The BGS Radio Hour – Episode 197

Welcome to the BGS Radio Hour! Since 2017, the show has been a weekly recap of all the great music, new and old, featured on BGS. This week we’ve got new releases from so many amazing artists on the roots scene today, from Luke Combs to Langhorne Slim to Sierra Hull! Remember to check back every Monday for a new episode of the BGS Radio Hour. 

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Luke Combs and Billy Strings – “The Great Divide”

Luke Combs, of country radio stardom, teams up with bluegrass-favorite Billy Strings this week for a new single. “The Great Divide” was written by the duo for Combs’s bluegrass album, one that he hasn’t completed yet. However, both artists agreed that the time to release this song was now, attempting to shine a light of hope in this tough time.

Allison Russell – “By Your Side”

Singer/frontwoman of the Birds of Chicago, Montréal-based Allison Russell brings this Sade cover to the show this week. What she calls an “endlessly expansive and inclusive song of love,” this song brings comfort to Russell – as it does to us, as well.

Jaelee Roberts – “Something You Didn’t Count On”

Nashville-based Jaelee Roberts is one of the quickest rising stars in bluegrass music. Her first single on Mountain Home Music Company, an original song co-written with Theo MacMillan (of Theo and Brenna), brings big promises of more great music to come.

Twisted Pine – “Amadeus Party”

A 5+5 guest this week is none other than Jim Olsen, president of Massachusetts record label Signature Sounds. Celebrating 25 years of the label, and the so many great artists presented by it, Olsen brings us the Golden Age playlist – which includes this jam from Twisted Pine.

Dale Ann Bradley – “Yellow Creek”

Kentucky-based Dale Ann Bradley brought us a new album this weekend! While you may remember her from former BGS Artist of the Month Sister Sadie – an all-female bluegrass supergroup – Bradley is stepping away from the band in 2021 to celebrate this new solo album, just one of so many in her extensive catalog.

Karen Matheson – “Glory Demon”

“Glory Demon” comes from Brewers Dictionary of Phrase and Fable. “It means war,” Matheson tells BGS. But, this is an anti-war song from the Scottish artist, one about how we never learn and life just keeps endlessly repeating itself.

Black Pumas – “Colors”

The Black Pumas are our February Artist of the Month here at BGS! You may recognize them from the Biden inauguration, where they performed this song from their 2019 self-titled album. Stayed tuned all month long, where we’ll be featuring exclusive content on the Black Pumas!

Langhorne Slim – “Mighty Soul”

This week on The Show On The Road podcast brings us a conversation with Sean Scolnick – known mostly by his alter-ego, Langhorne Slim. Host Z. Lupetin caught up with Slim to talk about his new album, Strawberry Mansion, creative funk, mental health, and more.

FRETLAND – “Could Have Loved You”

From Snohomish, Washington, Hillary Grace Fretland (of FRETLAND) catches up with BGS this week on a 5+5 segment – that is 5 questions, 5 songs. We talked favorite memories from being on stage, influences, and songwriting techniques.

Valerie June feat. Carla Thomas – “Call Me A Fool”

From her upcoming The Moon and the Stars: Prescriptions for Dreamers, Valerie June brings us this song that she dedicates to us all. Produced by June and Jack Splash – whose resume includes Kendrick Lamar, Alicia Keys, and John Legend – this album makes it clear to June why she makes music.

Mike Barnett feat. Cory Walker – “Hybrid Hoss”

Nashville-based fiddler Mike Barnett brings us this Bill Monroe twist-up from his upcoming duets album, +1. The record was slated for a fall 2020 release, until Barnett suffered from an unexpected brain hemmorage. After multiple successful surgeries, he is doing well and recovering in extensive rehab where he is reconnecting his brain and fingers. So in listening to this piece of amazing music, let’s all send our best wishes to Mike Barnett and his family. You can support Mike Barnett’s recovery here.

Sierra Hull – “King of Anything (Live)”

From last year’s Whiskey Sour Happy Hour, this week we’re featuring Sierra Hull’s performance of this Sara Bareilles pop-hit. The Nashville-based singer and songwriter just released Weighted Mind (The Original Sessions), an EP made up of the demos for her 2016 release, Weighted Mind. 

Fort Frances – “Fits and Starts”

“Time traveled on a superhighway,” Chicago-based singer and songwriter tells BGS of the world before the pandemic, “but since March, we’ve all been in a traffic jam.” David McMillin of the group suggests that getting a break from all that movement is actually a good thing, however. This song is all about hitting that pause button.

