IBMA Virtual Business Conference: Who’s Taking Part, How to Watch, and More

Posted on by Editor

J.D. Crowe, Jerry Douglas, Sarah Jarosz, and Ronnie McCoury are just a few of the artists taking part in the IBMA Virtual World of Bluegrass, which begins today, Monday, September 28. Kristin Scott Benson, Doyle Lawson, and Mumford & Sons’ Winston Marshall are also confirmed to participate.

IBMA Virtual World of Bluegrass is an annual bluegrass music homecoming and convention that takes place online this year, encompassing the IBMA Business Conference, IBMA Bluegrass Ramble, the 31st Annual IBMA Bluegrass Music Awards, and music festival IBMA Bluegrass Live! powered by PNC running through October 3. See the full schedule.

Check out our General Information page regarding IBMA Virtual World of Bluegrass. You’ll find our full-week schedule…

Posted by International Bluegrass Music Association on Thursday, September 24, 2020

Conference registration is available at a lower price point than in years past: $99 for IBMA members, and $149 for non-members. Register here.

To stream the following sessions, as well as many others, IBMA Business Conference registration is required. Business Conference registration also allows access to other valuable content: an online version of the Gig Fair (one of the most popular conference events each year) the Songwriter Showcase, two virtual in-the-round Song Circles, the Annual IBMA Town Hall Meeting, the IBMA Virtual Exhibit Hall, and much more.


As previously announced, Sarah Jarosz will deliver the Keynote Address on Monday, September 28 to kick off this year’s virtual IBMA Business Conference. “Having attended IBMA as a young kid just getting into bluegrass, and having returned more recently as a performer at their Raleigh conference, I’m deeply honored to have been asked to be this year’s keynote speaker. I look forward to helping kick things off!” said Jarosz.

Organizers have added three presentations to lead each day’s conference activities, Tuesday through Thursday:

Tuesday at 11 AM ET: Artist-2-Artist with J.D. Crowe, Winston Marshall, and Jerry Douglas

Hall of Famer J.D. Crowe’s infusion of new ideas into bluegrass banjo took the music to a decidedly younger and more diverse crowd, inspiring a new generation of pickers and fans. His music would influence a young banjo player across the Atlantic named Winston Marshall, who would take the banjo to millions of fans worldwide. As a member of Mumford & Sons, Winston has helped completely transform the image of the banjo in popular culture. Jerry Douglas has used his dobro to build musical bridges throughout his storied career. He has shared both the stage and the studio with J.D. Crowe and Winston Marshall, and he invites you to join him and these two groundbreaking banjo players for a fun conversation about how music unites.

We just announced special feature presentations to kick off each day of the IBMA Business Conference:

Monday – Keynote…

Posted by International Bluegrass Music Association on Friday, September 18, 2020


Wednesday at 11 AM ET: Artist-2-Artist with Doyle Lawson and Kristin Scott Benson

Doyle Lawson has been a leader in bluegrass music for decades. He and Quicksilver played at a festival in Dahlonega, Georgia in the mid-eighties, and it changed the life of a young girl in the audience named Kristin. Three and a half decades later, Kristin Scott Benson is one the most celebrated banjo players of her generation and is the reigning IBMA Banjo Player of the Year. She sits down with Bluegrass Hall of Fame member, Doyle Lawson, to talk about the impact he and his music have had on her and on the bluegrass community at large.

Thursday at 11 AM ET: From the Bay, to Bean Blossom, and Back

Jerry Garcia is unquestionably a towering figure in American culture, and one of the most influential musicians of the 20th century. He and the Grateful Dead set the template for a new style of music that would inspire generations, much as Bill Monroe, The Father of Bluegrass himself, had done. What’s less known about Jerry, is that long before, during, and after the Grateful Dead, he was a banjo player, a bluegrass musician, even an aspiring Bluegrass Boy. Join Ronnie McCoury, filmmaker Brian Miklis and others in a conversation diving deep into the relationship of a true giant of American music, and the music that inspired him.

The Bluegrass Situation will proudly present our fifth annual Shout & Shine Online on Saturday, October 3rd at 2pm ET. And at press time, 30 artists have also been confirmed for a series of showcases known as the Bluegrass Ramble.

The virtual music festival IBMA Bluegrass Live! powered by PNC, will take place Oct. 2-3. Special performances by The Travelin’ McCourys with special guest Del McCoury; Steep Canyon Rangers; Jerry Douglas & Odessa Settles; Sierra Hull & Molly Tuttle are just some of the highlights that bluegrass fans can look forward to.

