Tag: Banjo

LISTEN: Nora Brown, “The Very Day I’m Gone”

Posted on by Editor

Artist: Nora Brown
Hometown: Brooklyn, New York
Song: “The Very Day I’m Gone”
Album: Sidetrack My Engine
Release Date: September 24, 2021
Label: Jalopy Records

In Their Words: “‘The Very Day I’m Gone’ is a prime example of the timelessness of old-time music; it has opportunities for a more contemporary sound, but still holds on to its ancient roots. This song comes from ballad singer Addie Graham, an incredible artist from Eastern Kentucky. Me and my fam were listening to this song by Anna & Elizabeth off a tribute record called The Very Day I’m Gone in the car and found the song so mesmerizing we played it again and again.” — Nora Brown

Photo credit: Benton Brown

WATCH: Chris Coole, “My Name Is Lie”

Posted on by Editor

Artist: Chris Coole
Hometown: Toronto, Ontario
Song: “My Name Is Lie”
Release Date: August 13, 2021

In Their Words: “I guess this song is a banjo-y meditation on the post-truth era we seem so hopelessly bogged down in. It’s sung from the perspective of the lie itself. I was inspired by the Dock Boggs song, ‘A Conversation With Death’ or ‘O Death,’ where death is given a voice. So, if a lie could talk, ‘My Name Is Lie’ is what I imagine it might be saying in today’s world. I’m not sure how obvious it is, but the last two verses deal with the Pandora’s box that is social media and how it has allowed lies to access ‘light speed’ so to speak.” — Chris Coole

Photo credit: Tyler Knight

As Banjo Players and Friends, These Women Set the Tone in Bluegrass

Posted on by Editor

It’s always an honor to be nominated, as they often say, and even more special when you share a category with close friends. Achieving nominations once again for the 2021 IBMA Bluegrass Music Awards, Kristin Scott Benson, Gena Britt and Gina Furtado are competing for Banjo Player of the Year — and cheering each other on at the same time.

In a nod to the growing prominence of women who play one of bluegrass’s most iconic instruments, Benson and Furtado found themselves collaborating as producer and artist respectively on the latter’s most recent recording session, resulting in the release of “Made Up My Mind” and “Kansas City Railroad Blues” by the Gina Furtado Project.

Each also picked up additional IBMA Award nominations — the Project qualifying in the organization’s bellwether New Artist category, while Benson, already a five-time Banjo Player of the Year recipient, Steve Martin Banjo Prize winner, and a member of Grammy-nominated band The Grascals, earned an additional nomination in the Instrumental Recording field for her lead role in “Ground Speed,” released as one of a series of special in-studio collaborations for the Mountain Home label’s Bluegrass at the Crossroads series.

Furtado says, “Sometime last year during COVID, Kristin contacted me and said, ‘Hey, we’re so similar! We both play for Mountain Home. We both played with Chris Jones for a while. We both love dogs… we’re mothers… we play the banjo, and we’re not men! Why don’t we combine forces in some way and record a tune or something?’ Our busy lives prevented that from ever happening, but many months later I really needed to think of the perfect person to ask to produce my new batch of singles, and Kristin was exactly the right person.”

She adds, “I was really needing someone who brought not only brilliant musical ideas, but positive, feminine energy. Studios can be such man caves! I guess that’s not PC, but it is completely true. Kristin has motivated and inspired me so very much as a banjo player and human; from her sparkling solos, to formidable tone and timing… and yes, as a young woman learning to play the banjo, I was inspired in a unique way by this amazing woman out there shredding the best into the ground. Being nominated alongside her is super fun and above all extremely humbling!!”

As a producer, Benson brought out the best in Furtado’s recordings. “Gina can stand on her own as an artist,” she says. “My goal wasn’t to change anything about who she is as a writer, singer, or banjo player. I wanted to facilitate and shepherd her and the band through the recording process, from arranging to mixing, to hopefully help her achieve her goals in how she presents her music.”

