Top 10 Sitch Sessions of the Past 10 Years

Since the beginning, BGS has sought to showcase roots music at every level and to preserve the moments throughout its ever-developing history that make this music so special. One of the simplest ways we’ve been able to do just that has been through our Sitch Sessions — working with new and old friends, up-and-coming artists, and legendary performers, filming musical moments in small, intimate spaces, among expansive, breathtaking landscapes, and just about everywhere in between. But always aiming to capture the communion of these shared moments.

In honor of our 10th year, we’ve gathered 10 of our best sessions — viral videos and fan favorites — from the past decade. We hope you’ll enjoy this trip down memory lane!

Greensky Bluegrass – “Burn Them”

Our most popular video of all time, this Telluride, Colorado session with Greensky Bluegrass is an undeniable favorite, and we just had to include it first.


Rodney Crowell and Emmylou Harris – “The Traveling Kind”

What more could you ask for than two old friends and legends of country music reminiscing on travels and songs passed and yet to come, in an intimate space like this? “We’re members of an elite group because we’re still around, we’re still traveling,” Emmylou Harris jokes. To which Rodney Crowell adds with a laugh, “We traveled so far, it became a song.” The flowers were even specifically chosen and arranged “to represent a celestial great-beyond and provide a welcoming otherworldly quality … a resting place for the traveling kind.” Another heartwarming touch for an unforgettable moment.


Sarah Jarosz and Aoife O’Donovan – “Some Tyrant” 

In the summer of 2014, during the Telluride Bluegrass Festival we had the distinct pleasure of capturing Sarah Jarosz and Aoife O’Donovan’s perfectly bucolic version of “Some Tyrant” among the aspens. While out on this jaunt into the woods, we also caught a performance of the loveliest ode to summertime from Kristin Andreassen, joined by Aoife and Sarah.


Rhiannon Giddens – “Mal Hombre”

Rhiannon Giddens once again proves that she can sing just about anything she wants to — and really well — with this gorgeously painful and moving version of “Mal Hombre.”


Tim O’Brien – “You Were on My Mind”

Is this our favorite Sitch Session of all time? Probably. Do we dream of having the good fortune of running into Tim O’Brien playing the banjo on a dusty road outside of Telluride like the truck driver in this video? Definitely.

Enjoy one of our most popular Sitch Sessions of all time, featuring O’Brien’s pure, unfiltered magic in a solo performance of an original, modern classic.


Gregory Alan Isakov – “Saint Valentine”

Being lucky in love is great work, if you can find it. But, for the rest of us, it’s a hard row to hoe. For this 2017 Sitch Session at the York Manor in our home base of Los Angeles, Gregory Alan Isakov teamed up with the Ghost Orchestra to perform “Saint Valentine.”


The Earls of Leicester – “The Train That Carried My Girl From Town”

In this rollicking session, the Earls of Leicester gather round some Ear Trumpet Labs mics to bring their traditional flair to a modern audience, and they all seem to be having a helluva time!


Sara and Sean Watkins – “You and Me”

For this Telluride session, Sara and Sean Watkins toted their fiddle and guitar up the mountain to give us a performance of “You and Me” from a gondola flying high above the canyon.


Punch Brothers – “My Oh My / Boll Weevil”

The Punch Brothers — along with Dawes, The Lone Bellow, and Gregory Alan Isakov — headlined the 2015 LA Bluegrass Situation festival at the Greek Theatre (a party all on its own), and in anticipation, the group shared a performance of “My Oh My” into “Boll Weevil” from on top of the Fonda Theatre in Hollywood.


Caitlin Canty feat. Noam Pikelny – “I Want To Be With You Always”

We’ll send you off with this delicate moment. Released on Valentine’s Day, Caitlin Canty and Noam Pikelny offered their tender acoustic rendition of Lefty Frizzell’s 1951 country classic love song, “I Want to Be With You Always.”


Dive into 8 of our favorite underrated Sitch Sessions here.

BGS 5+5: Brad Kolodner

Artist: Brad Kolodner
Hometown: Baltimore, Maryland
Latest Album: Chimney Swifts
Personal nicknames: B-rad, Dadley, BK

Which artist has influenced you the most … and how?

My father Ken, hands down. As long as I can remember, my father’s music has been the soundtrack of my life. To be fair, I didn’t have much choice in the matter. The living room in our house was filled with the sounds of his hammered dulcimer and fiddle playing (along with the scores of students who banged away on their dulcimers and scratched out tunes on fiddle). I’d be lying if I said my sister and I always loved the ruckus. In all seriousness, the music must’ve been seeping in all those years. When I finally picked up the banjo as a teen, old-time music clicked and it felt right.

