Artist:Nicolette & The Nobodies Hometown: Guelph, Ontario, Canada Song: “Rodeo” Release Date: August 24, 2023 Label: Art Haus
In Their Words: “I gave up on being a musician a long time ago. I let some negative thoughts knock me down and keep me down. That if I wasn’t good enough then, I’d never be. ‘Rodeo,’ the song and video, is about how I got back up again. The night I walked into that karaoke, sang some songs and met my band – that was the first step to bringing me back to doing something I truly loved.” – Nicolette Hoang
Artist:Listening Party Hometown: Milwaukee, Wisconsin Album:Been a Long Time Comin’ Release Date: August 25, 2023
In Their Words: “Been a Long Time Comin’ is a collection of experiences and stories gathered over the last five years that have been immersed in the styles of folk, Americana and country. Representing the people, the places and the roads traveled, the songs display our personal growth as we entered our 30s and had to start confronting some of the hurdles that life tossed our way. The goal was to approach a few of these issues with a light-hearted storytelling voice so they didn’t have to seem so daunting, while hopefully leaving some room for the listener to feel hope and redemption. We did our best to acknowledge life’s trials, but also celebrate the positivity that the long journey has to offer. For us, Been a Long Time Comin’ will always be a polaroid of a time in our lives when we relied and leaned on each other to get by.” – Listening Party
Artist:Bill and the Belles Hometown: Johnson City, Tennessee Song: “Gotta Get Drunk” Album:To Willie From Billy Release Date: September 8, 2023 Label: Ditty Boom Records
In Their Words: “Our upcoming album, To Willie From Billy, is a tribute to Willie Nelson, released in honor of the icon turning 90. We like to think it’s a bold and playful meeting of our string band origins and genre-defying arrangements, and a celebration of Nelson’s songwriting and musical ethos. It is that musical ethos that ties Willie and Billy together: A commitment to timelessness and simplicity, with a good dose of rebellion. Picking out just 12 tunes from Willie Nelson’s catalogue proved to be tough if not impossible, but eventually we got there. Most of the tunes are lesser known cuts from Nelson with a few hits thrown in for good measure. ‘Gotta Get Drunk,’ a raucous bar shout, wobbles and sways right in the middle.” – Kris Truelsen
Artist:Scott Sean White Hometown: Dallas, Texas/Nashville, Tennessee Song: “Hope You Never Do” (Featuring Radney Foster) Album:Even Better On the Bad Days Release Date: August 18, 2023 (single); January 19, 2024 (album)
In Their Words: “Eric Erdman and Radney Foster were writing at Radney’s house one day and the news or something came on the TV while they were having lunch. Whatever it was, it made one of Radney’s kids say, ‘Dad, I don’t even know what it’s like to ball up my fist to hit someone.’ And Radney teared up and said, ‘I hope you never do.’ Eric gave him a minute and then said, ‘We’re writing THAT!’ They got stuck on the idea for some reason and couldn’t get it where they wanted. It was a year-and-a-half later that I met Eric for the first time and for some reason, he thought I was the guy to help them and their other co-writer, Chad Wilson, get it unstuck. We got together over Zoom one day and left with this.” – Scott Sean White
Artist:Philip Bowen Hometown: Montgomery, West Virginia Song: “Anymore” Album:Old Kanawha Release Date: August 18, 2023
In Their Words: “We really wanted to do this song as an acoustic/bonus track on the record. I wrote it with the intention of it being more bare bones, and I love how it turned out. The acoustic guitar, fiddle, and piano are all that’s needed, and I think musically, it really hits differently when it’s scaled back like this.” – Philip Bowen
My sophomore album,A Cowgirl Rides On, set to be released October 20, 2023, is a true reflection of my heart and what keeps me going – bluegrass, gospel, western, Jesus, horses, love, and even a little bit of heartache. The songs written for the record were hugely inspired by the songs I included on this playlist. All of these artists and songs are ones I hold near and dear and have moved me in some big way.
I became strong in my faith as a Christian in my early 20s, which is around the same time I began performing and writing a ton. Being introduced to gospel and bluegrass had a big impact on me, and it continues to deeply connect me to my faith.
It’s been a long–time dream to release a record that feels a little bit bluegrass, a little bit gospel, and everything inbetween. Here are the songs that guided me there. I hope you find so much joy in them and that they become the soundtrack to your long drives, or to enjoy over your Sunday pancakes, or during the times you just need a little light. – Victoria Bailey
“Waiting At the Gate” – Ricky Skaggs & Kentucky Thunder
This song is one of my all–time favorites. This whole album, Soldier of the Cross, is pure gospel gold. I actually cover this song on my upcoming record, and it was one of the most fun songs for us to record in the studio. Ricky Skaggs is just simply the best.
“Wayfaring Stranger” – Emmylou Harris
This Emmylou Harris album is really the pinpoint of when I fell in love with country music. Many have covered this classic song, but Emmylou’s version of “Wayfaring Stranger“ is my favorite by far. Her voice and the tone of this song are so haunting and beautiful… nothing compares.
