Tag: podcast

Rachael Kilgour’s Tribute to her Extraordinary Ordinary Dad

Posted on by Shelby Williamson

Rachael Kilgour unravels the layers of her late father on the album, My Father Loved Me. Recorded in the cold of Toronto and produced by Rose Cousins (who also joins us for this conversation), this album carries the essence of Canadian roots and is a profound exploration of family heritage through the lens of an ordinary, hard working, and humble man who died in 2017. Duluth-born Rachael, and Rose, based in Halifax, reflect on their cold weather experiences, infusing the recording process with warmth despite the chilly Canadian setting.

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The core of our discussion revolves around Rachael’s deep emotional connection to the album, particularly her poignant exploration of the father-daughter relationship amidst the challenges of dementia. We navigate the themes of grief, death, and identity while learning about Rachael’s father, his impact, and how he continues to live on through Rachael’s personality and idiosyncrasies. They shared the struggle of anxiety and self-doubt, which the songwriter addresses on the album. We also get a look into Rose’s perspective on Rachael’s growth and the impact the vulnerable creative process has had on her songwriting. And then, we wrap it all up with a very fun Dad-themed lightning round.

Photo Credit: Sara Pajunen

Crying in Music: Darrell Scott’s Honest Artistry

Posted on by Shelby Williamson

The cover of Darrell Scott’s latest album, Old Cane Back Rocker, immediately sets the tone for your listening experience. The inclusion of the names of the Darrell Scott String Band (Bryn Davies, Matt Flinner, and Shad Cobb) lets you know right off the bat that this recording is a band effort. The photo on the album cover gives a visual of Scott’s family roots in rural Kentucky. His cousin Dwight Messer is standing in front of his former childhood home, now abandoned on the family land. The music reflects his family’s story: some, like Dwight, stayed behind and some, like Darrell’s father, Wayne Scott, moved up North to find work. Despite being raised in the North, Darrell’s home has always felt like Kentucky and the traditional music learned from there. These songs showcase those roots.

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In our conversation, Darrell digs into the darkness that can be heard in his music, even if it’s not a sad song. He talks about his friend and frequent collaborator, Tim O’Brien, and how his performance and writing has allowed Scott to level up. Darrell also speaks to leaning into emotional songwriting and trusting his tears during the creative process. He shares the emotional account of rerecording his father’s song “This Weary Way” and how he used to think Hank Williams had actually written it.

Immediately after we finished our interview, Lizzie texted me, “What a cool eccentric intellectual dude.” Couldn’t have said it better myself. This episode honestly discovers the true essence of Darrell Scott — an artist whose music resonates with the soul, rooted in the traditions of Kentucky.

Photo Credit: Michael Weintrob

Basic Folk: Celebrating 25 Years of Club Passim’s Campfire Festival

Posted on by Shelby Williamson

Let’s get folking special! We’re closing out 2023 with an exclusive live recording from folk mothership Club Passim, the historic folk venue located in Cambridge, Massachusetts, that celebrates the bi-annual campfire festival and its remarkable 25th anniversary. It started as a way for the club to book a slow holiday weekend and now 25 years later, campfire is still held every Memorial Day and Labor Day weekend. It remains an extremely popular fundraiser for Passim.

Cindy and Lizzie host this live show featuring captivating performances by Lizzie, Zachariah Hickman, Kara McKee, and Mercedes Escobar. Additionally, listeners are treated to a rare on-stage interview with managing director and campfire founder Matt Smith as well as club manager and campfire programmer Abby Altman, providing unique insights into the festival’s evolution and the passion that fuels its success.

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This episode highlights the unpredictability of campfire, where both emerging artists and legends like Peter Wolf share the sacred stage. Matt Smith and Abby Altman’s dedication shines through as they discuss their exhaustive efforts in planning, booking, and executing nearly 60 campfires, showcasing the heart and soul behind this beloved festival. Tune in for a mix of live music, insightful conversations, and a nostalgic journey through the rich history of “campfire.” and Club Passim.