 

In addition, PNC Bank is boosting its support for the IBMA and bluegrass artists experiencing financial hardship due to pandemic-related performance cancellations. PNC Bank, the presenting sponsor of IBMA Bluegrass Live! powered by PNC, has announced it will match all 2020 donations made to the IBMA organization and the IBMA Trust Fund, for a total up to $50,000. (Donate now.)

IBMA is the nonprofit professional organization for the global bluegrass music community — connecting, educating and empowering bluegrass professionals and enthusiasts while honoring tradition and encouraging innovation worldwide. The organization has suffered financially this year due to pandemic-related health precautions that are preventing the IBMA World of Bluegrass event from being held in Raleigh, N.C. The IBMA Trust Fund, which is administered by IBMA, was established in 1987 as a means to offer emergency financial assistance to bluegrass music professionals. In 2020, requests for assistance have increased tenfold due in large part to COVID-19.

As the presenting sponsor of IBMA Bluegrass Live! powered by PNC since 2013, PNC Bank has helped bring bluegrass music and culture to Raleigh for what has become one of the city’s most beloved live, free events. While IBMA Bluegrass Live! powered by PNC cannot be presented as an in-person event in 2020, PNC remains committed to supporting this event and community tradition by helping deliver bluegrass programming in a virtual setting, Oct. 2-3.

Donations may be made online; additionally, those registering for the free IBMA Virtual World of Bluegrass Music Pass have the opportunity to make a donation during the online registration process. The Music Pass includes access to all music performances during the week, including IBMA Bluegrass Live! powered by PNC, the IBMA Bluegrass Music Awards presented by Count On Me NC, and IBMA Bluegrass Ramble presented by Count On Me NC.

 

LISTEN: Selena Rosanbalm, “Can You Really Be Gone”

Posted on by Editor

Artist: Selena Rosanbalm
Hometown: Austin, Texas
Song: “Can You Really Be Gone”
Album: Selena Rosanbalm
Release Date: October 9, 2020
Label: The Balm Records

In Their Words: “My ex-boyfriend took his own life four and a half years ago, but I still see him all over the place. I thought I saw him driving a van the other day, thought I saw him in a coffee shop. But I was especially struck when I saw a photograph of his niece some months ago; I could see his face so clearly in hers. ‘Can You Really Be Gone’ is about the suspension of reality people often experience after losing a loved one, when the logical mind knows the person is gone, but the emotional mind doesn’t want to give in to that fact.” — Selena Rosanbalm

Photo credit: Daniel Cavazos

The String – New Grass Revival

Posted on by Chris Jacobs

New Grass Revival showed the world new ways of playing and thinking about bluegrass music between 1972 and 1989.


LISTEN: APPLE PODCASTS

Founded and led by fiddler, mandolinist and singer Sam Bush, two different lineups reached new audiences, interpreted and wrote important repertoire and ushered in today’s modern and very popular jamgrass scene. The String talks with Bush and the rest of the 1980s lineup, banjo player Bela Fleck, singer and bass player John Cowan and singer, guitarist Pat Flynn in a special episode on the even of NGR’s induction into the Bluegrass Hall of Fame.

WATCH: Justin Wade Tam, “Paradise”

Posted on by Editor

Artist: Justin Wade Tam
Hometown: Nashville, Tennessee, via San Diego, California
Song: “Paradise”
Release Date: July 24, 2020
Label: Soundly Music

In Their Words: “I wrote this song with my friend Daniel Ellsworth about the subjectivity of paradise. We often get caught up in staring at idealized photographs on social media and forget that there can be beauty in the everyday, no matter where we are. Maybe paradise is more a state of mind than an actual physical location. So when Luke Harvey (Moss Flower Pictures) and I set out to make the music video, we wanted to convey that people all over the world have their own versions of paradise, and that is lovely: so many people and so many paradises. To help with the concept, friends from Chile, France, Iran, and Russia translated the lyrics into their respective languages. I’ve met each of these friends through music and touring over the years, and it’s wonderful to have their friendship reflected in this project. Luke set the translated subtitles and music to old film vignettes, capturing and challenging our perceptions of paradise.” — Justin Wade Tam

Photo credit: Annelise Loughead

BGS Presents IBMA Awards Pre-Show Hosted by Sean & Sara Watkins

Posted on by Justin Hiltner

BGS is excited to announce the IBMA Bluegrass Music Awards Pre-Show, produced and presented in partnership with IBMA and highlighting this year’s Emerging Artist Award nominees. WATCH HERE.

