Tag: Folk

The Show on the Road – The Tallest Man on Earth

Posted on by Shelby Williamson

This week, we take The Show On The Road to the countryside of Sweden for an intimate talk with Kristian Matsson, a poet-songwriter and masterful acoustic multi-instrumentalist who has released five acclaimed albums and two EPs over the last decade and a half, performing as The Tallest Man on Earth.


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Growing up in the small hamlet of Leksand, a three hour trek from Stockholm, Mattson was in rowdier indie-rock outfits like Montezumas before breaking out with his own dreamier acoustic material and gaining international notice with his breakout solo offering Shallow Grave in 2008. Tours with Bon Iver across North America gained Matsson an adoring audience in the states, where he ended up setting up shop in Brooklyn.

Most often performing solo even on the biggest stages, Matsson is known to have seven or more intricate tunings for his guitars and banjos, and with his high, cutting voice and cryptic, nature-inspired lyrics, he has been compared to some of his heroes like Roscoe Holcomb, Bob Dylan, and Paul Simon, but with a Swedish-naturalist touch. Songs like “Love Is All” or “The Gardener,” while gaining tens of millions of steams on folky playlists, pack quite a punch, often detailing how the cold cruelty of the animal kingdom filters into human life with its many frailties.

In 2019, Matsson found his marriage to a fellow Swedish singer-songwriter ending and he holed up in his Brooklyn apartment to write, produce, and engineer his newest Tallest Man On Earth LP, I Love You. It’s A Fever Dream. Like Springsteen’s eerie and emotional Nebraska, Matsson’s collection is a clear-eyed view of our current state of interpersonal (and even societal) isolations. Standout songs like the warm guitar and echoey harmonica opener “Hotel Bar” — though written before he knew what would happen with our current pandemic — seem to capture the lost closeness and romance of our very recent past, where one could fall in love with a new stranger every night in a new town and think nothing of it.

Sequestered in a small house in the middle of Sweden since the world shifted last year, a new Tallest Man On Earth album is sure to be on its way. Admittedly Matsson is going a bit stir-crazy away from the road, but really he’s grateful to be able to have the time to explore and create new sounds without any distractions. A fall tour of the states is in the works (fingers crossed), including an opening slot at Red Rocks joining Mandolin Orange and Bonny Light Horseman.

Photo credit: Kaitlin Scott

WATCH: Natalie D-Napoleon, “Gasoline & Liquor”

Posted on by Editor

Artist: Natalie D-Napoleon
Hometown: Freemantle, Western Australia and Santa Barbara
Song: “Gasoline & Liquor”
Album: You Wanted to Be the Shore but Instead You Were the Sea
Release Date: March 26, 2021

In Their Words: “‘Gasoline & Liquor’ came about after traveling through California’s Mojave Desert so when it came to making a video for the song the other ‘Wild West’ — that of Western Australia — seemed the perfect location. We were headed out to Joshua Tree to catch some music at Pappy & Harriet’s when we passed a sign at the side of the highway that read ‘Gasoline and Liquor.’ I pointed at the sign and said to my husband, ‘That is a song — but it’s a man’s song.’ I then blurted out, ‘You’ve gotta help me write it!’ We passed lyrics back and forth while I honed the music. A week before we were set to record the new album I started fingerpicking the song and the arrangement fell into place. We recorded the album live in an old church in the hills behind Santa Barbara and the take you hear was captured during a momentary pause between someone chainsawing trees nearby!

“I wanted to make a video that reflected the bleak desert landscape of places like Victorville and Barstow, which inspired the song. Since we’re currently in Australia we went to the western mining town of Kalgoorlie where there is no shortage of abandoned gas stations and outback pubs. One of my favorite places is the Broad Arrow Tavern, a quintessential outback pub, miles from town in the middle of anywhere with writing scribbled all over the walls giving it an edge-of-civilization atmosphere. The crusty outback characters and bar flies stared at us menacingly during the entire shoot, leaving us pondering whether we were going to get out of there alive. We almost didn’t, managing to grab our cameras and equipment and get out of there before a bar brawl broke loose. Music sure takes you down some interesting roads!” — Natalie D-Napoleon

Photo credit: Brett Leigh Dicks

LISTEN: Todd Snider, “Turn Me Loose (I’ll Never Be the Same)”

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Artist: Todd Snider
Hometown: East Nashville, Tennessee
Single: “Turn Me Loose (I’ll Never Be the Same)”
Album: First Agnostic Church of Hope and Wonder
Release Date: April 23, 2021
Label: Aimless Records / Thirty Tigers

