LISTEN: Evan Bartels, “Little Floating Lights”

Artist: Evan Bartels
Hometown: Tobias, Nebraska
Song: “Little Floating Lights”
Album: Lonesome
Release Date: September 17, 2021

In Their Words: “‘Little Floating Lights’ came from a longing for answers. Why are we here? Where do we go? What’s the meaning? I’ve searched in many ways and many places and come up empty. This song captures when I’ve come closest. When I am grounded in love and humanity. The divine doesn’t become obsolete, but it becomes intertwined with the here and now. The universe exists in a moment of pure love. And in those moments we can realize what is happening now is enough. We are enough.” — Evan Bartels


Photo credit: Paige Sara

The BGS Radio Hour – Episode 220

Welcome to the BGS Radio Hour! Since 2017, this weekly radio show and podcast has been a recap of all the great music, new and old, featured on the digital pages of BGS. This week we have John Prine’s final recording, a BGS exclusive performance from Americana duo Jackson+Sellers, a playlist in 3/4 time, personally curated by Dori Freeman, and much more.

APPLE PODCASTS, SPOTIFY

John Prine – “I Remember Everything”

The Americana Music Association was able to celebrate the works of its community in-person last week, for the first time since the beginning of the pandemic, with the 20th Annual Americana Honors & Awards held at the historic Ryman Auditorium. And one of the night’s biggest awards, Song of the Year, was given posthumously to none other than John Prine for his final recording, “I Remember Everything.” Watch below to see John perform the song himself, followed by a tribute from Brandi Carlile, Margo Price, and Amanda Shires at last week’s awards ceremony.

Martin Sexton – “Riding Through the Rain”

New York’s Martin Sexton spoke on performing at Madison Square Garden, his pre-show and pre-studio rituals, the influence of artists and performers from Black Sabbath to Looney Tunes, and more in a recent edition of 5+5.

Rod Gator – “Out Here in Echo Park”

Rod Gator wrote “Out Here in Echo Park” during his last year living in Echo Park, when every evening he’d walk down to the L.A. River and sit along the bank. Take a listen, and you might start missing Echo Park, too.

Jackson+Sellers – “Hush”

Jackson+Sellers’ debut album, Breaking Point, comes out next month, but until then, we’re listening to the song that brought the pair of songwriters together as a duo. Jade Jackson initially reached out to Aubrie Sellers about singing harmonies on a new song she had written, and the rest is history! On their partnership, Jackson says, “Collaborating with someone who’s so energetically strong, it gives you even more creativity and license to explore.” Watch the duo’s performance of “Hush” from our Yamaha Artist Sessions below.

Dori Freeman – “The Storm”

For a recent Mixtape, our friend and songwriter Dori Freeman crafted us a playlist celebrating waltzes –her favorite type of song — which always touch her heart in ways other songs don’t.

Kirby Brown – “Ashes and Leaves”

“Ashes and Leaves,” the latest from singer-songwriter Kirby Brown, is a meditation on acceptance: “Sometimes, we are the ones being left — by lovers, friends, family, etc. At other times, we are the leavers. Maybe this is one of the inevitable arrangements of life…”

Brad Kolodner – “Foggy Mountain Special”

Old-time musician and radio host Brad Kolodner was a recent 5+5 guest, speaking about his new album, Chimney Swifts, his earliest on-stage memories, the soul-nourishing experience of the Appalachian String Band Music Festival, and more.

Béla Fleck featuring Sierra Hull & Molly Tuttle – “Wheels Up”

No matter how far afield he may roam, with his new album our Artist of the Month Béla Fleck wants the world to know his bluegrass heart will always call bluegrass home. And this rip-roaring number is about as bluegrass as it gets. The studio recording features the talents of Molly Tuttle and Sierra Hull, while this live performance below features Fleck’s current all-star live lineup: Sierra Hull on mandolin, Michael Cleveland on fiddle, Mark Schatz on bass, Bryan Sutton on guitar, and Justin Moses on dobro.

The Barefoot Movement – “Back Behind the Wheel”

“Back Behind the Wheel” is ultimately a song about hope and the idea of letting yourself feel what you need to feel, but not allowing that to be the end of the journey. “When it comes to this, I don’t know what it means to quit…”

Tammy Rogers & Thomm Jutz – “I Surely Will Be Singing”

“I Surely Will Be Singing,” a new release from songwriter Thomm Jutz and The SteelDrivers fiddler Tammy Rogers, was written at the beginning of the pandemic, as a hymn to nature and to the spirit of human resilience in the face of adversity.

