Behind the Scenes of Two Tyler Childers Videos That Surprised Us in 2020

Tyler Childers is, as we all know, an outstanding singer and songwriter. His particular brand of country has been demanding attention for years, as people can’t get enough of the down-to-earth Kentuckian’s sound. After the release of two very different videos in 2020, however, it may be argued that music isn’t Childers’ only strong suit. In July 2020, he put out a sweet music video for the title track of his Grammy-nominated record, Country Squire, proving yet again he has a way when it comes to the art of storytelling, both on stage and on screen.

In “House Fire,” we saw that Childers can pull off the more traditional videos that are, let’s say, more serious in nature. In “All Your’n,” his creative streak rose to the top as he plays nearly every role in a video about an interesting hallucination. But in “Country Squire,” he joins his wife and his band, the Food Stamps, in glorious Wallace and Gromit-style animation. The unexpectedly charming animated video was directed by renowned comic book artist Tony Moore and depicts the feel-good story told in the song. See the behind-the-scenes clip below.

Then in September, Childers dropped a stunning surprise album called Long Violent History, using his platform to play Appalachian music while taking on tough topics brought to the fore in 2020. Of the title track, NPR’s Ann Powers wrote, “It’s a lament grounded in bluegrass fiddle and that fundamental African import, the banjo. Presenting himself as a confused ‘white boy from Hickman’ who once understood how the protests might feel like unnecessary trouble, Childers artfully bends perspective at the ballad’s center, realizing that for all the times he’d belligerently questioned authority, he’d never felt like he might lose his life.”

A description on a behind-the-scenes clip on his YouTube channel reads, “Long Violent History is a collection of instrumental pieces intended to create a sonic soundscape for the listener to set the tone to reflect on the last track. 100% of net proceeds from Long Violent History go to support the Hickman Holler Appalachian Relief Fund.” The accomplished singer-songwriter provided an equally potent testimonial video, explaining his reasoning for the record. Because Childers rarely grants interviews, the video provided his fans a firsthand account of his artistic integrity. It also positions him as a compelling public speaker, should he decide to pursue that path in 2021. Take a look below.


Photo credit: David McClister

WATCH: The Chicks on Their Comeback, Controversy, and Country Music

With what many have called a comeback album, the Chicks sported new experiences, new stories, and a new name to top it all off. Their 2020 album Gaslighter is a unique one in the decorated discography of the group formerly known as the Dixie Chicks. In an interview for Today, The Chicks described how they deviated from their normal process of writing all the music prior to arriving at the studio to record the album, and insist they have no regrets about the past controversy that prompted their perceived exit from mainstream country.

For Gaslighter, which is their first new album since 2006, the Chicks collaborated with producer Jack Antonoff to craft the songs in the studio. The result is a fresh sound that retains the characteristic directness for which The Chicks are well-known. The album doesn’t shy away from dealing with heavy themes like family, social justice, and divorce. For example, its title track was written about lead singer Natalie Maines’ bitter divorce, an experience that no doubt was also a primary inspiration for “Sleep at Night.” Take a look at their Today interview with Carson Daly below.


Photo credit: Robin Harper

BGS Wraps: Brandy Clark, “Only Time of Year”

Artist: Brandy Clark
Album: Happiest Season (Original Motion Picture Soundtrack)
Song: “Only Time of Year”

In Their Words: “‘Only Time of Year’ was such a fun and challenging song to sing. I didn’t write it, but I really loved it when I heard it. However I was unsure of whether or not I could sing it, because of the pop nature of the melody and phrasing. I am so thrilled that it worked out. I love the movie and am really proud to be a part of a soundtrack that is so inclusive of so many LGBTQ+ artists.” — Brandy Clark


Enjoy more BGS Wraps here.

Dolly Parton, Brandi Carlile, and the Women Who Wrote Our 2020 Soundtrack

There are a whole lot of ways you can tell the story of 2020, but for us here at BGS, it will be remembered as a year of especially remarkable songwriting from women in roots music.

We lead our playlist with the one and only Dolly Parton, who assured us that life will be good again. Parton’s songwriting is presented in an enticing new book, Songteller, and her ability to articulate complicated emotions — through lyrics that speak to all walks of life — is something that Brandi Carlile picked up on as a teenager. In this video interview from the 2020 BMI Country Awards (with a cameo from Dolly at the end), Carlile explains how Parton’s perspective on equality kept Carlile from divorcing country music completely.

