WATCH: The Lovestruck Balladeers, “Rivka Road Rag”

Artist: The Lovestruck Balladeers
Hometown: New York, Detroit, Chicago
Song: “Rivka Road Rag”
Album: The Lovestruck Balladeers

In Their Words: “We formed a strong bond working with filmmaker Horatio Baltz on our first two videos, which we shot in-person long before the pandemic. Last year, during lockdown, we started talking about a third collaboration. However, given the circumstances, it wasn’t obvious how we would go about it. We were spread out from coast to coast and from Canada down to Mexico, so the idea of a traditional shoot was off the table. After a fresh listen to the album, Horatio pitched us an idea for one of the band’s original compositions, Dalton Ridenhour’s ‘Rivka Road Rag.’ We readily agreed. Months later, when we could sit back and enjoy the final cut, we were all thoroughly charmed. With his artistry, Horatio once again had added a dimension to our music beyond what we’d envisioned ourselves.” — Jacob Sanders, The Lovestruck Balladeers


Photo credit: Aidan Grant

WATCH: Michigan Rattlers, “The Storm”

Artist: Michigan Rattlers
Hometown: Petoskey, Michigan
Song: “The Storm”
Album: That Kind of Life
Release Date: May 19, 2021
Label: Massasauga Records

In Their Words: “‘The Storm’ was the first song written for this new record, and in a lot of ways it set the tone for the songs that would follow. The storm is a beginning. I wanted to write about that feeling of encountering something that you know will change you forever. ‘It’s hard not to think I was born right there’ is the touchstone line of the song for me. There’s everything before and there’s everything after. As far as the construction of the song, this is a good example of how we were much more deliberate in our approach to arranging and recording this record. The songs on Evergreen are very loosely arranged and we approached those songs in the studio as we had been playing them live. On That Kind of Life, we spent considerable time on arranging and writing our parts. We never played these songs live before recording them which gave us freedom and the ability to really craft these songs in the studio.

“When it came to the video, we wanted to showcase a relationship, but not give away the whole story. We wanted to show snapshots of two people coming together and coming apart, the ebb and flow of a relationship. It feels like you’re waiting for something happen. You’re waiting for that storm to come. And I think when you hear or read the words ‘the storm’ you’re anticipating something bad will happen. But we approached the storm as love itself. Love is everything at once and that’s how I thought of the storm when writing the song and how we wanted to interpret it in the video. The video was directed by Allyson Bernstein, shot by Andrew Gulledge, and assisted by Ramie Cronkhite. It was the first project we did after the height of COVID and was a real collaborative effort.” — Graham Young, Michigan Rattlers


Photo credit: Andrew Gulledge

LISTEN: Loose Cattle, “He’s Old, She’s High”

Artist: Loose Cattle
Hometown: New Orleans / New York City
Song: “He’s Old, She’s High”
Album: Heavy Lifting
Release Date: June 4, 2021
Label: Low Heat Records

In Their Words: “It’s great when your friend gets you. But when the friend who gets you is also one of New Orleans’ most celebrated songwriters, can he maybe get you too well? When Loose Cattle’s longtime friend Paul Sanchez (multiple time NOLA songwriter of the year and ex-Cowboy Mouth) told us he’d written a song for the band, we pondered that for half a second. But by the end of the first listen, we threw our arms around him and the song, and turned it into something that we hope would make Porter & Dolly, Johnny & June and John Doe & Exene all equally proud. Even though Kimberly and Michael stopped being a couple years ago, they’re still odd. This one is for all the perfectly mismatched people out there.” — Loose Cattle


Photo credit: Zach Smith

The BGS Radio Hour – Episode 209

Welcome to the BGS Radio Hour! Since 2017, this weekly radio show and podcast has been a recap of all the great music, new and old, featured on the digital pages of BGS. This week, we bring you new music off of the beautiful new album Outside Child from Allison Russell, as well as bluegrass songs to celebrate springtime, and much more! Remember to check back every week for a new episode of the BGS Radio Hour.