The half-hour-long special will be hosted by Sean & Sara Watkins (winners of the Emerging Artist award as part of Nickel Creek in 2000) and features performances from all five 2020 nominees: Appalachian Road Show, Carolina Blue, High Fidelity, Mile Twelve, and Merle Monroe.

“In a year of firsts, we’re excited to launch a new collaborative tradition for BGS and IBMA,” says Amy Reitnouer Jacobs, BGS co-founder and Executive Director. “The Pre-Show is an opportunity to kick off the biggest night in bluegrass and highlight the future of the genre.”

The IBMA Bluegrass Music Awards Pre-Show starts at 7:30pm ET/4:30pm PT on Thursday, October 1 — just before the IBMA Bluegrass Music Awards — and will air on our YouTube channel as well as IBMA’s conference and festival platform, Swapcard. (Free music pass registration is available here.) Immediately following the event, viewers can click through to Swapcard, or IBMA’s Facebook page, to stream the full awards show.  The Pre-Show is presented in partnership with BGS sponsor, Preston Thompson Guitars.

IBMA World of Bluegrass 2020 is a virtual music homecoming and convention, taking place September 28-October 3; the event includes the IBMA Business Conference; IBMA Bluegrass Ramble presented by Count On Me NC, an innovative series of band showcases; the 31st Annual IBMA Bluegrass Music Awards presented by Count On Me NC, and IBMA Bluegrass Live! powered by PNC.

Watch the IBMA Bluegrass Music Awards Pre-Show here.

(Editor’s note: A previous version of this announcement listed the air time for the show as 7pm ET / 4pm PT. The correct airtime is 7:30pm ET / 4:30pm PT.)

Despite Challenges, Phil Leadbetter Finds Motivation in the All Stars of Bluegrass

Posted on by Amy Reitnouer

There aren’t many people in bluegrass as adored as “Uncle” Phil Leadbetter. From performing for Gerald Ford with the Knoxville Newgrass Boys in 1975 to his work with J.D. Crowe, the formation of bands like Grasstowne, or beating cancer — not once, but five times — Leadbetter has earned his position as one of the most respected and beloved musicians in this familial genre.

His new project, Swing For the Fences, by Phil Leadbetter and the All Stars of Bluegrass, comes out September 25 on Pinecastle Records. While the band lost bassist, vocalist, and songwriter Steve Gulley to cancer between recording and release — as well as their touring schedule, slashed by COVID — Leadbetter is humble proof that we can keep pushing forward and doing what we love.

BGS sat down with Leadbetter to talk about the new release, working with old bandmates, and the dearly-departed Steve Gulley.

BGS: What’s something that ties these all stars of bluegrass together? What qualities were you looking for?

Leadbetter: I put this band together for a show one time, and we had Claire Lynch and Dale Ann Bradley. I was a founder or cofounder of several bands. I founded a band called Wildfire, I was a co-founder of Grasstowne with Steve [Gulley] and Alan [Bibey], which is Alan’s band now, and I was a cofounder of Flashback. With each band, a lot of times people just change directions. Each time I’ve lost the name, so that’s why I put my name out front with the All Stars of Bluegrass. I still kinda scratch my heels a little on it, but as the CD was coming out I had to make a decision. I told the guys, “my name’s out front, but every one of you still has 20% voice.”

On one of these all star shows, I just thought, “man I’m just gonna call ‘em all back together.” I had the chance to put together a show for a radio station, and I called on Alan and called on Steve. I decided that I wanted to do a record. Jason Burleson with Blue Highway, he was automatic. We had Claire Lynch, but she moved to Canada and couldn’t do it anymore. So I go back to Wildfire and I get Robert Hale.

One of our guests, Steve Wariner, he’s a good friend of mine I met during my cancer trip. When I came out of my third remission, he called me and said “listen to your voicemail.” He had written a song about me, my illness, about me and my wife. The song is too personal to record, but maybe one day. I said when Steve Gulley died I probably wouldn’t play again, but I found out I’ve gotta move on and Steve would want me to. With my illness I thought I would be gone first, and I told Steve that if I did, they should keep this band going. I just never expected him to go as quick as he did, like he did.

