Hometown: Milwaukee, Wisconsin Song: “The Fool” (Live from Cash Cabin) Album:Siren Songs Release Date: April 21, 2023 Label: Grand Phony (US) / Rootsy (EU)
In Their Words: “Joseph Cash filmed and photographed us throughout the sessions for Siren Songs, which was recorded at the historic Cash Cabin. From Merle to Snoop Dogg to Dolly Parton, this sacred space has had many visitors and I hoped to tap into some of that DNA they left behind. ‘The Fool’ is the first song I wrote in an open D tuning. I stumbled upon it while toying with an Irish folk song during lockdown, finding that it offered a whole new canvas to write songs from. It produced a full and vibrant sound in my lap that guided me through writing this record. As I figured out the new shapes up and down the neck of the guitar, I wrote lyrics for ‘The Fool’ from the perspective of a sage, old romantic who’s giving advice to a younger version of himself.” – Trapper Schoepp
Artist:Rachel Maxann Hometown: Memphis, Tennessee Latest Album: Black Fae Personal nicknames (or rejected band names): Fickle Hellcat, I ended up making it my last album name instead.
What rituals do you have, either in the studio or before a show?
I absolutely adore my producer and although this isn’t necessarily a ritual, we tend to fall into a pattern when recording. We sit and talk about our lives for a while and generally catch up as friends while I sit in his massage chair. Sometimes I’ll have a glass of wine while he drinks his favorite new cocktail concoction. Then we’ll dim the lights in his studio and we’ll proceed to record whatever we want to work on that day. I’m excited for the next round of songs that we do! I don’t think it would be the same result if we didn’t have such a good friendship.
What has been the best advice you’ve received in your career so far?
Putting my own name on my music first and foremost. I’ve had a fairly long career with many different formats, some of those being bands. In the past, I would be insistent in creating a new band every time I got new players. An old friend gave me the advice of putting my name out there first, because while different players come and go I’ll always have myself and my songs. It really changed the way I presented myself.
Which elements of nature do you spend the most time with and how do those impact your work?
Wood and the water have a profound effect on my mental health. The album cover of Black Fae is actually at my favorite park in Memphis that is close to my house. On good weather days, I’ll take a run or walk with my dog and just enjoy the shady greenery. Though I love water in all its forms, I feel most relaxed at the beach, and if the ocean is not available I spend time by the lake. “Remember the Stars”was written on a month-long solo trip with my dog in Mexico. Every day I would pack my guitar, a book, and my notebook and sit by the beach and just be.
Since food and music go so well together, what is your dream pairing of a meal and a musician?
I would love to pair my music with comfort foods. The lyrics have a lot of difficult topics and emotions, I would want the listener to be in a warm, safe space in case they are triggered by any of the songs. I have a history as a therapist, and whenever I had a client face an especially difficult feeling I would encourage them to have their loved ones nearby as well as their favorite comfort items. It can ease someone in and out of the process. If it were for myself, I would pick up a vegan oxtail meal from my favorite local Memphis chef, Camri McNary AKA The Vegan Goddess.
How often do you hide behind a character in a song or use “you” when it’s actually “me”?
I wouldn’t describe it as hiding behind it, but rather morphing my experience into a way that is more relatable to the listener. In some cases in the process of writing the song, it becomes more of a message to others rather than about myself, because often what I’m writing about is universal experiences even though they’re deeply personal. With “Last Cut”I first wrote it when I was in a dark place and having suicidal ideations. Shortly after having completed the original version, I lost a friend to an overdose which shifted my focus from my own grief to those of my friends and his family. When I sang it later, it naturally evolved into a story of my sadness into a message of awareness as well as encouragement to those that may be having similar feelings.
Welcome to OUT NOW! We are so excited to bring you the latest LGBTQ+ folk, roots, bluegrass, country, Americana, and indie songwriters, artists, and musicians. Who am I to guide you through the queer music industry? My name is Sara Gougeon. I founded and run Queerfest, which supports LGBTQ+ music by hosting monthly showcases and an annual festival in Nashville, promoting queer-identifying artists and creating spaces for our community. In 2022 Queerfest was named “Best New Music Festival” by The Nashville Scene.