APPLE PODCASTS, SPOTIFY

Kishi Bashi – “Waiting For Springtime”

To start off this week’s roundup, we visit our conversation with Athens, Georgia-based Kaoru Ishibashi, better known as Kishi Bashi, about his new EP Emigrant. When COVID hit, he and his daughter packed into a camper and hit the road, from the southeastern U.S. all the way to Oregon, over a period of several months. Along the way, he fleshed out the songs that became Emigrant through visiting places like the Ozarks, the Dakotas, and Montana, including Heart Mountain: a World War II Japanese internment camp he visited many times during the production of his documentary Omoiyari: A Songfilm by Kishi Bashi.


Reid Zoe – “When I Go”

This new track from singer-songwriter Reid Zoé is, on the surface, a song about dying, but really it’s about all of the questions that come with being a human on earth.

Full Cord – “Right In Step”

With a catchy melodic hook and low-tuned banjo, “Right in Step” is a lovely bluegrass tune full of love, hope, and togetherness – hopefully a respite from the uncertainty of the pandemic.

Sean McConnell – “Price of Love”

It’s been said that everything in this world comes with a price. For Nashville’s Sean McConnell, that price is reflected in loving someone — be it family, friend, or significant other — and the eventuality and certainty of you losing them. Yet still, he suggests, most of us are willing to take that risk for love, to give up our hearts completely. It’s the price that our heart pays for love in return.

The Deep Dark Woods – “How Could I Ever Be Single Again?”

A new song from pan-Atlantic singer-songwriter The Deep Dark Woods was inspired by English folk band Steeleye Span. Featuring Kacy Anderson on fiddle, the tune asks the titular question, “How Could I Ever Be Single Again?”

Sam Robbins – “Raining Sideways”

“Raining Sideways” is one of Sam Robbins’ most-requested songs, a stream of consciousness lyric that’s one of the most raw and authentic he’s ever written.

Lera Lynn – “A Light Comes Through”

A recent episode of The Show on the Road featured a deep dive with silky-voiced, southern gothic-folk songwriter Lera Lynn. Stick around to the end of the episode to hear Lynn introduce her favorite broken-romance number, “So Far.”

Graham Sharp – “Truer Picture of Me”

BGS recently caught up with Steep Canyon Rangers’ banjo player and songwriter Graham Sharp about the release of his new solo record, Truer Picture. We talked about Steve Martin’s influence on the Rangers and Sharp himself, as well as his approach to songwriting, nature inspirations, and the way literature and music coincide.

Our Native Daughters – “Quasheba, Quasheba”

Our Artist of the Month for May, Allison Russell, wrote this song for her many-times-great-great-grandmother Quasheba, who survived being enslaved, being ripped away from everything she knew, the horrible Middle Passage, having her children taken, and more. Russell says her art and a loving community have inspired her to connect with her ancestors and find connection through intergenerational strength, resilience, and transcendence, despite intergenerational trauma and abuse.

Grace Pettis – “Paper Boat”

Singer-songwriter Grace Pettis literally dreamed up “Paper Boat,” a song about coming of age, trying to fit in, and losing our innocence. She’s joined by her producer, Mary Bragg, on tender harmony vocals.

Allison Russell – “The Runner”

We spoke with our May Artist of the Month, Allison Russell, about the inspiration behind and creation of her honest and stunning album Outside Child, including this track “The Runner.” Read our two-part interview here.

Lost & Found – “Wild Mountain Flowers for Mary”

We hope, wherever you’re reading this from, that snow, frost, and the cold are truly retreating, giving way to longer days, warmer weather, and the gorgeous, humid, cicada-soundtracked days of summer. But, before we get to full-blown bluegrass season – and, hopefully, our first live music forays since COVID-19 shut the industry down in early 2020 – let’s take a moment to intentionally enjoy spring with 12 bluegrass songs perfect for collecting a wildflower bouquet, romping and frolicking in the meadow, and pickin’ on the back porch while the evenings are still cool.

