Rhiannon Giddens Finds a Piece of Home in a Fiddle Tune with Francesco Turrisi

Helping to usher in spring and with it many new beginnings is another album from folk music master Rhiannon Giddens. The second project to come from her magical collaborations with Italian multi-instrumentalist Francesco Turrisi, They’re Calling Me Home is due to be released April 9 on Nonesuch Records. Following the debut of its title track in March, a second single titled “Waterbound” was released, accompanied by a music video, forecasting what is to come from the musical partnership. The song itself is a traditional fiddle tune first recorded in the 1920s that has been a part of Giddens’ repertoire for some time, but its meaning is surprisingly representative of life in lockdown.

About including it on the new release, Giddens said, “‘Waterbound’ is a song I learned a long time ago and it brings me forcefully home to North Carolina when I sing it, and considering that I am, indeed Waterbound, and have been for a long time, it’s a rare moment when a folk song represents exactly my situation in time.” Giddens and Turrisi, who have been living and recording in Ireland during the pandemic, have a direct line to whatever it is about folk and old-time music that makes it so endearing, timeless, and universal. Watch “Waterbound” below:


Photo credit: Karen Cox

The Show on the Road – The Allman Betts Band

This week on The Show On The Road, it’s a rock ‘n’ roll family affair with a special conversation with Devon Allman and Duane Betts, two guitar-slinging sons of the iconic Allman Brothers Band who formed their own soulful supergroup: The Allman Betts Band.


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With their 2019 debut record Down To The River, Allman and Betts — who took turns playing alongside their revered dads Gregg and Dickey as teenagers — finally banded together to create a new collection of the soaring slide-guitar-centered, Gulf-coast rock and brawny, road-tested blues that both pays homage to their heady upbringings and forges their own way forward. Even their touring bassist has a familiar name to Allman diehards: Berry Oakley Jr., whose dad was one of the Allman Brothers’ founding members when they formed in 1969 out of Jacksonville, FL.

While many groups were stuck at home licking their wounds as the pandemic shut down most touring options, Devon and Duane’s crew tapped into the nascent drive-in circuit, bringing their spirited 2020 release, Bless Your Heart, to a whole new set of excited fans. Always sticking to their southern roots, they laid down both records at Muscle Shoals Sound Studios with producer Matt Ross-Spang (Jason Isbell, Margo Price, Elvis Presley). While history is always dancing in the margins of the songs, it’s clear on this second offering that they wanted to create stories that didn’t only reflect their roaring live shows.

Standout songs like the soft piano ballad, “Doctor’s Daughter,” show the group roving in new, more nuanced directions — while “Autumn Breeze” is a pulsing slow-burn, but features the effortless twin guitar lines that made their dads’ work so instantly recognizable.

Of course playing in the family business wasn’t always a given for the guys — especially Devon, who only met his hard-touring father Gregg at sixteen. Devon first started hanging out with young Duane (then only twelve) in 1989 on the Allman Brothers’ 20th Anniversary tour. As he describes in the episode, Devon wasn’t sure he wanted to follow in his father’s hard-to-follow footsteps, but once he sat in on “Midnight Rider” and the crowd went crazy? It was off to the races.

This year marks the 50th anniversary of the Allman Brothers’ breakout record Live At The Fillmore East, which I grew up listening to on loop with my father. Though Duane Allman died tragically in a 1971 accident before his namesake was born, and Gregg passed away in 2017, their spirits live on in the Allman Betts Band’s epic live show, which is already gearing up for the tentative 2021 touring season.


Photo credit: Kaelan Barowsky

LISTEN: Claire Kelly, “Sitting Still”

Artist: Claire Kelly
Hometown: Cary, Illinois; Milwaukee, Wisconsin; Nashville, Tennessee
Song: “Sitting Still”
Album: The Scenic Route
Release Date: March 19, 2021

In Their Words: “‘Sitting Still’ was the first song I wrote when the world came to a screeching halt in March of 2020. When the pandemic hit, I hid out with a few Nashville friends on a farmhouse in Tullahoma, Tennessee, to wait out the storm so to speak. We took the days easy out there on the farm: fishing, reading, writing, driving the old Ford truck around the property. Even though our tours had been cancelled and jobs had been lost, we tried to embrace the gift of time we’d be given and find some peace in slowing down.” — Claire Kelly


Photo credit: Jorie Struck

Harmonics with Beth Behrs: Jewel

Welcome to Season 2 of Harmonics! On episode 1 of our new season, we’re kicking things off with the incredible, four-time Grammy-nominated folk singer-songwriter, Jewel.

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Jewel joins host Beth Behrs for an insightful conversation about her experience with mindfulness throughout her life as a response to anxiety. She presents multiple tangible skills she has developed along the way that hopefully anyone can easily apply to their own lives to expand their mindfulness.

Throughout her career, Jewel has brought these skills to struggling children as well, having been an avid advocate for mental health awareness and using her platform to lift others up. Her work through her own Jewel Never Broken program, in conjunction with the Inspiring Children Foundation, has supported so many children with mental health support resources, mentoring, education, and equipping kids with important life skills and tools to earn college scholarships, becoming forces for good in the world.

