Your Guide to the Internet’s Essential Bluegrass Content Creators

When I started playing mandolin in 2004, the internet was integral to my experience. I spent countless hours on websites like Mandolin Cafe, used a PayPal account I made when I was 9 to buy albums on eBay, and downloaded countless viruses onto our family computer pirating bluegrass recordings on Limewire. When the internet went public 30 years ago, it immediately changed the world and bluegrass. By the end of the ’90s, blogging had become mainstream and bluegrass had cultivated its own corner of the web with forums and listservs like BGRASS-L. When broadband replaced dial-up, people were able to share large files such as recordings and videos and information sharing exploded.

I grew up in a generation that saw regular people like Justin Kan (who would later go on to co-found Twitch) become celebrities through vlogging and like many people my age, I wanted to be a content creator. “Content” is just the soulless marketing word for the cultural ephemera humans have always created, but in the internet age. When I was in high school, microblogging became popular with platforms like Twitter (now X) while social media sites such as Vine and Snapchat that favored short form content appeared, creating another paradigm shift towards the hyper-specific, unpolished, slice-of-life videos we now see on TikTok and Instagram Reels.

My social media career began in earnest in 2019. I was burned out from touring and was trying to find a way to stay relevant without traveling so much. I started by posting clips of myself playing tunes that I was learning, which eventually morphed into a Patreon page. Patreon became hugely popular with artists after the COVID-19 pandemic hit, but at the time I began using it there were relatively few educational bluegrass pages. I ended up formatting mine in a similar way to podcasts that I subscribed to at the time. I studied up on how the algorithm works and during lockdown began creating and posting fervently.

A preview of Tristan Scroggin’s Patreon profile.

Once restrictions were lifted, I found myself drawn back into performing and had less and less time to consistently post. In the ever intensifying war for attention, consistency is key, but I found no satisfaction in churning out things I didn’t care about and the things I do care about take time. So I found myself burned out again, trying to learn how to slow down. It’s a vicious and common cycle.

Ultimately, I love creating new things and sharing them with people. This is true of all of the people on this list, many of whom are friends and part of a community that openly shares tips and tricks on how to navigate the unfiltered digital miasma of social media. For every entry on this list there are a dozen more who I couldn’t include for space. Separating the wheat from the chaff in the world of online bluegrass content can be difficult, but there are many shining beacons that have and will continue to influence those that follow them.

Billy Strings

Billy had a small cult following in his home state of Michigan before videos of him performing at festivals went viral. Videos became an integral part of Billy’s brand with footage from his concerts becoming inescapable for a time. Taping culture, the act of recording a live show and posting it online – an activity with ties to old school tapes of bluegrass shows that David Grisman, Jerry Garcia, and Sandy Rothman created and distributed along the West Coast to help spread bluegrass – had grown with social media and videos of full performances were shared religiously online. This practice has challenged more traditional bluegrass artists who have often relied on physical CD sales and see digital distribution as undermining that effort. Despite that, Billy’s most recent record Me / And / Dad was #1 in pure album sales in country, and #5 in all of music selling more than 15,000 copies upon release.

Billy’s Youtube channel has more than 300,000 subscribers and currently features everything from music videos to full concerts to behind the scenes mini-documentaries. Billy has since partnered with Nugs.net to livestream and host his current shows. Nugs is a livestream website that provides high quality video and audio of concerts, mostly rock and jam bands providing an updated version of the Grateful Dead tapers from days of yore.

Carter Vintage

Since their start nearly a decade ago, Carter Vintage Guitars has posted demonstration videos and in-store performance footage to their YouTube channel, which became a who’s-who collection of Nashville talent. While the videos started out as informal captures from around the store, by the end of 2016 the production quality had increased with Jon Roncolato and Keith Cypert making sure they looked and sounded great. While there are videos from hugely popular rock and Americana artists such as Jason Isbell, the majority of their most popular videos are from Molly Tuttle and Billy Strings from when they had recently moved to Nashville and were still relatively unknown.

