BGS is excited to announce the addition of Only Vans with Bri Bagwell to the BGS Podcast Network! Beginning today, May 20, the show – which is recorded from inside Bagwell’s tour van – will be distributed and promoted by BGS alongside hit podcasts such as Toy Heart and Basic Folk, and joining the ranks of fellow artist-hosted, artist-focused chat and performance podcast, the Travis Book Happy Hour. Only Vans is a podcast unlike any other, not just because it is recorded in a van (or Class C RV, to be specific), but because its conversation topics are anything but ordinary.
“[It’s] a podcast where I chat with my friends in the music community, from my van, about things that two buddies in a van would chat about,” Bagwell explains on her website. “It’s really insider info, like an Only Fans subscription… but clothes stay on (usually) and formality goes out the window.”
The banter between Bagwell and her friends and guests sounds and feels organic, because it is! With fifteen years of road experience, Bagwell hosts with ease, navigating topics that non-artists hosts perhaps can’t; and in that often unexplored landscape of crazy road stories, fond personal festival memories, and deep inner fears and beliefs, fans of the podcast say they really appreciate the raw honesty, insight, and hilarity that comes out in every Only Vans episode.
The first episode to be distributed by BGS features Bagwell’s friend and mentor, famed lead singer of Cross Canadian Ragweed, Cody Canada and his wife/manager Shannon. They cover a wide variety of topics like racial injustice, partying, the metal music scene, and shifting priorities after having kids. (Listen here.)
Bagwell, named Texas Female Artist of the Decade by the Texas Regional Radio Report, is a force to be reckoned with from her rousingly fun live performances to trailblazing recordings garnering her 12 #1 singles on Texas Country Radio and counting. People Magazine raves, “Bagwell increasingly finds her name being mentioned amongst country music truth-tellers such as Ashley McBryde and Morgan Wade.” Her latest album, Corazón y Cabeza (Heart and Head), has already spawned three #1 singles, “Trenches,” “Free Man,” and “Hello Highway,” the latter inspiring her 2023 summer tour across 10 states and Mexico.
In a time of growth for the BGS family – having just launched our curated email newsletter, GOOD COUNTRY, earlier this year – it’s especially exciting to bring on this new podcast, to welcome Bri Bagwell as a contributor, and to bring these intimate, fun, and one-of-a-kind interviews to our followers, listeners, and fans. Subscribe to Only Vans on Apple Podcasts here – or wherever you prefer to get podcasts. New episodes drop every other Monday!
(Editor’s Note: BGS is proud to announce the addition of Only Vans with Bri Bagwell to the BGS Podcast Network! Read more about our newest podcast coming on board here.)
In the latest episode of Only Vans, Texas country artist and host Bri Bagwell chats with friend, mentor, and famed lead singer of Cross Canadian Ragweed, Cody Canada and his wife/manager Shannon in the bus, covering a wide variety of topics like racial injustice, partying, the metal music scene, and shifting priorities after having kids.
What a week in music! Not only has our Artist of the Month, Kaia Kater, released her new album Strange Medicine today, but we’ve also got an absolutely incredible premiere round-up filled to bursting with brand new videos, songs, and tracks.
First, there’s transcendent sister duo Rising Appalachia with a James Blake/Bon Iver cover, “I Need a Forest Fire,” and Tim O’Brien pays tribute to iconic folk songwriter Tom Paxton with a song they co-wrote, “You Took Me In.” Plus, don’t miss new songs from Ellorie McKnight, Natalie Spears, and Nick Taylor.
We round out our list with two premieres that debuted on BGS earlier in the week, a new one from Alisa Amador’s just announced album that features Madison Cunningham and Meadow Mountain continue their SkyTheory Sessions series with “Waiting for Tomorrow.”
It’s all right here on BGS and to be perfectly honest, You Gotta Hear This!
Rising Appalachia, “I Need a Forest Fire”
Artist:Rising Appalachia Hometown: Asheville, North Carolina Song: “I Need a Forest Fire” Album:Folk and Anchor Release Date: May 17, 2024
In Their Words: “‘I Need A Forest Fire,’ is our interpretation of a rich and righteous James Blake track. We have been big fans of his artistry and aural weavings for many years and wanted to do a folk rendition of this striking song. The texture of its sounds stretch far and wide in atmospheric rhythms as well as the lyrics and it took some deep digging to conceptualize what Blake was perhaps trying to say… Our interpretation is this:
“We live in a time of rapidly destructive (and so often man-made) wildfires in many parts of this planet. Singing a song that says ‘we need a wildfire’ felt cautionary, but enticing, as we explored the many metaphors that ‘forest fire’ could represent. We came to believe it is about the burning of the ego, the take down of destructive habits and destructive relationships, even destructive sides of self. In a time where everyone is on one side of the coin or the other, in a highly polarized nation, a burning symbolizes a great reset. A death and rebirth cycle. We hope you enjoy our take on this track as much as we have enjoyed stretching into its different sounds.” – Rising Appalachia
Tim O’Brien, “You Took Me In” (from Bluegrass Sings Tom Paxton)
Artist:Tim O’Brien Song: “You Took Me In” Album:Bluegrass Sings Paxton Release Date: May 17, 2024 (single) Label: Mountain Home Music Company
In Their Words: “Jan and I came of age listening to and then singing Paxton songs before we ever knew his name. We both learned ‘Last Thing on My Mind’ and sang it around campfires before we met each other. So like a lot of folks, we kinda have Paxton in our musical DNA.