Parton, who turns 75 next month, shares a number of important qualities with a new generation of singer-songwriters she’s inspired. In the case of Brandi Carlile, there’s a sense of belonging that is woven throughout their work, from Parton’s “Joshua” to Carlile’s “Carried Me With You.” Like Parton, Brennen Leigh is able to capture a sense of place and make it relatable, even for a listener who’s never been there. Kyshona Armstrong offers a sense of self-worth and self-awareness in her writing, as Parton does, allowing listeners to know them better. Likewise, Maya de Vitry and Parton share a sense of wonder and joy, portraying landscapes — internal and external — that are imagined, yet vivid.

On Prairie Love Letter, her full-length paean to her homeland on the Minnesota-North Dakota border, Brennen Leigh demonstrates a visceral, evocative grounding – just as Parton constantly speaks of her Tennessee mountain home: with a glint in her eye, and a sorrow in her heart for knowing she had no choice but to leave it. Leigh stakes her claim on both the wide, expansive plains and Nashville all at once, asking her audience “Don’t you know I’m from here?” As if to remind she’s as at home in bluegrass and country — and Music City — as Dolly herself.

“Backwoods Barbie,” “Dumb Blonde,” and “Just Because I’m a Woman” are all perfect examples of Parton’s lifelong radical self-possession. She expresses her agency boldly, confidently, without (visible) second guessing – from her wigs to her infamous tattoos to her nothing-special acknowledgement of her plastic surgeries, struggles with suicidal ideation, and so on, she is her fully realized, autonomous self. As Dolly told Jad Abumrad on Dolly Parton’s America, “Who we are is who we are… I would just bow out if I wasn’t allowed to be me…” Kyshona Armstrong‘s prescient album, Listen, holds similar space, as Armstrong doesn’t simply ask folks to listen; her presence, compassion, and radical honesty demand it. Because, first and foremost, she’s welcoming and non-judgmental in that aim, you will find yourself fully enveloped by her music before you realize the conviction within it.

Maya de Vitry made a gorgeous, poetic foray into heavier, rockier turf with How to Break a Fall, a gutsy, genre-bending set of songs. Their anger, release, and passion, expressed by the folk-rock production style, feels right out of Parton’s post-White Limozeen era, an effortless combination of seemingly disparate musical influences, distilled into something that, almost above all else, feels joyful. Where male-centered rock and roll finds itself often hung up on its endemic toxic masculinity, de Vitry and Parton stride into electrified sounds with their femininity forward, and the result is as charming as it is subversive.

It’s striking, among such an incredible volume of musical output from their Americana and country peers this year, that these women would stand out, above and beyond the still-common glass ceilings imposed upon them for decades. Dolly blazed a trail, but these dozens of writers — and singers and pickers and composers and front women and side musicians and authors and poets — would have crashed through inevitably on their own. With songs like Adia Victoria’s “South Gotta Change,” Sunny War’s “Can I Sit With You?,” “Troubled Times” from Laurie Lewis, the Secret Sisters’ “Cabin,” it’s obvious Dolly Parton’s songwriting legacy will be inherited by multiple generations worthy of carrying it on.

Throughout 2020, the BGS editorial team embraced this wealth of excellent music from women songwriters in roots music. It has been a privilege to share these original voices with our readers, too. Here are 50 of our favorite tracks from 2020:


Photo credit: Daniel Jackson for BGS, Newport Folk Fest 2019

Beth Behrs: What Dolly Parton Means to Me

Everyone has a “Dolly Story.” Whether it’s a personal interaction (like when Brandi Carlile confessed on my podcast, Harmonics, that when she met her backstage at Newport Folk Fest, Dolly prayed with Brandi to calm her nerves) or the first time you heard your own story in one of her songs (like when BGS editor Justin Hiltner explained to host Jad Abumrad how “Why’d You Come In Here Lookin’ Like That” is a gay anthem on his podcast, Dolly Parton’s America), these stories are the universal connectors for Dolly Parton fans.

My own love of Dolly Parton’s music goes back a very long time, but my “Dolly Story” finally happened a few years ago, when my husband and I got to meet her after her show at the Hollywood Bowl. It was surreal and wonderful and the moment was over far too soon, but from that day on I knew I wanted to live my life more like Dolly Parton.