Clover Lynn

@hillbillygothic Heres an old tune called Katey Daley hope yall enjoy #banjo #fyp #bluegrass #appalachia #music ♬ original sound – Clover-Lynn

Clover Lynn, also known as hillbillygothic, is from Southern Appalachia and plays banjo with a dark gothic-esque twist that challenges Steve Martin’s assertion that “you can’t play a sad song on the banjo.” She gained a massive amount of fame on TikTok and later Instagram for dueting posts. (A duet contains two videos in a split screen that play at the same time.) Specifically, she’d duet TikToks featuring men “challenging” feminism, spouting misogyny, or outright supporting violence against women. When they began spewing hate speech, Clover would appear alongside the original video loudly playing tunes like “Foggy Mountain Breakdown” over their bad opinions. This trend was extremely popular; the most popular post I could find had 8.2 million likes. Clover also uses her platform to advocate for the Appalachian region and its often overlooked BIPOC and LGBTQIA+ people, issues, and history.

Dirty Laundry

Marcus Veliz, through his page Dirty Laundry, has created a collection of moments and memories from his travels. Marcus is a wanderer driven by mindfulness. His videos offer short, musical meditations in nature that reflect on the beauty of living in the moment, which then informs his music. It’s all very “carpe banjo.” He has cultivated a following of nearly 40,000 followers on social media, but has deliberately chosen to focus on Instagram, because he values the community that he can build there. When scrolling on an app, these moments can be completely disembodied from the people who made them, but by creating a collection of these moments, Marcus, like a poet’s anthology, has created a digital visage of himself with Dirty Laundry that feels as if Woody Guthrie had an Instagram account. (Read BGS’s 2023 feature on Dirty Laundry here.)

Educational Videos by Eli Gilbert, David Benedict, and Lessons with Marcel

Educational content is hugely popular online. While there are countless pages dedicated to teaching bluegrass, I’ve collected just a few here. All three produce educational content that is supplemented by other work. Eli Gilbert has run his YouTube channel for nearly a decade, growing an audience of people learning the banjo (that included myself). Eli centralized these folks on his Patreon page and Discord server. While he’s not the first to post banjo tutorials or start a banjo Patreon page, he is currently the most popular banjo instructor on Patreon with more than 2,000 subscribers.

David Benedict has been well-known in the mandolin scene for quite some time. He curates a Mandolin Mondays series that’s run continuously since 2016. What started as videos of him playing tunes grew into a collection of over 400 videos in partnership with Mandolin Cafe that feature incredible mandolinists from all over the world. Check out his YouTube channel, too.

Marcel Ardans has over 500 full-length videos on his channel, Lessons with Marcel. Perhaps his most unique contribution to the genre is the bluegrass YouTube video essay. Video essays are exactly what they sound like and in the last decade they’ve gained immense popularity with the general public, especially on YouTube. With educational topics such as A Guide to Bluegrass History by Subgenre to more light hearted ones like The Untold History of Bluegrass Triangle, Marcel is filling a niche in the bluegrass community by providing thoughtful analysis in a style that audiences have become accustomed to. Marcel has also collaborated with many other popular social media pickers in the same sphere such as Jake Eddy and Hayes Griffin.

In 2023, Marcel was an official social media ambassador at IBMA’s World of Bluegrass business conference, where he held a guitar contest in partnership with IBMA and Martin Guitars.

Hillary Klug

Hillary Klug gained international popularity for multiple viral videos featuring her fiddling while buck dancing. In addition to her 100,000 YouTube subscribers, she has more than a million Facebook fans with her most popular video on FB sitting at over 64 million views. Hillary has been able to leverage short form content to reach people all over the world and her frequent collaborators – such as Cristina Vane, Brenna MacMillan, and Bronwyn Keith-Hynes – have also developed substantial followings on these platforms thanks to video creation in this style.

Molly Tuttle

When sites like YouTube and Facebook launched, they created networks that many used to connect with real world friends and family. But videos uploaded to share with distant relatives had the side effect of being visible to the general public. So when Jack Tuttle began filming his children, Michael, Sully, and Molly, to share their musical talent with family back in Illinois, suddenly thousands of people could see their virtuosity. The family formed a band called The Tuttles with AJ Lee, performing regularly and continuing to post videos that would garner hundreds of thousands of views until the oldest, Molly, went to college.