“Tom has been friendly and supportive over the years and in recent years often expressed his desire to write together. With this project, push came to shove and Jan and I wrote ‘You Took Me In’ with Tom on our second session. I had the lyric idea and imagined some Earl Scruggs-style gospel guitar as backing. We had the song in about an hour. When we were done I asked Tom how many songs he’d written that week and he said, ‘I’ve written four songs today!’
“Paxton’s early songs were the kind that sorta begged audiences to sing along. This one reaches in that direction. I love how simple and direct it is. Since that day, the three of us have written another 15 songs, all of which are daring Jan and I to record them, so stay tuned. Songs are like little puzzles that a certain strata of musicians have fun solving. We’re just honored to sit beside Tom, even if only virtually, as he does his masterful thing. He knows to let the song happen. He can pull a lyric from an instrumental riff, he improvises easily, and you can just trust him. When he says to go higher with the melody or go to the four chord, we’re never afraid to follow.” – Tim O’Brien
Track Credits: Tim O’Brien – Guitar, lead vocal Jan Fabricius – Mandolin, harmony vocal Shad Cobb – Fiddle, harmony vocal Mike Bub – Upright bass
In Their Words: “White Pass is a magical, remote mountainous area connecting Yukon’s southwest with Alaska. If you’re driving from Whitehorse, YT to Skagway, AK, you pass through mountains and boreal forest until you reach the Canadian border crossing, after which the road winds through 25km of treeless, rugged alpine terrain before dropping down towards the ocean, where you then drive through the US border and then into the coastal ecosystem of Skagway. There is no reception on this stretch of road and no sign of humans except for the road and the border patrol buildings.
“This part of the world is like a dream in summer: the sound of creeks is loud and the wild blueberries are everywhere. In the winter, the area is mystical no matter the weather, with meters of snow blanketing the valleys and mountains. I was making the trip from Whitehorse to Skagway in the middle of winter one year, late at night, to visit a friend. There was a raging blizzard and snow drifts forming on the road, it was hard to see more than a few feet ahead and the going was slow. I pulled over to catch my breath and stepped outside. The wind was steady and the sharp snowflakes bit into my cheeks. I looked up and was surprised when I saw a waxing moon in a clear night sky just above the fog of the ground blizzard. It was a moment of awe, of wonder, of feeling so intertwined with the earth and yet also so small. The song ‘Whitepass’ tries to capture the many similar moments I’ve felt spending time in this stunning part of the world.” – Ellorie McKnight
Track Credits: Ellorie McKnight – Guitar and vocals Brigitte Desjardins – Drums Jeff Dineley – Upright bass Ryan McNally – Pedal steel and harmonies Kieran Poile – Fiddle
Video Credit: Midnight Light Media
Natalie Spears, “Hymn Of Wild Things”
Artist:Natalie Spears Hometown: Carbondale, Colorado Song: “Hymn Of Wild Things” Album:Hymn Of Wild Things Release Date: May 17, 2024 (single); June 28, 2024 (album) Label: SleeLee
In Their Words: “Early one chilly autumn morning, I awoke to the chortling cries of Sandhill Cranes echoing through our town. Their sound is one like no other, awkward, beautiful, and haunting. It is a sound that we only hear a few times a year as they journey along their migratory path towards warmer shores. Whenever I hear them, I drop everything I’m doing and try to find them. On that particular morning, I got up with my sweet pup and followed their cries to a local nature park near my home. The clouds were sunk low in the valley and although we could hear them close by, we still couldn’t see them. We sat quietly waiting and eventually the sun’s heat lifted the clouds revealing the ghostly shapes of two beautiful Sandhill Cranes. The words to this song began to take shape in my mind and it was then that Hymn Of Wild Things was born.” – Natalie Spears
Track Credits: Written by Natalie Spears (BMI) Produced by Jayme Stone
Natalie Spears – Voice Christine Bougie – Guitars, lap steel Pat Keen – Bass Jayme Stone – Synth, drum programming
Nick Taylor, “Dogs”
Artist:Nick Taylor Hometown: Austin, Texas Song: “Dogs” Album:Not Alone Release Date: June 21, 2024
In Their Words: “As one of the earliest compositions I laid down for the album, it’s personal and cathartic, a reflection of the anxiety that’s been an ongoing part of my persona. Sometimes it gets particularly overwhelming and that’s how this song was born. It speaks to uncertainty — how it manifests, how it’s perceived by others, and how it affects those around us. When we went into the studio to record it, it just came alive. It was important to me to get it out into the world. It’s the song that inspired the album title, Not Alone, but more importantly, it explores topics that society tends to dismiss — especially when it comes to matters having to do with mental health, insecurity and stability. It calls for understanding and in that regard, my hope is that it will help anyone dealing with a similar situation feel less alone.