Benson continues, “I think the ultimate success for women in bluegrass, or any other field, will be when we don’t pause to celebrate it because it’s so normal. That’s when we’ll know that women have seamlessly integrated into whatever we’re doing. Until then, I think we encourage and help each other as much as possible along the way..”

Attesting to the long-standing friendships that bluegrass nurtures, Benson adds, “I first met Gena Britt when I was in high school. She was already out-and-about, playing with an all-female group called Petticoat Junction, though she played bass in that band. She was always so kind and inviting to me. I’ll forever appreciate that.”

In addition, Britt shared an IBMA win with Sister Sadie last year as the Entertainer of the Year. Composed wholly of female musicians, the ensemble has picked up Vocal Group of the Year trophies for the last two years — and they’re back in that category this year, too. “I’m honored to be included in the final nominations for this year’s IBMA awards,” Britt concludes. “There are many incredible women nominated this year. But mostly… there are many amazing musicians that I’m proud to accompany.”

Photo courtesy of BGS sponsors, Crossroads Label Group. Pictured L-R: Gena Britt, Kristin Scott Benson, Gina Furtado

Take the Journey: 17 Songs for a Sunny and Warm Summer Vacation

Posted on by Justin Hiltner

In July we put together a playlist of bluegrass songs for summer vacation and once the inspiration was flowing, it was difficult to stop! We thought we should return to the theme, but slightly zoomed out, to include songs from across the roots music landscape. With the summer still shining, enjoy these 17 folk, Americana, and country songs perfect for your road trip playlist.

“Ride Out in the Country” – Yola

Yola was a 2020 Best New Artist nominee at the Grammys and she’s just returned with a new, full-length album on Easy Eye Sound, Stand For Myself. The entire project is lush and resplendent, like the glory days of orchestral, big-sound country-pop in the ‘60s and ‘70s. For this playlist, though, we return to her prior release, Walk Through Fire, and the perfectly country track, “Ride Out in the Country.” Take the scenic byways and crank the volume!

“I Like It When You’re Home” – Della Mae

One of the nicest silver linings of vacation is missing home – and that delicious feeling of returning to your own space and your own bed after being away. And your loved one(s), too! Della Mae captures that sentiment in this jammy, rootsy track from their album, Headlight. Take the day off, drive north, sit by a lake.

“A Little Past Little Rock” – Lee Ann Womack

A truly quintessential driving song. A must-add even if your vacation route comes nowhere near Arkansas. The baritone guitar intro, the shout-along-with-the-lyrics chorus, the whimsically late ‘90s production. A banger. A bop.

“Sunny and Warm” – Keb’ Mo’

Keb’ Mo’ is a master of vibes. His single “Sunny and Warm” showcases the acoustic blues musician in a more traditional R&B light – and the impact and result are simply golden. This track will have you craving your happy place, wherever that warm and sunny locale may be.

“Heavy Traffic Ahead” – Bill Monroe

Look, we’re The Bluegrass Situation! We’ve gotta get our bluegrass kicks in somewhere – bluegrass is roots music, after all. Given that we left this classic by the Big Mon himself off our Bluegrass Songs for Summer Vacation we felt it was worth inclusion here. And worth a mention so that you’ll go check out the entirely bluegrass playlist, too!

“Country Radio” – Indigo Girls

Finally a country song about country radio – and cruising around aimlessly listening to it – that is enjoyable and free of the guilt associated with the false nostalgia, conservative politics, authenticity signalling, and post-2000s country. Especially the kind most often played on the radio! This Indigo Girls track is testament to all the folks out there who love country music, even if it doesn’t always love them back. Don’t worry, it will. Eventually! (Read the BGS interview.)

“White Noise, White Lines” – Kelsey Waldon

If you catch yourself daydreaming, in a dissociative or meditative trance as you keep it between the lines, Kentucky-born singer-songwriter Kelsey Waldon has the exact soundtrack for you. “Whie Noise, White Lines,” the title track of her most recent album, speaks to that near-trope-ish phenomenon of losing oneself amid the countless miles traveled while living the life of a traveling musician. Waldon, as in most of her music, accomplishes this motif without stereotypes or clichés, and the result is a song that will be a staple on vacation playlists for decades to come.

