WATCH: Dierks Bentley Featuring Billy Strings, “High Note”

Artists: Dierks Bentley Featuring Billy Strings
Hometown: Nashville, Tennessee
Song: “High Note”
Release Date: November 18, 2022
Label: Capitol Records Nashville

Editor’s Note: “High Note” will be on Bentley’s upcoming 10th album. The studio version of “High Note” ends with a super-jam featuring Jerry Douglas on Dobro, Sam Bush on mandolin, and Billy Strings and Bryan Sutton on guitar.

In Their Words: “Bryan Sutton first tipped me off to Billy Strings about seven years ago mentioning that the future of bluegrass was in good hands. I was totally blown away the first time I saw him. I’ve cut songs like these since my first record, and I knew I wanted to have him on this one, I’m such a huge fan. It was a lot of fun to have him, Jerry, Sam and Bryan all passing licks around — having them all on this record means a lot to me personally.” — Dierks Bentley


Photo Credit: Zach Belcher

WATCH: Billy Strings With Terry Barber, “Long Journey Home” (From ‘ME/AND/DAD’)

Artists: Billy Strings & Terry Barber
Song: “Long Journey Home”
Album: ME/AND/DAD
Release Date: November 18, 2022
Label: Rounder Records

In Their Words: “As long as I can remember, I’ve wanted to make a record with my dad. He’s the one who taught me how to play. I’ve been burning up and down the highways the last 12 years, and as time slips away, you start thinking, ‘I need to make time.’ It’s been a bucket list thing for me, something I’ve been afraid I wouldn’t find the time to do. And that scared me; not doing this record scared me.” — Billy Strings

Editor’s Note: The product of a longtime dream, ME/AND/DAD features new versions of fourteen bluegrass and country classics that the two have been playing together since Strings was a young child. Produced by Strings and Gary Paczosa and recorded at Sound Emporium Studio in Nashville, the record features an all-star band including bassist Mike Bub, mandolinist Ron McCoury, banjo player Rob McCoury and fiddler Michael Cleveland as well as guest appearances by Jerry Douglas, Jason Carter and Strings’ mother, Debra Barber, who sings on “I Heard My Mother Weeping.”


Photo Credit: Joshua Black Wilkins

Billy Strings, Béla Fleck, Dolly Parton Win IBMA Bluegrass Music Awards

Three of the most innovative artists in roots music — Billy Strings, Béla Fleck, and Dolly Parton — were revealed as IBMA Bluegrass Music Award winners on Thursday night (September 29) in Raleigh, North Carolina.

Billy Strings received the coveted Entertainer of the Year Award for the second year in a row, along with Song of the Year honors, at the 33rd Annual IBMA Bluegrass Music Awards Presented by Yamaha. In addition, Béla Fleck claimed awards for Album of the Year, Instrumental Group of the Year, Instrumental Recording of the Year, and Banjo Player of the Year. Dolly Parton’s recent recording of the gospel classic “In the Sweet By and By,” featured on the 2021 Country Faith Bluegrass album, won Gospel Recording of the Year and Collaborative Recording of the Year honors.

Other familiar musicians to win awards include Sierra Hull, Bronwyn Keith-Hynes, Cody Kilby, Doyle Lawson & Quicksilver, Del McCoury, Justin Moses and Molly Tuttle. Rick Faris was named New Artist of the Year. Jason Moore, a member of Sideline who died of a heart attack last November at age 47, was named Bass Player of the Year. Previously announced inductees into the Bluegrass Music Hall of Fame are beloved instrumentalist and vocalist Norman Blake, broadcast pioneer and recording artist Paul “Moon” Mullins, and eclectic, influential singer-songwriter Peter Rowan. Hosted by Ronnie Bowman and Dan Tyminski, the show was held at the Duke Energy Center for the Performing Arts.