“‘Dogs’ is such an emotional song, almost a confessional, that we wanted to make sure the video felt personal. Shooting just one scene created a space where the lyrics were being recited directly to the audience and I think that format really works well with the song. Huge thanks to Will and the team for their vision and direction.” – Nick Taylor
Track Credits: Written by Nicholas Taylor Wimberg
Nick Taylor – Lead vocals Wayne Killius – Drums Dave Francis – Bass David Flint – Electric and acoustic guitars Chris Nole – Piano/keys
Video Credits: Produced by Charlotte Avenue Entertainment Directed by William Gawley Shot by Austin Boylen and Dominick Sotis
Meadow Mountain, “Waiting for Tomorrow” (SkyTheory Sessions)
Artist:Meadow Mountain Hometown: Denver, Colorado Song: “Waiting for Tomorrow” Album: June Nights Release Date: May 13, 2024 (single)
In Their Words: “This song attempts to answer the question, ‘What if, instead of starting the band Foo Fighters, Dave Grohl had picked up a mandolin and spent a year exclusively listening to Alison Krauss & Union Station?’ I guess I was doing a lot of thinking and writing about time – the great healer, but also that which brings an end to all things. And then a new beginning. This is a song about time, and hope.” – Jack Dunlevie
Alisa Amador, “Heartless Author” (feat. Madison Cunningham)
Artist:Alisa Amador Hometown: Boston, Massachusetts Song: “Heartless Author” (featuring Madison Cunningham) Album:Multitudes Release Date: June 7, 2024 Label: Thirty Tigers
In Their Words: “I love this song. I love it because it acknowledges all of the uncertainties and pain of life and it shines compassion on all of it. ‘It’s okay not to know.’ It was such a joy to sing this one with Madison Cunningham. She learned it right then and there in the studio, and her voice says so much.” – Alisa Amador
Artist:Kiely Connell Hometown: Hammond, Indiana Song: “Damn Hands” Album:My Own Company Release Date: July 19, 2024 Label: Thirty Tigers
In Their Words: “It amazes me that we’re still having this conversation about consent. Just because somebody is nice to someone it does not mean they’re entitled to put their hands on you. Let’s let that die here and now. Keep your damn hands to yourself.” – Kiely Connell
Track Credits: Drums and percussion – Andrew Borger Bass – Nate Query Electric guitars, piano and organ – Drew Kohl Acoustic guitar and vocals – Kiely Connell
Artist:Charlie Overbey Hometown: Cerrillos, New Mexico Latest Album:In Good Company (out July 26, 2024) Personal Nicknames (or rejected band names): “Punk Rock Spy In The House Of Honky Tonk” (courtesy of Lemmy of Motorhead)
What’s your favorite memory from being on stage?
In 2016 I was touring with Blackberry Smoke and we were playing The Fillmore SF. As I walked up to the microphone, the magic of the Fillmore ghosts overtook me and I just stood there caught in the moment. I could hear the crowd getting louder and louder, but I was deep in the history of it all and then all of a sudden – I popped out of it and said, “Sorry, folks! I was having a Fillmore moment!” That crowd got louder at that moment than I had ever experienced! I think I’ll remember that moment even when I can’t remember my name anymore.
What’s the toughest time you ever had writing a song?
The night my Father died I sat down and wrote “This Old House.” The emotion one feels in such deep despair and loss is hard to put to song or on paper. The fact that I have never played it live and have a hard time even hearing it solidifies for me the depth of “This Old House.”
Genre is dead (long live genre!), but how would you describe the genres and styles your music inhabits?
Genre is a tricky thing – as artists, we all want to avoid that word and focus on writing from feeling and heart, delivering whatever comes from there. I have a long history and background in music from rock to punk to country and I tend to write with all of that mixed in, which in the music “business” is not favorable. They say, “You have to fit into a genre” or “People need to know how to classify you to have any success.” This could explain why I’m still a struggling musician, because I don’t steal from other writers and I don’t commit myself to a “genre.” I just do what I do. When I was a kid, my favorite local punk band, The Tazers, had a song called “Don’t Classify Me” and I guess at heart I’m still a young punker, semi-growed up, with an acoustic guitar and a killer band behind me.
What is a genre, album, artist, musician, or song that you adore that would surprise people?
I have always loved the depth, emotion, and songwriting of Barry Manilow. I have seen him 5 times in the first 4 rows. I am a pretty solid Fanilow and have never been shy or closet about it.
Since food and music go so well together, what is your dream pairing of a meal and a musician?
