takes me a few days to get in a groove but once I find my rhythm I usually get a lot done. It also helps that it’s off the beaten path so distractions are at a minimum.

Since food and music go so well together, what is your dream pairing of a meal and a musician?

If I could meet one person it would probably be Sir Paul McCartney. I’m pretty sure he’s a vegetarian so I’d eat whatever he wanted to have as long as we could chat about writing and of course, the Beatles. I’m sure we’d have a couple bottles of wine to wash it all down as well.

How often do you hide behind a character in a song or use “you” when it’s actually “me”?

I use a lot of metaphors in my songs so that’s a place to hide out, ha ha. I almost always write with a caricature in mind, so even when I say “me” I’m not usually talking about myself. A lot of my stuff is fictional so I don’t worry about hiding much. The new albums are the first time I’ve really explained a lot of meaning behind the songs. Normally I let people make up their own version of what they think it’s all about. This time I felt like it was important to let people behind the curtain a bit because of the concept. I wanted them to get it.

Photo credit: Cynthia Dawn Photography

BGS Long Reads of the Week // April 24

Posted on by Justin Hiltner

We’ve so enjoyed looking back into the BGS archives with you every week for some of our favorite reporting, videos, interviews, and more. If you haven’t yet, follow our #longreadoftheday series on social media [on Facebook, Twitter, and Instagram] and as always, we’ll put all of our picks together right here at the end of each week.

Our long reads this week examine entire careers, dive into different versions of new classic songs, revisit a lost hero, and more.

Glen Hansard: A Career in 12 Songs

We spend a lot of time at BGS immersing ourselves in the music, sounds, and careers of our favorite artists — what can we say, we love a deep dive! For this aural long read choice (if such a thing exists?) we unpack twelve of Glen Hansard’s essential songs from myriad points in his globe-crossing career, from rock bands and movie soundtracks and confessional songwriting and more. [Read the entire list, and listen, too]

Rose Cousins Shares Her Truth More Freely With Bravado

In a strangely prescient interview from late February, Canadian singer/songwriter Rose Cousins offers some insight and wisdom for being alone — the difference between loneliness and solitude, for instance — and for being present in each moment, as well. Their themes she’s explored in-depth in her music-making across the years, but in some newfound ways on her most recent album, Bravado. [Read our interview]

Glen Campbell’s Final Coda: An Interview with Carl Jackson

April 22 marked what would have been Glen Campbell’s 84th birthday. The rhinestone cowboy passed away a short couple of months after releasing his final album, Adiós, in 2017. Campbell’s long-time friend, collaborator, and bandmate Carl Jackson produced the project, and helped coax Campbell through the recording process as Alzheimer’s disease made his singing, playing, and performing increasingly difficult. To honor his birthday, we revisited our conversation with Carl Jackson. [Read] 

Steve Wariner’s Signature Hit? That’s Tricky

One of Nashville’s good guys, Steve Wariner was inducted into the Musician’s Hall of Fame last year, recognized for his versatility as a lead guitarist, as a sideman, and a singer/songwriter, too. Over more than four decades the Grand Ole Opry member has had numerous charting singles, so we wanted to explore that catalog and ask Wariner himself: “Do you think you have a signature hit?” [Read the interview]

My Love Will Not Change: Four Versions of a Modern Classic

After Americana singer/songwriter Aubrie Sellers gave a flawless, stripped-down performance of this song on our first episode of Whiskey Sour Happy Hour this week we’ve been returning to it over and over! Written by Shawn Camp and Billy Burnette, Del McCoury and Steve Earle have both been involved in recordings of this modern classic over the years. [Check out four different versions]

 

The String – Nora Jane Struthers and The Mastersons

Posted on by Chris Jacobs

Nora Jane Struthers just released her fifth album, celebrating her full life, Bright Lights, Long Drives, First Words, and says it includes “Good Thing,” the best song she’s ever written.

LISTEN: APPLE PODCASTS

Living the road life makes for tight musical couples. And in this split episode, Craig speaks with a new mom who tours and duets with her husband and a couple that’s been touring for a decade on their own and as side musicians. Then it’s The Mastersons, both of them, as Chris and Elanor talk about meeting, becoming part of Steve Earle’s band and maintaining an identity as an Americana duo. Their new project is No Time For Love Songs.

Aubrie Sellers Lets Her Music Breathe in ‘Far From Home’

Posted on by Editor

With her new album Far From Home, Aubrie Sellers is living up to its title. Raised in Nashville as the daughter of musicians (Jason Sellers and Lee Ann Womack) and now living in Los Angeles, she absorbed bluegrass and country while still exploring genres with a harder edge. That spectrum of influences is apparent in her new music, which ranges from the softer sounds of the title track to the electrified vibe of “My Love Will Not Change,” a duet with Steve Earle.

