Tag: Lonesome River Band

You Gotta Hear This: New Music From EZRA, Lonesome River Band, and More

Posted on by Justin Hiltner

Okay, we say it every week, but really– You Gotta Hear This! Our weekly premiere and new music roundup includes bluegrass, the blues, Americana, indie, bebop influences, and so much more.

LA’s American Mile kick us off with a music video for “Waiting on a Sunday,” which is equal parts roots rock and alt country – into Tom Petty vibes? This one’s for you! The song was inspired by a mundane gas station encounter on a silent pandemic Sunday. Singer-songwriter Meir Levine also launches “I Wish It Was Over,” an indie rock-tinged Americana track with poppy textures that considers closure, moving on, and looking ahead.

Unfortunately, two of our string bands below have the blues this week! EZRA, a talented new acoustic quartet with bluegrass roots and a stacked roster of pickers, bring us a performance video for “Basically a Blues,” where they turn a typical 12-bar blues progression inside out and upside down with acrobatic, virtuosic picking. Plus, Lonesome River Band’s new single, “Blues,” is an Adam Wright-written song featuring Rod Riley on Telecaster. That track is from their upcoming project, Telegrass, and we’re receiving the message loud and clear.

Singer-songwriter Mac Cornish covers Danny O’Keefe’s “The Road” with a deliciously retro, twangy ’70s sound that’s appropriately melancholic and full of life, too. Elsewhere in our roundup, you’ll hear Julia Sanders, who’s also inhabiting grief, sadness, and nostalgia in a video for her new single, “Star Stickers,” during which her listeners will certainly be able to picture glow-in-the-dark decorations stuck haphazardly to their childhood ceilings.

Make sure to scroll all the way to the bottom, though, as you won’t want to miss “Foxology” from Tokyo’s Thompson the Fox, an exciting newgrass quartet with an uncommon lineup: banjo, bass, drums, and xylophone. It’s fantastic music, bebop and jazz influences leading to sonic surprises around every twist and turn of the original melody. When this one arrived in our inboxes, we were immediately charmed and entranced. You will be, too.

It’s all right here on BGS and, simply– You Gotta Hear This!

American Mile, “Waiting on a Sunday”

Artist: American Mile
Hometown: Los Angeles, California
Song: “Waiting on a Sunday”
Album: American Dream
Release Date: May 2, 2025 (single); June 6, 2025 (album)

In Their Words: “When I was writing ‘Waiting on a Sunday,’ I was on a couch in Vermont. It was silent and my thoughts were the only thing around. It was 2020, in the middle of the pandemic, and I walked to the gas station up the street, ’cause nothing was coming to me in that silence. There was a lady at the gas pump trying to wrestle her kids into the car and pump gas at the same time. I thought I recognized her from high school, so I helped her pump her gas while she dealt with her kids. She told me a little bit about her life and the struggles of being a single mom; she was heading to church that morning. It all kind of flooded into my mind at that point and I wrote most of the lyrics that day. I thought to myself, ‘We’re all in a way waiting for a Sunday,’ whatever that means to us.” – Eugene Rice

Mac Cornish, “The Road”

Artist: Mac Cornish
Hometown: Nashville, Tennessee
Song: “The Road”
Release Date: May 1, 2025

In Their Words: “‘The Road’ by Danny O’Keefe has been one of my favorite songs for years, because of Danny’s melancholic but beautiful lyrics about life on the road. Danny’s writing in general has always been important to me, but as time has passed and I’ve toured more, this song keeps resonating with me more. I started covering it with my backing band about a year ago and it quickly became a staple in our set and a favorite of our audiences. This past December we went into the studio and recorded the whole thing to tape, really trying to emulate the early ’70s sounds of this song, but also give our own spin on it. Our two acoustic guitars lay as the foundation for our version of the song. The bass and drums drive the song forward, but never distract from the delicate Travis picking. The pedal steel weeps through the whole song, emphasizing certain lyrics and complementing the vocal melody. I’m proud of my take on this ’70s classic and am excited to add my name to the list of artists who have covered this song.” – Mac Cornish

Track Credits:
Mac Cornish – Acoustic guitar, vocals
Bailey Warren – Acoustic guitar, backing vocals
Trevor Stellflug – Pedal steel
Jacob Miller – Bass
Hunter Maxson – Drums

EZRA, “Basically a Blues”

Artist: EZRA
Hometown: Oberlin, Ohio
Song: “Basically a Blues”
Album: Froggy’s Demise
Release Date: May 9, 2025
Label: Adhyâropa Records

In Their Words: “‘Basically a Blues’ takes the standard chords used in a 12-bar blues and flips them upside down. All the well-known bluesy harmonies become diminished when doing this, and I found the sound to be fairly intriguing. I especially love the solos and trades that Max [Allard] and Jake [Jolliff] take over this quirky tune and have to give major kudos to Craig [Butterfield] who burns constant 8th notes for the duration.” – Jesse Jones, guitar

Track Credits:
Jacob Jolliff – Mandolin
Max Allard – Banjo
Jesse Jones – Guitar, composer
Craig Butterfield – Double bass

Meir Levine, “I Wish It Was Over”

Artist: Meir Levine
Hometown: Upstate & Brooklyn, New York
Song: “I Wish It Was Over”
Album: Long & Lonely Highway
Release Date: June 6, 2025
Label: First City Artists

In Their Words: “‘I Wish It Was Over’ came in one of those exceedingly rare moments, where I woke up one morning and the song was already fully formed in my head. The song covers a pretty simple message I think, about the things that we can’t seem to let go of, that we seek out just to feel something – even if it’s bad or harmful to us.” – Meir Levine

Track Credits:
Meir Levine – Songwriter, vocals, guitars
Andrew Freedman – Producer, piano, keyboards
Will Graefe – Electric guitars, acoustic guitars
Jeremy McDonald – Bass
Mike Robinson – Pedal steel, guitars
Jordan Rose – Drums

Lonesome River Band, “Blues”

Artist: Lonesome River Band
Hometown: Floyd, Virginia
Song: “Blues”
Release Date: May 2, 2025
Label: Mountain Home Music Company

In Their Words: “We’ve all had the ‘Blues’ in our lives, but this Adam Wright song sees the ‘Blues’ in a whole different light. It’s a lighthearted break from the sad songs – one that we have a ton of fun with. Featuring our good friend Rod Riley on the Telecaster, it comes from our upcoming Telegrass project.” – Sammy Shelor