“Table For One” – Courtney Marie Andrews

A variation on the same theme, this time from Courtney Marie Andrews, “Table For One” is gauzy and lonesomely trippy. “You don’t wanna be like me / this life ain’t free,” the singer pleads, seeking a sense of reality in a life almost entirely abided within liminal spaces. Find peace in the redwoods, but try to hold on to it. You might lose it twenty miles later.

“Two Roads” – Valerie June

Cosmic and longing, Valerie June distills Kermit the Frog’s “the lovers, the dreamers, and me” into album form with her latest outing, The Moon and Stars: Prescriptions For Dreamers. Whatever bug you’ve been bitten by – rambling, restlessness, cabin fever, listlessness – let this song and this album scratch that itch. And as you let the miles fade behind you, on whichever of the two roads you take, don’t forget to look up… at the moon and stars and beyond.

“Christine” – Lucy Dacus

Whether or not you’ve experienced the beautiful, transcendent, and heart-rending forbidden love of being queer — on the outside looking in on love that society has constructed to which you’ll never have access — Lucy Dacus’ fantastic, alt/indie roots pop universe will give you a crystalline window into this very particular iteration of unrequited love on “Christine.” The song feels almost as though you’ve woken from a warm, sunny, time-halting afternoon nap in the back seat of a car yourself.

“It’s a Great Day to Be Alive” – Darrell Scott

Darrell Scott goes two for two, landing on both our bluegrass summer vacation round-up and our rootsy list, too! “It’s a Great Day to Be Alive” is THE song for the moment you realize you’re out of the office, away from your chores, without a care in the world — whether you have rice cooking in your microwave or not.

“Hometown” – Lula Wiles

For those summers when all you can muster is a trip home. Lula Wiles don’t just trade in nostalgia and hometown praise, though, they take on the subject with a genuine, measured perspective that picks up paradoxes, turns them over, and places them back down for listeners. It’s a subtly charming earworm, too.

“Heavenly Day” – Patty Griffin

“Oh heavenly day / All the clouds blew away / Got no trouble today…” The exact intention to be channeling during vacation! Don’t let your summer getaway be one of those vacations from which you end up needing a vacation. Leave your troubles behind, have a heavenly day.

“Midnight in Harlem” – Tedeschi Trucks Band

Your travels may not bring you even within the same state as Harlem, but this song had still better be on your road trip playlist. There’s almost no song better to put on at midnight, wherever you may be roaming, than Tedeschi Trucks’ “Midnight in Harlem.”

“Outbound Plane” – Suzy Bogguss

Every time I step into an airport my anxiety seems to sing, “I don’t want to be standing here with this ticket for an outbound plane.” It’s always true. This writer has not yet returned to the jetways post-COVID, so we’ll see how that goes. At least there will be the security and comfort of this jam (composed by Nanci Griffith and Tom Russell) from Suzy Bogguss’ heyday.

“455 Rocket” – Kathy Mattea

There are plenty of modern versions of muscle cars available and on the road today, but not a single one is an Oldsmobile 455 Rocket! Kathy Mattea represents the rockabilly/Americana tradition of paeans to automobiles and gearhead culture with this loping tribute to a 455 Rocket, an early cut for Gillian Welch and David Rawlings. If you happen to take your country drives in a muscle car, regardless of brand, this track is for you.

“Take the Journey” – Molly Tuttle

What better way to conclude our playlist than with this always-timely reminder from Molly Tuttle? It might be a cliché, though it really is true: It’s about the journey, not the destination. So take the journey! Enjoy its twists, turns, and be in the moment. And take some clawhammer guitar along with you.

