Artist:Chris J Norwood Hometown: Dallas, Texas Song: “Good Guy With a Gun” Album:I Am Not Cool Release Date: August 20, 2021 Label: State Fair Records
In Their Words: “I struggled with whether or not to include this song on the album. I’d already written several songs about my father’s suicide that appeared on my last album, so I worried that I was rehashing something lyrically that I’d already covered. But I realized that losing a parent at a young age is always going to be a part of me. It’s part of my story. It’s tangled all in my roots. And it’s good for me on a personal/spiritual/emotional level to keep talking about it, writing songs about it, and singing about it. Truth be told, we as a country need to talk more openly about suicide. Especially as it relates to the gun debate and gun culture. This song also happens to be one of my kids’ favorite songs off the new album. They love the music, and they’re too young to understand all the nuance in the lyrics. The only part they really like singing is, ‘Daddy was a good guy, and always did the best he could. He’d do anything to protect the ones he loved.’ And honestly, that’s how I chose to remember my father.” — Chris J Norwood
In Their Words: “Everyone has lost a love or felt homesick, I’d bet a lot of those people have reached for a whiskey glass a time or two as well. ‘Drifting’ is a tune I wrote about just that. This song is about having hope for better days to come when you feel down. Recorded and filmed field recording style on location in a 140-year-old building, this song has a natural reverb unlike anything you will hear in a studio. I put my heart into this song and I love how the video turned out and I’m honored to share it with y’all.” — Ramblin’ Ricky Tate
New music from Johnny Cash is coming in September from a surprising source. Members of the Owsley Stanley Foundation have partnered with Renew Records and BMG to release a never-before-heard capture of a Johnny Cash concert in 1968. The upcoming release, titled Bear’s Sonic Journals: Johnny Cash At the Carousel Ballroom April 24 1968, was captured by in-house sound engineer Owsley “Bear” Stanley only days prior to the release of Cash’s legendary live record At Folsom Prison. That means the new album will provide another window through which we’ll be able to hear Johnny Cash, June Carter Cash, and the Tennessee Three (guitarist Luther Perkins, bassist Marshall Grant and drummer W.S. Holland) at their peak, performing songs that shaped an entire genre. John Carter Cash, the country stars’ son, describes it as “what I believe to be one of the most intimate and connected shows I have ever heard.”
Recorded in the heart of the counterculture movement of the ‘60s in San Francisco, the new collection is slated for a September 24 release on a CD/2 LP set. To promote the project (as if we needed anything more to be excited about), the Owsley Stanley Foundation and Renew/BMG have released “I’m Going to Memphis” from the concert, and it is absolutely brimming with Cash’s signature charisma and debonair delivery. So many of classic country’s textures line the recording: tick-tack electric guitar, train-beat shuffle, brash acoustic rhythm, and of course, rich, velvety vocals to round out the arrangement. It’s a snapshot of one of country music’s most fertile moments in history and we’ll be wearing this one out all summer in anticipation for the rest of the live album’s release.
Listen to the official audio and check out this feature from Rolling Stone about new music from Johnny Cash.
Welcome to the BGS Radio Hour! Since 2017, this weekly radio show and podcast has been a recap of all the great music, new and old, featured on the digital pages of BGS. This week, we bring you new music off of the beautiful new album Quietly Blowing It from Hiss Golden Messenger, as well as new music from Chris Thile, Maya De Vitry, and many more! Remember to check back every week for a new episode of the BGS Radio Hour.
BGS caught up with Nefesh Mountain on a recent 5+5, where the duo shared a mission statement for their career: “Invent, inspire, repeat!” They also told us about their favorite onstage moment and about the artists that have influenced them greatly.
Beta Radio’s new track, “I Need My Prayers,” was a surprise to Benjamin Mabry when he wrote it within 15 minutes. In speaking about the song’s meaning, he told BGS, “I was in a mental and spiritual place of needing something to hold onto, I felt like I had lost all my footing in the world and didn’t know where to turn. And a lot of personal things felt like they were falling apart. So… I guess I just needed my prayers.”
Maya De Vitry’s “Working Man” was inspired by the creation of railroads in the United States, and more specifically, how the men who physically laid down the tracks are often not the ones credited with building them. This led her to reflect upon the people in our society who are overworked, underpaid, and overlooked, which ultimately helped her write “Working Man.”