My father quickly became a musical mentor and eventually a bandmate and musical peer. His experience playing a multitude of traditional folk music styles through his years with his band Helicon has informed how I approach music with a creative, open mind while respecting the traditional roots of the music. His musicality and sense of dynamics are captivating. He really feels every note and it’s something I strive for in my playing. While piecing together material for my new solo album Chimney Swifts, it was a natural choice to include my father on the project as I wanted to highlight both the groovy and mellow sides of his playing. It’s always a joy to make music with him and I’ll treasure that feeling as long as I can.

What was the first moment that you knew you wanted to be a musician?

Singing “I’ve Been Everywhere” for the student talent show at the Meadowlark music camp in Maine back in 2007 was a catalyst for my love of being on stage sharing music. I had just wrapped up my very first week learning the basics of clawhammer banjo in a workshop with Richie Stearns, who ultimately became a banjo hero of mine. I could only play a very clumsy “bum-ditty” so I wasn’t quite ready to show off my newfound love of the banjo. However, I was eager to share the one song I had memorized in my life up to that point for the student talent show.

Years earlier, I spent weeks memorizing all the places in “I’ve Been Everywhere,” which caught my ear when I heard Johnny Cash’s version in a commercial. Suffice to say, I didn’t do too well in school for those few weeks. With my tail between my legs, I hopped up on stage and sang the song. As a relatively shy kid at that point in my life, I emerged from my shell after belting out each verse with the crowd roaring along the way. I can’t say I knew I wanted to be musician at that moment but it’s certainly the first time I tasted that high performers can get on stage in front of an electric audience. There’s actually a home video of that original performance.

What’s your favorite memory from being on stage?

I’ve been fortunate to have some incredible experiences performing with my father Ken at venues like the Kennedy Center, Winfield, and Clifftop and with Charm City Junction at Grey Fox, IBMA, and the Charm City Bluegrass Festival. However, there is one night that really jumps out: the opening concert at our inaugural Baltimore Old Time Music Festival in 2019. After moving back to my hometown in my early 20s around 2012, I made it my mission to reboot the local old-time music community. I cofounded our biweekly old-time jam with my dad, started the Baltimore Square Dance with some pals, and hosted a monthly house concert series with the long term goal of putting together an old-time music festival someday. Well, that dream became a reality in 2019 when I, with Baltimore Old Time Music Festival in partnership with the Creative Alliance, cofounded an arts organization here in town. I’ll always treasure the memory of standing on stage during the kickoff concert in a packed concert hall rocking out during the encore playing “Tennessee Mountain Fox Chase” with the biggest smile on my face. This year, we’re hoping to have our “2nd” Annual Baltimore Old Time Music Festival in mid-November.

Which elements of nature do you spend the most time with and how do those impact your work?

There’s really nothing more nourishing or magical than the time I’ve spent deep in the dense woods on top of a mountain in Clifftop, West Virginia, at the Appalachian String Band Festival. As an artist, I spend much of my time making music in the context of my work — playing a show, teaching lessons, leading a local jam, etc. While I’m deeply grateful for this lifestyle, I need those soul-nourishing experiences in which I play music simply to play music. Clifftop provides that space. It’s a gathering of thousands of old-time musicians who huddle under soggy EZ-ups ’til the wee hours playing fiddle tunes. The natural beauty of the setting adds to that magic.

There’s something about the shared experience trudging through the mud, square dancing in a dusty dirt road, and watching the sunrise with your buds grooving out on fiddles tunes that can’t be matched anywhere else. I can’t tell you how many times I’ve gotten lost meandering through the woods with sounds of far-off old-time jams swirling around the forest. There’s a hike next to the campground that weaves through a rhododendron grove amidst rock formations atop a ridge before descending to a little mountain stream. It’s the quintessential West Virginia swimming hole and it’s a hike I look forward to every year. Most of all, I’ve made some dear pals at Clifftop who have become my closest musical collaborators including Alex Lacquement and Rachel Eddy who are featured on my latest album, Chimney Swifts. While the music is what draws me in, it’s the people who keep me coming back year after year.

Since food and music go so well together, what is your dream pairing of a meal and a musician?