The recipients of the 2022 IBMA Bluegrass Music Awards are:

ENTERTAINER OF THE YEAR: Billy Strings
(Editor’s Note: Read our BGS Artist of the Month interview with Billy Strings.)

SONG OF THE YEAR: “Red Daisy,” Billy Strings
Written by Jarrod Walker/Christian Ward

ALBUM OF THE YEAR: My Bluegrass Heart, Béla Fleck
(Editor’s Note: Read our BGS Artist of the Month interview with Béla Fleck.)

INSTRUMENTAL GROUP OF THE YEAR: Béla Fleck My Bluegrass Heart

INSTRUMENTAL RECORDING OF THE YEAR: “Vertigo,” Béla Fleck featuring Sam Bush, Stuart Duncan, Edgar Meyer, and Bryan Sutton

VOCAL GROUP OF THE YEAR: Doyle Lawson & Quicksilver
(Editor’s Note: Read our BGS interview with Doyle Lawson.)

NEW ARTIST OF THE YEAR: Rick Faris
(Editor’s Note: Watch the BGS video premiere of “Deep River.”)

COLLABORATIVE RECORDING OF THE YEAR: “In the Sweet By and By,” Dolly Parton with Carl Jackson, Larry Cordle, Bradley Walker, and Jerry Salley

GOSPEL RECORDING OF THE YEAR: “In the Sweet By and By,” Dolly Parton with Carl Jackson, Larry Cordle, Bradley Walker, and Jerry Salley

FEMALE VOCALIST OF THE YEAR: Molly Tuttle
(Editor’s Note: Read our BGS interview with Molly Tuttle.)

MALE VOCALIST OF THE YEAR: Del McCoury
(Editor’s Note: Read our BGS interview with Del McCoury.)

BANJO PLAYER OF THE YEAR: Béla Fleck

BASS PLAYER OF THE YEAR: Jason Moore

RESOPHONIC GUITAR PLAYER OF THE YEAR: Justin Moses

FIDDLE PLAYER OF THE YEAR: Bronwyn Keith-Hynes

GUITAR PLAYER OF THE YEAR: Cody Kilby

MANDOLIN PLAYER OF THE YEAR: Sierra Hull


Photo Credit: Joshua Wilkins Black

MIXTAPE: Kitchen Dwellers & Daniel Donato’s Cosmic Cattle Drive

Back when cowboys were king, ranchers used to have to make regular pilgrimages across long, winding trails to sell their cattle at stockyards and make their living. One such trail, known as the “Goodnight-Loving Trail,” extended all the way from central Texas to Cheyenne, Wyoming, and has been immortalized many times over in movies and songs. The journey involved with moving these cattle countless miles on horseback was known as a cattle drive. This fall we’ll be hitting the road on the Kitchen Dwellers and Daniel Donato tour, and we’d like to think of it as a bit of our own “Cosmic Cattle Drive.” We hope you enjoy and hope to see you out on the road this fall.

Selections 1-6: Torrin Daniels, Kitchen Dwellers
Selections 7-12: Daniel Donato

Colter Wall – “Cowpoke”

One of the oldest and most famous cowboy songs to date, this one tells the story of the life of a ‘cowpoke.’ Colter Wall did a damn fine version here, with each country-western instrument beautifully represented — but what really sells it is the ‘cattle call’ in the chorus.

Daniel Donato – “Justice”

This tune was my introduction to Daniel’s music, way back in the spring of 2020. Nothing screams western psychedelia quite like that opening guitar riff, and right off the bat it shows that these boys are masters of their realm in a place of no space and time. Plus the chorus got that Gangstarr reference.

Gram Parsons – “Return of the Grievous Angel”

Gram Parsons is the father of country-rock and maybe the first person to coin the term “cosmic country.” With references to “truckers, kickers, and cowboy angels” and “lighting out for some desert town” — as far as road songs go, this one’s got it all.