Photo Credit: Club Passim

Maya de Vitry & Ethan Jodziewicz are Seriously Playful on Basic Folk

Posted on by Shelby Williamson

Songwriter Maya de Vitry and bassist Ethan Jodziewicz come to their partnership with an understanding for their chosen lifestyle and a creative playfulness that enhances their connection. While Maya’s roots are firmly planted in folk music, Ethan brings classical music and improvisation to the table. They’ve been collaborating together since Maya’s post-Stray Birds solo career, which launched in early 2019 with her record, Adaptations. Fast forward to 2023, they are back alongside Joel Timmons and Hannah Delynn with the fabulous new EP, Infinite. For the first time in years, Maya is back on the road, while Ethan has been touring basically non-stop with musicians like Aoife O’Donovan, Sierra Hull, and Lindsay Lou. In our conversation, they talk about how it’s helpful to be in a relationship with someone who is also deeply committed to a musician’s lifestyle while understanding when someone needs a break.

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Maya also reflects on her current state of being within her body and how she has trouble recognizing physical pain to the point where she can’t move. She talks of the realization that she had the tendency to tense up when picking up a guitar and how that was because she felt like she didn’t belong. Ethan and Maya share their observations on working within a boundary. Ethan laments that he often works within a boundary with improvisation while Maya speaks of placing limitations around touring and performing live shows. We end this insightful interview with Maya revealing celebrity sightings are her Nashville Starbucks and a very fun Lightning Round called “Which One.”

Photo Credit: Maya de Vitry by Kaitlyn Raitz; Ethan Jodziewicz by Lily Smith

Rosanne Cash Is Not a Regular Mom (Basic Folk)

Posted on by Shelby Williamson

Thirty years ago, Rosanne Cash experienced an all-encompassing transformation. She had just left Nashville, her major label record deal and her marriage. She was living in New York and found herself falling in love with her producer, the guitarist John Leventhal. Her previous album Interiors had set the stage for the new Rosanne. With her landmark album, The Wheel, Cash and Leventhal came together to work on a brand new sound for the artist, who had a well established career in mainstream country along with multiple #1 radio hits. She blew it all up for love! Cash had been unhappy and was yearning to live a life of authenticity in her music and her personal life. Three decades later, she’s reissued The Wheel and is ready to TALK ABOUT IT.

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In our conversation, Rosanne addresses the inner critic and how she’s come to harness its power for good in the editing process. She took a painting class, where she painted a picture of her inner critic and has never looked back. After her divorce, she struggled with motherhood: being a good mom and trying not to ruin her kids’ lives. She looks back now with regrets and guilt as most mothers do. Her saving grace is that she was not a normal mom. Her oldest daughter assures her that she would not want a normal mom. We also talk about John’s upcoming solo debut album and why the two have established their own record label. Rosanne Cash is a treasure and I very much appreciated this deep dive into such a pivotal moment in her career and life!

Photo Credit: Pamela Springsteen

Iron & Wine: Navigating the High School Reunion of My Music Career

Posted on by Shelby Williamson

Long before the world fell in love with the music of Iron & Wine, and even before he knew that he wanted a career in music, Sam Beam knew that he loved making things. His parents, who didn’t necessarily understand their artsy kid but wanted to support him, kept Sam well-supplied in drawing paper and art supplies so that his imagination could run free. Sam knew that he was different from other kids but that didn’t bother him. In his early days of making music, Sam obsessively honed his skills as a producer so that he could present the most polished songs possible. It wasn’t until later that he realized that live performance was just as important a part of his craft. Following his own curiosity has enabled Sam to remain intellectually energized throughout two decades of touring and releasing music.

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One thing you might not know about Iron & Wine is that he has worked with the same manager for his entire career. When he met Howard Greynolds, Sam’s music career was just beginning to take off. Howard quickly proved that he cared more about the music than about getting money and credit. Their relationship has deepened and evolved over the years as Iron & Wine has become one of the most beloved singer-songwriters in folk music, and the music industry has reinvented itself in the age of streaming.

Iron & Wine is notoriously private and mysterious, but that might be about to change with the release of Who Can See Forever, a meditative documentary. The project started as a concert film but the director, Josh Sliffe, was able to convince Sam to sit for a series of interviews reflecting on his life, his work, parenthood, creativity, craft, and legacy. Those conversations find Sam looking back but mostly looking forward with curiosity and acceptance.