Well, since you asked… Before I played music, I was (and still am, sadly) a diehard Baltimore Orioles fan. The earliest musical memory I have, besides listening to my father’s music, is seeing John Denver hop up on top of the Baltimore Orioles dugout during the seventh inning stretch to sing “Thank God I’m a Country Boy” back in 1997 just a couple weeks before he tragically passed away in a plane crash. After that performance, my parents gifted me some John Denver CDs and I listened to them more than anything else as a kid — really. I would fall asleep to his albums on repeat and my parents would have to come in and turn them off after I dozed off. So, it would be my dream to sit with John Denver at an Orioles ballgame on a warm summer night while eating a Boog’s BBQ sandwich and drinking a Natty Boh beer (a classic Baltimore combo). Oh, and an Orioles win would be nice, but I don’t want to ask for anything unrealistic…


Photo credit: Joanna Tillman

LISTEN: The Grascals, “Maybelle”

Artist: The Grascals
Hometown: Nashville, Tennessee
Song: “Maybelle”
Album: Up All Night
Release Date: August 27, 2021
Label: Mountain Home Music Company

In Their Words: “It’s very rare when looking for a song that you find exactly what you’re looking for. This was the case with ‘Maybelle!’ The song sounds like it came from deep within the mountains. From the haunting words to the clawhammer banjo and fiddle, this song will grab your attention.” — John Bryan, The Grascals


Photo credit: Sandlin Gaither

With Clawhammer Banjo, Gregory Alan Isakov Covers the Lumineers

Happy birthday, Dualtone Records! The Nashville-based indie music label is celebrating a tremendous milestone this year, commemorating the 20 years they’ve been in the business of bringing us beautiful albums from an array of classic Americana, folk, and indie artists. To mark the occasion, they have issued a compilation album cleverly titled Amerikinda: 20 Years of Dualtone. The album features many of Dualtone’s artists from the past and the present performing each other’s songs in a whimsical, jovial tribute to the work and achievements of the beloved record company. Upon announcing the album in April, the label released vice versa recordings by Gregory Alan Isakov and the Lumineers, each performing a song written and made famous by the other.

Isakov and the Lumineers are just two of the artists on Amerikinda; they share the liner notes with powerhouse names like Shakey Graves, Langhorne Slim, Drew & Ellie Holcomb, and more. In the video below, hear Isakov’s ghostly rendition of the introspective Lumineers number, “Salt and the Sea.” (The Lumineers also contribute a cover of Isakov’s “Caves.”)

“The Lumineers have been our friends and local comrades here in Colorado for years, and when Wes sent me the premaster of their last record, I was instantly drawn into every song,” Isakov said. “The song ‘Salt and the Sea’ particularly spoke to me, lyrically, along with that haunting melody. I collaborated with my bandmate Steve Varney to pluck out Jeremiah’s piano part with clawhammer banjo. What a beautiful song. I hope we did it justice.”

Upon the album reveal, Isakov added, “Not only are they incredibly good at table tennis, Dualtone is an astounding team of humans. I had never worked with a label before, other than my own label, and it’s been an absolute pleasure teaming up with Dualtone. They are such a hardworking, collaborative, kind-hearted group, and it’s an honor to be a part of their 20th anniversary compilation.”

Label co-founder and CEO Scott Robinson says, “From the very start, we’ve tried to build this safe, encouraging space for artists to experiment and create, and it’s just so cool to see how deeply these bands have connected with each other and to hear the influences and friendships that stretch across the whole history of the label. At the end of the day, there’s something special about the energy of Dualtone, and it’s not because of me or Paul [Roper, President/Partner] or any other individual. It’s because of the way that everyone, artists and staff alike, come together as a community.”


Photo credit: Rebecca Caridad

LISTEN: The Faux Paws, “Fourth Decade”

Artist: The Faux Paws
Hometown: Brattleboro, Vermont
Song: “Fourth Decade”
Album: The Faux Paws
Release Date: August 27, 2021
Label: Great Bear Records

In Their Words: “‘Fourth Decade’ was written by Noah to celebrate a friend’s milestone birthday. We workshopped this tune for a while before finally settling on the instrumentation: fiddle with double clawhammer banjos! And before you ask, these are cooperative banjos, not the violently competitive variety. The three of us have played a lot of dance music over the years — contra, square, cajun, swing, etc. — and we tried to capture that energy and connection on this track.” — Andrew VanNorstrand, The Faux Paws

The Faux Paws · 01 Fourth Decade

Photo credit: Louise Bichan

WATCH: Maya de Vitry, “Working Man”