I distinctly remember watching their most popular video dozens of times which featured Michael, the youngest, playing El Cumbanchero. I watched that video over and over again with a sense of both jealousy and admiration. This feeling would become familiar as similar videos – such as a very young Sierra Hull playing with Sam Bush – would also go viral.

Molly has gone on to become one of the most popular bluegrass acts currently touring. She was the first woman to win the IBMA Guitar Player of the Year and she won a Grammy for Best Bluegrass Album in 2022. In that same year, she was nominated for the Best New Artist Grammy alongside hugely popular artists such as Samara Joy and Latto. Molly’s brother Sully also still plays, professionally touring with childhood friend, bandmate, and fellow bluegrass internet child celebrity AJ Lee in her band Blue Summit.

The Petersens

The Petersens are a family band based in/near Branson, Missouri that has played theaters in that area for more than a decade. After their oldest daughter, Ellen, made the top 48 on American Idol (season 16), they began producing videos of themselves performing, which have become extremely popular. A video clip of Ellen’s audition is one of the first videos posted on their YouTube channel and currently sits at over 3 million views. They have since garnered more than 200 million views, which they’ve utilized to gain fans in countries all over the world. This form of vlogging has created an entire ecosystem and a style many other family bands emulate, such as the Sleepy Man Banjo Boys, The Family Sowell, the Cotton Pickin’ Kids, Williamson Branch, and more.

Bluegrass Barbie

A post by bluegrass.barbie on Instagram.

Bluegrass Barbie may not quite belong on this list, but I absolutely couldn’t write a piece about influential bluegrass social media personalities in the year 2024 without mentioning them.

As a chronically online teen, I watched the birth of internet “memes” – a term originally coined by evolutionary biologist Richard Dawkins in 1976. I very distinctly remember the first time I saw a bluegrass meme. Dread washed over me, as I was struck with a haunting vision of a future full of low effort, bottom text memes misquoting Bill Monroe. I lived in this “No Exit” style social media hellscape for years until 2023, when Bluegrass Barbie appeared.

This Instagram account doesn’t have the numbers (239 followers at the time of writing), but they do have the jokes. Rather than “dunking” on Mark O’Connor or Billy Strings ad nauseam, Bluegrass Barbie presents a look at the humor in growing up as a young woman in bluegrass in a way that is relatable, contemporary, and hilarious. It’s the only good active bluegrass meme account; fight me about it.

Russ Carson

Russ Carson, known as the banjo player for Ricky Skaggs and Kentucky Thunder since 2014, runs 81Crowe, a one stop shop YouTube Channel for banjo nerdery as well as a source of high-quality, behind the scenes footage of both his personal and professional life.

Russ creates more traditional vlog content. Videos of jam sessions have shown up on YouTube since the very beginning, but Russ innovated them by implementing a gopro he would wear on his head to film, simulating a POV experience for the viewer as a participant. In addition to performance and educational videos, Russ provides video content of private jam sessions and conversations with talented friends as well as his off-stage experience touring with one of the most well known bluegrass bands out there. His explanation of his personal thoughts on banjo as well as his other hobbies, including photography, are the kind of personal details that make vlogging what it is.

Take’s Bluegrass Album Channel

Takehiko Saiki’s Take’s Bluegrass Album Channel has an air of mystique about it. Since 2014 it has served as a digital museum where out-of-print vinyl records, albums, and CDs have been sporadically posted by the hundreds. In fact, this channel is no longer active. After posting 1,300 albums, Take started Take’s Bluegrass Album Channel Phase Two, which already has 1,000 more albums. Take is a fan of “roots music” in general and runs additional YouTube channels for folk, blues, jazz, and country music, but he seems to have a particular love for bluegrass. In addition to his album channels he has a channel for recordings of live performances from Bill Monroe to the Flying Burrito Brothers and everything in between.

These channels are a treasure trove for fans of classic bluegrass and an invaluable resource for amateur historians like myself. So much so that I felt conflicted about including it on this list for fear that it might disappear. Take is very clear that he will take down anything, immediately, at the request of the owner and states that the channel’s mission is to “make it possible for bluegrass lovers [all] over the world to have access to as many bluegrass albums not available on CD as possible.”