Adding another meaning to “Far From Home,” Sellers wrote much of the album in Texas, and she’ll launch her national tour by opening for Tanya Tucker in New York City. BGS caught up with her just before she hit the road.

BGS: You recorded Far From Home at Sonic Ranch in Texas. What made you interested in working there?

Sellers: I was listening to a lot of what I call “desert music.” Tarantino soundtracks and The Ventures and stuff like that. I had taken my camper out to Marfa, Texas, and wrote some of the songs on this record there. I was very inspired by that vibe. My whole family is from Texas, so that kind of feels like my home.

Also I wanted to get outside of Nashville and I loved that idea that the whole band stays there while you’re recording. You immerse yourself in the making of the music. It’s really important for me to focus on making a record and having a cohesive experience. I feel like all that stuff tied together.

Why did you feel like you needed to get out of Nashville, do you think?

It’s nice to have no distractions. It’s nice to have a new environment. Your environment affects what you’re doing and I felt like it was important to have that vibe, since that’s what was in my brain already. It’s just nice to escape and make sure that you’re really focusing on making the record, and focusing on the music, and doing something different.

Is that the reason you moved to L.A. as well?

Yeah, I grew up in Nashville and I’ve been around that scene my whole life. It felt important for me to get out of there and experience some new things, and surround myself with a totally fresh energy. Also I went to acting school growing up and I’ve always wanted to do that. I find the film industry here really inspiring. I tried to come here when I was younger and I wasn’t quite ready, so this time it stuck.

You draw on a lot of influences and genres in your sound, but where do you think country music comes into your musical vision?

For sure I think my songwriting is country. I think it’s a little of that personal touch — and you don’t find that as much in other genres. There’s a simplicity to it, in a good way hopefully! And then sonically, steel guitar is one of my favorite instruments. I don’t want to make a record without steel guitar on it.

I listen to a lot of traditional country but I also really love that era of country with Steve Earle and Dwight Yoakam and Lucinda Williams. I love Buddy Miller — he’s kind of on the fringe of country. Buddy and Julie Miller have been a huge influence on me. All of those, and of course, classic country like George Jones and Merle Haggard. Those were my biggest country influences.

Are you a fan of bluegrass?

Yeah, I play the banjo! I thought for a while when I was in high school that that’s what I was going to do. I love bluegrass. Ralph Stanley is my favorite singer. My dad grew up playing with Ricky Skaggs so I was around it a lot. I’m really inspired by bluegrass. On this record, I did “My Love Will Not Change,” which was written by Shawn Camp, but I knew the Del McCoury version. For me, there’s just a similarity in the intensity and the drive behind some bluegrass and rock and blues music. It’s got a simple, emotional feel to it, to me. All of those things connect in my brain and my heart. I love bluegrass.

What was your entrance point to Ralph Stanley? That’s a big catalog to navigate.

I guess just listening to old Stanley Brothers records. Fortunately I grew up in an era where I could explore all music on the internet, you know? So I would go into a bluegrass rabbit hole and listen to that. And then of course, I love the banjo. I think it’s like the electric guitar of bluegrass.

You co-produced this record, too [with Frank Liddell]. What kind of textures did you hope to capture?

I don’t bring in references or anything like that when I’m making music. I think it’s more important to have a vision in your head and make sure you’re bringing in the right players, putting them in the right environment, and having the right songs. Let it evolve, take your time, and let it breathe.

It’s the same with writing and choosing songs. I try not to make it like a factory. I try to let it happen organically. I think it’s making sure you’re putting together the right people in the right environment. You know, I had four guitar players on this record! Sometime it’s about having someone sit out for a song. Letting everything have room to breathe is my philosophy.

Photo credit: Chloé Aktas

My Love Will Not Change: Four Versions of a Modern Classic

Posted on by Justin Hiltner

“My Love Will Not Change” — but my favorite version of this song just might. (And yours might, too!)

The tune, penned by consummate songwriter, bluegrasser, and country stalwart Shawn Camp and his rockabilly collaborator and friend Billy Burnette, has had versions recorded and performed by both writers as well as Bluegrass Hall of Famer Del McCoury. Today, another iteration has hit the airwaves and digital shelves from Americana rocker Aubrie Sellers. The track, which features harmonies from Steve Earle, will appear on Sellers’ sophomore release, Far From Home, set to drop on February 7, 2020.