Jon Stickley Trio – “Future Ghost”

The Jon Stickley Trio is one of the most exciting instrumental, “jamgrass” groups on the scene today. Made up of drums, flatpick guitar, and fiddle, they continue to push the boundaries of instrumental roots music, while being a festival favorite across the nation. This week, they bring us this new single on Organic Records.

Langhorne Slim – “Morning Prayer”

At the end of the Show On The Road podcast episode with Langhorne, he graced us with a performance of this song, accompanied by his cat, Mr. Beautiful. What better way to end this week’s show?


Photos: (L to R) Allison Russell by Francesca Cepero; Sierra Hull by Gina Binkley; Valerie June by Renata Raksha

Music Venues May Not Survive COVID-19: Support the #SaveOurStages Campaign

One of the most significant casualties of the new coronavirus may be the live music experience. By the time concert venues and local listening rooms are able to reopen — and nobody knows when that will be — it may be too late for a large majority of locally-owned clubs, who simply can’t afford months and months of bills without being able to generate revenue.

Gia Hughes, production manager of Hotel Café in Hollywood, California, is spreading the word about this dire situation to artists and fans through The National Independent Venue Association and its social media campaign, #saveourstages.

“Without proper support, the live independent music venues you know and love will close,” she says. “Historic institutions in their brick-and-mortar form will not be able to weather this storm. The stages that first provided homes for the Adeles, Katy Perrys, Hoziers, and Lumineers of the world will cease to be. It will take a group effort to survive, and independent venues need you now more than ever. Please support your local institutions, and help spread the word.”

Hughes spoke to BGS about NIVA, and what the shutdown means for grassroots artists as well as live music listeners.

BGS: Can you tell us about the formation of NIVA? How did you and the venue get involved?

Hughes: The National Independent Venue Association (NIVA) formed at the start of the COVID-19 and shelter-in-place orders. We joined without hesitation; we are stronger in numbers. While we have all been working together to flatten the curve and keep our staff and communities safe, we must look forward to how independent venues will financially survive this shutdown.

There are now over 1,600 members spanning all fifty states, and each day there are action points we all touch on to help spread the word of this cause. Independent venues are needing federal financial assistance that will help us see this through. With no — or very little — revenue coming in, 90% of independent venues don’t think they’ll be able to survive a shutdown of six months (or more) if they don’t receive help from the federal government.

https://twitter.com/JasonIsbell/status/1261319849772568580

How would the permanent closure of independent clubs affect the grassroots music community?

The ripple effect would be felt throughout the music industry internationally. I’ll use us as an example. We host up to ten artists (sometimes more) — consisting of both local and touring acts — per night between both of our stages. Oftentimes, we are a stop on a national tour, or we are showcasing up-and-coming acts to labels, managers, A&Rs, publishers, and more.

But in the age of streaming, there’s nothing quite like seeing an artist live. That’s why so many acts are signed after performing at our venue. Without the presence of independent clubs, independent music could suffer greatly. Without a live outlet, there will be no person-to-person connection between artists and fans, between artists and industry, and between artists and their peers. So many independent artists make their income by performing live, as well as by selling merch to fans after their shows. Without independent clubs, local music communities would disappear.

According to NIVA’s letter to Congress, “It is estimated that for every $1 spent on a ticket at small venues, a total of $12 in economic activity is generated within communities on restaurants, hotels, taxis, and retail establishments.” Local business and culture would lose a sizable source of revenue without our businesses bringing in patrons.

And without independent clubs and the independent grassroots community, how would artists truly get discovered, or cut their teeth becoming the next star? Without independent clubs and the independent grassroots community, there would be no truth in music. Plus, local culture would suffer for the loss of it. We would lose so much of what makes music so special. We’d lose that soul connection.

How many shows did you have to cancel / postpone in the wake of COVID restrictions?

Canceling or postponing shows also means canceling and postponing work for our employees, as well as for our vast network of session musicians. For us — we’ve had to cancel hundreds of shows, and counting. We book up to ten acts per night, split between both of our stages, and we’ve been closed for over two months now. Not to mention, we can’t book moving forward since we don’t know when or how we’ll be able to reopen.

For Los Angeles, thousands of shows have already been cancelled between venues like us, The Troubadour, The Bootleg, The Echo, The Satellite, and others. There’s no end in sight.

What can fans of live music do to help (outside of filling out the petition)?