I would love to sit at an all you can eat taco bar for hours listening to Raul Malo play guitar and sing.
Last week, the folks at NPR Music graced the roots music world, releasing a Tiny Desk Concert performance by Marty Stuart & His Fabulous Superlatives. Behind the storied and iconic desk, Stuart and a three-piece band – Chris Scruggs (bass), Kenny Vaughan (guitar), and Harry Stinson (percussion) – perform a short set of classics and recent cuts, too. From 1991’s “Tempted” to 2023’s “Tomahawk,” the group demonstrates how interconnected all of these roots music genres really are – and that they are fluent in so many more. Stuart straddles limitless folk and country aesthetics, from classic, old-school sounds to bluegrass string band vibes to psychedelic surf rock.
In a stripped-down setting such as the Tiny Desk, that genre-bending is even more apparent, as the ensemble settles into a simple, honky-tonkin’, bluegrass quartet meets glitzy countrypolitan groove, with the instrumental and technical prowess of each player on full display. Having performed with the Country Music Hall of Famer for a decade or more, each, this trio of accompanists are comfortable and at ease, but never “phoning it in.” It’s clear to this outfit, whether playing for a couple dozen NPR employees in an office cubicle or on the biggest festival and venue stages in the world, there’s always plenty of fun, joy, and smiles to be had.
Marty Stuart & His Fabulous superlatives – whose most recent album, Altitude, was released to critical acclaim in 2023 – have a full slate of tour dates upcoming this year in the UK, the EU, and supporting Chris Stapleton on more than a half dozen appearances, as well. Plus, Stuart just released a limited, 50th anniversary edition of Americana and country staple Sweetheart Of The Rodeo for Record Store Day with the Byrds co-founders Roger McGuinn and Chris Hillman.
An entire lifetime into his performing and picking career, Marty Stuart – and his Fabulous Superlatives, too – show no signs of slowing down, easing up, or softening their vibrant and engaging post-genre country, bluegrass, and Americana melting pot music.
It’s another full week of new releases and exciting premieres! Leading off our round up this time is young fiddlin’ phenom Carson Peters singing a Bob Seger classic, “Long Twin Silver Line.” Plus, don’t miss bluegrass tracks from our friends Unspoken Tradition and Meadow Mountain – the latter of whom debuted the first installment of their SkyTheory Sessions on BGS yesterday.
There’s also plenty of Good Country to find herein! Kyle McKearney is joined by bluegrass flatpicker Trey Hensley on “Lonesome,” Jessie Wilson brings us a new one, “Outlaw,” and Will Stewart & the Gold Band share a tune from their Live in Norway project. Plus, Jordie Lane brings us a new single, too.
Yesterday, Donovan Woods exclusively premiered a new Lori McKenna and Matt Nathanson co-write on BGS,. as well so don’t miss that! It’s all below and really, You Gotta Hear This!
Carson Peters, “Long Twin Silver Line”
Artist:Carson Peters Hometown: Nashville, Tennessee Song: “Long Twin Silver Line” (Bob Seger cover) Album:Silver Bullet Bluegrass Release Date: July 12, 2024 Label: Lonesome Day Records
In Their Words: “Randall Deaton approached me with this tribute project a while back, and I loved the idea and jumped at the chance to be included with the great artists that were already on board. I grew up listening to classic rock and roll music riding in my parents’ car. It definitely helped me appreciate all styles of music and I always enjoyed hearing Seger songs. Randall had most of the track ready for me when I came in to put vocals and fiddle on it, and his ideas and choices made this song even better than I imagined. We played around with arrangements for a fiddle break in the middle, but he was the brain behind the arrangement for sure. I think (and hope) that the youthfulness in my voice and aggressive style of fiddle playing suits this song well, and gives it a nice spin. I am working up a live version with my band so we can put into our shows.” – Carson Peters
Track Credits: Written and published by Bob Seger, Gear Publishing Company Producer – Randall Deaton Engineers – Randall Deaton, Jimmy Nutt Tracked at Lonesome Day Recording Studio, Booneville, KY / The NuttHouse Recording Studio, Muscle Shoals, AL. Mixed at The NuttHouse Recording Studio, Muscle Shoals, AL.