Photo Credit: Hillary Klug courtesy of the artist; Clover Lynn by Madison Tunnicliff.

WATCH: Beta Radio, “This One’s Going to Hurt”

Artist: Beta Radio
Hometown: Wilmington, North Carolina
Song: “This One’s Going to Hurt”
Label: Nettwerk Music Group

In Their Words: “This is the first song we’ve ever co-written with someone (Henry Brill) and I would’ve never written this song on my own. The main line is so direct and I think a lot of my songwriting is dancing around an idea versus saying it plainly. This time, for this song in particular, it felt more appropriate to be clear and to the point about the message.

“It’s mainly a song about reckoning and about realizing that you can’t stand on a fence for so long. The first line, ‘Unrolling on the road,’ is an idea that expands on that feeling, of being away from your own center, out on the edges of your known reality, on the periphery and not at home.

“‘This One’s Going To Hurt’ is about letting something that’s been making you sick die. Because whenever something dies, then there’s space for something else to be born. But knowing that in that process, suffering and pain will be your companions.

“There are also themes of traveling, which was a big part of writing the record and a big part of my life in general at the time. I did a lot of moving around from place to place.” – Beta Radio


Photo Credit: Amanda Holloman

WATCH: Charm City Junction, “Roll On John”

Artist: Charm City Junction
Hometown: Baltimore, Maryland
Song: “Roll On John”
Album: Salt Box
Release Date: January 10, 2024 (single); February 2, 2024 (album)
Label: Fenchurch Music

In Their Words:“I first heard ‘Roll On John’ on an old Mike Seeger recording called Southern Banjo Sounds. His rendition is haunting yet enchanting, like a lot of old-time music. One of the most rewarding parts of playing in Charm City Junction is how each band member brings their own unique approach to roots music. When we first started playing together nearly 10 years ago, we essentially said, ‘Heck with the genre boundaries! Let’s play music we enjoy playing and see where it goes.’ It’s not quite old-time, it’s not quite bluegrass, it’s not quite Irish music. In a sense, it’s all of those, but none of those. We like it that way.

“Fun fact, this performance was captured live in a restored grist mill barn in Baltimore County, just a few miles from where our fiddler, Patrick McAvinue, grew up.” – Brad Kolodner, banjo

Track Credits:

Alex Lacquement – bass, vocals
Brad Kolodner – banjo, lead vocals
Sean McComiskey – button accordion
Patrick McAvinue – fiddle, vocals


Photo Credit: Jordan August
Video Credit: Directed by Rick Barnwell, RFBV Films

WATCH: The Earls of Leicester Behind the Walls at Newport Folk Festival

(Editor’s Note: Enjoy this exclusive video premiere from the team at Newport Folk Festival and their Behind the Walls series, featuring a performance of Flatt & Scruggs’ version of “Rollin’ in My Sweet Baby’s Arms” by award-winning Flatt & Scruggs bluegrass tribute band, the Earls of Leicester.)

Artist: The Earls of Leicester
Hometown: Nashville, Tennessee
Song: “Rollin’ in My Sweet Baby’s Arms”

In Their Words: “The song ‘Rollin’ in My Sweet Baby’s Arms’ has long been a staple in the bluegrass canon. It’s a good, hard driving song about traveling and returning home to the one you love. Down to the details of some of the family members’ occupations. Also there is a slight Romeo and Juliet effect in the line, “I know your parents don’t like me.” Flatt & Scruggs probably had the best version, but it’s a crowd pleaser and works in any situation.” – Jerry Douglas

“The Earls Of Leicester are living embodiments of the traditions of bluegrass that have graced our stages for over 60 years. We’re grateful that they recorded a backstage Behind The Walls session with us at last year’s Newport Folk Festival. And big thanks to The Bluegrass Situation for sharing it far and wide.” – Christopher Capotosto, producer, Newport Folk Festival


Lead image courtesy of Newport Folk Festival.