Steve Gulley, who so sadly passed away last month after a short battle with pancreatic cancer, has worked with you for years. So much in fact that he and his wife Debbie sing a duet (“Yesterday’s Gone”) on the new record. 

We were down to needing one more song. Steve had sung a song on some of his — he and Debbie had a country music show that they would do up in their town of Cumberland Gap — and Steve sung this song a few times. It was a Vern Gosdin tune, and I used to play with Vern a little bit, did a couple of trips with him. Anyway, we were down to one song and I told Steve, “you need to sing this one.” So he sang it, and he did it in one take. 

So anyway, we’re driving home and we’re throwing around names of people we need to call. Claire Lynch, she was with us before Robert Hale came in. So our first thought was to call Claire, but I told Steve I had an idea, “why don’t we get Debbie to sing?” They sent me the tracks and I just got blown away, how good it was. When Steve passed everything just made sense, I called the record company and told them we needed to get this out. 

You’ve been incredibly open with your cancer battles and victories over the last few years, even noting that “5-time cancer survivor” is your greatest achievement, beyond music or awards.

If I was to get twenty IBMA awards, that would still be my greatest achievement. Cause, you can’t get any awards if you’re dead. The very first one was so special because I had my wife and son there. I was pretty sick in 2014, then I got sick again and got well again. Then I got another one in 2019. You know, I just remember all of these so well, because I remember exactly where I was in my health when I got each one of them.

There’s so many good players right now, truthfully I hope the whole ballot will eventually be full with new players. There’s some of these guys out there right now that have moved really far ahead of what I’ve ever done, and so many other players, that it’s time to get some new blood on there, and keep people energized. I’ve had three, and one would have been enough if it meant seeing someone else get the next one.

So many things I would imagine have changed since the recording of this record. What are your thoughts when you listen back to it today?

It means a lot that I got to record with Steve again, and our last thing has been my favorite thing. I’ve done a lot of records, but this went easier than anything I’ve ever played on. I think a lot of it was that me and Alan, we already felt like brothers. And Steve, you add that in and it’s like three brothers. Jason comes in, and Robert Hale I’d worked with in Wildfire and with J.D. Crowe. It was just easy, like working with family. Our plan right now is to announce a new player at some point.

I’m looking forward to the next [record], but not having Steve there will be hard. With our concerts, I’ve made a promise to myself that every show we play will include a Steve Gulley song. So that way we never replace him, we just find somebody for the space.

 

WATCH: Malin Pettersen, “Queen of the Meadow”

Posted on by Editor

Artist: Malin Pettersen
Hometown: Oslo, Norway
Song: “Queen of the Meadow”
Album: Wild Horse
Release Date: October 16, 2020
Label: Die With Your Boots On Records

In Their Words: “My grandmother, my father’s mother, died a few years ago. She lived on this tiny island and she is buried in the graveyard by the small island church. There is a kind of flower that grows out there called Queen of the Meadow (Mjødurt) and it has the sweetest most distinct smell. It makes me feel a quiet kind of happiness that is so pure and whole. After my grandmother died I tried writing her a song, but I just couldn’t find the words that could express how I felt about her. Words can only express so much — emotions are much more complex and textured. It ended up being a song about my own funeral. I hope I can be buried at the same graveyard, and I hope it’ll all align with the bloom of Mjødurt — because it holds everything I could ever dream of being remembered by.” — Malin Pettersen

Photo credit: Jonathan Vivaas Kise

Meet the Full Lineup of Shout & Shine Online

Posted on by Amy Reitnouer

The entire BGS team is pretty stoked for our fifth year of Shout & Shine performances! In 2016 we partnered with PineCone Piedmont Council of Traditional Music in Raleigh, NC to showcase diversity in bluegrass and roots music at IBMA’s World of Bluegrass business conference and festival. In doing so, a wonderful platform has been provided to artists so often overlooked, as well as those just starting their journeys in the music industry.

Things are a bit different this go ‘round, and we’ll be celebrating equity and inclusion in a more pandemic-suited way this year with Shout & Shine Online! The showcase will take place Saturday, October 3rd at 2pm ET — viewers can tune in right here on BGS, or on our Facebook page or YouTube channel, as well as via PineCone’s channels, and IBMA’s conference platform, Swapcard (free music pass registration available here).

 

In celebration, we’ve put together a preview of what you can look forward to during Shout & Shine Online.