King Gizzard and The Lizard Wizard – “Billabong Valley”

“Outlaws on the run, faster than a stolen gun.” KGLW are gurus of many things across the musical spectrum, but above all, they have mastered the dark art of “evil guitar.” That same style of gained up, tremolo-drenched guitar which can be heard across the soundtracks of countless western movies.

Billy Strings – “Heartbeat of America”

As a musician on any road trip, it’s an inevitable fact that you’re eventually gonna start listening to your buddies’ music. Billy and the boys really knocked it outta the park with this one, with instrumental sections that are both bluegrass-laden and psychedelic in nature. We can only hope that once we embark on our journey, we may begin to hear the heartbeat of America out there on the road.

Chris LeDoux – “Horses and Cattle”

Chris Ledoux was sort of a family friend of ours growing up. I was going to his shows long before I was old enough to realize the legend that he was. I honestly don’t know of any other country musicians that can hold both a Grammy nomination AND a Pro-Rodeo Bareback World Championship as accolades. The guy was as western as it gets, and so is his music.

Kitchen Dwellers – “Guilty”

This song is a prime example of how music can be a harmony of light and dark, hard and soft, and reflective and joyful. Emotional content not considered, the arrangement and musicianship The Dwellers play with is inspiring and transcendent.

Jimmy Wakely – “Moon Over Montana”

This song is a transportation device into a Tarantino movie taking place in a spacious and vast unknown Big Sky prairie where the search for the light through the darkness of troubles and sorrow every hero finds on their journey is about to begin.

Waylon Jennings – “T For Texas”

There was a time when country was astonishing in its danger and sensibility of pocket and edge. This live track should satiate any live music experience fix of that special vibe that a listener should have, but in a musical context that is Honky Tonk and Twangy.

Marty Robbins – “Big Iron”

The story is the framework for dark and light, love and sorrow, and life and death. The story that creates the experience that is within this song is pungent and captivating. Also note the fantastic Grady Martin picking the nylon string guitar throughout the song and story.

Khruangbin – “So We Won’t Forget”

There are few things more magnetic than music being made live by a band that understands listening and arrangement, in a format that is easy to access and feel. This song captures a myriad of emotions that feel like nostalgia, joy, and vulnerability.

Little Feat – “New Delhi Freight Train”

Lowell George was a genius in capturing a feeling, and communicating it through his sensibility of arrangement, orchestration, and singing, with these lyrics written by Terry Allen. This song feels like an adventure, like something new is on the horizon, and for all of us, this is the case in this very moment.


Photos Provided by Big Hassle Media

Americana Honors & Awards 2022: See the Full Winners List

It was a wonderful night of music, celebration, reflection, and joy last night at the Ryman Auditorium as folks gathered for the 21st Annual Americana Honors & Awards.

Billy Strings was crowned Americana’s Artist of the Year, with Jerry Douglas presenting the award.

Triple nominee Allison Russell earned the Album of the Year Award for her record Outside Child, produced by Dan Knobler. She accepted the award from respected music critic and NPR writer Ann Powers.

Allison Moorer and Hayes Carll awarded two-time Artist of the Year Brandi Carlile for the Song of the Year with “Right On Time,” written by Carlile, Dave Cobb, Phil Hanseroth and Tim Hanseroth.

The War and Treaty (Michael and Tanya Trotter) won Duo/Group of the Year after winning Americana Emerging Act of the Year in 2019.

On the heels of her new album Long Time Coming, Sierra Ferrell was also honored by the Americana music community and received this year’s Emerging Act of the Year Award.

Multi-instrumentalist Larissa Maestro took home the Instrumentalist of the Year Award, as Molly Tuttle recognized the Berklee College of Music grad. Maestro has performed and recorded with many high caliber artists and musicians, including Allison Russell, Mickey Guyton, Eminem, Ms. Lauryn Hill, H.E.R., Michael Bublé, Margo Price, and Gillian Welch and Dave Rawlings.