Accidentals – “Wildfire”

The Accidentals spoke with BGS on loving and learning from Brandi Carlile, singing on stage with Joan Baez, the magic in meeting strangers and finding common ground, and much more in this edition of 5+5.


Photos: (L to R) Lera Lynn by Alysse Gafkjen; Allison Russell by Marc Baptiste; Kishi Bashi by Max Ritter

In a Hypnotic Video, Rhiannon Giddens & Francesco Turrisi Add Life to “O Death”

Upon the release of their new record, They’re Calling Me Home, Rhiannon Giddens and Francesco Turrisi delivered a beautiful music video for their rendition of the old American tune, “O Death.” The video features a series of scrolling paintings done by Maeve Clancy, an Irish artist who specializes in these “crankie rolls.” It’s a suitable vehicle for illustrating Giddens’ performance, as the images match not only the drama of the story but also the pacing of the lyrics and rhythms. In this hypnotic, pre-electricity style, “O Death” comes to life with its own magnetism. It’s the latest installment in the North Carolina native’s ongoing collaborations with Turrisi, a gifted Italian multi-instrumentalist.

During the pandemic, Giddens and Turrisi stayed at home for more than a year in Ireland, and They’re Calling Me Home echoes the many ways that a tumultuous 2020 had many of us yearning for the comforts of home, of the past, or of those that were called home from this world. NPR’s Here and Now raved about They’re Calling Me Home, saying “Rhiannon Giddens’ newest album goes back in time to soothe the soul of listeners today.” In a Q&A with Garden & Gun, Giddens says, “I love the idea of old technology plus new technology. Maeve is cranking one long piece of paper from one side to the other. I hope people realize that! She’s responding to what’s going on in the song. And she found a certain style and then had to draw it so it has the same tempo as the song. I love getting inside another artist’s world for a bit.”

Watch the beautiful visual representation of “O Death” below.


Photo credit: Karen Cox

WATCH: Bendigo Fletcher, “Sugar in the Creek” (Blackacre Barn Session)

Artist: Bendigo Fletcher
Hometown: Louisville, Kentucky
Song: “Sugar in the Creek” (Blackacre Barn Session)
Album: Fits of Laughter
Release Date: August 13, 2021
Label: Elektra Records

In Their Words: “Playing ‘Sugar in the Creek’ live feels like floating compared to some of our other songs that probably require more attention to recreate. There are a few key and tempo fluctuations that we sort of arrive at and navigate as the song continues, and we just have to rely on staying in the moment together to hit those transitions naturally. Looking back, I think it was written under the spell of a band called Relatively Clean Rivers, whose only known album consists of those types of songs that just kind of start and end before you remember again that you’re in a human body.” — Ryan Anderson, Bendigo Fletcher


Photo credit: Jimmy Fontaine

LISTEN: Andrew Sa, “Love Hurts” (feat. Sima Cunningham)

Artist: Andrew Sa
Hometown: Chicago, Illinois
Song: “Love Hurts” (featuring Sima Cunningham)
Album: Cosmic Country Stars: Andrew Sa
Release Date: June 4, 2021
Label: Cosmic Country

In Their Words: “I love a sad song, and ‘Love Hurts’ is a sad-ass song. It’s the first time someone’s broken your heart, and you’re gonna let it all out. I liken the feelings of loss and emptiness in the song to that of floating alone in zero gravity. The numbness in the realization that love could also hurt. The majestic Sima Cunningham (of Ohmme) and I originally covered this true duet for the very first Cosmic Country Show, our now regular Chicago revue. Now after recording it for the first virtual Cosmic Country Show, it’s a real favorite among our fans.” — Andrew Sa