The best thing fans of live music can do right now for independent venues is support them directly by contributing to their GoFundMe or benefit pages, buying tickets to future shows, and buying merch if it’s available. And make some noise via www.saveourstages.com, and share this information with your friends. The more eyes that are on this pressing issue, the more likely independent venues will be to get the support they need from the federal and state government.

Operating a local music club is no small feat. What has kept you invested in the live music scene for all these years?

There is nothing like live music — nothing. When you see those rare shows with artists who you know have that something special, there is just nothing more wonderful than that. And when you get to advocate for them, and make sure their voices are heard, there are few things more gratifying.

The Hotel Café is also a rare anomaly in Los Angeles. We are the home of an actual community of artists and music fans. We’re a safe haven where people can connect with music, yes, but also with each other. Often times, people come by just to hang out with staff, or with fellow musicians, even if they don’t know who’s playing or who’s there; they know they’ll run into someone they know. Or they’ll come by to discover a new artist, because they know they’ll see an act no one knows yet, but will soon become a household name. Not to mention, you never know who might pop up on stage and surprise you. Our community and scene are so special, and I’m grateful to be a part of it, and I’m grateful to be able to champion the next great artists.


Photo credit: Devon Gilfillian by Peter Malek

Get Off Your Ass: September Awaits

Ray LaMontagne // The Greek Theatre // September 11

Brandy Clark // Hotel Café // September 12

Joseph Arthur // The Troubadour // September 12

Joseph // The Troubadour // September 13

Nikki Lane, Brett Dennen, & Cory Chisel // The Fonda // September 13

Wilco // The Theatre at Ace Hotel // September 13-15

The Dustbowl Revival // The Roxy // September 15

Colvin & Earle // Luckman Fine Arts Complex // September 16

Tedeschi Trucks Band & Nicki Bluhm // Orpheum Theatre // September 17

St. Paul & the Broken Bones // Wiltern Theatre // September 20

Elizabeth Cook // The Mint // September 27

Nathan Bowles // Echo // September 30

Nikki Lane & Josh Farrow // Public Square Park // September 2

Ben Harper, Judah & the Lion, Elizabeth Cook, & Aubrie Sellers // Public Square Park // September 3

Jeffrey Foucault // City Winery // September 9

Sean Hayes // 12 & Porter // September 10

Elise Davis // 3rd & Lindsley // September 11

Ryley Walker // The East Room // September 15

Joan Shelley // The Bluebird Café // September 15

Jim Lauderdale // Station Inn // September 17

AmericanaFest // Various Venues // September 20-25

Pilgrimage Fest // Harlinsdale Farm // September 24-25

Mary Gauthier // City Winery // September 29

John Prine & Amanda Shires // Ryman Auditorium // September 30

Kelsey Waldon // Hill Country Barbecue // September 2

Chely Wright // City Winery // September 6

Parsonsfield // Mercury Lounge // September 7

The Felice Brothers // Bowery Ballroom // September 8

The Stray Birds // The Cutting Room // September 9

Amanda Shires // City Winery // September 13

Glen Hansard // Carnegie Hall // September 14

John Gorka // Rubin Museum of Art  // September 16

Chris Pureka // Rough Trade – Brooklyn // September 21

Whitey Morgan & Cody Jinks // The Gramercy Theatre // September 23

Kacy & Clayton // City Winery // September 29

The Handsome Family // Mercury Lounge // September 30

Traveler: Your Guide to Winnipeg

The license plates say “Friendly Manitoba” and they are not wrong. Manitoba is one of Canada’s oldest provinces. It is full of lakes, rivers, music, history, and culture — and Winnipeg is the capital city and hub of all the action. The winters are frigid but, come summer, it’s a hot, bustling city full of patios, festivals, and good times. Winnipeg is home to legendary musical talents like Neil Young, Bachman-Turner Overdrive, the Guess Who, and the Crash Test Dummies, and it continues to foster amazing talent like the Weakerthans, Begonia, and Royal Canoe. So it is no surprise the Winnipeg Folk Festival draws over 60,000 visitors each year during its four-day celebration of international musicians. If you are coming to Winnipeg for the Folk Festival, do yourself a favor and stay a few extra days so you can check out the abundance this city truly has to offer.

Getting There

The James Armstrong Richardson Airport is the only commercial airport and is new, sunny and has a Hug Rug at the arrivals gate. The other option for getting to Winnipeg is Canada’s national railway — Via Rail — arriving at the historic and beautiful Union Station. Taking the train in Canada takes a lot longer than flying, but is a stunning way to travel and really experience the vastness of the country and its ever-changing scenery from province to province.