Photo Credit: Josh Wool

Folk Inspirations of Acoustic Syndicate’s Steve McMurry

Posted on by Shelby Williamson

Acoustic Syndicate is one of the best acoustic rock and Americana bands on Earth. Fronted by Steve McMurry, the band’s music leans toward themes of sustainability, social justice and quality of life and they’ve built a loyal following over the last 30 years. Steve takes us on a musical journey filled with inspiration and tradition in this episode, and he is as down-to-earth as they come; he still farms the land his ancestors first tended over 200 years ago near Shelby, North Carolina, and we get together every Thanksgiving for a hometown holiday jam in Brevard where I get absolutely blown away by the gravity of this musical titan. As a third-generation folk performer, Steve, in our interview, reveals the deep-rooted sources of his creativity, from legendary Americana influences to the tight-knit musical family that nurtured his sound. I was honored he agreed to join us for an episode of the Happy Hour and I know you’ll love his story and his insights and humility.

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This episode was recorded live at The Grey Eagle in Asheville, North Carolina, on May 19, 2021. Huge thanks to Steve McMurry, Mike Ashworth, and Mike Guggino.

Timestamps:

0:06 – Soundbyte
1:00 – Introduction
2:24 – Bill K. Introduction
4:00 – “I Will Lead You Home”
6:52 – “Beauty In The Ugliest Days”
10:44 – Interview 1
26:45 – “Sweetest Breeze”
33:51 – “Rainbow Rollercoaster”
40:00 – Interview 2
50:25 – “Sunny”
57:18 – “Song For Myself”
1:03:26 – Outro

Editor’s note: The Travis Book Happy Hour is hosted by Travis Book of the GRAMMY Award-winning band, The Infamous Stringdusters. The show’s focus is musical collaboration and conversation around matters of being. The podcast is the best of the interview and music from the live show recorded in Asheville and Brevard, North Carolina.

The Travis Book Happy Hour Podcast is brought to you by Thompson Guitars and is presented by Americana Vibes and The Bluegrass Situation as part of the BGS Podcast Network. You can find the Travis Book Happy Hour on Instagram and Facebook and online at thetravisbookhappyhour.com.

Travis Book is a Practical Romantic

Posted on by Shelby Williamson

After two decades in The Infamous Stringdusters, the Grammy-award winning neo-bluegrass band, Travis Book releases his rock Americana debut: Love and Other Strange Emotions. That’s not to say that Book, who thrives on collaboration, got here on his own. The Colorado musician (now residing in Western North Carolina), was raised by parents who went out their way to ensure that young Travis respected music and had access to instruments. His mother bought him his first bass guitar and his dad allowed him to buy Red Hot Chilli Peppers’ Blood Sugar Sex Magik (even though it had a parental advisory sticker on the cover). As Travis went off to college in Durango, Colorado, he found a supportive and vibrant bluegrass scene where he encountered future members of Greensky Bluegrass (Anders Beck), Leftover Salmon (Andy Thorn) and the Jon Stickley Trio. Those musicians would form their first bluegrass band Broke Mountain Bluegrass Band, which has just reissued a remastered version of their album Cabin in the Hills.

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In our conversation, Travis talks about his brief time in Nashville, after he auditioned for The Stringdusters and got the gig as their upright bass player and vocalist. Spoiler alert: he felt very intimidated. We get into why he loves collaborations so much and has chosen to create his variety show turned podcast, The Travis Book Happy Hour, into an engine for unique performances with guests like Lindsay Lou, Jim Lauderdale, Sierra Hull and many more. The Happy Hour, which started in Spring 2020, was first set without an audience, which made Travis let go of his attachment to their reaction using wisdom borrowed from Eastern philosophy. He also explains how he is romantic, yet practical in everything he works to accomplish. Travis is a literal ray of positivity, so if you’re having a bad day, I promise that this conversation’s gonna lift you up in a seriously not-cornball way. TRAVIS!