“The Seeker”– Dolly Parton
Oh, Dolly… what would a playlist be without her? Dolly is undeniably the best and has inspired me in so many ways, but especially her love for Jesus and how she ties in a little bit of the gospel to most of her records. This song really gets me moving and grooving around my house.
“I Just Want to Thank You Lord” – Marshall Family
These harmonies are so good, and they really inspired how I wanted the harmonies to sound on my own record. I also wanted it to feel just as timeless and simple as this song by the Marshall Family. This song ends up being on most of my roadtrip playlists.
“The Fields Have Turned Brown” – Ralph Stanley
Ralph Stanley is a huge inspiration to me and such an important figure in bluegrass music and in the banjo world. The banjo is one of my all–time favorite sounds, and I included a lot of it on my new record. It just takes you to a good place.
“Wild and Blue” – Alan Jackson
I turn to this album quite often. What a combo! Alan Jackson and bluegrass/gospel. It’s just so good.
“Snake Trails” – Victoria Bailey
This is by far my favorite song on the record. It is a gospel song I wrote while riding my horse, Weasley, through the canyon one day. It brings me back to that place every time I sing it. It was one of the first written for the project and really sets a tone for the rest of the record. It was inspired by my horse and finding peace and connection to my faith being out on the trails.
“I Must See Jesus” – Snooks Eaglin
This song always gives me the same feeling as when you just finished a really good movie. My whole heart swells, and it brings me to a really special, peaceful place. His voice is incredible, and you can hear all the passion and honesty and faith in his delivery.
“End of the Line” – Moonsville Collective
These guys are like family to me and have inspired me endlessly over the years, watching them play and the way they are beautifully representing bluegrass/Americana music. This song, written by Corey Adams, is one that has always hit home hard for me at many times in my life. It is truly one of my favorite songs ever written, and it was an honor that I actually got to cover this song on my upcoming record.
“I’ll Fly Away” – Gillian Welch, Allison Krauss
When my producer, Brian Whelan, and I sat down to talk about making this record, we referenced the O Brother, Where Art Thou? soundtrack often. Not only is this movie legendary, so are all of the musical performers on the soundtrack. We loved the style of the recordings. Live, all in one room together, where you can hear all the cracks and the love, and it‘s exactly what we tried to emulate for my own record. Recording live was such a special part of making A Cowgirl Rides On.
“Where the Soul of Man Never Dies” – Ricky Skaggs & Tony Rice
Doesn’t get much better than this duet. This is often a Sunday soundtrack for me.
“Long Journey Home” – Billy Strings & Terry Barber
Billy Strings is such an amazing representation of modern bluegrass. His sound is timeless, and his guitar playing and songwriting match up to some of my bluegrass heroes. I’ve always loved this song, and he covers it so well.
“Angel Band” – The Stanley Brothers
This song just always pops in my head any time I hear the word bluegrass. It is so classic and pure, and the harmonies pull on all the heartstrings.
“Just Like Leaving” – Bella White
I have been a longtime Bella White fan, and she is such an important female artist in keeping the bluegrass sound alive. The rest of the record is incredible as well.
“Green Green Grass of Home” – Merle Haggard
You can’t have a playlist without Merle. This song always brings me to tears and really is a beautiful representation of Merle’s songwriting and voice.
Artist:Rebecca Porter Hometown: Harrisonburg, Virginia Latest Release: “Happy Go Lucky” Personal Nicknames (or rejected band names): Becca
What’s your favorite memory from being on stage?
RP: One of my most favorite memories from being on stage is a recent one – singing on stage with The Steel Wheels at Red Wing Roots Music Festival. This was my first year performing at the festival. A couple weeks prior to its tenth year celebration, The Steel Wheels’ fiddle player reached out and invited me to join them as part of a folk choir for their song “Till No One Is Free.” After a couple run-throughs with the band and The Honey Dewdrops backstage, it seemed The Steel Wheels’ set flew by and before I knew it, I walked out on stage with them. I faced the largest crowd I’d ever performed for, shoulder to shoulder with the founders of the festival. So many smiles and festival goers welcomed us all into their hearts with open arms as they sang along with our makeshift folk choir. While the air was filled with countless voices, a calm silence of comfort fell over my heart.
What other art forms — literature, film, dance, painting, etc. — inform your music?
Visual arts impact my music by allowing me to observe and participate in the artist’s work, their vision, their experience. I may not be directly involved in the work’s creation, but the role of observing and appreciating a work, determining if and how it informs my thoughts, feelings, beliefs. All of those things are very similar to how I write, create and listen to music. A couple of my favorite artists include Cai Guo-Qiang, a Chinese artist who works in gunpowder drawings and explosives. The mere ability to utilize materials, typically connected to death and destruction, and repurpose them into visual wonders for peace, understanding and justice is beautiful. Kara Walker, an American contemporary who works in multiple mediums, creates mind-bending silhouettes that question and investigate race, gender, sexuality, and violence.