In Their Words: “if you listen to jerry jeff walker’s a man must carry on record, right before he plays ‘sea cruise,’ he yells to his band ‘turn me loose, i’ll never be the same.’ and as soon as i heard it i knew the same was true of myself. i am still totally certain of it. for better or worse, bragging or complaining, it is what is. but what if it isn’t what it is? at first this was going to be for a girl in chattanooga but she was too young for me. so i changed it, it was the right thing to do. trust me, I’m a reverend. i started over by calling jerry jeff and asking him why he yelled that. he said it was something rodeo cowboys yelled when they were ready. when I think a song is ready it’s because it feels like it has a rock I can put my foot on when I sing. so i yelled put your foot on the rock, asked the cosmos to hook me up, and the next thing you know ol’ jed’s a millionaire.” — Todd Snider

Photo Credit: Stacie Huckeba

WATCH: Aoife O’Donovan, “Transatlantic” (Feat. Kris Drever)

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Artist: Aoife O’Donovan (featuring Kris Drever)
Hometown: Newton, Massachusetts
Single: “Transatlantic”
Release Date: March 17, 2021
Label: Yep Roc Records

In Their Words: “I started writing ‘Transatlantic’ many years ago after one of my frequent trips across the pond. The lyric started as a classic love song, but when I dusted it off to complete it for this project with the Irish Arts Center, it became something different. I felt strangely moved by the nostalgia and longing for camaraderie, innocently described by my pre-pandemic self. As I finished the tune in January of this year — feeling certain of nothing but the uncertainty of these times — I immediately began to hear the voice of Kris Drever, a friend based in Glasgow. Kris enlisted his trio mates Euan Burton and Louis Abbott to be the rhythm section, and layered the recording with the inimitable strings of Jeremy Kittel. The refrain references the old classic ‘Loch Lomond,’ a ‘song from another time.’ Raise a glass. We will be together again.” — Aoife O’Donovan

Photo credit: Rich Gilligan

LISTEN: Will Orchard, “Rita”

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Artist: Will Orchard
Hometown: Boston, Massachusetts
Song: “Rita”
Album: I Reached My Hand Out
Release Date: March 18, 2021
Label: Better Company

In Their Words: “‘Rita’ is a song about the blurred lines between attraction that’s real and long-lasting, and attraction that’s intense and fleeting. To me, it’s about lacking trust in my own impulses, and constantly questioning if those feelings are valid. I wrote this song while on tour on two separate occasions about a year apart, and the distance between those two moments really helped me put what I was feeling in perspective. The contributions of Allen, Jess, James, and Miles really helped bring this song to life and create the dark and the anxious landscape of those emotions.” — Will Orchard

Photo credit: Tim Ryan

Rhiannon Giddens Finds a Piece of Home in a Fiddle Tune with Francesco Turrisi

Posted on by Editor

Helping to usher in spring and with it many new beginnings is another album from folk music master Rhiannon Giddens. The second project to come from her magical collaborations with Italian multi-instrumentalist Francesco Turrisi, They’re Calling Me Home is due to be released April 9 on Nonesuch Records. Following the debut of its title track in March, a second single titled “Waterbound” was released, accompanied by a music video, forecasting what is to come from the musical partnership. The song itself is a traditional fiddle tune first recorded in the 1920s that has been a part of Giddens’ repertoire for some time, but its meaning is surprisingly representative of life in lockdown.

About including it on the new release, Giddens said, “‘Waterbound’ is a song I learned a long time ago and it brings me forcefully home to North Carolina when I sing it, and considering that I am, indeed Waterbound, and have been for a long time, it’s a rare moment when a folk song represents exactly my situation in time.” Giddens and Turrisi, who have been living and recording in Ireland during the pandemic, have a direct line to whatever it is about folk and old-time music that makes it so endearing, timeless, and universal. Watch “Waterbound” below:

Photo credit: Karen Cox

The Show on the Road – The Allman Betts Band

Posted on by Shelby Williamson

This week on The Show On The Road, it’s a rock ‘n’ roll family affair with a special conversation with Devon Allman and Duane Betts, two guitar-slinging sons of the iconic Allman Brothers Band who formed their own soulful supergroup: The Allman Betts Band.


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With their 2019 debut record Down To The River, Allman and Betts — who took turns playing alongside their revered dads Gregg and Dickey as teenagers — finally banded together to create a new collection of the soaring slide-guitar-centered, Gulf-coast rock and brawny, road-tested blues that both pays homage to their heady upbringings and forges their own way forward. Even their touring bassist has a familiar name to Allman diehards: Berry Oakley Jr., whose dad was one of the Allman Brothers’ founding members when they formed in 1969 out of Jacksonville, FL.

While many groups were stuck at home licking their wounds as the pandemic shut down most touring options, Devon and Duane’s crew tapped into the nascent drive-in circuit, bringing their spirited 2020 release, Bless Your Heart, to a whole new set of excited fans. Always sticking to their southern roots, they laid down both records at Muscle Shoals Sound Studios with producer Matt Ross-Spang (Jason Isbell, Margo Price, Elvis Presley). While history is always dancing in the margins of the songs, it’s clear on this second offering that they wanted to create stories that didn’t only reflect their roaring live shows.