Track Credits:
Sammy Shelor – Banjo, harmony vocal
Jesse Smathers – Acoustic guitar, harmony vocal
Mike Hartgrove – Fiddle
Adam Miller – Mandolin, lead vocal
Kameron Keller – Upright bass
Rod Riley – Electric guitar

Julia Sanders, “Star Stickers”

Artist: Julia Sanders
Hometown: Asheville, North Carolina
Song: “Star Stickers”
Album: Dark Matter
Release Date: May 16, 2025

In Their Words: “Usually my songwriting process is the same. I start with a melody and then lyrics start to unfold as the idea of the song becomes more distilled. With this one, the chorus came lyrics, melody, and all, as I was laying in bed getting my daughter to sleep one night. I had been asking myself, ‘What am I avoiding writing about?’ and maybe more than any other theme, was my challenging and painful relationship with my own mother. My mother struggled with mental health her whole life and in her own pain, she hurt those around her. Just before I started working on this album, she was diagnosed with ALS. Her physical decline was very quick and heartbreaking. The grief was heavy, complicated, and messy. Lying in my daughter’s bed that night, watching the yellow-green glow of star stickers on the ceiling, I felt like I was time-traveling – to my own childhood bedroom, needing my mother to be different than she could be, then back to this room, trying hard to be a different kind of mother for my own children, and then to the future, where nothing is known except that none of this lasts.” – Julia Sanders

Track Credits:
Julia Sanders – Vocals, songwriter
John James Tourville – Guitar
Steve Earnest – Baritone guitar
Landon George – Bass
Bryce Alberghini – Drums

Video Credit: Ashlyn McKibben

Thompson the Fox, “Foxology”

Artist: Thompson the Fox
Hometown: Tokyo, Japan
Song: “Foxology”
Album: The Fox In Tiger’s Clothing, vol. 1: FOX
Release Date: May 3, 2025
Label: Prefab Records

In Their Words: “We’re a Tokyo-based instrumental quartet with a unique lineup – xylophone, banjo, bass, and drums. Each member comes from a different musical background: Rie Koyama (xylophone) from classical music, Tomohito Yoshijima (drums) from jazz, and Akihide Teshima (bass) and I (banjo) from bluegrass.

“Writing tunes for such an unconventional instrumentation always feels like an experiment. I’ve long had the idea that the rapid melodic lines and complex syncopation of bebop would suit the xylophone and banjo. So I wrote this tune with strong influences from Charlie Parker – which is why I named it ‘Foxology.’

“It was a lot of fun coming up with the A section melody that can be played in melodic style on the banjo, so is the B section featuring a double-stop chromatic scale played on the xylophone with four mallets. We hope you enjoy our new album!” – Takumi Kodera, banjo

Track Credits:
Rie Koyama – Xylophone
Takumi Kodera – Banjo, composer
Akihide Teshima – Bass
Tomohito Yoshijima – Drums

Photo Credit: EZRA by Tanya Rosen-Jones; Lonesome River Band by Sandlin Gaither.

You Gotta Hear This: New Music From Lonesome River Band, Lily Talmers, and More

Posted on by Justin Hiltner

Where did the first month of 2025 go!? Wherever it went, we’ve got an excellent batch of premieres for your final New Music Friday of January.

Below, check out brand new music and performance videos like Amanda Bjorn’s “Until We Become Earth,” a song about searching for yourself set to a gorgeously warm and retro video shot on film. Pitney Meyer (a duo of longtime country and bluegrass pals, John Meyer and Mo Pitney) bring a live performance of their new single, “Bear Creek Clay,” as well.

Bluegrass mainstays Lonesome River Band bring back a Jimmy Yeary song that Sammy Shelor turned into a classic, “I’m On To You,” with the full LRB on this new rendition. Plus, Dave Murphy calls on Mark Erelli for his new number, “Planet of Pain II,”  a sequel to the original “Planet of Pain” from his 1998 album, Under the Lights.

Elsewhere, don’t miss Joshua Finsel’s “Before the Snow,” about through hiking the Appalachian Trail and cresting Mount Katahdin in Maine before wintertime hits. And, Lily Talmers celebrates release day for her new album, It’s Cyclical, Missing You, by bringing us that project’s lush and deep folky title track.

It’s all right here on BGS – we’ve said it before, we’ll say it again: You Gotta Hear This!

Amanda Bjorn, “Until We Become Earth”

Artist: Amanda Bjorn
Hometown: Los Angeles, California and Spain
Song: “Until We Become Earth”
Album: That Kind of Woman
Release Date: January 24, 2025 (single)

In Their Words: “‘Until We Become Earth’ is the first single off my upcoming debut album, That Kind of Woman, which is set to release in April 2025. A blend of blues and folk with a bit of Americana, the new album reads like a diary touching on major changes in my life – balancing motherhood with artistry, finding and losing myself within relationships, postpartum mental health, and the transformation that happens from living abroad and returning home.

“The song was written in a School of Song workshop with one of my favorite songwriters, Adrianne Lenker, exactly one year ago. Without ruining it, the song is about that search for self-identity within a relationship, the vulnerability of building your own voice, and the risk it takes to keep expanding.

“With the help of my old friend, producer Aaron Stern, I recorded the album this past summer in Los Angeles at Verdugo Sound. With the help of some very talented musicians, we performed live together in the same room for most of the album, our aim was to capture the magic of improvisation and the authentic energy that arises from truly listening and connecting, free from a click track.” – Amanda Bjorn

Track Credits:
Phillip Krohnengold – Guitar, keys
Michael Villiers – Drums
Aaron Stern – Bass
Amanda Bjorn – Vocals
Adam Ayan – Mastering
Aaron Stern – Producer

Video Credits: Filmed by Giacomo Gex; color by Ruben Sogomonian; film processed by Kafard Films, Paris, France.
Starring Amanda Bjorn and Brando Wild.

Joshua Finsel, “Before the Snow”

Artist: Joshua Finsel
Hometown: Jim Thorpe, Pennsylvania
Song: “Before the Snow”
Album: No Honey
Release Date: February 6, 2024

In Their Words: “‘Before The Snow’ is a song about an Appalachian Trail through-hiker whose river meditation is interrupted by a daydream. Mount Katahdin in Baxter State Park in Maine is the northern end of the trail, and a hiker must get there ‘before the snow’ in order to be allowed to finish the journey.