Lodging

Photo courtesy of the Fairmont Hotel

The Fairmont Hotel is a luxury option located in the heart of Winnipeg’s historic Exchange District. Connected to the underground PATH system to avoid the frigid cold in the winter months, the Fairmont has modern, beautiful rooms and is minutes from shopping and restaurants, as well as a short walk from one of Winnipeg’s main tourist sites — the Forks. A less expensive, newer, and very hip alternative is the Mere Hotel in the downtown core. A comfortable stay with a modern, clean, and bright feel, this hotel is family-friendly and smells amazing upon entering.

Coffee

Photo courtesy of Parlour Coffee.

Parlour Coffee is a staple for caffeine connoisseurs in Winnipeg. Located on Main Street, this bare bones coffee shop doesn’t have wifi and encourages you to, instead, speak to your neighbor. If you find yourself in trendy Osborne Village, you’ll want to hit up Little Sister Coffee Maker on River which was voted best coffee in Winnipeg by a local panel of expert judges.

Food

Photo courtesy of Segovia Tapas Bar

Winnipeg has one of the highest restaurant counts per capita in the country, so your choices are endless. One hot spot is Segovia, a Spanish tapas restaurant with an ever-changing menu and one of the coolest patios in the city. There is also Fusion Grill on Academy for fine dining with locally sourced ingredients. If you want to truly be like the locals, I recommend joining the queue for brunch or lunch at one of the eight Stella’s café locations serving up homemade jams, breads, and soups. Finally, you can’t visit Winnipeg without hitting up the Bridge Drive-In for an ice cream dessert that is totally worth the crazy line up. (The locals will give you bonus points if you refer to it as the BDI and order the infamous Goog.)

Drink

Photo courtesy of the Fort Garry Hotel

Built in 1913 and since designated as a National Historic Site of Canada, the Fort Garry Hotel boasts the opulent Palm Lounge. The wide selection of spirits and wines will bring you in, but the stunning architecture and historic feel will keep you there. It is rumored that the hotel is haunted, so if you see a ghost, it may not just be the cocktails. If you’re looking for a pub feel, head to Bailey’s for their large selection of beers on tap and English pub fare. Lovers of wine will enjoy Peasant Cookery in the Exchange District — go on a Tuesday for discounts on bottles. And, if it’s beer you fancy, stroll down to the Kingshead Pub with two floors, live entertainment, and over 30 beers on tap.

Shopping

Photo courtesy of the Exchange District

The Exchange District is one of Winnipeg’s most historic areas and hosts some of the city’s best boutique shops — be sure to check out Ordnry and the Haberdashery Guys & Girls. Osborne Village is another great area where you’ll find a strip of shops with one of a kind apparel and housewares. Walk into Rooster Shoes only if your suitcase has room for new kicks. The spot to find luxury and high quality fashion labels is Danali with a knowledgeable team of staff, some of whom are designers themselves.

Music

Photo courtesy of Times Change(d)

Winnipeg is a town full of amazing music. Top venues include the Park Theatre, which is known for putting on amazing shows from music to comedy to movies with live commentary. One of Winnipeg’s well-known dive bars is the Times Change(d) High and Lonesome Club. Don’t let the rough exterior fool you — this tiny joint regularly hosts some of the best nights of nitty gritty music in the city. The Good Will in the downtown core is another great place for live music, tasty pizza, and a chill atmosphere in which to party with the locals. If you come in the summer, visit the outdoor stage called “The Cube” at Old Market Square where urban festivals like Winnipeg Jazz Festival, the Fringe Festival, and Soca Reggae happen.

Local Flavor

Photo courtesy of Winnipeg Folk Festival

A mix of many cultures old and new, Winnipeg is extremely diverse with residents from all over the globe. Celebrating this is one of the longest cultural festivals in the world called Folklorama, which takes place over two weeks in the summer. The Winnipeg Folk Festival is not to be missed with camping, music, and art only 10 minutes away from the city center at the Birds Hill Provincial Park. Or, take a day trip to Grand Beach — about an hour outside the city — and bask in the sun on the infamous white sand. If you prefer to stay in the city, check out the restaurants and entertainment in the French quarter called St. Boniface, take a tour of the legislative building downtown, or head down to the Forks, an historic site where the Red and Assiniboine Rivers met and where the fur trade business thrived in early Canada. And a visit to Winnipeg isn’t complete without spending time at the Canadian Museum for Human Rights with its controversial and stunning architecture and affecting exhibits.


Lede photo credit: AJ Batac via Source / CC BY.