This column is designed to amplify the voices of queer songwriters, musicians, and industry leaders. I am so excited to share just how talented, creative, and supportive the queer music industry is. We are delighted that the release of this column aligns with Pride Month, but we are even more excited to support LGBTQ+ music consistently year-round, beyond just the month of June.
Our first artist is one that I am proud to have known for years, and I can write with undeniable confidence that their music is at the start of a career filled with national tours, stunning releases, and larger followings sure to come.
I met the amazing Jobi Riccio in college when we were students at Berklee College of Music in Boston. They’ve come a long way since then: a record deal with Yep Roc, touring, and the move to Nashville. But I knew from day one that their music was exceptional. It is always a complete honor to promote incredible queer music.
Jobi’s carefully crafted lyrics turn songs into movies. Melodies blend with smooth vocals, and mournful fiddle solos lift between lines. It’s the kind of music I catch myself playing for hours before noticing that I’ve fallen so deeply for a few songs that I could listen to them on repeat forever.
And with that, I am deeply proud to present OUT NOW: Jobi Riccio.
BGS: What would a “perfect day” look like for you?
Jobi Riccio: A day spent primarily outside in the sun with those I love that ends playing songs in a living room or around a fire is really hard to beat. I also love being alone exploring nature and any day I spend hiking, biking, kayaking or doing any outdoor activity completely alone is always perfect and healing.
Why do you create music? What’s more satisfying to you, the process or the outcome?
It depends on the day. I love performing just as much as I love songwriting and I view both as a very gratifying way to connect with myself and other people.
Do you create music primarily for yourself or for others?
I honestly don’t know. I create music when I’m feeling something big and feel I need to or have the ability to express it. I’m not sure if it’s completely honest to say I write entirely for myself because sometimes those big feelings I’m experiencing stem from a desire to connect with others.
Rufus Wainwright, Aaron Lee Tasjan, and Caroline Rose all come to mind as LGBTQ+ artists I’ve had in heavy rotation, but also those I’m lucky enough to consider friends: Liv Greene, Erin Rae, Brennan Wedl, Brittany Ann Tranbaugh, Palmyra, and Olivia Barton are all queer artists/bands I’m very inspired by.
Is “Green Flash ” based on real feelings/experiences?
I started “Green Flash” during late spring of 2020, when I moved back home with my mom in Colorado. Lots of these existential crisis-y type thoughts were swirling in my head throughout my senior year of college, and the onset of the pandemic just sent them into overdrive. Most musicians have a fantasy of quitting music at some point and leading a “simple life” and I was caught up in that idea as I had nowhere to play and no hope of touring in the future. Sometimes I find my songs function similar to journal entries — questions I ask myself or little prayers out into the universe — and I think “Green Flash ” functions that way.
One of the main lines in Green Flash is “I’m still learning how to trust a heart.” How do you find a balance between being open to love/vulnerability/life and not getting your heart hurt?
I love this question, I ask myself it almost everyday. More and more I’ve learned to push myself to be vulnerable and honest even when it’s scary because I might be hurt, because it’s the key to real connection with others and is where the true beauty in life lies. Learning how to be authentically myself has a lot to do with learning to trust my heart and myself, and it’s very much a daily practice. All and all, I’d rather be hurt than live in fear of being hurt.
What are your release and touring plans for the next year?
I am releasing my debut record, Whiplash, on September 8 and I’m extremely excited to get this body of work into the world. I’ll be touring around the record this year and next!
If the rest of Grammy-nominated Brent Cobb’s first self-produced album is like its debut single, “Southern Star,” it’ll be sweet as molasses. To celebrate the upcoming release of the record by the same name, Cobb released the music video for “Southern Star” last week.
The track features Cobb’s honeyed vocals, a vintage tone on the keys, straightforward acoustic strumming, and a light percussion touch. Cobb sings of being a drifter, of feeling lost at sea, but of always having a place to return to — a bright point to move toward no matter what. The video shows Cobb cooking up Southern greens and features shots of the artists who brought the music to life.
“You know how when you’re growing up, you’re told that if you ever get lost out there, look for the northern star to help find direction back home? Well, I’m from Georgia,” Cobb said in a statement. “So, I always look for the southern star. This album, the songs, the sounds… it’s all a product of where I’m from both musically and environmentally.”