“The lyrics are autobiographical. I teamed up with the famed string trio Bizarre Star Strings (Brandi Carlile, Madison Cunningham, The Shins) for the lush, theatrical river-like passages. Award winning fiddle player Katelynn Casper and mandolinist Quentin Fisher of Serene Green added to the arrangements. Finally, David Bowie producer and bass player Mark Plati mixed the record and played fretless bass.” – Joshua Finsel

Lonesome River Band, “I’m On To You”

Artist: Lonesome River Band
Hometown: Floyd, Virginia
Song: “I’m On To You”
Release Date: January 31, 2025
Label: Mountain Home Music Company

In Their Words: “‘I’m On To You’ is a song written by my friend Jimmy Yeary, who has become one of the most in-demand writers in Nashville. I recorded this song back in 1997 and it was the first song Jimmy had featured on an album. The album is long out of print, but this song kept making its way into sound checks and the show every now and then. It has that ’80s country vibe that we felt would lend itself to the sound we are doing for this upcoming album. We hope you like this version!” – Sammy Shelor

Track Credits:
Sammy Shelor – Banjo, vocal
Jesse Smathers – Acoustic guitar, lead vocals
Mike Hartgrove – Fiddle
Adam Miller – Mandolin, vocals
Kameron Keller – Upright bass

Dave Murphy, “Planet of Pain II” (Featuring Mark Erelli)

Artist: Dave Murphy
Hometown: Madison, New Jersey
Song: “Planet of Pain II” featuring Mark Erelli
Album: A Heart So Rare
Release Date: January 31, 2025

In Their Words: “The song is a rumination on the fragility of life, disappointment, lessons learned, and carrying on. This theme is illustrated in my lyrics, ‘Ashes to ashes, dust to dust/ Sometimes it feels like it’s all just too much/ When something is lost (they say) something is gained/ Still finding my way on this planet of pain.’ The original ‘Planet of Pain‘ appeared on my first album, Under the Lights. It was just one voice, one acoustic, and a lap steel. Part II borrows some lyrics, but elevates the song to a different level with the support of Chris Tarrow’s mysterious pedal steel playing, Shawn Pelton’s percussion, and Mark Erelli’s haunting vocals.” – Dave Murphy

Track Credits:
Dave Murphy – Vocals, acoustic guitar
Shawn Pelton – Drums
Chris Tarrow – Electric guitar, pedal steel
Richard Hammond – Bass
Mark Erelli – Backing vocals

Pitney Meyer, “Bear Creek Clay”

Artist: Pitney Meyer
Hometown: Nashville, Tennessee
Song: “Bear Creek Clay”
Album: Cherokee Pioneer
Release Date: January 10, 2025 (single); April 18, 2025 (album)
Label: Curb Records

In Their Words: “‘Bear Creek Clay’ is a song brought to the group by Danielle Yother from North Carolina. It’s a snapshot of a pioneering Daniel Boone-type of character, blazing a trail to a home in the mountains. ‘Bear Creek Clay’ was the title we settled on, which in the moment I figured was something we would come back and edit later, but come to find out, there are creeks and rivers by that name all over Tennessee, Kentucky, and Missouri. Driving through Bon Aqua, Tennessee, I noticed on the map I was nearing a Bear Creek. This was just a few miles from the log cabin where we would be recording. When we cut the song to tape a few days later, I knew we had to drive down to the creek first. The water was brown and rushing fast, swollen from the rains the night before. We made it back to the cabin a bit soaked but ready to step in and sing this song that seemed to be coming to life in the landscape around us.” – John Meyer

Track Credits:
Mo Pitney – Guitar
John Meyer – Banjo
Nate Burie – Mandolin
Blake Pitney – Bass
Jenee Fleenor – Fiddle

Lily Talmers, “It’s Cyclical, Missing You”

Artist: Lily Talmers
Hometown: Birmingham, Michigan and Brooklyn, New York
Song: “It Is Cyclical, Missing You”
Album: It Is Cyclical, Missing You
Release Date: January 30, 2025

In Their Words: “This song is sort of meant to mirror the experience of running up and down a hill, continuously. It was born of witnessing two brothers arguing in a parking lot– the younger, around five years old, was sobbing trying to get his older brother’s attention. The older brother, around age seven, clearly had the awareness that ignoring someone only makes them more desperate for your attention, and wouldn’t look his brother in the eye. The whole record is sort of a big statement of what it means to be in both of these positions, cyclically. I am both the desperate, reaching brother, and the power-hungry, indignant brother who hasn’t learned the responsibility of loving other people.” – Lily Talmers

Track Credits:
Lily Talmers – Vocals, acoustic guitar, music, lyrics
Raffi Boden – Cello
Konstantinos Revelas – Bouzouki
Alec Spiegelman – Clarinet, bass clarinet, flute
David Ward – Drums, percussion

Photo Credit: Lonesome River Band by Sandlin Gaither; Lily Talmers by Bailey Lecat.

You Gotta Hear This: New Music From Sarah Klang, Jaelee Roberts, and More

Posted on by Justin Hiltner

Who needs Black Friday when you have New Music Friday? We’ve got your doorbusters right here, in our weekly premiere roundup!

This week, from the bluegrass realm, we have two new tracks from labelmates Benson and Jaelee Roberts. Check out “Down That Road” from husband-and-wife-duo Benson, featuring bluegrass veterans Kristin Scott Benson and Wayne Benson – with vocals by Keith Garrett. Plus, Jaelee Roberts pays tribute to ’80s and ’90s bluegrass with a loving homage to the Lonesome River Band with her cover of “Looking For Yourself.”

Also in our premiere collection, we have a brand new lyric video for “Go to the Sun,” a new single from Swedish folk-pop singer-songwriter Sarah Klang all about going from a dark place to one of hope. To wrap us up this week – and this month! – don’t miss our exclusive two-song Tønder Session with Ugandan-Texan roots artist Jon Muq.

It’s all right here on BGS and You Gotta Hear This!