Brandi Waller-Pace

BGS joined hands with Decolonizing the Music Room’s founder Brandi Waller-Pace to curate 2020’s lineup. “The mission of Decolonizing the Music Room is to center Black, Brown, Indigenous, and Asian voices, knowledge, and experiences within the field of music education,” says Waller-Pace. “In addition to that, it is part of DTMR’s core values that we are an openly LGBTQ+ affirming non-profit organization. I am honored to have served as curator for this year’s Shout & Shine and to have had this opportunity to partner with BGS and PineCone on work that highlights a convergence of our values.”

Here you can see Waller-Pace along with Caitlin Hearn playing an old-time standard, “Five Miles From Town.” Waller-Pace’s music is dripping with that sweet, old-timey-ness.

Rissi Palmer

The IBMA isn’t the only thing we love in Raleigh — there’s also Rissi Palmer. In 2007 she released “Country Girl,” making her the first African American woman on the country charts in over 20 years. She’s been releasing consistently powerful music since, leading all the way up to her most recent album, Revival. On top of all of this, Palmer hosts the new Apple Music Country radio show, Color Me Country: a conversation between herself and various Black and Brown women in country/Americana/roots music. We can’t wait to have her right here on BGS!

Sunny War

You may have already seen our friend Sunny War’s episode 2 of our monthly Shout & Shine series. In our interview that came out earlier this month, War speaks about her current outlook on the music scene and how it feels to be surrounded by new “activist” musicians who weren’t doing it before, as well as her incredibly unique guitar style.

Kaïa Kater

Kaïa Kater is no stranger at BGS. She has been featuring in a Cover Story, she’s written an op-ed, and she’s had some important conversations with other musicians. Needless to stay, we’re ecstatic to have this Afro-Caribbean-Canadian songwriter and Appalachian musician back for Shout & Shine Online!

Stephanie Anne Johnson

While Stephanie Anne Johnson’s music is often rooted in America’s painful past, it’s always got down home roots. Maybe that’s why they’ve got the “American Blues.” A veteran of NBC’s The Voice, Johnson is the leader of Tacoma-based band The Hidogs, whose most recent album is entitled Take This Love.

Jerron “Blind Boy” Paxton

Blind Boy Paxton’s music is something of a journey back in time. But his songs and stories aren’t from dusty old books or archives — they are the soundtrack of his growing up in south-central Los Angeles, among the largest Creole and Cajun population outside of Louisiana. Our friend Paxton has been featured in our Shout & Shine column before, but Shout & Shine Online is his appearance on the showcase. We couldn’t be more excited!

Tray Wellington Band

North Carolina’s Tray Wellington is an acclaimed progressive banjo player — and he’s only 21. From his 2019 IBMA awards — one for Momentum Instrumentalist of the Year and another for Momentum Band of the Year with his former group Cane Mill Road — it’s easy to tell what a bright future he’s got in the world of bluegrass and beyond. He’ll be joining us with his whole band!

Amythyst Kiah

You may know her from Our Native Daughters, or our BGS Class of 2019  — either way, Amythyst Kiah is one of the most powerful, raw, and soulful singers and songwriters the roots music scene has today. We’re beyond thrilled that she’ll be joining us to anchor the Shout & Shine Online lineup!

Photos courtesy of the artists
Poster design by Grant Prettyman, Belhum

BGS 5+5: Ferris & Sylvester

Posted on by Editor

Artist: Ferris & Sylvester
Hometowns: Somerset, England & Warwickshire, England
Latest Album: I Should Be on a Train
Personal nicknames: Ducky and Didi. Proudly named by Archie’s nephew, Buzz.

What’s your favorite memory from being on stage?

We’ve toured a lot over the past two years and have been lucky enough to see a lot of the world, from rooftops in Austin, Texas, to a hidden cove in The Faroe Islands. We’ve played to crowds of 12,000 and crowds of 12 and everything in-between. Probably one of our favourite moments on stage was playing Glastonbury last year. We played five sets across the weekend, one of which was in a weird, wonderful tent quite called The Rabbit Hole late on the Friday night. Naturally when you’re playing a big show, we had loads of technical problems and Archie’s kick drum pedal broke… Issy did a sing-along with the crowd whilst Archie got out a screwdriver to fix it. Archie then jumped off the stage, broke down the fence and went into the audience for his guitar solo. Meanwhile a man dressed as the mad hatter jumped up onto the stage and scared the hell out of Issy by pretending to chop her head off with an inflatable axe. THIS IS A TRUE STORY. Best show ever.