Photo credit: Alexa Viscius

LISTEN: Satsang, “Malachi”

Artist: Satsang
Hometown: Red Lodge, Montana
Song: “Malachi”
Album: ‘All. Right. Now.’
Release Date: June 4, 2021
Label: SideOneDummy Records

In Their Words: “The day my son Malachi was born, they said his bilirubin count was bad and they suggested we keep him under this crazy blue light throughout the night. My wife and I couldn’t do it. While my wife slept, I held him on my chest overcome with joy and thinking about what he could be and what I could be to him. His mom woke up in the middle of the night and I handed him over, and as they slept I just watched the two of them. I pulled out my notebook and wrote down what would become this song.” — Drew McManus, Satsang


Photo credit: Greyson Christian Plate

Artist of the Month: Chris Thile

Chris Thile found solace during the pandemic in a church — more specifically, a remodeled one that now houses Future-Past recording studio in Hudson, New York, where he and his family were temporarily living in the summer of 2020. “I went in there to look at the space and instantly felt so at home,” Thile said upon announcing his new album, Laysongs. “I loved the amount of sound around the sound. I had two sonic collaborators on this record: the tremendous engineer Jody Elff and that church.”

With a suggestion from Nonesuch Records’ Chairman Emeritus Bob Hurwitz to make a record that was both spiritual and a snapshot of the pandemic, Thile decided to pursue the idea, putting together six originals and three covers with only his voice and his mandolin. In April, he introduced the project with the lead single, “Laysong.” As he noted, “It is a lifelong obsession of mine, even post-Christianity, what the impact of that kind of devotion to any organized religion is.”

Laysongs offers the three-part “Salt (in the Wounds) of the Earth,” which was inspired by C.S. Lewis’s The Screwtape Letters; a song Thile wrote about Dionysus; a performance of the fourth movement of Béla Bartók’s Sonata for Solo Violin; “God Is Alive, Magic Is Afoot” based on Buffy Sainte-Marie’s adaptation of a Leonard Cohen poem; a cover of bluegrass legend Hazel Dickens’ “Won’t You Come and Sing for Me;” and an original instrumental loosely modeled after the Prelude from J.S. Bach’s Partita for Solo Violin in E Major. Thile’s wife, actor Claire Coffee, serves as co-producer.

It’s the latest creative endeavor from the MacArthur Fellow, whose exceptional career spans far beyond his solo work. From Nickel Creek and Punch Brothers to a pair of Goat Rodeo albums and the much-missed Live From Here series, Thile remains one of acoustic music’s most visible figures. You can read part one of our Artist of the Month interview here. Read part two here. Meanwhile, enjoy our BGS Essentials playlist, a tip-of-the-iceberg hint at the remarkable breadth of this masterful musician.


Photo credit: Josh Goleman

John Hiatt, Jerry Douglas Band Dial It In on “Mississippi Phone Booth”

For his new album, accomplished singer-songwriter John Hiatt is partnering with an all-time great of the bluegrass and folk music world — none other than Jerry Douglas. Hiatt’s raucous style and bluesy inclinations marry perfectly with the natural grit and soulful voice that Douglas pulls from the dobro.

Recorded in RCA Studio B in Nashville, Leftover Feelings returned Hiatt to his earliest days in town when he lived in a $15-a-week rented room on Music Row. “I was immediately taken back to 1970, when I got to Nashville. You can’t not be aware of the records that were made there… Elvis, the Everly Brothers, Waylon Jennings doing ‘Only Daddy That’ll Walk the Line.’ But that history wasn’t intimidating, because it’s such a comfortable place to make music.”

Their captured performances are truly spontaneous instances of creation and expression, not bogged down by the weight of calculation or correctness. For example, “Mississippi Phone Booth” struts completely on its own, with the same grease as classic blues records. Watch the new music video from John Hiatt with the Jerry Douglas Band below.


Photo credit: Patrick Sheehan