The Secret Sisters – “Dust Cain’t Kill Me”

A new Woody Guthrie compilation from Elektra Records isn’t just a tribute album, it’s a reimagination. Home in this World: Woody Guthrie’s Dust Bowl Ballads features a host of compelling modern artists — like John Paul White, Colter Wall, and Chris Thile – offering their takes on Guthrie’s seminal Dust Bowl Ballads. One standout is The Secret Sisters performing “Dust Cain’t Kill Me.”

With such passion at the heart of it, Home in This World brings new life to music that has shaped American culture in the 20th and 21st centuries. “Woody Guthrie’s Dust Bowl Ballads is as relevant as ever,” producer Randall Poster states. “While profiteers exploit our natural resources, there is a growing sensitivity to the harsh farming practices that put our well-being at risk, and a concerted movement toward regenerative agriculture that can reinvigorate the soil and push back on climate change. I asked some of my favorite artists to help render these songs, hoping that this collection will reinforce the enduring power and prescience of Guthrie’s music and reveal the power of song.”

Caleb Lee Hutchinson – “I Must Be Right”

Caleb Lee Hutchinson teamed up with Trey Hensley on a new song, “I Must Be Right,” as he tells us: “I have been a fan of Trey for quite some time and was very excited to write with one of my favorite guitar pickers… It’s one of my favorite songs I’ve ever written as a result.”

Abby Posner – “Low Low Low”

Los Angeles-based musician and songwriter Abby Posner is joined by Constellation Quartet on a new video for “Low Low Low,” a beautiful, contemplative song about depression, anxiety, and learning how to live with the darkness within.

Colin Linden – “Honey On My Tongue”

“Roots music and blues do speak to a lot of people right now. Much of the healing and release you get from listening to this music… has shown itself to be so vital in these times… I hope the memories of every soul who has loved and been loved are like honey on our tongues,” says Linden of his track, “Honey on My Tongue.”


Photos: (L to R) Dori Freeman by Kristen Crigger; John Prine by Danny Clinch; Jackson+Sellers by Ashley Osborn

LISTEN: Moot Davis, “Hey Hey”

Artist: Moot Davis
Hometown: Los Angeles, California
Song: “Hey Hey”
Album: Seven Cities of Gold
Release Date: October 22, 2021
Label: Boot Knife Records

In Their Words: “I wrote this song in Nashville in 2002 just before I got signed to Pete Anderson’s Little Dog Records label. It’s a song that I’ve had in my back pocket for a long time, but when I was gathering tunes for this album I took it back out. The song was pretty close to being done, but the chorus needed to be reworked. My girlfriend Katie actually came up with the chorus while she was busy painting one of the large pictures that hangs in our little house.

“The making of the Seven Cities of Gold album was the most fun I’ve ever had in the studio and I think it really comes across on tracks like ‘Hey Hey.’ I was making music with my friends who I’ve known and worked with for years, with no pressure or financial constraints. We recorded it at my drummer Blake Oswald’s home studio and it was very relaxed and heavy on the vodka. I think we were all shocked when it turned out so well, because it was the first time we had ever produced anything on our own. Along with Oswald and myself, we had our past tour manager and studio engineer, Jody Sappington, help us produce and play bass. My longtime guitarist Bill Corvino really gave the album some sharp teeth with his playing while Skip Edwards and Gary Morse added beautiful parts on B3 and pedal steel. Our buddy Al Backstrom (Angela’s husband) did an awesome job mixing the album and laying down some killer harmonies.

“Sometimes projects just come together and it would be really hard to recreate it at any other time. We decided to put the album out now because we are already starting pre-production on the next album, so we felt it was time to get it out of the gate and share it. It’s hard to move forward with a brand new project until the current one is released. Like bullets in a sonic gun, baby!” — Moot Davis


Photo credit: David McClister

WATCH: Phoebe Hunt, “Goin’ Gone” (Tribute to Nanci Griffith)

Artist: Phoebe Hunt featuring Tabitha Meeks and Makena Hartlin (the Pitch Pipes)
Hometown: Nashville, Tennessee
Song: “Goin’ Gone”

In Their Words: “I was introduced to the Pitch Meeting in Nashville by my dear friend Makena Hartlin. She kept telling me to come out to Sonny’s on a Tuesday here in Nashville. I had been reluctant to go anywhere during the pandemic, but this August, I felt like it was time and the Pitch Meeting graciously featured me as their guest artist. It was really special to see what can happen when a group of supremely talented individuals come together to support one another. I felt heard, held, supported and lifted up. I hadn’t played in a live setting with a full band in a really long time and it really lifted my spirits. The next week, Makena and Tabitha Meeks invited me to be a featured guest in their Pitch Pipes female songwriter showcase. Again, I was blown away by the support from these beautiful women.