“I love bluegrass, and I thought it would be fun to bring a song with unmistakable mountain soul like this into my world a little bit,” Sellers relates in a press release. “It’s the only song [on the album] I didn’t write, but it’s something I wish I’d written. I live for straightforward, emotionally-driven writing like this. When I envisioned the sound for the track, I knew there was no one else who could do it like Steve.”

It should come as no surprise that bluegrass influenced this hard-and-heavy, rollicking rendition of the song — and not simply because Camp wrote it and the Del McCoury Band originally recorded and popularized it. In 2015, Sellers appeared on a Stanley Brothers classic, “White Dove,” with her mother Lee Ann Womack and Dr. Ralph Stanley himself on Ralph Stanley and Friends: A Man of Constant Sorrow, which was the final album released by the bluegrass forefather before his death in 2016.

In honor of the newly-minted Sellers and Earle cover, we thought we’d lay out a handful of this modern classic’s cuts and performances, posing the question to you, our BGS readers: Which one is your favorite?

The absolute original. If you’ve never had the pleasure of having your face peeled off by Shawn and company at one of his many Station Inn shows, where he routinely cobbles together just such a mind-blowing bluegrass-meets-trad-country band, you maybe haven’t really ever had a truly “Nashville” experience. Is that bluegrass organ? Let’s call it that. You can hear the influence of Camp and Guthrie Trapp’s chicken-pickin’ shredding in the Sellers cut, too. And you’ll notice, across all cuts of this song, no one tries to emulate Camp’s vocal phrasing, which outright refuses to snap to any semblance of a grid, because it can’t be done.

 

A more languid, loping style that reads as honky-tonk and rockabilly and “shuffle across them polished-smooth floorboards” all at once. Nashville legend and Fabulous Superlative Kenny Vaughan is on guitar, once again reinforcing the inextricable role of the Telecaster in this song. That is, until we get to its next version…

 

And suddenly, all of our perceptions about what this song is and what it should be are thrown out the window. Whether it’s “Misty” or “1952 Vincent Black Lightning” or “Nashville Cats,” Del has a way of taking a song and immediately making every listener forget that it ever could’ve had a version that predates him. The definitive cut? Perhaps. The counterintuitive intervals between the harmony vocal and the lead (notice how Ronnie’s tenor sounds eerily similar to his father’s voice), the subtly dissonant melodic hook, and Mike Bub’s relentless rhythm — that doesn’t just reside in the pocket, it’s freakin’ mayor of the city of the pocket — are icing on the cake. Splendid.

 

It’s remarkable that the Sellers and Earle version doesn’t attempt to reinvent the wheel, while simultaneously covering almost entirely fresh ground. The skeletal structure is still here, with hallmarks from Camp’s, Burnette’s, and McCoury’s versions each, but this take is original. The grungy, harder rock flavors don’t blow out the more subtle touches, either. Sellers gives her own melodic embellishments and her own twists of phrasing as well, with Earle matching, but again referencing the there-are-no-rules feel of the harmonies in the other cuts. For something so seemingly disparate from the others, it is equally charming and unabashed.

Perhaps it doesn’t so much matter which one is preferable over the others? We’ll gladly take them all. Pardon, while I scroll back up to the top and start again.

Photo credit: Scott Siracusano

The Show On The Road – Steve Earle

Posted on by Chris Jacobs

This week, Z. speaks with Steve Earle. The three-time Grammy Award-winning roots ‘n’ roll poet and revered performer has been releasing fearless, roguish records for nearly four decades, accidentally becoming one of the founding fathers of the thriving Americana movement along the way.

LISTEN: APPLE PODCASTS • MP3


Growing up a baseball-crazy son of an air traffic controller in San Antonio, Steve Earle has never quite checked any cliché box or stayed in any lane on the way to his almost mainstream success.

Host Z. Lupetin caught up with Steve on his tour bus before hitting the stage at ROMP Fest in Kentucky this past June. Steve has been on the road in support of his recent release, GUY — a tribute to one of his songwriting colleagues and heroes, the late Guy Clark, out now on New West Records.

Six of the Best: Dervish’s Cathy Jordan Chooses Her Favorite Irish Tunes

Posted on by Editor

What would the world be without Irish tunes? A lot quieter, that’s for sure. Ireland’s musical tradition has enlightened, infiltrated, and inspired all corners of the planet – and American roots music owes it a huge debt.

Irish folk group Dervish have just released their first studio album in a decade, a loving tribute to the songs from their home country that have travelled the world. The Great Irish Songbook is studded with guest stars – from David Gray to Steve Earle, Kate Rusby to Andrea Corr, not to mention an appearance from Hollywood actor Brendan Gleeson.