Benson, “Down That Road”

Artist: Benson
Hometown: Boiling Springs, South Carolina
Song: “Down That Road”
Release Date: November 29, 2024
Label: Mountain Home Music Company

In Their Words: “‘Down That Road’ is a great song. I love to play banjo on tunes with this lilting groove. Wayne and I are both huge Keith Garrett fans and we love his vocal delivery on this one. The song conveys a vulnerability and he did a great job capturing that.” – Kristin Scott Benson

Track Credits:
Kristin Scott Benson – Banjo
Wayne Benson – Mandolin
Cody Kilby – Guitar
Kevin McKinnon – Bass
Tony Creasman – Drums
Dustin Pyrtle – Harmony vocal

Sarah Klang, “Go To The Sun”

Artist: Sarah Klang
Hometown: Gothenburg, Sweden
Song: “Go to the Sun”
Album: Beautiful Woman
Release Date: November 29, 2024 (single); February 7, 2025 (album)
Label: Nettwerk Music Group

In Their Words: “‘Go to the Sun’ is one of the most personal songs I’ve ever written. This song represents going to better places, be it in your mind or physically traveling to those places. It’s about a person’s mental state going from a dark place to one of hope. It’s about escaping from the day-to-day and finding your way.” – Sarah Klang

Jaelee Roberts, “Looking For Yourself”

Artist: Jaelee Roberts
Hometown: Nashville, Tennessee
Song: “Looking For Yourself”
Release Date: November 29, 2024
Label: Mountain Home Music Company

In Their Words: “I absolutely love the ’80s and ’90s eras of bluegrass music and ‘Looking For Yourself’ (originally recorded by the Lonesome River Band) completely embodies that vibe. I’ve been a LRB fan my entire life and this song has always jumped out at me while listening to that classic album, so I decided that ‘Looking For Yourself’ should be the first bluegrass cover song that I’d record. Andy Leftwich, Cody Kilby, Ron Block, Byron House, John Gardner, and Grayson Lane are absolutely awesome and made this track go from dream to reality for me! Speaking of Grayson Lane, I just have to say how happy I am to have him singing harmony with me on this. We have known each other since we were born (literally) and he is one of my favorite singers and his voice on ‘Looking For Yourself’ was the icing on the cake. I hope y’all will enjoy my spin of one of my favorite bluegrass songs and that you’ll listen to it loud and sing along at the top of your lungs!” – Jaelee Roberts

Track Credits:
Jaelee Roberts – Vocals, harmony vocals
Byron House – Bass
Cody Kilby – Acoustic guitar
Andy Leftwitch – Mandolin, fiddle
John Gardner – Drums
Ron Block – Banjo
Grayson Lane – Harmony vocals

Tønder Session, Jon Muq

Earlier this year, during the waning days of summer, our videographer friends at I Know We Should traveled to Denmark to capture a handful of special sessions with Americana and roots artists performing at Scandinavian music festivals. For our next installment in this mini-series, we’re excited to feature singer-songwriter Jon Muq performing during his time at premier Danish music event, Tønder Festival.

Born and raised in Uganda, Jon Muq has made waves since relocating to Austin, Texas, and leaving his mark on the American roots music scene. Earlier this year he released his debut full-length album, Flying Away, on Dan Auerbach’s Easy Eye Sound. That’s the project from which Muq’s first selection is pulled. On a waterside boardwalk with a marshy backdrop, Muq offers “Bend,” a song about resiliency, flexibility, and connection, and “Hello Sunshine,” another track from Flying Away – one just perfect for August in Denmark.

Watch the full performance here.

Photo Credit: Sarah Klang by Fredrika Eriksson; Jaelee Roberts by Eric Ahlgrim.

You Gotta Hear This: New Music From Laurie Lewis, Lonesome River Band, and More

Posted on by Justin Hiltner

This week, to mark New Music Friday, we have a bevy of brand new music videos from folks like bluegrass legend Laurie Lewis, bassist Nate Sabat, country outfit Jenny Don’t & The Spurs, and flatpicker Rebecca Frazier, who gathers an all star lineup for a new track set to a brand new video. The Reverend Shawn Amos also brings us a delightfully psychedelic visualization to pair with a modern blues and gospel inflected track, “It’s All Gonna Change (For The Better),” that highlights how life on this planet is a gift, not a given. (We couldn’t have said it better ourselves.)

Plus, you won’t want to miss a brand new heartbreakin’ track from first class bluegrassers, Lonesome River Band. And, if you missed our post featuring The Bygones earlier this week, you can check out the duo’s song, “If You Wanted To,” below as well.

It’s all right here on BGS and, to be quite honest, You Gotta Hear This!

Laurie Lewis, “Long Gone”

Artist: Laurie Lewis
Hometown: Berkeley, California
Song: “Long Gone”
Album: Trees
Release Date: March 29, 2024 (single); May 31, 2024 (album)
Label: Spruce and Maple Music

In Their Words: “I have loved ‘Long Gone’ since I first heard Bill Morrissey sing it a couple of decades ago. Recording it was a blast, and I think that as a ‘returning’ song, it is particularly resonant in these post-pandemic times. We’ve all be long gone, from each other and the world at large. Every time I hear Brandon Godman’s fiddle kick-off, I get excited all over again, to be returning from the virtual to the corporeal world.

“Making this video was about the most fun there is, driving an aging 5-speed stick shift truck up and down Sonoma County backroads in the late winter green of Northern California. I love my job!” – Laurie Lewis

Track Credits: Written by Bill Morrissey.

Laurie Lewis – Guitar and lead vocals
Brandon Godman – Fiddle
Patrick Sauber – Banjo
Hasee Ciaccio – String bass

Video Credit: Bria Light

Lonesome River Band, “Hang Around For The Heartbreak”

Artist: Lonesome River Band
Hometown: Floyd, Virginia
Song: “Hang Around For The Heartbreak”
Release Date: March 29, 2024
Label: Mountain Home Music Company

In Their Words: “This song was sent to us from my good friend, Barry Hutchens, who has been writing some material with his son, Will, and Jerry Salley. I call it a ‘Happy Heartbreak’ song as the chorus goes, “If we chase this feeling down whatever road it leads us/ We’ll never have regrets about a chance we didn’t take/ But if we’re just pretending this might be a happy ending someday/ I’ll still hang around for the heartbreak.” It’s a great perspective put together by Barry, Will, and Jerry and it feels like classic Lonesome River Band. We hope you enjoy it as much as we do!” – Sammy Shelor

Track Credits:

Adam Miller – Mandolin, lead vocal
Sammy Shelor – Banjo, vocal
Jesse Smathers – Acoustic, vocals
Mike Hartgrove – Fiddle
Kameron Keller – Upright bass

Nate Sabat, “Sometimes”

Artist: Nate Sabat
Hometown: New York, New York
Song: “Sometimes”
Album: Bass Fiddler
Release Date: March 27, 2024
Label: Adhyâropa Records

In Their Words: “Until last September, I was playing a completely different version of this song. Written by the great Abigail Washburn, my initial version was essentially a bass-and-voice rendition of the original. In a prep session with my producer Bruce Molsky, we both agreed that it just wasn’t landing. He pulled out a fretless banjo, and suggested I try leaning into a bluesy, modal sound instead. That idea lit a fire in me, and two hours later we had something completely new.” – Nate Sabat

Track Credits:

Nate Sabat – Bass, vocals
Recorded at Spillway Sound in West Hurley, New York.
Engineered and Mixed by Eli Crews.
Produced by Bruce Molsky.
Mastered by Dave Glasser at Airshow Mastering.