“Nanci Griffith passed the day before I met up with the Pitch Pipes. My husband and I had her album, The Last of the True Believers, on repeat in our home and I felt deeply connected to her voice, her writing and the covers she chose to sing. You can hear genuine tenderness in her voice. You can feel her spirit. So, I brought ‘Goin’ Gone’ to Makena and Tabitha and asked if they would be open to learning it and paying tribute to Nanci with me. It feels sacred to sing the songs she sang in her wake. As if we can keep the music and her memory alive simply by playing the songs she held close. We’ve lost many beautiful souls lately and it feels important to sing the songs of those who pass and keep their spirit alive through the music they left behind.” — Phoebe Hunt


Photo credit: Nate Luebbe

WATCH: Punch Brothers, “Church Street Blues”

Artist: Punch Brothers
Song: “Church Street Blues”
Album: Hell on Church Street
Release Date: January 14, 2022
Label: Nonesuch Records

Editor’s Note: Recorded at Nashville’s Blackbird Studio in November 2020, during a time of great uncertainty, Hell on Church Street is the band’s reimagining of, and homage to, the late bluegrass great Tony Rice’s landmark solo album, Church Street Blues. The record features a collection of songs by Bob Dylan, Gordon Lightfoot, Bill Monroe, and others. It was intended as both its own work of art and a gift to Rice, who died that Christmas.

In Their Words: “No record (or musician) has had a greater impact on us, and we felt compelled to cover it in its entirety, with the objective of interacting with it in the same spirit of respect-fueled adventure that Tony brought to each of its pre-existing songs.” — Punch Brothers


Photo credit: Josh Goleman

LISTEN: Jeremy Pinnell, “Goodbye L.A.”

Artist: Jeremy Pinnell
Hometown: Southgate, Kentucky
Song: “Goodbye L.A.”
Album: Goodbye L.A.
Release Date: October 1, 2021
Label: SofaBurn Records

In Their Words:Goodbye L.A. was a special situation. I was introduced to Jonathan Tyler through a mutual friend and I was a little nervous about making a record with Jonathan. But we took a leap of faith and and found out it was the best thing we could’ve done. The feeling of excitement was present in the studio. New songs, new ideas flowing in and then hearing the playback was such a positive experience. I’m excited for people to hear these songs we wrote mostly from being on the road and I hope they enjoy it as much as we enjoyed making it. We’ve worked really hard to make this album. Long hours, hardly any pay, and many nights away from home make this album what it is.” — Jeremy Pinnell


Photo credit: Melissa Fields

MIXTAPE: Staci Griesbach’s Great American Songbook of Country Music

The Great American Songbook of country music is a vast terrain to cherish and celebrate. So vast, in fact, that to narrow it down into one playlist of favorite “picks” is an incredible challenge! That said, I’m sharing here a selection of songs that are some of my all-time favorite lyrics and melodies. (The kind of songs you’d take with you to a desert island.) When you look through this list, it is no doubt that you’ll agree: each one of these songs rightly deserves its space in the pages of 20th century American music history for the mark the songwriters and the musical icons performing them have made. The generations these songs have touched (and hopefully will continue to touch)… the audiences moved by performances, in some cases to tears… all from the impact of a single song. Amazing!

As I hope to do with my Songbook series of recordings, my artistic path honors these songwriters and musical icons in reimagining these songs in a new way, offering an inspired interpretation of some of these classic songs (as you’ll see below). I hope you enjoy a slice of what I like to call “My American Songbook.” — Staci Griesbach

Dolly Parton – “Coat of Many Colors”

Dolly Parton’s “Coat of Many Colors” celebrates its 50th anniversary in 2021, and in my mind, there may be no more perfect storytelling song with a purpose in all of country music. Through the lyrics, Dolly approaches some important underlying themes in her message with this song. From humble beginnings to the love of a mother to encouraging self-talk and faith to the discussion of bullying, this song is so inspiring no matter where you live or what your upbringing was like. Coupled with her incredible human compassion and all she does with her celebrity to make the world a better place, Parton continues to be awesomely inspiring. For my interpretation, we played up the whimsical nature with the Joseph and the Amazing Technicolor Dreamcoat reference to also celebrate Dolly’s immense talent in the Broadway space. Fun fact: I was once “Narrator” in the musical production, so there’s a special sort of kismet connection!