Guitar – Stephen Mougin, Gary Nichols Mandolin – Darrell Webb Banjo – Ned Luberecki Bass – Mike Bub Dobro – Jake Joines Fiddle – Carson Peters Harmony vocals – Sarah Borges
Artist:Kyle McKearney Hometown: Calgary, Alberta, Canada Song: “Lonesome” (featuring Trey Hensley) Release Date: April 26, 2024 Label: Kyle McKearney Music
In Their Words: “I’ve been following Trey Hensley for years and have always been a huge fan of his playing, singing, and Southern charm. I got to meet Trey at a gig in Colorado and I was blown away to learn that had been a fan of mine as well. My keyboard player James and I wrote ‘Lonesome’ with Trey in mind, hoping that he’d jump on for a shred on his flattop. I love how this song turned out and am grateful to Trey and team for their contributions. I can’t wait for folks to hear this burning two stepper!” — Kyle McKearney
“I became a huge fan of Kyle McKearney the moment I heard his music several years ago. I became an even bigger fan when I got to meet him and hear him live out in Colorado last year. I knew then that I would love a chance to work on some music with him in the future. I was thrilled when the opportunity arose for me to go up to Alberta and record with Kyle for his new song ‘Lonesome.’ As soon as I heard the song, I immediately knew this was going to be a blast… and sure enough, it was an absolutely incredible experience. Kyle is such a phenomenally talented artist, and I’m beyond honored to be included on ‘Lonesome.’ I can’t wait for y’all to hear it!” — Trey Hensley
Jessie Wilson, “Outlaw”
Artist:Jessie Wilson Hometown: Phenix City, Alabama Song: “Outlaw” Release Date: May 3, 2024 (single)
In Their Words: “‘Outlaw’ depicts a universal feeling – no matter what field you are in or where you’re at in life, almost everyone has felt like they weren’t good enough and wanted to fit into a certain group at some point or another. I wrote this song about Nashville; I’ve often wondered what I need to do to be wanted in this town and the music industry. Is it about dating the right person, or changing my morals – what’s the answer? This song was written from that state of mind. It took a lot of vulnerability for me to admit that there was a time when I would do anything to fit in and gain the love of others, because deep down I was so lonely and lost. It’s typical to want to compare yourself, but you have to steer your mind away from that idea. I’ve since learned that I don’t have to change who I am and that the right people and opportunities will come to me and love me for the person I am.” – Jessie Wilson
Track Credits:
Producer – David Dorn Acoustic & electric guitar – Tim Galloway Bass – Tim Denbo Drums – Matt King B3/Synthesizer – David Dorn BGVs – Kristen Rogers and Caleb Lee Hutchinson Recorded at Farmland Studios. Mixing – Mark Lonsway Mastering – Mayfield Mastering
Will Stewart & The Gold Band, “Real Drag” (Live)
Artist:Will Stewart & The Gold Band Hometown: Birmingham, Alabama Song: “Real Drag” (Live) Album:Will Stewart & The Gold Band Live in Norway Release Date: June 7, 2024 Label: Cornelius Chapel Records
In Their Words: “Ross Parker, my longtime friend and bassist, sent me a rough demo of ‘Real Drag’ last year. I slightly tweaked the arrangement and melody and added a verse and it immediately became a staple in our live set. I get to throw in some jangle on this one, and Janet’s guitar playing compliments that in a nice way. The lyrics sort of speak for themselves, but it’s about a series of unfortunate events after a long night of being out, which seems to be a common theme in a lot of my songs, now that I’m thinking about it. It’s a combination of people and places that we’ve encountered over the years.” – Will Stewart
Track Credits:
Will Stewart – Guitar, vocals Janet Simpson – Guitar, vocals Tyler McGuire – Drums Ross Parker – Bass Recording Engineer – Harvard Soknes Mixed by Brad Timko. Mastered by Alex McCollough.
Jordie Lane, “The Changing Weather”
Artist:Jordie Lane Hometown: Melbourne, Australia (Based in Nashville, Tennessee) Song: “The Changing Weather” Album:Tropical Depression Release Date: May 2, 2024 (single); August 23, 2024 (album) Label: Blood Thinner Records, under exclusive licence to ABC Music/The Orchard
In Their Words: “I had just got back to America after the terrible 2019-20 Australian bushfires when this massive EF-3 Tornado devastated our East Nashville neighborhood. Everything in my mind and body was kind of in shock about this severe weather, being so close to being hit. It scared the sh*t outta me. The song came after thinking about how people often complain about the very things that could and should be seen as a gift. Like the simple act of getting caught in the rain.
“Humans are remarkably good at denying the truth sometimes and covering it up with a bunch of other crap that we pretend is more important. We tend to just wanna get on with our lives, and not think about the scary things inside us, or with this planet we live on. This song is my take of an easy-breezy ’60s song to keep cruising along to, until the moment it’s all too late.” – Jordie Lane
Track Credits: Written by Jordie Lane. Produced by Jordie Lane & Jon Estes.