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One of these days, I hope to be able to have a longer chat with Dolly (DOLLY IF YOU’RE READING THIS YOU CAN BE ON MY SHOW ANYTIME). But until then, I’ve distilled four pillars of What Dolly Parton Means to Me:

1) Dolly is Always Unapologetically Herself.

“I’ve often made the statement that I’d never stoop so low as to be fashionable. That’s the easiest thing in the world to do…. Once they got past the shock of the ridiculous way I looked and all, they would see there are parts of me to be appreciated. I’m very real where it counts — and that’s inside.”

In today’s fractured society, there are few figures as unifying as Dolly Parton. Say her name to almost anyone, anywhere, and almost certainly they will know who she is. Maybe part of the reason for this is her indelible commitment to never being anything but herself. And it’s because of that raw honesty that she can mean so many things to so many people. Over the years when I’ve been pressured to conform to certain looks, trends, people, or situations for the “sake of my career,” Dolly has been a glorious, glittering reminder to never apologize for sticking to who you truly are.

2) Dolly is Always Decent.

“I think everybody should be treated with respect. I don’t judge and I try not to get too caught up in the controversy of things. I hope everybody gets a chance to be who they are.”

Decency and goodness are not just about building a massive resort and theme park to revive the economy of your hometown in East Tennessee (Dollywood). They’re not just about founding a charity that has given away over 150 million books to underprivileged children around the world (Dolly Parton’s Imagination Library). They’re not even just about donating over a million dollars to help fund a COVID-19 vaccine. (Seriously. The hero we needed in 2020.)

Real goodness and decency are about how you act when no one is looking. Dolly is not just a good person, but she is a decent one. She has a universal acceptance for everyone just as they are, and uses her wealth and visibility to stand up for those who cannot. If that’s not decent I don’t know what is.

3) Dolly is Always Resilient.

“I’m not going to limit myself just because people won’t accept the fact that I can do something else.”

Dolly may seem like a divine being sent from heaven above, but she’s as human as the rest of us. In so many interviews she’s talked about her rough patches, her health problems, her doubts, her frustrations and failures. But one thing she has never lost is a resounding resiliency to keep going. It’s important to realize that our heroes are just flesh and blood, but it’s also important to remember that what makes someone a true hero is how they remind us to get back up and keep going.

4) Dolly is Always in on the Joke.

“All these years, the people have thought the joke was on me, but it’s actually been on the public. I know exactly what I’m doing and I can change it at any time. I make more jokes about myself than anybody.”

As a comic actor, I love and admire Dolly’s ability to not only be in on the joke, but often two steps ahead of it. It’s easy enough to assume that she’s some dumb blonde with big boobs, but as she shows us time and time again, looking good and being the smartest person in the room are not mutually exclusive. You can see her adeptness in clips from her late night appearances from the ’80s and ’90s, where the host usually takes a cheap jab at Dolly’s ample attributes and makes the interview about her physicality rather than her talent. But without missing a beat, Dolly always throws it right back at him (it’s always a him), usually with a punchline that’s even funnier than the host’s bit.

It’s like she says in her classic song “Dumb Blonde:” “Just because I’m blonde / Don’t think I’m dumb / Cause this dumb blonde ain’t nobody’s fool.” I’ve sat on those same couches, fielded countless embarrassing questions, and in my retort I always try to ask myself: What Would Dolly Do?


Beth Behrs is an actress (The Neighborhood, Two Broke Girls) and host of the BGS podcast, Harmonics. Check out season 1 of Harmonics and follow Beth on Instagram at @bethbehrs for updates on season 2.

Deck the Halls With Lots of Dolly: 5 Favorite Christmas Moments

Solidifying her position as our favorite person of 2020, Dolly Parton served up not one, but TWO holiday treats this year: the new Netflix movie, Christmas on the Square, and A Holly Dolly Christmas, her first Christmas album in thirty years. The woman never stops, and with the arrival of these early Christmas gifts, we’ve decided to celebrate by rounding up our top five “Dolly Holiday” moments and memories.

“Hard Candy Christmas” from The Best Little Whorehouse In Texas – 1982

Okay, maybe this isn’t *technically* a Christmas song, and maybe it wasn’t written by D.P., but her version — from the film adaptation of the stage musical, The Best Little Whorehouse in Texas — is impossibly lovable nonetheless.