Photo Credit: Seyl Park

Caroline Cotter: Home is Where the Ocean Is

Posted on by Shelby Williamson

Former trumpet player and anxious adventurer Caroline Cotter had been constantly on the move performing hundreds of live shows since 2015. At the dawn of the pandemic she had a full album in the can and ready to go. When the world shut down, so did she. She set her songs to the side and didn’t pick up her guitar for a long while. She left her city of Portland, Maine and headed even farther north to the Acadia region and reconnected with nature: i.e. hugging as many trees and rocks and one woman can. Also during that time, she had the opportunity to sit with her shelved album. She discovered something amazing in that stillness: She, along with co-producer Alec Spiegelman, had made a fucking bomb record. She went forward with release plans, blew up her Kickstarter goal and finally gave us her third album, Gently as I Go, this past August.

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In our conversation, Caroline talks about what she’s like to work with in the studio (hint: she is not a relaxed and calm dreamboat) as well as her relationship to rest. As someone who has struggled with anxiety, she did not take to rest naturally, however, she’s cultivated a yoga and meditation practice in order to maintain calm. We also dig into her history: talking about how the ocean has remained a constant in her relationship to home. Growing up in Rhode Island, she and her siblings all took piano lessons. Heading to college, she majored in art with a minor in Spanish. She has a reputation for being a globe-trotter, which began in her travels to Thailand, Spain and Portugal as an international educator. She quit her day-job in 2015 to pursue music with a basically nonexistent fanbase. These days, Caroline’s fans are many and they are dedicated. You don’t find many independent musicians with such a devoted crowd as Caroline: they buy her music, they attend her shows, they put her up when she’s in town. So hello all you Cotter-Kickers, hope this conversation does your favorite songwriter justice.

Photo Credit: Katherine Emery

Musical Alchemy with Rachel Baiman on The Travis Book Happy Hour

Posted on by Shelby Williamson

(Editor’s Note: Singer-songwriter and multi-instrumentalist Rachel Baiman is also a BGS contributor. View her author archive here.)

Rachel Baiman’s indie-folk and Americana vibe – rooted in Chicago and rich with fiddle tunes – unfolds as she shares her transition to singer-songwriter. Influences ranging from Courtney Barnett to John Hartford and other roots music make their way into her live performances. Rachel is part of a generational scene in Nashville that I’ve been watching with awe for the last five to 10 years. A unique voice, multi-talented and articulate, she’s not afraid to sing and speak what’s on her mind. She writes semi-regularly for BGS, shining some light into the darker corners of the music industry, addressing inequality, and challenging all of us – creators and fans – to do better, dig deeper, and expect more. In this episode we discussed everything from climate change concerns to hopes for a more equitable future. We had a great time on the happy hour and I’m sure you’ll dig it.

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This episode was recorded live at 185 King St. in Brevard, North Carolina, on August 8, 2023. Huge thanks to Rachel Baiman and Riley Calcagno.

Timestamps:

0:06 – Soundbyte
0:57 – Introduction
2:09 – Bill K. introduction
2:57 – Travis introduction
3:33 – On “Bad Debt”
4:52 – “Bad Debt”
9:52 – “Shame”
12:35 – On Mullets
14:24 – “She Don’t Know What to Sing About Anymore”
18:18 – “When You Bloom (Colorado)”
22:25 – “Won’t You Come and Sing for Me”
26:10 – Interview
43:45 – “Twin Fiddles”
47:30 – “Bitter”
51:15 – “In Tall Buildings”
54:53 – Outro

Editor’s note: The Travis Book Happy Hour is hosted by Travis Book of the GRAMMY Award-winning band, The Infamous Stringdusters. The show’s focus is musical collaboration and conversation around matters of being. The podcast is the best of the interview and music from the live show recorded in Asheville and Brevard, North Carolina.

The Travis Book Happy Hour Podcast is brought to you by Thompson Guitars and is presented by Americana Vibes and The Bluegrass Situation as part of the BGS Podcast Network. You can find the Travis Book Happy Hour on Instagram and Facebook and online at thetravisbookhappyhour.com.

Photo Credit: Natia Cinco