What was the first moment that you knew you wanted to be a musician?
I was known to dance on the family room coffee table to Billy Ray Cyrus’ “Achy Breaky Heart” a time or two, but the very first time I knew I wanted to be a musician was when I was four years old. I was watching an episode of Sally Jessy Raphael and a young girl sang “I Will Always Love You.” I still remember crying as I watched her sing and feeling a connection, a sort of sense of belonging.
If you had to write a mission statement for your career, what would it be?
Craft honest stories through lyrics, music and voice that foster and create connections. Utilize the power of song to build and inhabit spaces where individuals are safe to process, celebrate or escape themselves and the world around them. As with “Happy Go Lucky,” I want people to know it is okay, many times quite necessary, to feel the feels – do the shitty work for yourself – in order to move on and be at peace or replenish your happy-go-lucky when it starts to run out.
What has been the best advice you’ve received in your career so far?
If music is what you want, take it. Seize the moment, keep strumming. Go wherever your songs take you and then some.
Artist:Julian Talamantez Brolaski Hometown: Goleta, California Latest Album:It’s Okay Honey Personal Nicknames (or rejected band names): Julian & the Knockouts
Which artist has influenced you the most … and how?
JTB: Probably the poet William Shakespeare. I know that sounds cliché to say. I love the way he combines words which have their roots in Old English with words of Romance origin, like his line: “The multitudinous seas incarnadine / making the green one red.” He drank deep from the fount of English, and I’m grateful for what he gave us — language that sings.
What other art forms — literature, film, dance, painting, etc. — inform your music?
Poetry, in both its written and oral forms. I think of folk music as a kind of oral poetry. And I love to see the trajectories of the way songs are passed down, change, and mutate, like a game of Telephone. The song “In the Pines,” for instance, or “Wildwood Flower.” There are so many versions of those songs, and stories around them, wayward histories, misheard and remade lines. I like to think of my songs as operating in that tradition, rhyming and stealing, dressing up old songs in new clothes. My song “Goodbye Brother,” for example, is a rewriting of the Carter Family song “Lula Walls.” And “Covid-19 Blues” is basically a ripoff of “Long Gone Lonesome Blues” by Hank Williams.
What rituals do you have, either in the studio or before a show?
I do these vocal warmups before I sing that a teacher in Philadelphia taught me. They’re very annoying sounding, like a bratty baby crying, and then like a whining witch, and so I get kind of self-conscious doing them, but it really makes a difference. I meditate and try to get myself into a calm place, and focus on my intention to really be there with the songs, to sing them with my heart, and to give my all for the audience.
What has been the best advice you’ve received in your career so far?
My grandmother Inés told me whenever you are speaking or singing, always do it from your heart. Over the years, I came to understand that that is not a metaphor, that the feeling is actually quite literal, and bodily. So I try to feel that heartspace physically, and to remember to direct my songs from there. I think that’s a good piece of advice for life, too.
Which elements of nature do you spend the most time with and how do those impact your work?
I live near the ocean in Goleta, California, near Santa Barbara. I love to sit and feel my toes in the sand, walk along the cliffs, smell the enmineralated air. I go to the ocean whenever I feel upset, and it always helps me. Sometimes, I write poems down there, or I bring my guitar and sit on my tailgate and watch the water. It’s very meditative to be in the water, too, swimming or surfing, and it’s humbling and exhilarating to feel the ocean’s power. I always get ideas in the water — if someone could invent a wetsuit with a zipper pocket for a waterproof notebook, that would be amazing.
Artist:Briscoe Hometown: Austin, Texas Song: “Sparrows” Album:West of It All Release Date: September 15, 2023 Label: ATO Records
In Their Words: “‘Sparrows’ is a heartbreak song inspired by time spent in Paris, France, and John Steinbeck’s East of Eden. The song aims to capture the effect evil has on a relationship, as shown through that of Adam and Cathy Trask in the novel. ‘Sparrows’ holds a special place in our hearts as one of the few sad songs on the record, and has already become one of our favorites to play live.” – Briscoe
Artist:Delaney Ramsdell Hometown: Roosevelt, Texas (population 18) Song: “Travelin’ Light” Album:Rambler Release Date: August 10, 2023 (single); October 13, 2023 (album) Label: North Llano Records
In Their Words: “This song is one of my absolute favorites. My dad actually gave me the idea, and growing up in rural West Texas we did so much driving that this topic felt natural. There’s nothing better than feeling free, seeing the beauty of the world, and rambling through life, and that’s exactly what I wanted to represent here. I wrote the song in 2019 with Mia Mantia and Autumn Buysse here in Nashville, and it’s acted as a foundation for me creatively ever since. We tried to include locations that I’d actually been to before, so every time I sing it I have the memories of those places flooding my mind. It’s a special feeling, and I hope the listener hears the heart and the wild spirit we put into the track.” – Delaney Ramsdell
Photo Credit: Seth Hays
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