The lyrics are more prescient this year than ever before: “Lord it’s like a hard candy Christmas / I’m barely getting through tomorrow / But still I won’t let sorrow bring me way down…”


Once Upon a Christmas – 1984

I’ve said it before and I’ll say it again: this is the best Christmas record EVER. Kenny Rogers & Dolly Parton, hot on the heels of their megahit “Islands In the Stream,” brought their potent electricity to a mix of classics and originals that wonderfully capture the joy and nostalgia of the season.  “I Believe in Santa Claus,” “Christmas Without You,” and “Christmas To Remember” are all standout soft-rock holiday singles, but for the true fan the real gem is Kenny and Dolly’s hour-long television special that accompanied the release.


Smoky Mountain Christmas – 1986

Billed as a “made-for-television Christmas musical fantasy film” — directed by Henry Winkler no less! — this is a hidden treasure of the Parton holiday oeuvre. For some reason, the eight original Parton-penned songs were never released as a soundtrack, but you can still watch the full movie online and hear the title track below


“O Little Town of Bethlehem” from Home for Christmas – 1990

Dolly’s second holiday album, the wonderful Home for Christmas, is chock-full of traditional seasonal fare, but it’s the promotional television special that really brought the record to life. Listen to roots-tinged tracks like “O Little Town of Bethlehem” first (featuring a killer band with bluegrassers Stuart Duncan and Carl Jackson backing her up!), then immediately check out Dolly’s parents and siblings in this clip from the special below. Further proof that talent runs in the Parton family!


While you enjoy Dolly’s most memorable seasonal moments, new and old, dive into our It’s a Dolly Holiday playlist:

Americana Honors & Awards: Black Pumas, The Highwomen Among Winners

The Highwomen picked up three trophies for the Americana Music Association’s 19th Annual Americana Honors & Awards, which were revealed online today. The collective of Brandi Carlile, Natalie Hemby, Maren Morris, and Amanda Shires, joined fellow winners Black Pumas, Brittany Haas, and the late John Prine.

The Highwomen received the following awards: Album of the Year for their self-titled debut, produced by Dave Cobb; Song of the Year for “Crowded Table,” written by Carlile, Hemby and Lori McKenna; and Duo/Group of the Year.

Prine, who died in April, was named Artist of the Year for the fourth time since 2005. Black Pumas carried the Emerging Act of the Year category, while fiddler Brittany Haas won the Instrumentalist of the Year award.

For nearly two decades, the Americana Honors & Awards program has provided a unique platform for commemorating the best and brightest musicians in the Americana music scene at the historic Ryman Auditorium in Nashville. Due to the COVID-19 pandemic, in an effort to preserve the safety of musicians, fans and other members of the close-knit roots community, the Americana Music Association chose to forego having an in-person ceremony this year.


Photo of Black Pumas: Lyza Renee; Photo of The Highwomen: Alysse Gafkjen; Photo of John Prine: Danny Clinch; Photo of Brittany Hass: Michael George

BGS 5+5: Danny Burns

Artist: Danny Burns
Hometown: New Orleans, Louisiana
Single: “Trouble” featuring Dan Tyminski, Aubrie Sellers & Jerry Douglas
Album: Hurricane (coming in early 2021)
Nickname: Danny Burns Band / The Red Buck

What’s your favorite memory from being on stage?

Jammin’ with Sam Bush Band at the Birchmere would have to be my favorite stage moment.

What other art forms — literature, film, dance, painting, etc — inform your music?

I would say that film definitely does. When I’m writing, I try to see songs like movies, and concept helps me craft the story. It also helps me make production choices later with instrumentation or arrangements.

What was the first moment that you knew you wanted to be a musician?

After my first paid gig. Ha! Nah kidding around, I think after hearing Willie Nelson for the first time.

Since food and music go so well together, what is your dream pairing of a meal and a musician?

One of my favorite restaurants is La Boca Steakhouse in New Orleans. Hanging with Sturgill and talking Cuttin’ Grass could make for an interesting Monday night in The Crescent City.

If you had to write a mission statement for your career, what would it be?

Keep working, keep learning, keep trying new things, don’t listen or surround yourself by any negative people and never miss an opportunity stop at the Rainforest Cafe at Opry Mills to scare your daughters with that darn hippopotamus. It gets them every time!