Southern Star will be Cobb’s fifth studio album and follows releases like his 2022 debut gospel record, And Now Let’s Turn To Page…. Rolling Stone called him “an enlightened figure, blessed with the gift of finding purpose and meaning in the smallest of details,” and we concur.
The new record is a love letter to Southern roots and the state of Georgia, and drops September 22 via Ol’ Buddy Records/Thirty Tigers.
Rissi Palmer and Miko Marks have been laying the foundation for country musicians and fans who are Black for almost 20 years. Back in the early 2000s, both experienced the trials and tribulations of being Black women in country. Despite their successes and large growing fanbase, they were separately discouraged by the ceilings and roadblocks they encountered from the white-dominated industry. Even though they each nearly quit music, they discovered a deep and meaningful ally and friend in each other. Now, they are back in the spotlight in a different era that has seen a rise of Black musicians – and The Black Opry in Nashville. Recently, Rissi and Miko have been touring together and we got them both on the show to talk about their parallel experiences, their friendship, and what they’ve been up to recently. It was a sincere honor and a blast to speak with these inspiring women.
This month The Bluegrass Situation is highlighting The Black Opry as Artist of the Month. Basic Folk, a part of The Bluegrass Situation Podcast Network, is proud to present this episode in collaboration with our BGS motherhost.
Just in time for Pride Month, singer-songwriter Tanya Tucker released her new album, Sweet Western Sound, with Fantasy Records, marking the Country Music Hall of Fame inductee’s 26th solo studio record. Tucker is an American country icon, having landed her first hit single in 1972 at the age of 13 with “Delta Dawn.”
Tucker has long supported the LGBTQ+ community and queer equality, and Sweet Western Sound hits many of the same notes. The record was produced by Shooter Jennings and Brandi Carlile, the openly lesbian, roots music singer-songwriter and producer who is the only woman to receive two Grammy nominations for Song of the Year in a single year. Tucker has also collab’ed with drag queen and TV legend RuPaul and performed for GLAAD and Nashville Pride.
To celebrate her inclusivity and the new record, we’re counting down some of her most memorable – and most fabulous – stage performances and duets.
Tanya at Nashville Pride 2022
Is there anything better than rainbows, bedazzled tassels, and feathers? Absolutely not! And Tucker brought all three in her spectacular outfit at Nashville, Tennessee’s Pride celebration in 2022. Tucker sang “If It Don’t Come Easy” on stage during the celebration and was joined by multiple drag queens wearing rainbow tees emblazoned with “Tanya Mother Tucker.” Guests during her set included her dog and her daughter; the two sang Merle Haggard’s apropos “The Way I Am.”
Tanya Shows Some “Kindness”
Tucker’s latest album features a track called “Kindness,” a country-western crooner that encourages us to be a little nicer to those around us. “I found glory in the ruin of the best laid plans,” Tucker sings. “There were times tomorrow felt so far away. It seemed as though the bitterness was here to stay. I’ve pushed down on my anger through my tears.”
The tune is a good reminder we never know what someone else is going through, and that we could all be a little softer because of it.
Tanya and RuPaul Declare “This Is Our Country”
In a totally unexpected, but absolutely harmonious collab, Tucker and RuPaul teamed up in 2021 to release a duet called “This Is Our Country,” a genre-bending blend of country and pop that celebrates inclusion and equality.
“I can be a queen or I can be a cowboy,” RuPual sings.
“Love is the answer, love always wins,” Tanya adds.
The lyrics state firmly that our country is big enough for all its diverse communities and features more than a few of RuPaul’s rap bars. The video performance features some of Drag Race’s most popular queen and contestants, as well as a couple cute, shirtless cowboys.
Tanya In the Moment With “Bring My Flowers Now”
Co-written by Tucker and Carlile — as well as twins Tim and Phil Hanseroth — “Bring My Flowers Now” is a call to show our love and appreciation for friends and family before they’ve passed away. The tune is from her 2019 album While I’m Livin’, also produced by Carlile and Jennings. In the song, Tucker reminds us there are “rainbows, sunshine, and babies” to celebrate in this life, and that we shouldn’t wait until it’s too late. The simple, slow track features a piano instrumental and Tucker’s iconic vocals — perfect for a gentle moment with the ones we cherish most.