Artist of the Month: Amythyst Kiah

Posted on by Editor

Amythyst Kiah is having a moment with Wary + Strange, an album that positions her among today’s most compelling singer-songwriters. Although she is an East Tennessee native, her personal lyrics somehow feel universal — this isn’t an album about rivers and mountains, but instead touches on identity (“Black Myself”), grief (“Wild Turkey”), and unsolicited advice (“Soapbox”). Written from a place of questioning and reckoning, a gently-played song like “Firewater” would satisfy anyone who enjoys an acoustic aesthetic, as well as those who draw confidence from the music of others.

“A lot of these songs come from a moment in my 20s when I was grappling with trauma while also trying to navigate the experience of being a Black and LGBT woman in a white suburban area in a Bible Belt town,” says Kiah, who moved to Johnson City after growing up in Chattanooga. “I’ve had moments of feeling othered in certain aspects of my life, and it took me a long time to figure out who I wanted to be and how to move through this world.”

With that perspective and a guitar in hand, she’s been sharing her music on stages ranging from the Grand Ole Opry to Newport Folk Festival to Jimmy Kimmel Live, where she performed “Black Myself.”

Upon announcing the record, she noted, “‘Black Myself’ is the first song I’ve written that was confrontational. I’d always made it a point to sing songs that anybody could relate to, but this was something that had been welling up inside me for a long time, and working with three other Black women in Our Native Daughters put me in the position where I finally had the courage to put those words out. The reception of the song so far has given me hope that there are people out there who are ready to confront the shared trauma of racism, to look within ourselves and see how we might be perpetuating racist beliefs, and to do what is needed to create equality for all people.”

Next month, Kiah (pronounced “KEE-uh”) is in the running in multiple categories for the Americana Music Honors & Awards. (As a solo artist, she’ll compete for Emerging Act of the Year, while “Black Myself” is up for Song of the Year. Our Native Daughters is also up for Duo/Group of the Year.) With this incredible career momentum, she’s criss-crossing the country in the months ahead: After a gig with Brandi Carlile and Sheryl Crow at the Gorge in Washington, she’ll be everywhere from Maine to Mexico, with a MerleFest gig in the mix too. Enjoy new music and some crowd favorites in our BGS Essentials Playlist with Amythyst Kiah below. And don’t miss our two-part Artist of the Month interview. Read part one here. Read part two here.

Photo credit: Sandlin Gaither

LISTEN: Midnight North, “Silent Lonely Drifter”

Posted on by Editor

Artist: Midnight North
Hometown: Bay Area, California
Song: “Silent Lonely Drifter”
Album: There’s Always a Story
Release Date: July 23, 2021
Label: Americana Vibes

In Their Words: “Here we have a folk melody reminiscent of the timeless string music heard in the Appalachian region. Lyrically simple, the tune gives thanks to the inevitable and natural balance that exists in this universe — no matter the day or the moon. I shared the tune with Grahame [Lesh] on a day off down south a few years back. It definitely still needed something on the lyrical side, and Grahame had the idea to identify each verse with different full moons in the yearly cycle. Each full moon carries a unique weight to those surviving down below — so we made a connection from each moment (verse) to each full moon.” — Nathan Graham, Midnight North

“Nathan would play us snippets of ‘Silent Lonely Drifter’ on tour whenever he would get ahold of a banjo, and once he showed me the full song I always hoped we’d get a chance to play and sing it with Midnight North. The song was close to fully formed when he brought it to the band, and the melody and chord progression were so intuitive that we latched onto it quickly when we finally started tracking it in the studio. It really came together when we made Nathan sing the melody as Elliott [Peck] and I wove harmonies around him. Now that we’ve played it live ‘Silent Lonely Drifter’ is one of my favorite of our songs to sing in harmony!” — Grahame Lesh, Midnight North

Photo courtesy of Midnight North

16 Bluegrass Songs for Summer Vacation

Posted on by Justin Hiltner

It’s summer, our second in the “after times,” where road trips, national parks, and scenic byways are king. As you head off on your COVID-aware vacations this summer, don’t leave all the driving music to indie, easy listening, country & western, or rock ‘n’ roll. The chop of the mandolin, thump of the doghouse bass, and rapid-fire roll of the five-string banjo are just as suited to soundtrack your sunny forays. To prove that point, here are 16 bluegrass songs perfect for inclusion on your summer vacation playlists. (Listen to the full playlist on Spotify below.)