What rituals do you have, either in the studio or before a show?

We’ve really loved spending more time in our studio this year. Our studio is a small room, full of wonder with wallpaper covering the walls — no day in it is the same. One day, we’ll have the drums set up to record, the next day they’ll be replaced by a 1963 Hammond organ or a comfy red futon giving us space to write. Every corner is filled with something obscure. We love it in there. It’s where we’ve spent all of our days in the recent months and where our songs find their feet. Rituals include endless cups of tea, writing with pencils on yellow paper and recording dozens of voice notes on our phones. If we think a song is good, we’ll then spend hours crafting it and going over structure, melody and meaning. We’ll develop it in its simplest form, usually one guitar and our vocals. We’ll then work up the demo, experimenting with different instruments and sounds. This can take days. We sometimes get through five or six demos before record it properly. Other times, we stick with the first demo, knowing we captured something special and irreplaceable. It’s a lengthy process and we put everything into it.

We always warm up before a show, singing in harmony and getting in tune with each other. Lemon and ginger tea is a must. We then do a huddle with our band and sing “Cold Beer Conversation” by George Strait really out of tune. We don’t know why.

Since food and music go so well together, what is your dream pairing of a meal and a musician?

Ooh. Our two favourite things. For Archie (Sylvester), the dream pairing would be Django Reinhardt with Steak Frites sitting by the river in Samois-Sur-Seine (where Django used to live)… For Issy (Ferris), a plate of fried chicken and Little Feat. In Dixie Land.

How often do you hide behind a character in a song or use “you” when it’s actually “me”?

We try to be as honest as we can in our writing. We don’t so much “hide” behind characters, though we sometimes work from a place of reality and then play with it and make it something different, until only shadows of ourselves are recognisable in it. For instance, our song “I Should Be on a Train” isn’t really about us, but we definitely put our own frustrations as a couple into it. Getting caught up in the same toxic cycles with each other over and over again, mainly caused by stress or pressure that we put on one another. The song takes you through an imaginary scenario of a relationship ending, but concludes that it is just a thought and not a reality. We’ve never done a proper storm out on each other, never boarded a train… maybe a few slamming doors. But we worked with what we had, and took it somewhere else. We also play around with perspectives a lot. We can shift from “I” and “we” to “her,” “him” or “they” in a song, giving it layers and opinions. Again, we wouldn’t say we’re hiding, merely playing around within the story. It can be hard to expose your inner self in your songwriting, sometimes it can feel too revealing. But we always try and opt for truth.

What’s the toughest time you ever had writing a song?

Every writing experience is different and each song faces its own challenges. Probably the song which has existed in the most forms and been rewritten time and time again is “Sickness,” a song we released last year. It’s our favourite ever recording and we consider it to be one of our strongest songs. But it took over a year to get right. It first existed as a poem, then we recorded a very early demo which didn’t sit right. It didn’t have a structure and sounded so far away from the rest of our stuff at the time. We parked it and returned to it months later. We got a lot closer with next few demos, but it took a lot of time to develop it. When we took it into the studio, we were confident we’d got it right. But we had a change of heart in the session and decided it needed an extra verse and a new middle 8. We hid in Manze’s Eel and Pie House over the road from The Pool Studios in Bermondsey and wrote new lyrics, filling in the gaps. Ironically after such a lengthy writing process, we recorded it quickly on the last day of the session. Everything came together. Archie’s slide solo was recorded in one take, the vocals were recorded late into the night and were done in a few takes. It felt effortless, after all that struggle. We’re very proud of it.

Photo credit: Felix Bartlett

LISTEN: Chris Smither, “Caveman”

Posted on by Editor

Artist: Chris Smither
Hometown: Amherst, Massachusetts
Song: “Caveman”
Album: More From the Levee
Release Date: October 2, 2020
Label: Signature Sounds

In Their Words: “This is one of those songs that began very innocently, pretending to be a harmless little ditty… then about halfway through it turned on me and showed its teeth, not so much with a snarl, just a simple expression of hunger and a desire to eat me up. I thought it was going to be easy to write, and it was, as long as I thought it was a ‘four stages of man’ kind of theme. But then THE WALL kept climbing into every verse, and things got heavier. Finally it consumed me. This is one of those ‘surprise hits’ in my repertoire. It’s a frequent request. Maybe I’m the only one who’s surprised.” — Chris Smither

Photo credit: Joanna Chattman