Artist: Maya de Vitry
Hometown: Lancaster, Pennsylvania
Song: “Working Man”
Release Date: January 8, 2021
Label: Mad Maker Studio

In Their Words: “When I was writing this song last summer I was thinking about the creation of the railroads in the United States, imagining the distance between the hands that physically laid the tracks and the statues and wealth and legacy of the men we remember as having ‘built’ the railroads. I was reflecting on the respect and dignity and security we all long for, the satisfaction of doing a job well done, the pride of being part of something greater than ourselves. The pandemic has elevated and made more visible some of the more underpaid and overworked people in our society, and it’s also made us face the instability of work in general. I was thinking about how so often the blood, sweat, tears, and sacrifice of so many benefit the super-comfort of so few. How can we reimagine our society, and reimagine work, with the empathy and perspective we’ve gained from this last year?” — Maya de Vitry


Photo credit: Kaitlyn Raitz

LISTEN: Tim O’Brien, “I Breathe In”

Artist: Tim O’Brien
Hometown: Nashville, Tennessee
Song: “I Breathe In” ft. Mike Bub (bass), Shad Cobb (fiddle), and Jan Fabricius (harmony vocal)
Album: He Walked On
Release Date: June 25, 2021
Label: Howdy Skies!

In Their Words: “The project is about what you need to do to survive in America. We all need a roof over our head and something to eat, of course, but we also need love. I’ve been grateful to have Jan beside me during the pandemic. The song stresses the need to take things one step or one breath at a time, and to keep those you love close as you do so.” — Tim O’Brien


Photo credit: Scott Simontacchi

8 of Our Favorite Underrated Sitch Sessions

Since our first excursion to Bonnaroo in 2013 BGS has been filming, crafting, and releasing Sitch Sessions with the absolute best and brightest musicians and artists in roots music. We’ve been so fortunate to work with new and old friends, freshly discovered and up-and-coming artists, and legendary performers with enormous legacies. After nearly eight years, we’ve amassed quite an archive of sessions, and within that archive more than a few stellar songs and performances have seemingly fallen to the wayside. 

These 8 Sitch Sessions from the BGS archives are a few of our most favorite, underrated moments from our years of shooting sessions. We hope you’ll enjoy a few of these “reruns” — and take a deep dive into our past featured videos yourself!

Nathan Bowles – “Burnt Ends Rag”

One of our favorite shooting locations is a rooftop in downtown Los Angeles, where countless BGS Friends & Neighbors have taped their Sitch Sessions over the years. One of our favorites is this clawhammer banjo performance by Nathan Bowles, which demonstrates that old-time music and its trappings can be perfectly at home in modernity — and in urban settings, too. More banjos in DTLA, please and thank you!


Andrew Combs – “Firestarter”

One fine AmericanaFest week in Nashville in September a few years back we partnered with Crowell Floral, Jacob Blumberg, and Dan Knobler on The Silverstreak Sessions, a series of Sitch Sessions set in a vintage Airstream and flanked by gorgeous flowers and verdant foliage. At the time, “Firestarter” had not yet been released — now you can hear it on Combs’ 2019 release, Ideal Man. For this session all Combs needed was his guitar, this heartfelt song, and that honey sweet, aching voice. 


Alice Gerrard – “Maybe This Time” 

Every opportunity we’ve had to collaborate or speak with Bluegrass Hall of Famer and living legend Alice Gerrard, we’ve taken it! This session is two of a pair we shot with Gerrard, the other a stark, awe-inspiring a capella number that was quite popular on our channels. This Alice original, “Maybe This Time,” is cheerier, lighter, and has that charming old-time bounce in its bluegrass bones. 

With a new documentary film available, You Gave Me a Song, perhaps it’s about time for another session with this hero of ours!


Ben Sollee – “Pretend”

Maybe you’ve seen Mark O’Connor play fiddle while skateboarding, or Rushad Eggleston performing all manner of acrobatics and avant garde silliness with his cello, but do you remember when Ben Sollee toured America by bicycle? In this 2016 session, Sollee demonstrates his cello-while-pedaling chops. 

We’re firm believers that the world needs more bluegrass, old-time, and Americana cello and we’re happy to return to this archived Sitch Session for that reminder!


Caroline Spence – “Mint Condition”

Another session filmed on our home turf in Los Angeles, Nashville-based singer-songwriter Caroline Spence brought “Mint Condition” to her taping fresh off her debut, eponymous release on Rounder Records in 2019. “Mint Condition” displays Spence’s unique skill for writing strong, unassailable hooks that on almost any other songwriter’s page might trend cheesy or trite. Spence instead displays the simple profundity in her lyrics, a skill evidenced plainly in this session.