Tanya and Brandi Have “Breakfast In Birmingham”
If it’s a classic country duet you’re craving, Tucker and Carlile’s duet on the new album is just the ticket. “Breakfast In Birmingham” features both singers’ warm, soulful vocals and paints a picture of the city’s past with descriptions of hippies, cheap gas, and crispy-fried bacon. There’s also mention of “shutting down the rebel history,” a reminder that there’s a lot to celebrate and remember this Pride.
Tanya’s First Hit, “Delta Dawn”
This would be no list of Tanya Tucker’s best moments without reaching back to her roots. “Delta Dawn” was Tucker’s first hit, and this 2019 performance at The Troubadour features her famous key change as well as beautiful dobro and electric guitar licks.
Around the 2:40 mark, Tucker pauses her singing to let the audience fill in the words and they don’t miss a beat. This tune is always worth a listen and is one of Tucker’s best-known singles.
Whether you’re a fan old or new, Tucker’s got something for everyone — including a message of equality for all. There’s almost no better country singer ally to revisit during Pride Month.
Artist:Ellis Paul Hometown: Charlottesville, Virginia Latest album:55 (available June 9, 2023)
Which artist has influenced you the most … and how?
I can’t say which artist has inspired me “the most,” there’s too many great ones in the generations that came before me and too many new ones popping up as I go. And some of them are unconscious influences. I don’t go to James Taylor or Paul Simon consciously, but they are such a part of my youth and DNA that I know they are there. The Beatles are my go to teachers, as is Bob Dylan, Neil Young, Joni Mitchell. Their entire catalogues. When I listen to them with a magnifying glass, I’m constantly awe struck. They make my humility rise as a dominant emotional state. I’m good at what I do. But the gap between them and me is clear to me – but it is also where my great frontier lies. The best version of me is somewhere out there ahead — in that direction — and I need them as inspiration to explore it. To guide my improvements. So I dissect their music. And thank them. While their songs lie like frogs in the biology class of my mind.
What other art forms — literature, film, dance, painting, etc. — inform your music?
All of it! Everywhere I’m engaged in life can create a song — so I’m constantly on the lookout. I see what I do as a form of literature. There is a reason why Bob Dylan is walking around with a Nobel Prize in Literature. It’s storytelling, poetry, lyricism wrapped in imagery, dressed within melody and colored orchestration. It’s a visual medium in people’s brains as they watch the details unfold in a song while they are listening. So it’s like a movie or a painting. The music is a dance. It’s flowing. It’s a kind of geography.
Everything from a great meal to a great movie can inspire. Anytime I’m stuck, I try to get out and see a film or go to a museum or take a walk. Read a book. Watch how film makers tell their stories. It’s all a deep well to drink from, aren’t we incredibly lucky? I love my job.
What rituals do you have, either in the studio or before a show?
One of the best rituals I have in the studio is working with a grid sheet and stickers to watch the progress I’m making as the album evolves. I put it on the wall so everyone involved can see it. It’s a big piece of paper usually 18” by 24”. The songs are on the left side going down and all the tracks run across the top. After a musician plays their part, I give them a sticker to fill in their square for the song. It helps me project out, to see what’s left to do, and to see how much has been done. It helps to focus my thoughts on the parts left to finish and I can be creatively thinking about how I want the remaining tracks to lie against the ones that are completed. It also makes the musician feel good for some reason. They always love it. The stickers are usually cool, like Wizard of Oz characters. It brings out the first grader in people. They choose which sticker and then find their empty box and fill it with Toto.
If you had to write a mission statement for your career, what would it be?
Mainly— create beauty in every part of your work.
Now, since I’m in my fifties, this would be by making the most of your talent and my skill set. Focus on the writing because that is the part that will be left behind when you part from the earthly side of things. The recordings will tell the story of you in the years to come when your gone. So I’m editing the songs until they shimmer, working more in the studio to get things right and less as a road dog doing shows. I was always writing and recording on the fly. Coming into the studio with a voice torn up by the road. And songs written on airplanes. I’ve got more space now, because I’m established, and can live off of fewer shows. I can’t sing as high or sustain notes the same way, but I have more patience and wisdom now. I’m a better writer for those things. And the best is yet to come.