Jewel’s honesty regarding her own struggles, and how it informs her creativity, her art, and her life, is incredibly inspiring.

In case we haven’t yet convinced you of the wealth of knowledge and wisdom present in this episode — Jewel also gives Beth a personal lesson on how to yodel!!


Listen and subscribe to Harmonics through all podcast platforms and follow Harmonics and Beth Behrs on Instagram for series updates!

Photo credit: Dana Trippe

WATCH: Reid Jenkins, “Strange Lover”

Artist: Reid Jenkins
Hometown: New York City
Song: “Strange Lover”
Album: A Beautiful Start
Release Date: April 23, 2021
Label: Nettwerk

In Their Words: “While most of my songs start while I have an instrument in my hand, ‘Strange Lover’ started as a title that I later put to music. I was struck by the ambiguity in the word ‘strange’ — how it means both unfamiliar and bizarre, and how those two senses of the word have different meanings, but often feel the same when you’re faced with new experiences, such as falling in love. I wanted to write a song that suspended itself in that ambiguity and explore the tension between avoiding the unknown while being drawn in by the thrill of beauty and discovery.

“The lyrics and melody of the verses evolved slowly over the course of a year or so. Sometimes the lines came to me during sessions of very intentional writing; I remember penning ‘Try as I might, I just can’t quite make you make sense’ while sitting in a very idyllic songwriter-y setting — on a bench overlooking the sea on the coast of Maine. Other lines kind of wafted their way out of my subconscious, such as ‘You’re a giant, yet you fit right on the palm of my hand,’ which came to me while walking with my friend at night in Riverside Park in New York. The chorus burst out of me in five minutes about a week before I got into the studio. The process of recording it was similarly organic. Unlike the other three songs on my upcoming EP, I showed up to the studio without much of an arrangement or an agenda for how I wanted it to sound. I let it evolve over the course of the recording process, and I think the final product reflects that process in its hazy and relaxed feeling.” — Reid Jenkins


Photo credit: Shervin Lainez

WATCH: Abigail Dowd, “Beautiful Day”

Artist: Abigail Dowd
Hometown: Carthage & Southern Pines, North Carolina
Song: Beautiful Day
Album: Beautiful Day
Album Release Date: April 23, 2021

In Their Words: “I started writing ‘Beautiful Day’ sitting on our neighbor’s front porch one morning. I was living with them at the time, after our house flooded and my husband and I were waiting for the city to buy and demolish it. He was still living in our house with no heat, taking care of our cat and dog, and it got a little lonely month after month of waking up alone in other people’s houses. It was such a wild experience of not knowing what each day would bring or when the sky would clear, so to speak. As the verses started shaping up, I remembered all of the times in my life that felt dark and uncertain, but were actually necessary parts of growing into better versions of myself. This song became a reminder to enjoy the moment and have faith that it was leading to a brighter day. And now, I look back on those days as gifts of time with friends, with my guitar, and without the distractions that used to keep me from having long stretches to write.” — Abigail Dowd


Photo credit: Todd Turner

LISTEN: Jackson Scribner, “County Rd 497”

Artist: Jackson Scribner
Hometown: Melissa, Texas
Song: “County Rd 497”
Album: Jackson Scribner
Release Date: March 26, 2021
Label: State Fair Records / We Know Better Records

In Their Words: “I wrote the first verse of this song in the front yard of my grandparents’ house on County Rd 497. That’s the place ya go when ya feel unstable. The song is about the things you have when you’re younger that you don’t expect will ever go away, the ‘it’ll be like this forever’ mentality. Then you grow up and life changes, people and places come and go, and you can really only guess what might stay in your life, you’re never really sure.” — Jackson Scribner


Photo credit: Elaine Dela Pena

WATCH: Samantha Crain, “Bloomsday”

Artist: Samantha Crain
Hometown: Shawnee, Oklahoma
Single: “Bloomsday”
Album: I Guess We Live Here Now EP
Release Date: April 9, 2021
Label: Real Kind/Communion

In Their Words: “‘Bloomsday’ is the kind of song I never thought I’d be able to write. There is a certain peacefulness and stillness that I’d never thought I’d be able to write about, let alone experience personally. That old traditional gospel song ‘This Little Light of Mine,’ it feels so childlike and so ancient and wise at the same time and it has such a calming effect on me. I wanted to incorporate that feeling of hope and lightness in with my lyrical explorations of mindfulness and fortitude in my own life. With the video, I wanted to expand on that idea and show how easily those good and kind characteristics are passed on to others if we practice them in our own lives.” — Samantha Crain


Photo credit: Dylan Johnson

Sarah Jarosz Elevates “I’ll Be Gone” at Carter Vintage Guitars

Sarah Jarosz’s songwriting is otherworldly to begin with, but throw in a finely aged instrument and the wisdom in the wood adds an extra glow to her already shining music. A testament to her timelessness and acumen, Jarosz’s musicianship pairs perfectly here with the round, warm sound of a 1938 Martin 000-45 featured by Carter Vintage Guitars in Nashville.