Laura Veirs – “July Flame”

Over the years, we’ve partnered with festivals, companies, and brands on tailor-made sessions — like our Portland series, where we partnered with our friends at Ear Trumpet Labs on some of our most popular, most viral Sitch Sessions ever! This beautiful, sunny, summery rendition of “July Flame” by Laura Veirs certainly deserves a re-up. 

In 2016, after this session was published, Veirs went on to release case/lang/veirs with Neko Case and k.d. lang. Remember that!? 


Kelsey Waldon – “Powderfinger”

We first filmed a Sitch Session with Kentuckian country singer and songwriter Kelsey Waldon in 2015 — after the release of her debut album, The Goldmine, in 2014. In the time that’s elapsed since, Waldon has followed her golden debut with two more impeccable studio albums, the latest being White Noise / White Lines, which was released on the late John Prine’s Oh Boy Records in 2019. On the tail of White Noise / White Lines, Waldon gave us this gorgeous cover of Neil Young’s “Powderfinger” displaying her talent for cover song interpretations as well as original song sculpting.


Sunny War – “He Is My Cell”

Guitarist and singer-songwriter Sunny War has just released a brand new album, Simple Syrup, as charming and entrancing as ever and built firmly, yet again, upon her unique and idiosyncratic guitar picking style. In 2018 she released With the Sun, an album that included “He Is My Cell,” which ended up featured in a Sitch Session in early 2019 on BGS. 

War recently appeared as a guest on our Shout & Shine series – read our interview here


 

WATCH: Cody Tinnin, “No Man for Workin'”

Artist: Cody Tinnin
Hometown: Durango, Colorado
Song: “No Man for Workin'”
Album: Perennial
Release Date: March 26, 2021
Label: Western Yoke Records

In Their Words: “No Man for Workin’,” from my debut solo album Perennial, is the tale of two prospectors in the Rocky Mountains of Colorado in the late 19th century: a murder ballad with a twist. Clawhammer banjo and high tenor vocals, recorded on vintage analog recording gear, help convey the darkness that dwells within the song’s protagonist. ‘No Man for Workin” is an original composition that captures the lo-fi familiarity of a classic old-time ballad. The song’s video also documents the Perennial home recording session with Jon Atkinson of Bigtone Records. Perennial is a snapshot into my personal study of clawhammer banjo, old-time, and my lifelong relationship with music. Years before I joined Stillhouse Junkies and became a full-time musician, my grandmother Mary Bartee told me that she believed music was my true calling. It has taken some time and searching to find my path as a musician but in the past few years, I believe I have finally found what it is I’m supposed to do in this life. Turns out, Grandma was right.” — Cody Tinnin


Video produced by Rees Gibbons. Photo credit: Renee Cornue

LISTEN: The Okee Dokee Brothers, “Raise a Ruckus”

Artist: The Okee Dokee Brothers
Hometown: Minneapolis, Minnesota
Song: “Raise a Ruckus”
Album: Songs for Singin’
Release Date: May 1, 2020

In Their Words: “This is our ‘rewrite’ of an old traditional tune with new verses and some new chorus lines too. As The Okee Dokee Brothers, we like to take standards, dust them off a bit and add a bit of our own style. For this one, we wanted to keep the energy of the original responses (‘Raise a ruckus tonight’), but just change the melody a bit and add a bit more chaotic imagery. Hence, the broken vase, rotten tomatoes, and the tornado! This track leads off disc two on our new album, so we really wanted it to be a rowdy ruckus, a rompin’ rouser, and a singable stomper.

“We asked our buddy, Anthony Ihrig (three-finger bluegrass banjo picker from The High 48s bluegrass band in Minneapolis) to record a second banjo part on top of Justin’s clawhammer part, because who says a clawhammer-er can’t coexist with a Scruggs-style picker! So a big thanks to Anthony who laid down a smokin’ track for us. The more the merrier in this tornado of a tune. We knew we got a good take in the studio when all of us were good and sweaty and our voices were hoarse. So stomp, sing, and sweat along with us while we all raise one heckuva ruckus in this bluegrass situation we somehow got ourselves into.” — The Okee Dokee Brothers

okeedokeebros · Raise A Ruckus

Photo credit: Nate Ryan Photography