Standout songs like the soft piano ballad, “Doctor’s Daughter,” show the group roving in new, more nuanced directions — while “Autumn Breeze” is a pulsing slow-burn, but features the effortless twin guitar lines that made their dads’ work so instantly recognizable.

Of course playing in the family business wasn’t always a given for the guys — especially Devon, who only met his hard-touring father Gregg at sixteen. Devon first started hanging out with young Duane (then only twelve) in 1989 on the Allman Brothers’ 20th Anniversary tour. As he describes in the episode, Devon wasn’t sure he wanted to follow in his father’s hard-to-follow footsteps, but once he sat in on “Midnight Rider” and the crowd went crazy? It was off to the races.

This year marks the 50th anniversary of the Allman Brothers’ breakout record Live At The Fillmore East, which I grew up listening to on loop with my father. Though Duane Allman died tragically in a 1971 accident before his namesake was born, and Gregg passed away in 2017, their spirits live on in the Allman Betts Band’s epic live show, which is already gearing up for the tentative 2021 touring season.

Photo credit: Kaelan Barowsky

LISTEN: Claire Kelly, “Sitting Still”

Posted on by Editor

Artist: Claire Kelly
Hometown: Cary, Illinois; Milwaukee, Wisconsin; Nashville, Tennessee
Song: “Sitting Still”
Album: The Scenic Route
Release Date: March 19, 2021

In Their Words: “‘Sitting Still’ was the first song I wrote when the world came to a screeching halt in March of 2020. When the pandemic hit, I hid out with a few Nashville friends on a farmhouse in Tullahoma, Tennessee, to wait out the storm so to speak. We took the days easy out there on the farm: fishing, reading, writing, driving the old Ford truck around the property. Even though our tours had been cancelled and jobs had been lost, we tried to embrace the gift of time we’d be given and find some peace in slowing down.” — Claire Kelly

Photo credit: Jorie Struck

Harmonics with Beth Behrs: Jewel

Posted on by Shelby Williamson

Welcome to Season 2 of Harmonics! On episode 1 of our new season, we’re kicking things off with the incredible, four-time Grammy-nominated folk singer-songwriter, Jewel.

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Jewel joins host Beth Behrs for an insightful conversation about her experience with mindfulness throughout her life as a response to anxiety. She presents multiple tangible skills she has developed along the way that hopefully anyone can easily apply to their own lives to expand their mindfulness.

Throughout her career, Jewel has brought these skills to struggling children as well, having been an avid advocate for mental health awareness and using her platform to lift others up. Her work through her own Jewel Never Broken program, in conjunction with the Inspiring Children Foundation, has supported so many children with mental health support resources, mentoring, education, and equipping kids with important life skills and tools to earn college scholarships, becoming forces for good in the world.

Jewel’s honesty regarding her own struggles, and how it informs her creativity, her art, and her life, is incredibly inspiring.

In case we haven’t yet convinced you of the wealth of knowledge and wisdom present in this episode — Jewel also gives Beth a personal lesson on how to yodel!!

Listen and subscribe to Harmonics through all podcast platforms and follow Harmonics and Beth Behrs on Instagram for series updates!

Photo credit: Dana Trippe

WATCH: Reid Jenkins, “Strange Lover”

Posted on by Editor

Artist: Reid Jenkins
Hometown: New York City
Song: “Strange Lover”
Album: A Beautiful Start
Release Date: April 23, 2021
Label: Nettwerk

In Their Words: “While most of my songs start while I have an instrument in my hand, ‘Strange Lover’ started as a title that I later put to music. I was struck by the ambiguity in the word ‘strange’ — how it means both unfamiliar and bizarre, and how those two senses of the word have different meanings, but often feel the same when you’re faced with new experiences, such as falling in love. I wanted to write a song that suspended itself in that ambiguity and explore the tension between avoiding the unknown while being drawn in by the thrill of beauty and discovery.

“The lyrics and melody of the verses evolved slowly over the course of a year or so. Sometimes the lines came to me during sessions of very intentional writing; I remember penning ‘Try as I might, I just can’t quite make you make sense’ while sitting in a very idyllic songwriter-y setting — on a bench overlooking the sea on the coast of Maine. Other lines kind of wafted their way out of my subconscious, such as ‘You’re a giant, yet you fit right on the palm of my hand,’ which came to me while walking with my friend at night in Riverside Park in New York. The chorus burst out of me in five minutes about a week before I got into the studio. The process of recording it was similarly organic. Unlike the other three songs on my upcoming EP, I showed up to the studio without much of an arrangement or an agenda for how I wanted it to sound. I let it evolve over the course of the recording process, and I think the final product reflects that process in its hazy and relaxed feeling.” — Reid Jenkins

Photo credit: Shervin Lainez