Willie Nelson – “Blue Eyes Crying in the Rain”

When a song is recorded by Hank Williams, Roy Acuff, Willie Nelson, and probably hundreds of other artists, you may wish your name was songwriter and country music legend Fred Rose. Willie Nelson’s voice and this song pair so well for me. It’s his renditions — especially the live acoustic ones where he brings the tempo down — that are my favorite.

Patsy Cline – “Crazy”

If you’re going to do a playlist about country music standards, then this one has got to be on the list and perhaps top the list. As the most-played jukebox hit in history, the combination of Willie Nelson’s pen and Patsy Cline’s voice makes for a combination that never gets old.

Merle Haggard – “That’s the Way Love Goes”

Merle Haggard could sing the phone book to me, and I’d fall in love. This classic Haggard tune shows off some of his trademark moves, hitting the low notes with a sense of natural charm that could arguably make any gal swoon. His influence from Lefty Frizzell, who penned the song and had a strong arm in shaping many of country music’s early male voices in terms of style, is clear.

Anne Murray – “Could I Have This Dance”

I’m a sucker for a country waltz and the romantic in me gets caught up in this lyric every time I hear it. While the vocal is more modest in range and dynamic, it’s the sweetness of the tune that makes it feel like you’ve just put on your favorite winter sweater and nestled up to the fireplace.

George Jones – “He Stopped Loving Her Today”

Classified by many as the greatest country song of all time, it’s an exemplary tale of great songwriting paired with incredible talent. The song, the lyrics, and the vocal performance George Jones gives in this tear-stained ballad can’t possibly leave a dry eye in the room, no matter how many times you’ve heard the recording! This was the first song we tackled for my album celebrating Possum’s 90th birthday, and I was thrilled when songwriter Bobby Braddock shared his praise. In my cover version, arranger Jeremy Siskind arguably created a stage for this song to really sit in a spotlight it has never been in before.

Ernest Tubb – “Waltz Across Texas”

Listening to this song play as a young girl, I used to dream of being swept off my feet in love someday, filled with the imagery of waltzing across a big ballroom with someone serenading me. When Ernest Tubb calls out his band members, it feels like you’re right in the room listening as they’re playing. I’ve always enjoyed his iconic characteristics in his sense of showmanship.

Patsy Cline – “Walkin’ After Midnight”

Several songs in Patsy Cline’s catalog can be called standards in country music and this is one of them. A favorite for many girl singers who adore her, Patsy’s swagger comes through in her bluesy vocal performance adding just the right touch of cry to connect us with her desire for finding love. For my cover version, also from arranger and pianist Jeremy Siskind, the song offers more of a meditative groove creating a moodiness that implores a sense of searching matching the lyrics with a more internal reflection.

Ray Price -–”Make the World Go Away”

The great Hank Cochran had a way with songwriting and that’s no secret. One of my favorite songwriters in Nashville history. His songs create a lasting impression, especially this one recorded by Eddy Arnold, Elvis Presley, Martina McBride, and the late great Ray Price.

Tammy Wynette – “‘Til I Can Make it On My Own”

When you put Tammy Wynette, George Richie, and Billy Sherrill in a room, you know a hit song will find its way out of the door. Wynette’s performance is simply stunning here, and this song really showcases her dynamic range as a vocalist. I also really enjoy Martina McBride’s cover on her standards tribute album.

Merle Haggard – “Today I Started Loving You Again”

The poetic nature of Merle Haggard’s catalog cannot be questioned, and while he’s known as the poet of the common man, it’s his love songs that have me right in the palm of his hand. Penned along with Bonnie Owens, this song might top the Haggard catalog for me.

Dolly Parton – “Here You Come Again”

Only recently I became aware that this song was written by the great Cynthia Weil and Barry Mann. I’ve always associated the song with Dolly, and with her incredible songwriting prowess, it was a natural assumption. This is definitely one of my favorite songs in Dolly’s catalog. For my cover, which is the flip side of my Digital 45 with “Coat of Many Colors,” Jeremy Siskind and I explored a ballad context to really bring out the emotional quality of the lyrics and the feelings that bubble up when you’re so in love with someone and forget for a moment that they’re not good for you.