The Reverend Shawn Amos, “It’s All Gonna Change (For The Better)”

Artist: The Reverend Shawn Amos
Hometown: Dallas, Texas
Song: “It’s All Gonna Change (For The Better)”
Album: Soul Brother No. 1
Release Date: May 3, 2024
Label: Immediate Family

In Their Words: “There’s a famous comedy bit from George Carlin addressing humans’ disgraceful treatment of Earth. It ends with the punchline, ‘The planet is fine. The people are fucked.’ This song takes a page from Carlin’s book of dark humor. It’s a conversation amongst non-human life counting down the days until these dumbass humans are out of the way. It’s also a simple reminder to ‘WAKE UP!’ as Spike Lee would say. Life on this beautiful planet is a gift – not a given. You dig? Say it with me, ‘We got to all stand up, ain’t gonna take too long. Keep your mind strong.'” – The Reverend Shawn Amos

Video Credit: David Sheldrick

Jenny Don’t & The Spurs, “Pain In My Heart”

Artist: Jenny Don’t & The Spurs
Hometown: Portland, Oregon
Song: “Pain In My Heart”
Album: Broken Hearted Blue
Release Date: June 14, 2024
Label: Fluff & Gravy Records

In Their Words: “Inspired by the writing style of Johnny Paycheck and his classic delivery of telling a story while the band keeps it rollin’ on. I love how some of those old classic country singers charm their way through a song where even though they might be in the wrong you still want ’em to win in the end. ‘Yeah, I know, I’m a jerk – but I love ya. Come on, come back home…’ (Not me personally! But you get the idea…)

“While my usual inspiration when it comes to songwriting tends to lean towards the female icons of the genre, for this album, I veered towards more male influences such as Chris Isaac, Lee Hazelwood, Johnny Paycheck, Buddy Holly, John Fogerty, and Link Wray. These diverse songwriters contributed to the inspiration behind the album.

“I’d also like to emphasize that while I take the lead in songwriting, the songs wouldn’t have evolved into what they are without the invaluable input, musical direction, and insight from my bandmates, Kelly Halliburton, Christopher March, and Buddy Weeks. I’m truly grateful for their contributions and thrilled to have collaborated with them on this fun album.” – Jenny Don’t

Track Credits: Written by Jenny Don’t.

Jenny Don’t – Vocals, rhythm guitar
Kelly Halliburton – Bass guitar
Christopher March – Lead guitar
Buddy Weeks – Drums
Rusty Blake – Pedal steel guitar

Recorded at Revolver Studio in Portland Oregon by Collin Hegna, September 2023.

Rebecca Frazier, “Make Hay While the Moon Shines”

Artist: Rebecca Frazier
Hometown: Nashville, Tennessee (originally Richmond, Virginia)
Song: “Make Hay While the Moon Shines”
Release Date: March 25, 2024
Label: Compass Records

In Their Words:“Growing up in Virginia and spending much of my childhood by the Chesapeake Bay, I’ve always felt an ethereal connection to the moon. To me, it feels like there’s magic in the air when the moon is full. Getting together with Jon and Bob to write this song was a reflection of that excitement – we were all laughing and cutting loose as we came up with double entendres. We wanted to express that light-hearted, anticipatory feeling of a spirited full moon night – after all, the song is a twist on the phrase “make hay while the sun shines,” which means “get your work done.” What is the opposite of that?

“Bill Wolf produced the track with his innate talent for bringing out the best in musicians – he did such an intuitive job bringing musicians in the room who would create and build the climactic moments with their improvisation. I was floored by the performances of Béla, Stuart, Barry, Sam, and Josh. Christopher Gunn’s videography was beyond my imagination. He captured the imagery of a lighthearted, spirited mood while maintaining a dream-like quality, and I think it’s beautiful.” – Rebecca Frazier

Track Credits: Written by Rebecca Frazier, Jon Weisberger, and Bob Minner.

Produced by Bill Wolf.
Rebecca Frazier – Guitar
Béla Fleck – Banjo
Sam Bush – Mandolin
Stuart Duncan – Fiddle
Barry Bales – Bass
Shelby Means – Harmony vocal

Video Credit: Christopher Gunn Creative

The Bygones, “If You Wanted To”

Artist: The Bygones
Hometown: Brooklyn, New York & Nashville, Tennessee
Song: “If You Wanted To”
Album: The Bygones
Release Date: April 4, 2024
Label: Tonetree Music

In Their Words: “‘If You Wanted To’ encapsulates the feeling of longing for acceptance and approval from someone you love that has known you through many chapters of life. People change and grow over time, and one of the biggest pains is when the ones closest to you don’t grow with you or want to get to know the current person you are. Over time, I’ve realized that you can’t make someone see you and love you for the current walk of life you’re in and not for a previous version of yourself, they have to choose to get to know you. Sometimes the ones you love just want to hold on to the version of you they knew that is no longer here.” – Allison Young

Photo Credit: Laurie Lewis by Irene Young; Nate Sabat by Jules Miranda.

LISTEN: Jesse Smathers, “Sing Darling Sing”

Posted on by Justin Hiltner

Artist: Jesse Smathers
Hometown: Floyd, Virginia
Song: “Sing Darling Sing”
Release Date: September 22, 2023

In Their Words: “I believe that simple melodies and simple stories relate across generations and all walks of life. That’s the true beauty of string music: its relatability. This song was composed with that aspiration.

“Being raised in piedmont North Carolina, family roots in Western Carolina, and now living in Southwest Virginia, string music always surrounded me and the tunes that always struck a chord were the fun melodic tunes, and happy songs. ‘Sing Darling Sing’ is just that, a happy tune with a loving story.