“Highway” – Claire Lynch

Bluegrass being an itinerant livelihood and a nomadic community, traveling songs are just as expected a feature as murder ballads, train tunes (a form of travel song unto themselves!), and moonshine running tales. This modern classic via Claire Lynch — written by Lynch and Irene Kelley — is a perfect example of the form, more ‘90s country offered by a string band than a traditional, four-on-the-F-style grassy track. It’s delightful — and perfectly winsome and longing when you find yourself listening while traveling down the highway.

“Handsome Molly” – Tim O’Brien

Our July 2021 Artist of the Month Tim O’Brien’s rendition of this bluegrass classic is a far cry from, say, a Flatt & Scruggs’ cut. O’Brien’s has a slight transatlantic bent — with a distinct island detour, perhaps through the sunny Caribbean. If you’ve found a craving to set your foot on a steamboat and sail the ocean ‘round deep inside your soul, this one’s for you.

“1952 Vincent Black Lightning” – Del McCoury Band

Another track with a transatlantic story, this ever-popular, most-requested number covered by the Del McCoury Band is a road trip staple — whether you get in or on your vehicle to hit the highway. It would be a sin to make a bluegrass summer vacation playlist and not include “1952 Vincent Black Lightning!”

“Val’s Cabin” – Laurie Lewis

A rare example of a bluegrass song actually about summer vacations, this Laurie Lewis original, “Val’s Cabin,” begins as a simple retelling of childhood memories — nostalgia being a common rhetorical device (and when attempted by many other writers, a well-worn trope) in bluegrass. But Lewis, a veteran through-hiker, wilderness excursioner, and backpacker as well as a Grammy-nominated bluegrass singer and songwriter, tinges the story with melancholy and the existential questions raised by the ever-worsening climate crisis. The song is as evocative as it is gorgeous; though the singer can’t find the way to “Val’s Cabin” any longer, every listener can.

“Paddy on the Turnpike” – Vassar Clements

If you ever happen to find yourself Crossing the Catskills on a summery jaunt, “Paddy on the Turnpike” must be in your listening rotation. Avoid the tolls, but still go for a ride on the turnpike with Vassar Clements’ wild, unpredictable, jaw-dropping, wonky fiddling. “Paddy” is a blank canvas for Clements and a study in bluegrass’ unending affinity for flat seven chords.

“Don’t Give Your Heart to a Rambler” – Tony Rice

A hit in nearly every jam circle that ever circled, “Don’t Give Your Heart to a Rambler” is almost as if “Gentle on My Mind” had been written by a much less kind or compassionate protagonist. Tony’s solo vocal stylings are as iconic as his six-string licks, nearly obliterating any memory of this song ever having been sung by anyone else. What’s more, the titular advice of the track still stands. Just don’t.

“Highway 40 Blues” – Larry Cordle & Lonesome Standard Time

Because “Interstate 70 Blues” just doesn’t roll off the tongue. And that melodic hook should go down in history as one of the best country licks to ever lick! Cordle wrote one built for the long haul with “Highway 40 Blues.” It’ll keep you good company as you go wherever and back.

“Banjo Pickin’ Girl” – Annie Staninec

Is there any better reason to go around this world than being a banjo picker? There are never enough banjo pickin’ girls and this anthem, no matter how many times it’s picked up, studied, and retooled by another banjo pickin’ girl, always SLAPS. (Clawhammer pun intended.) Fiddler and multi-instrumentalist Annie Staninec, who’s traveled around the world making music quite a bit herself, gives an excellent old-time rendition of this favorite.