Photo credit: Jacob Blickenstaff

The BGS Radio Hour – Episode 192

Christmas is upon us, and we’ve been loving the roots-centric holiday music we’ve been able to share with our December BGS Wraps series thus far! This week we bring you some holly (yet not always jolly) holiday tunes to keep you warm through this weird season – on brand for 2020! – along with some new bluegrass and roots music to be enjoyed year-round. Remember to check back in every Monday for a new episode of the BGS Radio Hour!

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Christone “Kingfish” Ingram – “Ghost From Christmas Past”s

This week on BGS we’ve got plenty of wraps. Christone “Kingfish” Ingram, one of the youngest blues players on the scene today, is here to start us off with a new Christmas-inspired blues number.

Mark Harris – “Lost Girl”

Australia-born and Colorado-based guitarist Mark Harris is one of few who have been able to redefine the six-string, flat-top guitar in roots music. His new album, Old Time Guitar, is a reconfiguration of old-time classics for solo guitar. This week, Harris brings us “Lost Girl.”

Heather Maloney – “The Secret of Christmas”

From her new Christmas Anyway EP, Heather Maloney brings us the message that what makes the holidays meaningful isn’t dependent on circumstance. Rather, our holidays are made much more special by our own choices, our gestures of kindness, and how we deal with said uncontrollable life circumstances.

Sister Sadie – “Something to Lose”

December 2020 Artist of the Month Sister Sadie brings us another song this week from their 2018 release, Sister Sadie II. The all female, hard-driving bluegrass band racked up an impressive sampling of IBMA awards this year. We’re covering them all month long, so stay tuned! (You can read our #AOTM interview here!)

The Arcadian Wild – “Fall: War”

From their new album Principium, “Fall: War” is the most intense of The Arcadian Wild’s 4-song movement. Like it did for so many artists, 2020 provided the Nashville band with an opportunity to dust off some old songs. This week, they bring us the result.

Anthony D’Amato – “Merry Christmas, I Guess”

There’s no doubt Christmas this year is going to be a difficult one for so many. Anthony D’Amato provides “a good cry” for us all this year, recognizing that we may not be able to see our loved ones this December – or any, for that matter.

Calexico – “Hear the Bells”

Joey Burns of Calexico brings us an Arizona-inspired holiday theme this year, meditating on Dia de Los Muertos, the All Souls Procession, or perhaps even lovers or family members.

The Barefoot Movement – “I Just Wish It Would Snow”

We all know some folks with an undying love for Christmas music – Noah Wall, of the Barefoot Movement, is one of them. Citing a 700-song playlist which she narrowed down to a mere 14, Wall and the rest of the band bring us their original contribution to the holiday repertoire.

Bruce Molsky – “Cider”

In 2006, Bruce Molsky redefined a collection of old-time classics on his magnum opus, Soon Be Time. Still as important today as it was at the time of release, the autumnal track “Cider” is a favorite of BGS, and a recent feature on Tunesday Tuesday.

The Hello Darlins – “Do You Hear What I Hear”

Christmas, and the rest of the holiday season, is a time when many of us, whether purposefully or not, get in touch with our inner child. Through the season’s peace, comfort, and familiarity, the Hello Darlins bring their new Heart in the Snow EP to BGS. 

Coco Reilly – “Oh Oh My My”

New York’s Coco Reilly is one of our most recent 5+5 guests – that is, 5 songs, 5 questions. She chatted with BGS about the inspirations, songwriting, and the influences behind her new self-titled album.

Andrea von Kampen – “A Midwest Christmas”

The shopping sprees, mega light-displays, and commercialism haven’t been as important to many of us this holiday season. Instead, we’re clinging to those things we miss a little extra: family, peace, and the kindness of humanity. In this spirit, von Kampen brings us “A Midwest Christmas.”

Canyon City – “Purple Horizon”

Another recent 5+5 guest, Colorado-based Canyon City recently spoke with BGS about cherished memories from the stage, rituals, and a dream meal with a dream musician. This week, he brings us “Purple Horizon.”