“I am so very proud of this recording, musically and personally, for it draws inspiration from my own marriage as well as relationship examples I see set by older generations. I hope the music and imagery takes the listener to a simpler and scenic time when life didn’t move as fast, and communication wasn’t at our fingertips. However, the young man in the tale is chomping at the bit to marry the girl of his dreams, the day can’t come quick enough and nothing’s gonna stop him!” – Jesse Smathers

Track Credits: 
Jesse Smathers – Guitar/ Lead Vocal
Nick Goad – Mandolin/ Harmony Vocal
Corbin Hayslett – Banjo
Hunter Berry – Fiddle
Joe Hannabach – Bass

Photo Credit: Laci Mack

IBMA Announces 34th Annual Awards Nominees and Recipients

Posted on by Justin Hiltner

The International Bluegrass Music Association announced this year’s nominees and recipients for the 34th Annual IBMA Bluegrass Music Awards today in downtown Nashville at SiriusXM’s Music City Theater. The announcement ceremony included live performances by nominees the Lonesome River Band and Sam Bush, who will be inducted into the Bluegrass Music Hall of Fame at the IBMA Awards show in Raleigh, North Carolina, this September.

Additional inductees into the Hall of Fame, which is housed at the Bluegrass Music Hall of Fame & Museum in Owensboro, Kentucky, include first-generation bluegrasser and country chart-topper Wilma Lee Cooper and an innovator and virtuoso who has expanded the borders of bluegrass and acoustic music throughout his career, David Grisman.

Recipients of the Distinguished Achievement Awards – IBMA’s highest honor outside of Hall of Fame induction – were also announced, highlighting the significant contributions of artists, musicians, and organizations such as Red Wine (Italy’s foremost bluegrass group), banjo player and band leader Terry Baucom, author and musician Tom Ewing, promoter and organizer Carl Goldstein, and media outlet and online hub BGS, The Bluegrass Situation.

“We are so honored and humbled by this recognition,” says BGS managing editor Justin Hiltner. “Bluegrass is all about community, and to have our community – the genre that built us – recognize our efforts in this way means the world. What Ed [Helms] and Amy [Reitnouer Jacobs] have created and brought all of us into is something truly special. Thank you to IBMA, the organization and its membership, for this award.” (Read more here.)

In the Instrumentalist, Recordings, and Artists’ categories, Molly Tuttle & Golden Highway, Billy Strings (and his father, Terry Barber), Michael Cleveland, Del McCoury Band, and Sam Bush Band lead the nominations. View the full list below and make plans now to attend the IBMA Awards Show in Raleigh, North Carolina, as part of IBMA’s World of Bluegrass conference on Thursday, September 28, 2023.

ENTERTAINER OF THE YEAR:

Appalachian Road Show
Billy Strings
Del McCoury Band
Molly Tuttle & Golden Highway
The Po’ Ramblin’ Boys

VOCAL GROUP OF THE YEAR:

Authentic Unlimited
Balsam Range
Blue Highway
Del McCoury Band
Sister Sadie

INSTRUMENTAL GROUP OF THE YEAR:

Billy Strings
Michael Cleveland & Flamekeeper
The Infamous Stringdusters
Molly Tuttle & Golden Highway
The Travelin’ McCourys

SONG OF THE YEAR:

“Blue Ridge Mountain Baby”
Artist: Appalachian Road Show
Songwriters: Barry Abernathy/Jim VanCleve
Label: Billy Blue Records
Producer: Appalachian Road Show

“Crooked Tree”
Artist: Molly Tuttle & Golden Highway
Songwriters: Molly Tuttle/Melody Walker
Label: Nonesuch Records
Producers: Jerry Douglas and Molly Tuttle

“Diane”
Artist: Sister Sadie
Songwriters: Jeffrey Nath Bhasker/Samuel Tyler Johnson/Cameron Marvel Ochs
Label: Mountain Home
Producer: Sister Sadie

“Heyday”
Artist: Lonesome River Band
Songwriters: Barry Huchens/Will Huchens
Label: Mountain Home Music Company
Producer: Lonesome River Band

“Power of Love”
Artist: Rick Faris
Songwriters: Johnny Colla/Huey Lewis/Christopher Hayes
Label: Dark Shadow Recording
Producer: Stephen Mougin

ALBUM OF THE YEAR:

Crooked Tree
Artist: Molly Tuttle & Golden Highway
Label: Nonesuch Records
Producer: Jerry Douglas and Molly Tuttle

Lovin’ of the Game
Artist: Michael Cleveland
Label: Compass Records
Producers: Jeff White, Michael Cleveland, and Sean Sullivan

Lowdown Hoedown
Artist: Jason Carter
Label: Fiddle Man Records
Producers: Jason Carter and Brent Truitt

Me/And/Dad
Artist: Billy Strings and Terry Barber
Label: Rounder Records
Producers: Billy Strings and Gary Paczosa

Radio John: The Songs of John Hartford
Artist: Sam Bush
Label: Smithsonian Folkways
Producer: Sam Bush

GOSPEL RECORDING OF THE YEAR:

“The Glory Road”
Artist: Joe Mullins & The Radio Ramblers
Songwriters: Paul Martin/Harry Stinson/Marty Stuart
Label: Billy Blue Records
Producers: Joe Mullins and Adam McIntosh

“Jordan”
Artist: Darin & Brooke Aldridge with Ricky Skaggs, Mo Pitney and Mark Fain
Songwriter: Fred Rich
Label: Billy Blue Records
Producer: Darin Aldridge and Mark Fain

“The Scarlet Red Lines”
Artist: Larry Sparks
Songwriter: Daniel Crabtree
Label: Rebel Records
Producer: Larry Sparks

“Take a Little Time for Jesus”
Artist: Junior Sisk
Songwriter: David Marshall
Label: Mountain Fever Records
Producers: Junior Sisk and Aaron Ramsey

“Tell Me the Story of Jesus”
Artist: Becky Buller with Vince Gill and Ricky Skaggs
Songwriter: Fanny Crosby, arrangement by Becky Buller
Label: Dark Shadow Recording
Producer: Stephen Mougin

INSTRUMENTAL RECORDING OF THE YEAR:

“Contact”
Artist: Michael Cleveland with Cody Kilby, Barry Bales, and Béla Fleck
Songwriter: Michael Cleveland
Label: Compass Records
Producer: Jeff White, Michael Cleveland, and Sean Sullivan