Video Credits: Director, director of photography, editor – Korby Lenker Aerial photography – Travis Nicholson Producers, production designers – Jordie Lane & Clare Reynolds
Unspoken Tradition, “Georgia In Her Eyes”
Artist:Unspoken Tradition Hometown: Cherryville, North Carolina Song: “Georgia In Her Eyes” Release Date: May 3, 2024 Label: Mountain Home Music Company
In Their Words: “‘Georgia In Her Eyes’ is a deeply personal song that I wrote in a fit of inspiration not long after meeting the woman who is now my wife. Looking through the perspective gained from 12 years together, the lyrics are even more meaningful. I’m excited that the guys in the band chose to help bring this song to life.” – Sav Sankaran, bass and songwriter
Track Credits:
Audie McGinnis – Acoustic, vocals Sav Sankaran – Vocals, bass Tim Gardner – Fiddle, vocals Zane McGinnis – Banjo Ty Gilpin – Mandolin
Donovan Woods, “Back For the Funeral”
Artist:Donovan Woods Hometown: Sarnia, Ontario, Canada Song: “Back For The Funeral” Album:Things Were Never Good If They’re Not Good Now Release Date: July 12, 2024 Label: End Times Music
In Their Words: “‘Back For The Funeral’ is a story that a lot of us end up experiencing. Big life events – deaths, births, divorces – seem to pull us out of the flow of time somehow. The days around these events can feel like a dream wherein the regular rules of our lives don’t apply. People fall back onto old habits or maybe construct a new temporary-self to shield them from grief or shock. What I like best about this song is that it reflects that dream-like feeling without sacrificing clarity. It feels the way those life-dividing days feel. I wrote it with Lori McKenna and Matt Nathanson. I’m about as proud of it as anything I’ve written. I hope it’s useful to people.” – Donovan Woods
In Their Words: “It sometimes feels like my life is split up into eras – periods of a year or two that, upon looking back, have a distinct, overarching feeling. As I get older I’ve started to recognize when I’m on the edge of one era, moving into the next one, and I begin to get a sense of the overall color of my recent life. I had that feeling as spring moved into summer last year and wanted to document it in a song. It recounts moments in the Colorado wilderness, misadventures in love, and my abiding wish to be Sam Bush in the 1980’s.” – Jack Dunlevie, mandolin and songwriter
Born out of humble beginnings in 1983, Mountain Stage has blossomed to become not just one of Appalachia’s most sought after musical platforms, but one of all of Americana and roots music’s most cherished stages. Broadcasting bi-monthly to nearly 300 NPR stations nationwide, the program has welcomed everyone from John Prine to Wilco, Wynonna Judd, and even Widespread Panic during its historic 40-year run. To celebrate the achievement, Mountain Stage and Oh Boy Records have partnered to release the 21-song Live On Mountain Stage: Outlaws and Outliers (released April 19).
According to Larry Groce — Mountain Stage host from 1983 to 2021 and one of the compilation’s curators — distilling 40 years of music into one album was quite the task. Deliberations began with a list of over 150 songs before landing on the 21 that made the album.
“At first we just looked at the artist named and began to narrow it down from there,” Groce describes the process to BGS. “After several narrowings we began listening to some of them, getting the list down to about 30 before cutting it further down to the 21 that made the album.”
Sticking close to the country, folk, and bluegrass sounds of the show’s West Virginia home, the album includes performances from Appalachia’s own – like current Mountain Stage host Kathy Mattea, Tyler Childers, Sierra Ferrell, and Tim O’Brien alongside A-listers like Prine, Eric Church, Alison Krauss, and Jason Isbell. Helping to attract and keep such a diverse array of talent returning has been the program’s artist-first approach, which caters to the performers and platforms great songs over all else.
“We’re not trying to be trendsetters and we aren’t trying to be hip,” asserts Groce, who broke onto the scene as a singer-songwriter with his song “Junk Food Junkie” in 1976. “We try to look at things in the long run by booking talent we think will last. Our goal has always been to put the artist at the center of the show rather than myself, the program, or anyone else. There’s people that would argue that we should always be pushing the brand, but that’s not the way we — or anyone else — operates in West Virginia.”
One of the many artists appreciative of that approach is Molly Tuttle, who last appeared on Mountain Stage in 2023 to support her album City Of Gold, which has since earned her a second Grammy win for Best Bluegrass Album. Born in California, Tuttle didn’t become aware of the show until moving to Nashville in 2015. She’s gone on to play the show three times, the first being a visit in 2018 that provided the performance of “You Didn’t Call My Name” that made the compilation.
Of the show, Tuttle says what she’s cherished most about her time on it is the chance to collaborate and catch up with her colleagues.
“It’s one of the few places where you get to meet, converse and collaborate with other musicians, which typically only happens for us on the road at music festivals,” explains Tuttle. “That really speaks to the trust Larry Groce and the entire Mountain Stage team have in giving the artists freedom to do what they want. What results is a well curated show that’s become one of the most important showcases around for this kind of music.”
In agreement with Tuttle is Tim O’Brien, a native West Virginian who made his Mountain Stage debut in the late ’80s with Hot Rize, an occasion he credits to his mother that has sparked too many follow-up visits to count.
“She called my sister and I — who were living in Colorado at the time — to tell us about it after hearing about it on the local radio back home,” recalls O’Brien, whose song “Cup Of Sugar” from a 2021 appearance is featured on the record. “She immediately thought we’d be a good fit for it, so she wrote them a postcard one day asking when they were going to get Hot Rize on. It was a good fit the first time, and always has been.”