In speaking with BGS recently about “Time Won’t Tell,” Rory Feek shared how he first heard this song, and how it has become even more special to him after his wife’s passing.
Wilson Banjo Co. co-wrote “When The Crow Comes Down” with acclaimed Nashville songwriter Jordan Rainer. The song features a “spooky theme” and pure Appalachian tone, and has a wonderful music video to accompany it.
Chris Thile has long woven religious themes into his songwriting, but never so much as on his new album, Laysongs. When we asked him if he enjoyed talking about religion outside of his art, Thile stated that it’s always been an instinct of his to intertwine what he’s thinking about with religious imagery. “Ecclesiastes” expresses the depth of Bible verse Ecclesiastes 2:24 instrumentally, which Thile did purposefully. In his words: “What language is incapable of properly expressing, instrumental music steps up and says, ‘I got this.’”
“Glory Strums (Loneliness of the Long-Distance Runner)” comes from Hiss Golden Messenger’s latest album, Quietly Blowing It. Recorded in the summer of 2020 in Durham, NC, Quietly Blowing It reflects a joyful spirit that combines N.C. warmth with an LA glow.
When Phil Leadbetter first heard Dolly Parton’s “I Will Always Love You” live, he was blown away. Years later in 2010, he recorded the track with his Scheerhorn guitar, but it was ultimately lost after some time. However, when Leadbetter recently found the track, he knew it would work perfectly for his new collection of resophonic guitar songs, Masters of Slide: Spider Sessions.
Mason Via’s “Big City” is what he calls, “a personal hillbilly mantra of sorts,” and it’s the first single off of the American Idol contestant’s debut album with Mountain Fever Records.
This Duos of Summer feature, “Ten Degrees of Strange,” comes from Robert Macfarlane and Johnny Flynn’s recent collaboration, Lost in the Cedar Wood. A week into lockdown, Macfarlane, a Cambridge University academic and bestselling author, reached out to his good friend and musician, Johnny Flynn, asking if he would like to write a song together. In speaking about working with Macfarlane and writing during the midst of the pandemic, Flynn said: It started as just a song, and then it became a few songs… but it held me in place and kept me from completely spinning out.”
In the words of Joe Mullins, “‘Living Left To Do’ is about enjoying our calling, celebrating God’s goodness, and the blessed assurance of life eternal. We’re ready to live, love, laugh, and have a lot more to do!'”
Lea Thomas’ “Hummingbird” was inspired by a dream she had, in which she turned into a white wolf and ran across the countryside, taken aback by the beauty and interconnectedness of life.
Photos: (L to R) Chris Thile by Josh Goleman; Maya de Vitry by Kaitlyn Raitz; Hiss Golden Messenger by Chris Frisina
Artist:Charlie Worsham Hometown: Grenada, Mississippi Song: “Half Drunk” Album:Sugarcane EP Release Date: July 16, 2021 Label: Warner Music Nashville
In Their Words: “‘Half Drunk’ tells the story of the first time I told my wife I loved her. I’d just been fired by my publisher and my manager had quit management that week, but I was singing that day in one of my favorite rooms in all the world, the Station Inn. Powered by Yazoo Pale Ale, applause, and a sense that this girl I was crazy about might just be more special and more permanent than the whole music industry thing, I turned to Kristen, said those three magic words, and she said ‘I love you too.’ I hope this song inspires a lot of drunken making out and maybe a few last-time-saying-I-love-you-for-the-first-time moments.” — Charlie Worsham
In Their Words: “I spent most of last year making my sophomore album in New Zealand. While there, I was fortunate enough to meet The Trenwiths, a Kiwi bluegrass band, who became great collaborators and even better friends. Before I returned to America this spring, we set up a bunch of hay bales and recording equipment on a friend’s farm in Raglan, New Zealand, to capture us jamming on some of our favorite country/bluegrass classics and a few originals. The Raglan Sessions is the result. I have always loved the song ‘If I Needed You.’ Emmylou Harris is one of my favorite country voices, so I gravitate towards her and Don Williams’ duet version. Keith Pereira, a NZ country singer-songwriter, is also featured in this particular performance.” — Caroline Jones