“A Crooked Road” – Darrell Scott

Darrell Scott turns a literary device pretty common in songwriting on its ear, with a tender eye for detail and emotion that he brings into all of his musicmaking. Life is, after all, about the journey — not the destination. Why not take the crooked, and thereby, the road less traveled? 

Plus, take this song as suggestion: The Crooked Road, Virginia’s Heritage Music Trail, is well worth a visit. Put this song on and take the Crooked Road.

“Up and Down the Mountain” – David Parmley & Continental Divide

Work life doesn’t suit you? Does “paradise” mean a fiddle and the open road? If so, “Up and Down the Mountain” is for you and your road trip playlist. Especially if you’re planning on trekking through the Rockies, Sierras, Ozarks, Applachians, or what-have-you. Turn off cruise control, watch for the runaway truck ramps, and go up and down those mountains! David Parmley & Continental Divide know something about geography and topography, after all…

“Roving Gambler” – The Country Gentlemen


Not sure why you’d be headed to Las Vegas during one of the hottest summers on record, but if you’ve got your sights set on a casino — wherever it may be — crank up “Roving Gambler” and hope your 2 a.m. slot machine binge or your evening “re-learning” blackjack ends more amiably than with gunfire. Speaking of which, perhaps “Blackjack” deserves a slot on this playlist…

“Travelin’ Prayer” – Dolly Parton

The kick-off of one of Dolly Parton’s masterpieces, her 1999 bluegrass album The Grass Is Blue, “Travelin’ Prayer” was actually written by Billy Joel. Yes, that Billy Joel. The original, from 1973’s Piano Man, featured banjo playing by Eric Weissberg and Fred Heilbrun. So of course the tune stands up to the bluegrass treatment and then some, between Stuart Duncan’s haunting fiddle cadenza to begin the track, the rip roarin’ tempo and train whistle harmonies, and the lonesome feeling of being away from your baby while he travels the world. We’re gonna assume Dolly’s blessed pen and ink added the lyric: “And keep him away from planes / cause my baby hates to fly!”

“Road to Columbus” – Kenny Baker

Growing up this writer frequented a bluegrass jam in Granville, Ohio, about 25 miles east of the state’s capital, Columbus. Like clockwork, every week as the jam wound down around noon on Wednesdays, Troy Herdman — a local bluegrass community stalwart, Doc Watson-style flatpicker, and mentor of many who lived in or around Columbus — would call this tune. Everyone would chuckle, and we’d play “Road to Columbus” as everyone, but especially Troy, hit the road to Columbus. 

Herdman passed away last week at the age of 91. I certainly wouldn’t be the musician I was today if it wasn’t for Troy, and I know quite a few others who would say the same. So no matter where I travel, I always keep “Road to Columbus” nearby. Especially when I’m headed home to Ohio.

Many pickers speculate over whether Kenny Baker and Bill Monroe were referencing Columbus, Ohio, or Columbus, Indiana. But, according to Roland White — who introduces the song with an anecdote from his time on the road with Monroe — it’s about Ohio. For this Ohioan, that’s confirmation enough!

“That’s How I Got to Memphis” – Tom T. Hall

His own recording of one of his most popular hits may sound more like straight up and down country than ‘grass, but even the most casual fan of Tom T. Hall knows that this Bluegrass Hall of Famer is bluegrass to his core. If you’re headed down I-40 from Nashville — or, really, towards Memphis from any direction, no matter how direct or circuitous, this song is a must-add for your road trip playlist.

“Where Rainbows Never Die” – The SteelDrivers

This song is about a decidedly different kind of journey, not often referred to as a “vacation,” but even so it’s a poignant, encouraging, and downright delicious song to background any journey. If you’re road weary — or life weary — “Where Rainbows Never Die” is a certified pick-me-up that doesn’t shy away from reality, like the grit and coarseness in Chris Stapleton’s lead vocal wrapping you in its warmth. There’s a comfort in life not being sugar-coated — and in knowing somewhere, west of where the sun sets, rainbows never die.