LISTEN: Frontier Ruckus, “Clarkston Pasture”

Artist: Frontier Ruckus
Hometown: Detroit, Michigan
Song: “Clarkston Pasture”
Album: On the Northline
Release Date: February 16, 2024
Label: Loose Music

In Their Words: “There’s a wonderful tension running through the songs on this album that marks a monumental faultline in my life. I wrote half the songs before I met and fell in love with my now-wife Lauren, and the rest in direct response to that life event – trying to make sense of how I got so lucky (see: “Mercury Sable” and “First Song for Lauren”).

“‘Clarkston Pasture’ was definitely in the former batch. It’s a dead-of-winter, lonesome-as-hell sort of song, where bachelorhood had lost its luster and I was fantasizing about a brighter future full of love and purpose. That’s why the verses are set in these dismally frigid, Michigan-winter landscapes: Cheering on a bar fight, turning off the furnace so as not to waste the warmth on just myself. Then the choruses flash to the glory of a Michigan summer – cruising through the towns on the northern edge of metro Detroit where the subdivisions start to dwindle and the fields start to open up. There aren’t many diametric opposites as stark as a Michigan winter and a Michigan summer, and that polarity turned out to be the perfect metaphor for how love changed my world.” – Matthew Milia


Photo Credit: John Mark Hanson

WATCH: Josh Fortenbery, “Sewing the Same Seam”

Artist: Josh Fortenbery
Hometown: Juneau, Alaska
Song: “Sewing the Same Seam”
Album: No Such Thing as Forever
Release Date: January 12, 2024 (single); March 8, 2024 (album)

In Their Words: “‘Sewing the Same Seam’ is an uptempo existential crisis. Like many songs on No Such Thing as Forever, it indulges in a bit of fatalism while also worrying that I’m capable of more than I admit. I’m a sucker for worst-case scenarios —maybe things won’t get better and not everything turns out alright. And when I linger on those thoughts, it gets easier to convince myself I know what I’m talking about instead. This live take was filmed at a house in Juneau that often hosts songwriters, with the same band that plays on the record.” – Josh Fortenbery

Track Credits: 

James Cheng – Bass
Lindsay Clark – Fiddle
Andrew Heist – Mandolin/vocals


Photo Credit: Annie Bartholomew

WATCH: Jim Kweskin, “You’re Just In Love”

Artist: Jim Kweskin
Hometown: Boston, Massachusetts
Song: “You’re Just In Love” (featuring Fiona Kweskin)
Album: Never Too Late
Release Date: January 26, 2024
Label: StorySound Records

In Their Words: “‘You’re Just In Love’ was written by Irving Berlin, who wrote it for the 1950 Broadway musical Call Me Madam. It’s been recorded many times, but never like this – we do it almost as a folk song. I love the counterpoint, the two different words, and the melodies going on at the same time. Irving Berlin, of course, is a famous American popular music composer. He’s written songs that everybody knows, like ‘God Bless America’ and ‘White Christmas,’ but in fact, he wrote hundreds of hit songs for Broadway musicals, movies, and pop records. He’s one of my favorite composers. And for me, what could be better than a grandfather singing to his granddaughter about what it feels like to be in love?” – Jim Kweskin

Track Credits:

Jim Kweskin – Vocal & Guitar
Fiona Kweskin – Vocal
Cindy Cashdollar – Baritone National Tricone
Suzy Thompson – Fiddle
Sean Staples – Mandolin
Richie Guerin – Mandola
Matthew Berlin – Bass


Video Credits: Directed and edited by Lauren Balthrop
Assisted by James Paul Mitchell and Lawson White
Additional concert footage filmed and edited by Wayne Griffith

Photo Credit: Don West

LISTEN: Alice Di Micele, “Square One”

Artist: Alice Di Micele
Hometown: Ashland, Oregon since 1986; Linden, New Jersey as a child
Song: “Square One”
Album: Interpretations Vol 1
Release Date: January 19, 2024
Label: Alice Otter Music

In Their Words: “I’ve been enamored by Tom Petty’s songwriting for most of my life. The depth and diversity of his catalog is inspiring. Back in 2018, shortly after his passing, my co-producer Bret Levick and I formed a tribute band called Petty Thievery. It has been really fun to rock out to his songs and it gave me a new outlet for playing and singing. I absolutely love being a singer-songwriter, but it’s fun to wear a different hat now and again. I chose this mellower tune for my record, because I was driving home from tour with my drummer the first time I heard it and I had to hit replay 6 or 7 times. I went home and learned it. The theme of starting over really struck a chord in me.” – Alice Di Micele