Since the release of her album World on the Ground back in June, Jarosz has been doing it all, from uploading covers to her YouTube channel to hosting a masterclass for Oregon State University. She also landed a pair of Grammy nominations in 2020, including one for World on the Ground, on the ballot for Best Americana Album. In this particular performance, Sarah sings “I’ll Be Gone” from the new record, and if the song wasn’t striking enough already, the delivery in front of one microphone with such a rich instrument is the icing on the cake. Enjoy this special rendition of “I’ll Be Gone,” live from Carter Vintage Guitars in Nashville.


Photo credit: Josh Wool

The BGS Radio Hour – Episode 200

Welcome to the 200th episode of the BGS Radio Hour! Since 2017, the show has been a weekly recap of all the great music, new and old, featured on BGS. This week we’ve got new releases from legends including Willie Nelson, and up-and-comers like Clint Roberts – and we can’t forget our March Artist of the Month, Valerie June! Remember to check back every Monday for a new episode of the BGS Radio Hour.

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Willie Nelson – “That’s Life”

Through a career spanning more than a half decade and 95 albums, Willie Nelson continues to provide answers during our troubled times. His most recent record, That’s Life, celebrates the music of his friend and colleague Frank Sinatra.

Lydia Luce – “Maybe in Time”

In celebration of her newest album, Dark River, Lydia Luce joins BGS for a 5+5 this week, where we talked inspirations, favorite art forms (other than music), and performance rituals. We’d like to RSVP for that Pad Thai with Nick Drake, please.

Jesse Brewster – “Amber Kinney”

San Francisco-based Jesse Brewster brings us a fictional tale from 19th-century Ireland this week. His new album, The Lonely Pines, is out now on Crooked Prairie Records.

Crys Matthews – “Call Them In”

From the upcoming album Changemakers, Crys Matthews extends a social justice invitation to us all in “Call Them In.” As a Black southerner, Matthews wrote the lyrics with freedom songs on her mind, supported by the inspiration of the late Representative John Lewis and Dr. Martin Luther King, Jr.

Langhorne Slim – “Mighty Soul”

Recent guest of our Show On The Road podcast Langhorne Slim sat down with BGS to talk his new album, Strawberry Mansion. Though it was never planned, the album presented itself through self-discovery, through the many personal and shared hardships of the last year.

Nate Fredrick – “Paducah”

Many of those who have driven westward from Tennessee have jetted past Paducah, Kentucky. For Nashville-based singer and songwriter Nate Fredrick, it’s more than just a stop on the highway: it’s a stage in the journey where it becomes obvious that if he made it this far, he can make it to his home in Springfield, Missouri.

Ross Cooper – “Named After A River (Brazos)”

Being tough isn’t easy, but it’s something we can all do with the right inspiration. Cooper wrote this song for his nephew, Brazos, inspired by the river for which he was named. “I want him to remember that, like a river, he could shape mountains, instead of mountains shaping him,” Cooper tells BGS. 

Valerie June (feat. Carla Thomas) – “Call Me a Fool”

This West-Tennessee born and Brooklyn-based artist is our March Artist of the Month here at BGS! Stay tuned all month long for exclusive interviews and content featuring Valerie June. Here’s a track featuring soul legend Carla Thomas, from June’s new album The Moon and Stars: Prescriptions for Dreamers. 

Jesse Terry – “When We Wander”

From Connecticut, Jesse Terry brings us a travel-inspired song, ironically completed right before the pandemic hit. Terry captures the feeling of taking a risk, despite fear of the unknown, and the shared experience of emerging out of it a more fulfilled human being.

Lauren Spring – “I Remember You”

For Lauren Spring, “I Remember You” is about choosing to remember someone in a kinder light than what the relationship may have been in reality. We should note the song’s inspiration: the viral TikTok video featuring a skateboarder, cranberry juice, and Fleetwood Mac’s ‘Dreams’ may or may not have subconsciously influenced the song’s sound.

Curtis Salgado – “The Longer That I Live”

Portland-based blues musician Curtis Salgado brings us a 5+5 this week in celebration of his new album, Damage Control. From an unexpected performance with B.B. King to a dream musician and meal pairing, Salgado seems to be nailing those three mission statements that he gave BGS. 

Clint Roberts – “Nothing Left to Say”

For this Western North Carolina-based singer and songwriter, the mountains are his inspiration. As a trail runner, Roberts uses his time running through the mountains to hash out lyrics and music – perhaps this song, from his new Rose Songs, was one of them.

Ryanhood – “Appy Returns”

Inspired by pickers as varied as the plugged-in sounds of Joe Satriani and Eric Johnson to acoustic masters like Chris Thile and Béla Fleck, this Tucson-based duo brings us a rare (for them) instrumental on their new album, Under the Leaves. 

Chris Pierce – “American Silence”

Many of us have heard this phrase in the past, but almost definitely this past year: Silence is violence. But we can’t give up on reaching out to those who are silent for help; we have to uproot the complacency that plagues our society. As Chris Pierce tells BGS, “If you smile and applaud for those different than you, be willing to fight for those folks too.”


Photos: (L to R) Willie Nelson; Valerie June by Renata Raksha; Lydia Luce by Alysse Gafjken