Highlights from the evening include Brandi Carlile and Allison Russell delivering a soul-stirring rendition of “You’re Not Alone,” as well as the iconic McCrary Sisters honoring their late sister Deborah (who passed away in June) with a chills-inducing performance of “Amazing Grace.”

Americana stalwart and reigning All-Star Band musical director Buddy Miller was surprised by Robert Plant, who presented Miller with The Lifetime Achievement Award, which was previously unannounced. Miller graced the audience with his classic “Wide River To Cross.”

Throughout the night, attendees were treated to additional performances by the Fairfield Four, Indigo Girls, Lucinda Williams, Adia Victoria, James McCurtry, Lukas Nelson, Morgan Wade, Neal Francis, The War and Treaty, Sierra Ferrell, and JP Harris honoring the late Luke Bell.

Previously announced Lifetime Achievement honors were accepted by the Fairfield Four (Legacy of Americana Award, co-presented with the National Museum of African American Music [NMAAM]), presented by NMAAM’s Katie Rainge-Briggs and award-winning producer Shannon Sanders; Chris Isaak (Performance), presented by Lyle Lovett; the late Don Williams (President’s Award), presented and accepted on behalf of the Williams’ family by producer Garth Fundis; Al Bell (Executive), presented by music executive and Chairman of the Black American Music Association Michael Mauldin; and the Indigo Girls (Spirit of Americana Award, co-presented with the First Amendment Center), presented by Brandi Carlile and First Amendment Center’s John Seigenthaler.

Here’s the full list of the 2022 Americana Honors & Awards Winners and Honorees:

Album of the Year: Outside Child, Allison Russell; Produced by Dan Knobler

Artist of the Year: Billy Strings

Song of the Year: “Right On Time,” Brandi Carlile; Written by Brandi Carlile, Dave Cobb, Phil Hanseroth and Tim Hanseroth

Duo/Group of the Year: The War and Treaty

Emerging Act of the Year: Sierra Ferrell

Instrumentalist of the Year: Larissa Maestro

Legacy of Americana Award, presented in partnership with the National Museum of African American Music: Fairfield Four

President’s Award: Don Williams (posthumous)

Lifetime Achievement Award for Performance: Chris Isaak

Lifetime Achievement Award for Executive: Al Bell

Spirit of Americana Award: Indigo Girls


Lindsay Lou and Billy Strings Found “Freedom” in Bluegrass Standards

Singer-songwriter Lindsay Lou reemerged in July with an EP titled You Thought You Knew. As her first music since her early 2021 release The Sweetest Suites, it’s a sort of touching base for Lindsay Lou and her fans. An explorer by nature, she had the following to say about her newest project: “I hope my longtime fans will appreciate the EP as a sort of peace offering before I take another jaunt into the exploratory world of my multifaceted musical identity.”

Although her artistic direction may be in flux, Lindsay Lou can still deliver as good a song as ever. On this EP, she sings a duet with her former neighbor, who happens to be Billy Strings. The song they collaborate on is called “Freedom” and it’s characterized by a timelessness and natural quality heard in many folk and bluegrass classics. “Billy and I both transplanted to Nashville from Michigan and wrote this song on a rare snowy day in Nashville while we were neighbors on Petway Ave,” she observed. “We wanted to write something of our own that felt like the bluegrass standard ‘Daniel Prayed’ to sing. There are a lot of references to Kahlil Gibran’s writings in The Prophet ‘On Freedom’ in the lyrics, which I’m always reading and referencing because it grounds me in the same way an old traditional song does.”

Beloved tunes like “Wildwood Flower” and “You Are My Sunshine” give a sense that they always existed — deeply ingrained pieces of music that have fallen out of the air into hearts and memories of everyone. “Freedom” is a lot like that. Recorded and performed straight, Billy Strings and Lindsay Lou echo back and forth over one guitar accompanying. She added, “When Billy and I wrote ‘Freedom’ at the table, he used a cheap old Silvertone catalog guitar given to him by Fanny’s House of Music in town. I wanted this recording to have the same sound as the demo we made right after we wrote it, so I tracked down the guitar and brought it to the studio for our session.”