Track Credits:

Alice Di Micele – vocals, acoustic guitars, shaker
Gene Black – electric guitar
Rob Kohler – bass
Bret Levick – backing vocals


Photo Credit: Michelle McAfee

WATCH: Sarah Jarosz Performs on CBS Saturday Morning

In December, our current Artist of the Month, Sarah Jarosz, appeared on CBS Saturday Morning with her band to perform three tracks from her upcoming album, Polaroid Lovers (out January 26). Watch all three performances right here, on BGS.

The octave mandolin in her arms is the most “traditional” touch of each of these songs. The full band sound, which is ripe with influences from Jarosz’ new home base of Nashville, Tennessee, shines under the stage lights – vibey electric guitars mingling with energetic keys and the low-end, buzzy hum of her mando.

From “Jealous Moon” to her subtle, love-laden paean to New York, “Columbus & 89th,” to the slow burning and erotic “When the Lights Go Out,” Jarosz demonstrates an ease at this point in her career, a sly smile that says she knows exactly what she’s doing, even when she’s out on a limb. It’s a confidence born of living her entire adult life in the spotlight – after all, she won her first Grammy Award when she was merely eighteen.

As NYC did on past albums, Nashville certainly oozes from the songs on Polaroid Lovers, but never in pedestrian or predictable ways, as evidenced by these gorgeous performances from CBS’ Saturday Sessions. Jarosz uses Music Row sounds, textures, and professionals – Daniel Tashian produced the album and quite a few in-demand Music Row songwriters have co-write credits on the project – not as molds in which she fits her music, but each as springboards launching her into new sonic territory, which still hearkens back to songs and tracks we now view as classic Jarosz.

Enjoy these three performances while you look forward to Polaroid Lovers’ release on January 26th – and to our upcoming Artist of the Month feature, coming later in the month. Read more about our AOTM and explore our Essential Sarah Jarosz Playlist here.


Photo Credit: Shervin Lainez

How to Watch Earl Scruggs’ 100th Birthday Celebration

January 6, 2024 would be the 100th birthday of Earl Scruggs, a musician and artist who helped create bluegrass music and who was and is perhaps the most prominent and well known banjo player to have ever lived. Scruggs passed away in 2012, but this posthumous celebration – to be held at Nashville’s Ryman Auditorium – speaks to his undying musical legacy. The performance will benefit the Earl Scruggs Center, a museum in Shelby, North Carolina that’s dedicated to Scruggs, the local community, and its residents, and inhabits the former courthouse just up the highway from unincorporated Flint Hill, where he was raised.

The show, with musical director Jerry Douglas, will feature performances by bluegrass and roots music luminaries such as The Earls of Leicester, The Del McCoury Band, Gena Britt, Alison Brown, Sam Bush, Michael Cleveland, Stuart Duncan, Jimmie Fadden, Béla Fleck, Jeff Hanna, Sierra Hull, Bronwyn Keith-Hynes, Jim Mill, Justin Moses, Jerry Pentecost, Todd Phillips, Harry Stinson, Bryan Sutton, Tony Trischka, Abigail Washburn, Pete Wernick, and more. Limited tickets are still available and, for those who may not be able to attend in person, the entire show will be livestreamed via Veeps.com for $14.99.

It promises to be a quintessential Nashville evening, a star-studded lineup with endless appearances, special guests, and with certainly plenty of heartfelt remembrances and tributes in store. Livestream viewers will get a rare chance to be invited “flys on the wall” for a magical and one-of-a-kind concert.

Earl Scruggs’ legacy will certainly live on – for another hundred years and, we hope, beyond. BGS and many other roots music and bluegrass communities and organizations will continue to celebrate Scruggs’ centenary throughout the year, so keep an eye out for upcoming content that celebrates Earl Scruggs and his three-finger style.


Lead image courtesy of the Ryman Auditorium; inset graphic courtesy of Veeps.