“I remember writing her back saying ‘Your son’s band is much more famous than we are,” Groce jokes as he looks back on the moment. “The question is, does he want to go on the show, not whether we’ll have him or not. And sure enough, we booked Hot Rize shortly thereafter.”
The Indigo Girls perform on Mountain Stage. Photo by Brian Blauser.
It’s that attitude of never feeling above anyone or anything that has helped Mountain Stage to excel and have the lasting legacy that it does. It captures its home region of West Virginia and Appalachia better than most any other music-related program does, both in sound and in sentiment. It’s the latter that’s arguably been the biggest asset in attracting bigger names as the show taps into the majestic mountains around them.
“There’s many different kinds of people that live in Appalachia, but one thing that’s really bedrock is supporting one another, and that shows with Mountain Stage and how they put the program on,” reflects O’Brien. “It’s intimate and friendly, just like the state.”
Photo Credit: Tim O’Brien Band performing on Mountain Stage by Chris Morris; Molly Tuttle performs on Mountain Stage by Josh Saul.
Welcome to the second edition of BGS Bytes! From up and coming artists on TikTok to conversations the biggest artists are having online, we’re here to round up any important things happening online in roots music — so you can save your thumbs a few scrolls!
In no particular order, let’s take a look back at a few notable highlights from bluegrass and country social circles in the last few weeks.
Spotify Stopped Paying Out to Small Artists On Its Platform
Spotify has now changed which tracks are eligible for monetization. Tracks with under 1,000 streams will earn nothing from the streaming giant.
In early April, More Perfect Union reported that Spotify has stopped paying out for artists whose songs don’t top 1,000 streams. While this change won’t impact musicians who top the charts, it reduces profitability for smaller up-and-comers. Of course, this also impacts all genres, not just roots music, a genre that has already historically struggled with a digital era. We might have posted some satirical news about Spotify recently, but this is all too real.
Could there possibly be new music on the way?? I’m With Her posted a reunion photo with all three members: Sara Watkins, Aoife O’Donovan, and Sarah Jarosz, as the golden trio took in the eclipse through solar viewing glasses!
Black Opry Hit Mainstream News Talking About Beyoncé’s New Album
Tanner Davenport, co-director of The Black Opry, spoke with MSNBC in March about the record-breaking album, ‘Cowboy Carter,’ that’s been setting tongues wagging since its debut.
“She has always been country”: Critic on Beyoncé’s “Cowboy Carter”
Tanner Davenport, co-director of The Black Opry, spoke with MSNBC’s @AlexWitt following the release of the music idol’s record-breaking new album. pic.twitter.com/BFubaNCig1
One of the wildest social media videos you’ll see this week features a surprising crew — watch Harrison Ford, Paul McCartney, Will Arnett, Brandi Carlile, Mac McAnally, Jon Bon Jovi, Vince Gill, and Pitbull on stage singing “Margaritvaille” together. That’s not an exhaustive list, of course, so let us know who else you can spot! It’s hard to count all the celebs in this Jimmy Buffet tribute.
Orville Peck Celebrated His New Release With Willie Nelson
If you missed it, Orville Peck recently released a recording and accompanying music video for “Cowboys Are Frequently Secretly Fond of Each Other” with Willie Nelson. The video has already racked up more than half a million views on YouTube! Turns out there must be many a cowboy feeling the vibes Peck and Nelson are putting out.
Viewers Have Been Digging Tyler Childers’ Live Performances on TikTok
A handful of Tyler Childers’ videos have gone viral in the last few weeks, including the above that’s racked up more than 179,000 likes and nearly two million views. Hey, we can’t blame y’all for loving his music, especially when it’s performed live!
With nearly three million views, Gary the Snail’s version of Tracy Chapman’s “Fast Car” has been taking over TikTok. Just a silly little cover, you’re sure to get a good chuckle, even if you’re not a huge SpongeBob fan.
It’s pretty obvious — a lot happened in March and the beginnings of April! We’ll continue rounding up the hottest social media conversations and goings-on for BGS readers every month — let us know on social media and tag us in a post if you think something deserves to make the next list.
Photo Credit: Jackson Browne, Paul McCartney, Woody Harrelson, and more perform on stage at the Jimmy Buffett tribute on April 11, 2024 shot by Randall Michelson / Live Nation – Hewitt Silva.
Are you excited for new music Friday? With our slate of premieres this week, we certainly are! AJ Lee & Blue Summit bring us the first track from their just-announced album, City of Glass (coming in July), old-time, folk, and Americana supergroup New Dangerfield have released their very first music together, and banjoist Tray Wellington (also of New Dangerfield) is dropping a new instrumental today, as well!
Plus, don’t miss Australian-via-Nashville country artist Wesley Dean and his new video for “Mercy” and you’ll also find Jacob Jolliff Band’s new number, “Los Angeles County Breakdown,” which premiered on BGS yesterday.
It’s all right here and to be totally honest, You Gotta Hear This!