Artist:The Flatlanders Hometown: Lubbock, Texas Song: “She Belongs to Me” (Bob Dylan cover) Album:Treasure of Love Release Date: July 9, 2021 Label: Rack ‘Em Records / Thirty Tigers
In Their Words: “I loved this song the first time I heard it and have never grown tired of it. Although it is written from the male perspective it touches upon the plight of a strong woman living in (what is still) a man’s world. Dylan was prescient in his understanding of so many of the dilemmas that have now become almost common knowledge. Butch, Joe, and I have shared an appreciation of Dylan’s artistry and wit from the beginning and after performing this for so many years I am happy to finally have a recorded version of it on a Flatlanders release.” — Jimmie Dale Gilmore
“From swapping songs sitting on some floor after midnight in Lubbock, Texas, to stage after stage from Italy to New Zealand, Jimmie’s voice and this song still echo the miles and smiles The Flatlanders have shared. This was always a great song to dream on.” — Butch Hancock
Pictured L-R: Butch Hancock, Joe Ely, and Jimmie Dale Gilmore. Photo credit: Paul Mobley
Artist:Margo Cilker Hometown: Enterprise, Oregon Song: “Tehachapi” Album:Pohorylle (produced by Sera Cahoone) Release Date: November 5, 2021 Label: Fluff and Gravy Records / Loose Music
In Their Words: “‘Tehachapi’ wasn’t born an exuberant song, but it certainly became one. In my live shows it’s the ace up my sleeve — the song I’m careful not to play too early in the set, lest the audience wait all night expecting another like it. At some point during recording Sera called me, laughing into her phone, saying she put a wild sound on ‘Tehachapi’ and that I was gonna love it. She was right on both counts. Tracking accordion as the foundation of the song just made it too easy to go full Crescent City. One of the most vivid memories I have of making Pohorylle is the memory of watching Sera overdub floor toms to make that instrumental of ‘Tehachapi’ really pop. I can genuinely say it seemed like she was having fun, and as a singer-songwriter, that’s all you can ask for. When I cover a song it’s because for a moment in time, that song is the most sacred thing in my life. ‘Willin” was that to me, so I guess it lives in my soul and came out to play on this number.” — Margo Cilker
On his primetime television debut, Sam Williams makes a powerful statement. Grandson of the legendary Hank Williams and son of Hank Williams Jr., the rising recording artist previewed his debut album, Glasshouse Children with a riveting performance from his grandfather’s old house in Franklin, Tennessee. In an extended one-shot capture, Sam Williams does his name proud with a beautifully-written song called “You Can’t Fool Your Own Blood.” Out of a less-than-usual childhood and recent family tragedy, he has emerged with a style that is both poetic and hard-hitting, pulling no punches in his blend of honesty and vulnerability.
With an undoubtedly heavy burden of expectation, Williams blossoms in this realm of singer-songwriters who are more forlorn than raucous, standing with the likes of artists such as Donovan Woods and Ruston Kelly. Although his television debut was one for the books, perhaps the more exciting news is of the debut full-length record, set for a release later this summer on UMG Nashville. Music from Sam Williams has undoubtedly been a long time in the making, but the good news for us is that it’s almost here. Watch his performance on The Late Show with Stephen Colbert below.
Artist:Erik Shicotte Hometown: Milwaukee, Wisconsin Song: “Flint” Album:Miss’ry Pacific EP Release Date: July 16, 2021 Label: Black Country Rock
In Their Words: “Sprawled along the medicine of a two-lane highway, ‘Flint’ came as the soundtrack to my own cinematic heartbreak and the wandering repercussions of ineffective escapism. Drawn over a steady stalwart 4/4 roll, the desperate defiance of a yearning heart plays out over a defining romance cut short, and the humming tires that follow. This is a song about hurtin’ and runnin’ out from under the inescapable and sometimes inexplicable wanting that often comes from the naiveté and hopefulness of a spark. The instrumentation is deafeningly present, and I even let myself chug out a simple pseudo-lead on the Telecaster. If ever there were to be a movie made about me being all sad and pissed off, this is the song that would accompany the southwestern sunrise and cigarette breath as I drive into the golden ether.” — Erik Shicotte
Photo credit: Destiny Frack
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