“Foggy Morning Breaking”
Artist: Alison Brown with Steve Martin
Songwriters: Alison Brown/Steve Martin
Label: Compass Records
Producers: Alison Brown and Garry West

“Gold Rush”
Artist: Scott Vestal’s Bluegrass 2022
Songwriter: Bill Monroe
Label: Pinecastle Records
Producer: Scott Vestal

“Kissimmee Kid”
Artist: Jason Carter
Songwriter: Vassar Clements
Label: Fiddle Man Records
Producers: Jason Carter and Brent Truitt

“Scorchin’ the Gravy”
Artist: Frank Solivan & Dirty Kitchen
Songwriter: Frank Solivan
Label: Compass Records
Producer: Frank Solivan

NEW ARTIST OF THE YEAR:

Authentic Unlimited
East Nash Grass
Henhouse Prowlers
The Tennessee Bluegrass Band
Tray Wellington

COLLABORATIVE RECORDING OF THE YEAR:

“Alberta Bound”
Artist: Special Consensus with Ray Legere, John Reischman, Tisha Gagnon, Claire Lynch, Pharis & Jason Romero, Patrick Sauber
Songwriter: Gordon Lightfoot
Label: Compass Records
Producer: Alison Brown

“Big Mon”
Artist: Andy Leftwich with Sierra Hull
Songwriter: Bill Monroe
Label: Mountain Home Music Company
Producer: Andy Leftwich

“Foggy Morning Breaking”
Artist: Alison Brown with Steve Martin
Songwriter: Alison Brown/Steve Martin
Label: Compass Records
Producer: Alison Brown and Garry West

“For Your Love”
Artist: Michael Cleveland with Billy Strings and Jeff White
Songwriter: Joe Ely
Label: Compass Records
Producer: Jeff White, Michael Cleveland, and Sean Sullivan

“From My Mountain (Calling You)”
Artist: Peter Rowan with Molly Tuttle and Lindsay Lou
Songwriter: Peter Rowan
Label: Rebel Records
Producer: Peter Rowan

MALE VOCALIST OF THE YEAR:

Greg Blake
Del McCoury
Danny Paisley
Larry Sparks
Dan Tyminski

FEMALE VOCALIST OF THE YEAR:

Brooke Aldridge
Dale Ann Bradley
Jaelee Roberts
Molly Tuttle
Rhonda Vincent

BANJO PLAYER OF THE YEAR:

Kristin Scott Benson
Alison Brown
Béla Fleck
Ned Luberecki
Scott Vestal

BASS PLAYER OF THE YEAR:

Mike Bub
Todd Phillips
Missy Raines
Mark Schatz
Vickie Vaughn

FIDDLE PLAYER OF THE YEAR:

Jason Carter
Michael Cleveland
Stuart Duncan
Bronwyn Keith-Hynes
Deanie Richardson

RESOPHONIC GUITAR PLAYER OF THE YEAR:

Jerry Douglas
Andy Hall
Rob Ickes
Matt Leadbetter
Justin Moses

GUITAR PLAYER OF THE YEAR:

Chris Eldridge
Trey Hensley
Billy Strings
Bryan Sutton
Molly Tuttle

MANDOLIN PLAYER OF THE YEAR:

Alan Bibey
Jesse Brock
Sam Bush
Sierra Hull
Ronnie McCoury

DISTINGUISHED ACHIEVEMENT AWARD RECIPIENTS:

Terry Baucom
The Bluegrass Situation
Tom Ewing
Carl Goldstein
Red Wine

BLUEGRASS MUSIC HALL OF FAME INDUCTEES:

Sam Bush
Wilma Lee Cooper
David Grisman

Photo of Sam Bush by  Jeff Fasano; photo of Molly Tuttle by Samantha Muljat.

BGS 5+5: Lonesome River Band’s Sammy Shelor

Posted on by Editor

Artist: Lonesome River Band (answered by Sammy Shelor)
Hometown: Floyd, Virginia
Latest Album: Heyday

Which artist has influenced you the most … and how?

Tony Rice. Tony changed the sound of bluegrass music through the 1970s and ’80s with his rhythm and lead guitar. He made rhythm guitar the leader of the band. His album Manzanita was the best practice tool for a banjo player ever. It was a bluegrass album without a banjo so I could play along with it and create my own ideas without being influenced by another banjo. I was fortunate to get asked to play some Tony Rice Unit gigs in the late 1990s and early 2000s. He then did some gigs with Lonesome River Band a couple of years later, and we learned a lot of the early Tony material and Bluegrass Album Band stuff. Nothing more memorable than playing shows with your hero!

What has been the best advice you’ve received in your career so far?

Most of my influences in music became my friends, so I had access to a wealth of knowledge and advice about the business. I would say the best advice was treat your audience with respect on and off stage and make them your friends. They will support you forever.

What was the first moment that you knew you wanted to be a musician?

I started messing with banjo at the age of 5. I learned as much as I could from my grandfather who played and other local musicians. In the 1970s, Wayside Park in Stuart, Virginia, became a really big bluegrass festival and brought in the top names in bluegrass at the time. After seeing bands like the Osborne Brothers, Seldom Scene, JD Crowe & the New South, and many others, I began to dream of doing what they were doing. I spent my teenage years putting in a lot of practice learning from all of those bands and listening to as many different banjo players as possible to learn everything I could.

Which elements of nature do you spend the most time with and how do those impact your work?

I grew up and still live in the rural areas in the Blue Ridge Mountains of Virginia. I can take 10 steps from my house and be in the woods and enjoy walking and taking in all nature has to offer. It keeps your mind from getting cluttered and open to your surroundings. Everything in nature is musical.

What rituals do you have, either in the studio or before a show?

I always try to find some quiet time before a show to get my head together. Then try to warm up on banjo for at least 30 minutes prior. I have two young sons at home, so rehearsal time at the house is nonexistent these days.