AJ Lee & Blue Summit, “Hillside”
Artist:AJ Lee & Blue Summit Hometown: Santa Cruz, California Song: “Hillside” Album:City of Glass Release Date: July 19, 2024 Label: Signature Sounds
In Their Words: “The song ‘Hillside’ is sung from the perspective of a hill that is being eroded by weather and chipped by the tools of man. Still, the hill aspires to become a mountain and refuses to give in to the bombardment of forces. The last line in the chorus is, ‘… A thousand years don’t mean a thing to the stone cold hill that you call me,’ which I wrote with the idea that I will have confidence in myself no matter who tries to tear me down. I feel like I am becoming an immovable mountain that has been birthed out of proving my resilience. This song represents women empowerment, resilience, and strength.” – AJ Lee
Track Credits:
Written by AJ Lee Produced by Lech Wierzynski Mixed and engineered by Jacob LaCally Mastered by Paul Blakemore
New Dangerfield, “Dangerfield Newby”
Artist:New Dangerfield (Jake Blount, Kaia Kater, Tray Wellington, and Nelson Williams) Hometown: Providence, RI; New York City, NY; New Orleans, LA; Raleigh, NC Song: “Dangerfield Newby” Release Date: April 26, 2024 Label: Distributed by Free Dirt Records
In Their Words: “I learned the tune we call ‘Dangerfield Newby’ from Eddie Bond close to a decade ago. He called it by the name ‘Old Sport,’ but told us that it was alternatively named ‘Dangerfield’ after one of John Brown’s raiders. I performed on John Brown’s farm last summer and had the opportunity to visit the grave he shares with his sons and several of his raiders — including the Black ones. I learned that Dangerfield was Black from his gravestone. The string band tradition has been honoring a Black freedom fighter all this time – who knew? I brought the tune to the band, since these are the stories we want to tell.
“Inspired by Dangerfield’s dedication to his family and community and his drive for freedom, we decided to put his full name on the tune. Thus, ‘Dangerfield Newby’ was born! We chose our band name, New Dangerfield, as an homage just a few days later.” – Jake Blount
Tray Wellington, “Blue Collared Dog and His Green Eyed Friend”
Artist:Tray Wellington Hometown: Raleigh, North Carolina Song: “Blue Collared Dog and His Green Eyed Friend” Release Date: April 26, 2024 Label: Mountain Home Music Company
In Their Words: “One late night while doing some paintings, we ended the night with two different ones. One featured a dog with a blue collar, and one featured a cat with bright green eyes. I thought about how, if I was still a kid, I would’ve created a whole story within these paintings of how these two were friends and journeyed the world together. Shortly after this thought, I picked up my banjo and just did some improv which ended up being the start of the tune. I just kept going and finished the tune in that improv session, remembered what I could, and recorded it right away. I was amazed at how such a simple thought could help me create a piece of music I’m so proud of.” – Tray Wellington
Artist:Wesley Dean Hometown: Nashville, Tennessee (by way of Australia) Song: “Mercy” Album:Music From Crazy Hearts Release Date: April 26, 2024
In Their Words: “While I was traveling around the country last summer on my Crazy Hearts Across America tour, we shot different music videos for the album in different cities. Where else is better than the neon psychedelic lights of Las Vegas for ‘Mercy?’ It suited the music and the vision. We shot up and down the strip outside the famous Flamingo casino one night and then built the rest of the video around that footage.
“Jacobie Gray, my director, wrote the treatment for the redemption story and then we filmed the rest of the video at a bar and old church in Nashville and a cemetery outside of town. I’ll never forget the night when we filmed with the gospel choir, it’s such a dream to sing with those guys, and it was one of the first visions I had before Crazy Hearts was born, ‘Mercy’ being the first song I wrote for the record. And being out in the cemetery in the middle of the night was another experience I’ll hold close from making this video. An Amish horse and cart rode past in the darkness while I was looking up at the stars smoking a cigar and it was so surreal. You wouldn’t experience that in Australia.
“My main cinematographer, David Bradley, who also edited and colored the video, really delivered on that psychedelic vibe I was wanting.” – Wesley Dean
Jacob Jolliff, “Los Angeles County Breakdown”
Artist:The Jacob Jolliff Band Hometown: New York City, New York Song: “Los Angeles County Breakdown” Album:Instrumentals, Vol. 2: Mandolin Mysteries Release Date: May 24, 2024 Label: Adhyâropa Records
In Their Words: “‘Los Angeles County Breakdown’ is the first tune we started arranging for Mandolin Mysteries. I taught it to the group while we were in LA, on the last show of our last tour before the lockdown in 2020. So I had these demos of us playing the working version that I listened to and was excited about for a couple years before we finally got the chance to finish the arrangement and perform it live. It’s a sprightly little number with a lot of different influences — I like that it features a nice section for the fiddle and guitar to stretch out on. Hope you enjoy it!” – Jacob Jolliff
Photo Credit: AJ Lee & Blue Summit by Natia Cinco; New Dangerfield by Justin French.
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