But what are the band’s favourite Irish songs? We asked singer Cathy Jordan to choose six of the best.

“Whiskey in the Jar”

“This is an incredible example of a song that has journeyed around the world and been adapted to the particular environment it found itself in. It was originally written about a Co. Kerry-based military official who was betrayed by his wife, but adaptations also turn up in the American South, the Ozarks, and the Appalachians. On our album we did a version with The Steeldrivers, but we’re also big fans of this one by iconic Irish rock band Thin Lizzy.”

“Ye Rambling Boys of Pleasure”

“This is such a beautiful song of unrequited love: a young man regretting love lost because of immaturity. The song forms the basis of a poem written by the famous W.B. Yeats (he was trying to recall a ballad he’d once heard a peasant woman sing to herself in Sligo). The poem is commonly known as ‘Down by the Sally Gardens’ and was itself later put to music — I sing a version with Kate Rusby on The Great Irish Songbook.”

“Nothing But The Same Old Story”

“Written by Paul Brady, this song captures what life was like for Irish immigrants heading to England to find work during The Troubles in Northern Ireland. Their lives involved a mixture of exhausting work, discrimination, and distrust, while longing for a normal life and to go home. The song first appears on Paul’s album Hard Station in 1981.”

“The May Morning Dew”

“The heartbreaking story of a woman who recalls her old friends, family and loved ones as she walks by their deserted dwellings in post-famine times. It’s sung here by one of my favourite Irish singers, Dolores Keane.”

“Rainy Night in Soho”

“To me, Shane McGowan of The Pogues wrote one of the most amazing love songs of all time with this one. [It’s a] love that survives through years of friendship as well as hardship. Oh, to have the last line written about you: ‘You’re the measure of my dreams, the measure of my dreams.’ This version is sung by another great Irish singer and songwriter, Damien Dempsey.

“Mná na hÉireann” (Women of Ireland)

It’s fitting that Kate Bush, one of the most poetic of all pop artists, recorded this song. It was written by 18th century Ulster poet Peadar Ó Doirnín; the music was added by composer Seán Ó Riada in the mid-20th century. Ó Riada was really important in the revival of traditional Irish folk and the words to this song are as powerfully Irish as you can get.

Photo credit: Colin Gillen

BGS 5+5: Chris Shiflett

Posted on by Editor

Artist: Chris Shiflett
Hometown: Santa Barbara, California
Latest album: Hard Lessons
Personal nicknames (or rejected band names): Shifty, Jake Jackson, Boat Plastic

What other art forms — literature, film, dance, painting, etc — inform your music?

I remember a few years back I realized that I only ever read books on current events, history, politics, etc… and wasn’t reading much fiction, so I dove into some classics and took a couple creative writing classes. You have to put good ingredients into your brain to get the ideas flowing.

What was the first moment that you knew you wanted to be a musician?

It was the summer between 8th and 9th grade. I went to visit a friend of mine down in Los Angeles and it was right when the glam rock thing was kicking off in the mid-’80s. We walked all over Melrose and everyone looked like Hanoi Rocks. I was hooked.

What’s the toughest time you ever had writing a song?

If a song is too hard to write than I usually give up. When they’re too labored they never sound very good.

Which elements of nature do you spend the most time with and how do those impact your work?

I try to surf as much as I can. Sadly, it’s never enough. I don’t know if there’s a direct correlation to song writing but surfing just makes me happy. Puts me in a good frame of mind.

How often do you hide behind a character in a song or use “you” when it’s actually “me”?

Almost never! I’ve tried writing songs in character but they never seem to come out very good. I think sometimes we all use “you” when we mean “we” but that’s just life, right?

Photo credit: Brantley Gutierrez

Grand Ole Opry at Bonnaroo 2019 in Photographs

Posted on by Justin Hiltner

The Grand Ole Opry returned to Bonnaroo Music and Arts Festival this year to headline the festival’s opening night. The Opry carried on the festival’s long-standing tradition of representing country, bluegrass, and roots music with performances by Old Crow Medicine Show and fellow Opry members Ricky Skaggs and Riders In The Sky, plus special guests Steve Earle and the Dukes, Morgan Evans, Ashley Monroe, Wendy Moten, Molly Tuttle, and even the Opry Square Dancers and Opry announcer Bill Cody came along for the ride.

BGS handed off the That Tent torch to the Opry in 2018, after five years of the BGS SuperJam. You can revisit our years of BGS x Bonnaroo goodness here: 2017; 2016; 2014.

All photos: Chris Hollo