How often do you hide behind a character in a song or use “you” when it’s actually “me”?
I like character driven songs and usually have a couple on every album. The latest album, 55, has a song from the perspective of a tattooed lady in a circus. I did it as a writing exercise where I was assigning circus characters to my songwriting students. So I had to assume a lot of different things with this song: a woman’s perspective, a time/era perspective – because I felt like it was occurring in the late ’40s – and then someone who is essentially a circus act in a freak show. It was fun to write. Unlike, say a “bearded lady” or conjoined twins, the tattooed performer chose to look as she does. I don’t feel like she is a victim of circumstance in the same way, so the character invites the listener to gaze upon her physique. Circus life can be tough as well, doing show after show, so you sense her boredom. Despite the fact that she is lighting the wick on the big gun of the human cannonball. She’s a bit over it.
Artist:David James Allen Hometown: Prince Edward County, Ontario, Canada Song: “Holly” Album:By The Summertime Release Date: June 9, 2023 Label: Littleknown Records
In Their Words: “‘Holly’ is a song of drugs, dingey bars, old relationships, and backward priorities. Ultimately, it’s a song about losing an important part of your life to backward priorities, self-destruction, or naiveté, and growing up and confronting yourself in the passage of time. It’s about coming to terms with yourself and what it is you’ve lost, and reflecting on it with regret, sorrow, some nostalgia about it, but also having insight and maturity — a ‘grown-ass-ness’ of realizing things are better off now then they were then.
“In this song, the character is a songwriter who constantly prioritized every relationship they’ve been in after they hit a little success, but it sooner or later backfires. I wanted to write a song about tackling work/life balance and social-party/life balance, and in this case, it’s about a songwriter, because that’s something I know well. I feel like so many different people prioritize and occupy their minds with their work or social lives over personal relationships or family, a decision that may not always be intentional. But it does have a big impact on the ones who are left in the wake of that decision. I’m pretty self-aware of this type of work mindset because I can be a bit of a workaholic with my songwriting and creative work. I get obsessed easily — especially when I’m in the flow. I wear a lot of work hats and now being a new father and family man, I find myself regularly seeking ways to encourage a healthier balance. The social nightlife isn’t as much of a concern to me these days, I tend to enjoy being a bit of a homebody.” – David James Allen
Artist:Joh Chase Hometown: Los Angeles, California Song: “Another Lover” Release Date: June 12, 2023 Label: Kill Rock Stars
In Their Words: “This song began in a writing retreat in Washington State back in 2017 and has had many iterations. This version is the ‘acoustic version’ I recorded and mixed at home in the corner of my living room during insomniatic COVID lock-down nights; [it] speaks of the visceral remorse we feel after nurturing and then losing relationships and just wanting to take it all back.” – Joh Chase
Artist:Sarah Morris Hometown: Shoreview, Minnesota Song: “Ruthless” Album:Here’s To You Release Date: May 5, 2023
In Their Words: “‘Ruthless’ was a writing prompt in the summer of 2019. My initial response was the opening line, ‘Your calloused fingers, my calloused heart, I bet you earned your lack of feeling by working hard …’ My husband has calloused hands from building a cabin for our family, I have earned my own calloused fingers from guitar strings over the years – it was an easy image to grab on to. So often my songwriting takes me to deeply domestic moments and this song felt removed from that in a way that was so fun to write (and now to sing). I’ve written many songs about kindness; offering one another healing, a soft place to fall – it was fun to explore the other nooks and crannies of human emotion and character.
“On a late winter run I was listening to the masters of the album and when ‘Ruthless’ came on, I saw all these images – the two people, the sink, the dark background, a sense of kaleidoscope. As soon as I landed back at home, I emailed the amazing team of Sarah and Erik Elstan to ask if they were up to collaborating on a video again. On a blustery April day, we hid in a Minneapolis studio with Michael Gay, some great vintage pieces courtesy of Seven Suns Vintage out of Eau Claire, and shot the video. What a gift to find people who you can share a tangle of run-induced ideas with, and then they create something so fantastic!” – Sarah Morris
Photo Credit: Emily Isakson
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