Chandler Holt and Lauren Stovall – “Winter’s Night Waltz”

To close out this holiday packed Radio Hour, Chandler Holt and Lauren Stovall bring us this instant holiday country classic. The fact that it was left off of the Chatham County Line album it was originally recorded for gave Holt and Stovall the opportunity to sing a wonderful duet, and gift it to us this holiday season.


Photo credit: (L to R) Andrea von Kampen by Letura Idigma; Christone “Kingfish” Ingram by Rory Doyle; The Arcadian Wild by Shelby M’lynn Mick.

2020: The Year of Dolly Parton

Dolly Parton kept her promise to bring good into the world in 2020 and beyond. For so many reasons, this is absolutely the Year of Dolly Parton.

Marking her 50th anniversary as an Opry member in October 2019, she told reporters, “This world is just so dark, ugly and awful. I just can’t believe how we just can’t have a little more light and a little more love. So, I’m going to make it my business to try to do songs that are more uplifting — not just all Christian-based songs but songs that are just about better things. Do better and just have a little more love, a little more light and just don’t be so dark and dirty!”

Gosh, where to begin? How about…

 

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A post shared by Dolly Parton (@dollyparton)

Although it seems like a million years ago now, Dolly launched a viral craze on January 21 with a meme that went around the world. Gotta love the acoustic guitar for Instagram!

Also in January, she notched a Top 10 track on Billboard’s Hot Dance/Electronic Songs chart with “Faith,” which basically transformed the John Hiatt classic into an international EDM hit. Co-starring in the video with her musical collaborators, Galantis, Parton camps things up as the world’s best-dressed bus driver.

Later in the month, Parton collected her ninth career Grammy Award, this time in the category of Best Contemporary Christian Music Performance/Song, sharing the honor with For King and Country with “God Only Knows.” Although Parton wasn’t in attendance, the duo’s Joel Smallbone remarked from the podium, “To dear Dolly Parton, who is an incredible human being. It’s one of the great moments of our career to collaborate with her and her team.”

He continued, “I taught two of her managers in Sunday school growing up, so they were kind enough to reach out and play her the song. But she said something on a call. She said, ‘I love this song because it’s reaching to the marginalized, to the depressed, to the suicidal,’ which is all of us at some point. And then she said this, in her Dolly accent: ‘I’m going to take this song from Dollywood to Bollywood to Hollywood.’ And we did it, Dolly, we took it all the way.”

 

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A post shared by Dolly Parton (@dollyparton)

A few months into the pandemic, Parton told Instagram followers, “I think God is in this, I really do. I think he’s trying to hold us up to the light so we can see ourselves and see each other through the eyes of love. I think that when this passes, we’re all gonna be better people.”

She also revealed on social media that she’d donated a million dollars to Vanderbilt University help find a cure for the coronavirus. She wrote, “My longtime friend Dr. Naji Abumrad, who’s been involved in research at Vanderbilt for many years, informed me that they were making some exciting advancements towards research of the coronavirus for a cure. I am making a donation of $1 million to Vanderbilt towards that research and to encourage people that can afford it to make donations.”

Incredibly, when news of the Moderna vaccine emerged in November, Parton’s contribution was duly noted. “Without a doubt in my mind, her funding made the research toward the vaccine go 10 times faster than it would be without it,” Abumrad told the Washington Post.

In April, she kicked off a series of bedtime stories, told online, in order to bring comfort to children who were scared about sheltering in place. “This is something I have been wanting to do for quite a while, but the timing never felt quite right,” she said. “I think it is pretty clear that now is the time to share a story and to share some love. It is an honor for me to share the incredible talent of these authors and illustrators. They make us smile, they make us laugh and they make us think.” Two of the chosen books she wrote herself: Coat of Many Colors and I Am a Rainbow.

In addition, a new line of uplifting greeting cards inspired by Parton appeared in Walmart stores over the summer. Meanwhile, musically, she responded to the pandemic with a beacon of optimism, titled “When Life Is Good Again.” She shared the song in tandem with an interview (while sitting on her porch in her first-ever Zoom call) with the series Time100 Talks: Finding Hope.

Bluegrass fans rejoiced in August as she made a surprise announcement that six of her albums from the early 2000s were finally available on streaming services, so how about adding title tracks of Little Sparrow and Halos & Horns to your Dolly playlists? Overall, 93 once-missing tracks are now available to stream.