Enjoy the new collaboration from Lindsay Lou and Billy Strings below.

LISTEN: Adam Weinberg, “Ways of Man”

Artist: Adam Weinberg
Hometown: Miami, Florida
Song: “Ways of Man”
Album: Laugh, Cry, Grief, Hope
Release Date: May 13, 2022
Label: Regime Music Group

In Their Words: “‘Ways of Man’ is a song I worked on after learning Billy Strings’ cover of Bob Dylan’s ‘Don’t Think Twice It’s Alright.’ I wanted a song on this record where music moved with the right hand in a way Billy does so gracefully, and a song that lyrically expressed an idea I find essential to my own life’s philosophy. Ultimately, ‘Ways of Man’ tries to shine a light on how easy it is to give ourselves credit while failing to give the benefit of the doubt to others. We’re all dealt a random lottery ticket in life, and we need to create space in our lives for others to make mistakes without unfair judgment. I’m mostly talking to myself in the song, reminding myself that all I can do is put my best efforts forward. I cannot guarantee outcomes, and neither can anyone else…so take it easy and have mercy on yourself and on others. The horns and lap steel in the arrangement really help set the vibe of the tune, and I hope the song conveys a sonic warmth while expressing a sense of humility and gratitude for what we each have in our lives.” — Adam Weinberg


Photo Credit: Amy Gelb

BGS Top 50 Moments: A Tribute to Jerry Garcia

 

If my words did glow with the gold of sunshine
And my tunes were played on the harp unstrung
Would you hear my voice come through the music?
Would you hold it near as it were your own?

On a warm spring evening in Los Angeles, a revered mix of musicians gathered to lift up the legacy of Jerry Garcia and “to hold the music near as it were their own.”  JUBILEE: A Celebration of Jerry Garcia was a very special, one night only benefit concert paying tribute to his 75th birthday, produced by BGS, Goldenvoice, and the Garcia Family.

With an all-star lineup that included the likes of Hiss Golden Messenger, Billy Strings, Molly Tuttle, Margo Price, Stephen Malkmus, Chris Funk, Sam Bush, David Hidalgo (Los Lobos), Jamie Drake, Josh Ritter, and Amos Lee, supported by a house band lead by Benmont Tench and Mike Campbell (of Tom Petty & the Heartbreakers) and Sean and Sara Watkins (of Nickel Creek and Watkins Family Hour), the evening was a love letter to the man whose influence has continued to reach far beyond the confines of the Dead.

Relive some of the amazing collaborations in the photo gallery below:


Photo Credit: Elli Lauren

Billy Strings Brings “Love and Regret” to Life in an Entrancing New Video

Billy Strings’ video for “Love and Regret” is an entrancing narrative that mirrors the song’s story. Directed by Nick Ray McCann, the video opens with shots of a healthy, loving relationship, but as the story progresses, the relationship withers and the protagonist is left to watch his former lover be courted by another (a character played by Billy Strings himself). Jealousy and spite push the main character to lash out recklessly as the song’s chorus rings out over images of the protagonist realizing his foolishness and coping with his shame.

Songwriting and storytelling are just two of Billy Strings’ many talents, but with this new music video, his artistic scope has broadened. About the project, Strings told CMT.com, “I felt like we did a pretty good job at creating a visual representation of the song. Shout out to the director and actors and such. Everyone coming together to help bring this to life really meant a lot to me. I appreciate everything everyone does to help spread the word about our music.”

Billy Strings’ latest record, Renewal, has earned him a Grammy nomination in the category of Best Bluegrass Album, while “Love and Regret” will compete for Best American Roots Performance. The reigning IBMA Entertainer of the Year has also confirmed an extended slew of tour dates that will keep him busy into the summer.


Photo Credit: Jesse Faatz