Hank Williams – “Cold, Cold Heart

There’s a lure around Hank Williams like no other in country music. And it’s no surprise when you listen to Williams’ catalog why George Jones and so many others looked up to and tried to emulate Williams at the beginning of their careers. A true country music standard for its number of covers (including Tony Bennett), I’m a huge fan of Norah Jones’ performance.

Patsy Cline – “Lonely Street”

From Kitty Wells, Melba Montgomery, and Emmylou Harris to Ray Price, George Jones, and Tammy Wynette, this song has been recorded many times over. While Andy Williams’ version might have hit the highest notes on Billboard’s charts, it’s Patsy Cline’s heartache-filled performance that is my favorite version. There were a few of her classic hits that didn’t make my tribute album and this one might top that list.

Kris Kristofferson – “Help Me Make it Through the Night”

The stories of Kris Kristofferson and Bill Withers have always touched me in the fact that both of them were working everyday jobs (sweeping floors and working at an airplane parts factory respectively) when their demos catapulted them into the spotlight. I’ve seen Mr. Kristofferson perform this live a few times and my heart melts every time.


Photo credit: Kim Thiel

LISTEN: Kris Gruen, “Pictures Of”

Artist: Kris Gruen
Hometown: Worcester, Vermont
Song: “Pictures Of”
Album: Welcome Farewell
Release Date: September 24, 2021
Label: Mother West

In Their Words: “My firstborn has started a list of her first choices for college. I’m gonna look past how stereotypical I sound and just say it… Feels like yesterday that I was swinging her to sleep in her detachable car seat and spinning her favorite episodic bedtime story, Stanley the Friendly Whale. I’ve written her songs, and into songs, in the past. One of them was about a deep nostalgia for her younger years, but ‘Pictures Of’ is a tribute to her maturation and readiness for the world. It’s a Woody Guthrie-esque declaration of belief in her courage and her right to be in love with the world, recognizing that we, her elders, spend hours every day filling her ears with reasons to fear it. ‘Pictures Of’ says, ‘Yes, be excited for and in love with the world! Regardless of our collective fear in the unknown, I can tell you want to be! And you’re right to be! And I’m glad you are!'” — Kris Gruen


Photo credit: Jeff Forney

WATCH: The Connells, “Stars”

Artist: The Connells
Hometown: Raleigh, North Carolina
Song: “Stars”
Album: Steadman’s Wake
Release Date: September 24, 2021
Label: Black Park/Missing Piece Records

In Their Words: “I find the lyrics to be the hardest aspect of songwriting, which is why it is not uncommon for me to come up with the basic idea for a song well before the lyrics are finalized — months and months in some cases. That’s the way it went with ‘Stars.’ It is the tongue-in-cheek lament of someone who feels as though the stars are aligned against him, and who is asking ‘When it’s over, tell me….’ There’s been a lot going on in the world — global pandemic, political turmoil, global warming — that make the ‘When it’s over, tell me’ refrain a bit more resonant.” — Mike Connell, The Connells


Photo credit: Bryan Regan

On “Radio Silence,” The Highwomen’s Natalie Hemby Lets Her Voice Be Heard

Natalie Hemby’s new single “Radio Silence” puts her cunning sensibility as a songwriter on full display, while drawing on the strengths of co-writers Rosi Golan and Daniel Tashian. No slouches themselves, Golan is an accomplished songwriter whose music can be heard on countless TV shows and films, and Tashian is a writer and producer in Nashville with credits such as Kacey Musgraves’ Golden Hour.

With this dream team in support, Hemby’s weighty single encapsulates the anxiousness of being cut off from a friend — a true story that hits close to home. “This song is basically about being ghosted by a friend, only not because of a fallout, but because your friend doesn’t want to drag you into their struggles, so they shut down,” says Hemby. “I was the friend, and Rosi Golan was the one reaching out. We wrote the song with Daniel Tashian.”

An acclaimed writer and two-time Grammy Award winner, Hemby will releasing her first major label record as a solo artist, following her work with the Highwomen, the collaborative group with Brandi Carlile, Maren Morris, and Amanda Shires. “Radio Silence” and lead single “Heroes” precede Pins And Needles, an album that leans on her rock and roots musical influences, due out October 8 on Fantasy Records. “Pins And Needles is the record I never got the chance to make and I always wanted to,” she adds. “It’s the late 90’s sound, which is the sound of my young adult life.”


Photo credit: Alysse Gafkjen