“Home Sweet Home” – Flatt & Scruggs

Home never feels so sweet as when you’ve just returned after a long, restful, relaxing vacation. So we’ll close our summer vacation playlist with Flatt & Scruggs’ rendition of this tune pulled directly from the American songbook, “Home Sweet Home.” We hope a banjo roll always greets you at your door, and if not, this playlist will at least cover that for you. Wherever you roam, there’s no place like home! And no music like bluegrass.

Editor’s Note: Check out our follow up playlist, Take the Journey: 17 Songs for a Sunny and Warm Summer Vacation

LISTEN: Tylor & the Train Robbers, “Lemonade”

Posted on by Editor

Artist: Tylor & the Train Robbers
Hometown: Boise, Idaho
Song: “Lemonade”
Album: Non-Typical Find (produced by Cody Braun of Reckless Kelly)
Release Date: July 9, 2021

In Their Words: “Everyone has heard the saying ‘When life gives you lemons, make lemonade.’ I wanted to use that sentiment as the theme of this song without actually saying it and dig into the idea that when you don’t find a way to bring some good out of the bad, you’re just stuck with the same old lemons. When I’m writing about characters, I like to try to make them feel as real as possible, so I often end up using people I know as inspiration. This one started with the first character that the protagonist encounters, who was based on my grandfather (The Storyteller from our last album). He was a hard-working man who spent his weekends hunting in the hills with his hound dogs and was back at work in the mill come Monday. He was also very fond of bluegrass music so as an additional nod to him we brought in a little of the bluegrass sound featuring a banjo solo.” — Tylor Ketchum, Tylor & the Train Robbers

Photo credit: Maggie Grace Photography

WATCH: André Dal, “Dal’s Breakdown”

Posted on by Editor

Artist: André Dal
Hometown: Lisbon, Portugal
Song: “Dal’s Breakdown”
Album: Beyond the Tagus River
Release Date: June 2021

In Their Words: “‘Dal’s Breakdown’ is an uptempo banjo tune that includes myself on banjo, Gil Pereira (PT) on upright bass, Bob Hamilton (USA) on guitar, Dave Bagdade (USA) on mandolin, Jeroen Schmohl (NL) on dobro and Meade Richter (USA) on fiddle. I first came up with the melody while looking for a breakdown style of tune. My good friend, Hildebrando Soares, came up with the idea for a homemade video inspired by what all bluegrass musicians want, which is to play all day, and on what all bluegrass musicians’ wives want, which is for their husbands to stop playing and do their household tasks.” — André Dal

Photo credit: Hildebrando Soares

LISTEN: Joe Troop, “Purdy Little Rainbows”

Posted on by Editor

Artist: Joe Troop
Hometown: Winston-Salem, North Carolina
Song: “Purdy Little Rainbows”
Album: Borrowed Time
Release Date: August 20, 2021
Label: Free Dirt Records

In Their Words: “What we now know as ‘Pride’ began at Stonewall in an uprising of New York City LGBTQ people of color demanding the acknowledgement of their human dignity. But in today’s woke rat race for clout, middle-class theatrics flood the echo chamber, and marginalization has become a precious commodity for the privileged. The movement has been convoluted by capitalism to the benefit of corporations and the middle-class opportunist.

“Bourgeois antics coupled with McPride have glorified the contemporary queer, urban experience. Where does this leave rural queers — the groundhogs? In rural areas, LGBTQ people are still duking it out in the arena of backcountry politics, where anonymity is impossible and pride isn’t an asset that gets you ahead in life.

“Pork chop queens and pawn shop trash are down in the trenches. They don’t get to live in a wealthy hyperwoke bubble. They aren’t lauded for virtue signaling on social media. And many times they have to hide their identities just to exist. I wrote this song for them, all the little groundhogs, valiantly waddling far and wide amongst the trappers. For all the purdy little rainbows shining in dark places.” — Joe Troop

Photo credit: Kendall Atwater