Although she’s rarely controversial, Parton’s commentary about Black Lives Matter caused a commotion among its supporters and detractors — and even inspired a mural in East Nashville. She told Billboard in August, “I think that everybody needs to express themselves however they feel they have to. I’m not out here to tell you what to do. I don’t want you to tell me what to do. But I just do what my heart tells me to do, I ask God to direct me and lead me, and if I’ve got his direction, I don’t have to worry too much about anything else. But I do understand people having to make themselves known and felt and seen. And of course Black lives matter. Do we think our little white asses are the only ones that matter? No! Everybody matters.”

In November, she commemorated the 25th anniversary of the Imagination Library – an incredible program she launched in 1995 in order to provide free books every month to preschool children — with a new documentary titled The Library That Dolly Built. Parton stated, “I am so excited that we can finally tell the whole story of the Imagination Library. It is certainly not just about me. Our story is the story of children, of families and communities who all share the dream to inspire kids to love to read and to love to learn. My hope is this documentary will encourage more towns, more states and even more countries to jump onboard. One thing is for sure, I think this is the best investment I have ever made.”

Those who have been fans of Dolly Parton for their whole lives were treated to two magnificent overviews in 2020. The first is a Time Life box set of her career on camera, available in two different configurations. One option for Dolly: The Ultimate Collection clocks in at 11 DVDs, and the other at 19 DVDs. Some of the most interesting footage comes from her variety shows, such as this clip of the superstar singing “Amazing Grace” with Glen Campbell (who, for some reason, has brought along his bagpipes).

The other retrospective is Songteller, a book of lyrics that doubles as a memoir. Compiled by Parton and noted journalist Robert K. Oermann, it portrays Parton as a composer whose catalog goes way deeper (and darker) than “Jolene,” “9 to 5,” and “I Will Always Love You.” Dorian Lynskey, a contributor to the L.A. Times, wrote, “Her shows are carnivals of good-natured inclusivity that unite everyone from LGBTQ millennials to MAGA-hat boomers under one roof. There is room for heartbreak but not deep cuts about suicide and arson. Still, she would not have included so many of these dramas of cruelty and suffering in Songteller if she did not believe that this harsher strain in her life and work was worth remembering. Her optimism stands on the shoulders of pain.”

And if all that isn’t enough, she gifted us with a holiday album and a network special (both titled A Holly Dolly Christmas), a Netflix movie (Christmas on the Square), and even a baking kit at Williams-Sonoma. It may be the only time in history that she’s been affiliated with the words “cookie cutter.”

Right before Thanksgiving, the iconic musician logged her 50th Grammy nomination, this time for “There Was Jesus,” a collaboration with Zach Williams in the Best Contemporary Christian Music Performance/Song category. A week later, former President Barack Obama lamented that he hadn’t given Parton the Presidential Medal of Freedom. Perhaps that will happen in 2021?

Not that she’s short on awards. She picked up the new Hitmaker award from Billboard in December, and told viewers, “Of course, I’m proud of all the wonderful women in show business that write all these wonderful songs. I’d like to acknowledge a few — some of them older, kind of back in my day. Cindy Walker, who wrote some of the greatest songs ever, and of course Loretta Lynn, a wonderful, wonderful songwriter. And this day in time, of course, Taylor Swift, she’s just right up there, probably number one. And of course, Brandi Carlile, there’s just so many that write so many good songs. I think it’s so important that we acknowledge the women that write and sing in country music. And I think it’s also very important that they take control of their own business. I know I’ve had my own publishing company for years. Same with a lot of these women that I mentioned. But anyhow, I’ve just wanted to always say, ‘You go, girls!’ We can do it!” (Like hundreds of others, the trophy will be housed in her museum in Dollywood.)

This year, and in all years, we commend Dolly Parton for her work ethic and for making herself available to her fans. Yes, she knows how to market herself through visibility and personality, but in 2020, when so many of us have stayed in, she’s gone the extra mile to put herself out there, safely.

On November 30, she wound up in New York Times‘ Style magazine in its “Diva” series, alongside Patti LaBelle and Barbra Streisand. One of the most accurate depictions of what it’s like to be around Dolly (and to always wish you had more time to spend together), the article’s author Emily Lordi quotes Dolly talking about her ambition: “I just wanted to do really good work, and I wanted it to make a really big difference in the world … to uplift mankind and glorify God.”


Photo courtesy of Dolly Parton