Photo Credit: Sandlin Gaither

LISTEN: Lonesome River Band, “Mary Ann Is a Pistol”

Posted on by Editor

Artist: Lonesome River Band
Hometown: Floyd, Virginia
Song: “Mary Ann Is a Pistol”
Release Date: February 4, 2022
Label: Mountain Home Music Company

In Their Words: “The LRB has been doing the Jimmy Martin classic, ‘Mary Ann,’ since around 1985. And it’s been a mainstay in our live shows ever since. Last year, I was digging through a bunch of cassettes I had from the ’80s and ’90s — I still love the sound of them — and ran across one of my favorite records ever by Brother Phelps (check them out if you haven’t heard these albums) recorded in 1995. They did a rocking version of this Dennis Linde song, and the more I listened to it, the more it became a bluegrass song in my head and a perfect song to follow the Jimmy Martin ‘Mary Ann.’ We hope you enjoy our version of ‘Mary Ann Is a Pistol!’” — Sammy Shelor, Lonesome River Band

Crossroads Label Group · Mary Ann Is A Pistol – Lonesome River Band

Photo credit: Courtesy of Lonesome River Band

The BGS Radio Hour – Episode 217

Posted on by Shelby Williamson

Welcome to the BGS Radio Hour! Since 2017, this weekly radio show and podcast has been a recap of all the great music, new and old, featured on the digital pages of BGS. This week we have California country from Elijah Ocean and the Ben Reddell Band, acoustic folk goodness from Anna Tivel, a final farewell to our August Artist of the Month Amythyst Kiah, and much more.

APPLE PODCASTS, SPOTIFY

Amythyst Kiah – “Black Myself”

In our recent two-part interview with our August Artist of the Month, Amythyst Kiah, she spoke with us about faith, about mental health and singing vulnerable, open songs every night, and the intent behind lyrics and songs like “Black Myself.” Plus, she retells the series of events that helped her leave her “shut-up-and-sing” policy behind. Thank goodness for that.

Chris J. Norwood – “Good Guy With a Gun”

On “Good Guy With a Gun,” singer-songwriter Chris J Norwood examines the grief and loss of his father’s suicide while challenging the United States’ gun culture: “Truth be told, we as a country need to talk more openly about suicide. Especially as it relates to the gun debate…”

Ava Earl – “New Light”

One of the first love songs singer-songwriter Ava Earl ever wrote, “New Light” is also a little existential — it deals with the wonder and mystery of the universe as well as that of love.

Elijah Ocean – “Honky Tonk Hole”

As Elijah Ocean himself puts it: “‘Honky Tonk Hole’ is about a guy who has seen better days and whose big dreams have all gone up in smoke. Now he spends all his time drinking and playing country music in bars. Not entirely sure why he’s complaining about it, though. Seems kinda fun and not a bad life. It’s a high-energy shuffle about falling into a rut but also kind of loving it.”

Ben Reddell Band – “12 Bar Blues”

Musician and frontman Ben Reddell recently put together a Mixtape celebrating bands and artists who have played The Grand Ole Echo, a roots music concert series he books at LA’s Echo Park, or who rely on the creative and rehearsal space he manages, Bedrock LA. To quote: “We love our traditional country here in Echo Park, but we also like to let our freak flag fly with the hippie-dippie, pot-smoking types as well.” Check out the community-minded Mixtape here.

Kashena Sampson – “Hello Darkness”

Nashville-based Americana singer Kashena Sampson brings us a Shocking Blue cover that carries a feeling of yearning for someone you can’t be with.

Morningsiders – “This Could Be Good”

Morningsiders began writing their new album after the pandemic lockdowns began. They wanted “This Could Be Good” to be dance-y and delicate while being about aimless nights out with friends.

Anna Tivel – “Illinois”

Singer-songwriter Anna Tivel talked with us about her pre-show rituals (or lack thereof), drawing inspiration from literature and poetry, observing the natural and manmade world, and more in a recent 5+5.

Anya Hinkle – “Why Women Need Wine”

Asheville’s Anya Hinkle told us about the massive influence Gillian Welch had on her musically, combining the spirits of musicians who had influenced Hinkle early on — like Tony Rice, the Grateful Dead, Joan Baez, Sarah McLachlan and Madonna — into one tangible, modern, and original roots sound. Read more in this edition of 5+5.

Jay Nash – “Shine”

Jay Nash wrote “Shine” inspired by the new arrival of his daughter. It took him nearly ten years to return to the song idea: “Because, as all parents know, what followed those calm and quiet moments of parenthood was an all-out sprint… a crash course [of] becoming a parent.”

Dallas Burrow – “My Father’s Son”

On his new track, “My Father’s Son,” self-described troubadour Dallas Burrow tells the four-generation story of the men in his family line — and the influence they’ve had on their sons. It’s a tender, honest, autobiographical history.

Lonesome River Band – “Every Minute Means a Mile”

The Lonesome River Band pays tribute to the Easter Brothers on their upcoming album, Singing Up There: A Tribute to the Easter Brothers. And “Every Minute Means a Mile” is an uncomplicated Easter Brothers classic.

Adeline Stringband – “Hickory”

Adeline Stringband — a veritable old-time supergroup featuring Chris Coole, Mark Kilianski, John Showman, Adrian Gross, and Sam Allison — holed up in a cabin in the woods and recorded old time tunes for three days and three nights. Gross describes it as one of the most off-the-cuff and creative sessions he’s ever been a part of: “Seeing as it was -20º and there was a blizzard outside the whole time, there was nothing to do but pick tunes and roll the tape, and that’s exactly what we did.”

Jackson Melnick – “John the Revelator”

“Apocalypse isn’t to be confused with tragedy. Apocalypse is seeing something in truth, and the pain that might come from having the blinders pulled off.” Jackson Melnick brings us a bluegrass version of this classic blues song.

Photos: (L to R) Elijah Ocean by Wolfe & Von; Amythyst Kiah by Sandlin Gaither; Anna Tivel by Matt Kennelly

LISTEN: Lonesome River Band, “Every Minute Means a Mile”

Posted on by Editor

Artist: Lonesome River Band
Hometown: Floyd, Virginia
Song: “Every Minute Means a Mile”
Album: Singing Up There: A Tribute to the Easter Brothers
Release Date: July 23, 2021
Label: Mountain Home Music Company

In Their Words: “‘Every Minute Means a Mile’ is an Easter Brothers classic that talks about the common man’s journey to the cross and Jesus Christ. If we follow The Cross on this journey, the Greatest Reward is on the other side. We cannot look back at what we have done, but we must keep our eyes on the Cross and with patience, we will gain our Heavenly Reward. There is nothing complicated in the way The Easter Brothers wrote the lyrics. Simplicity at its finest!” — Sammy Shelor, Lonesome River Band

Photo credit: Anthony Ladd