Jim Lauderdale’s new album Hope has a sound reminiscent of dreamy ‘70s folk rock records and largely centers around themes like perseverance, with much of the music bred from his 15-month hiatus from touring and performing. One of its most eloquent tracks celebrates the legendary Grateful Dead lyricist Robert Hunter, a longtime friend and collaborator of Lauderdale’s who died in 2019. As one of the final songs they wrote together, “Memory” arrived on June 22, just one day before what would’ve been Hunter’s 80th birthday. In addition, the album cover and packaging feature paintings by Maureen Hunter, Robert’s wife. About his dear friend, Lauderdale says, “Losing Robert just before the pandemic was so hard, but he left the perfect lyric, to sum up my feelings about him and to honor all the people we’ve lost since.”
In the light of Hunter’s companionship and storied career as a writer and musician, “Memory” is a perfect song to celebrate his life and work. Meanwhile, Hope features a cast of musicians who just get it when it comes to traditional country and folk rock. Chris Scruggs, Russ Pahl, and Kenny Vaughan are just a few who grace the record with their classic sounds. “I wanted to get a musical message out there during this time of what we’ve all been going through, about the hope for better days ahead,” Lauderdale says. “If we can find any glimmers of hope, that really helps get you through another day.”
Artist:Adia Victoria Hometown: Campobello, South Carolina and Nashville, Tennessee Song: “Magnolia Blues” Album:A Southern Gothic Release Date: September 17, 2021 Label: Canvasback
In Their Words: “In an unpublished manuscript in 1933, William Faulkner spoke on the Southerner’s ‘need to talk, to tell, since oratory is our heritage.’ After a year spent in my room in Nashville, I wondered what stories I had to tell.
“Often the only view of the South beyond my window was the magnolia tree in my backyard. It blocked the rest of the world from my sight. I limited my gaze to its limbs, its leaves and the obscene bloom of its iconic white flower.
“The magnolia has stood as an integral symbol of Southern myth making, romanticism, the Lost Cause of the Confederates and the white washing of Southern memory. ‘Magnolia Blues’ is a reclaiming of the magnolia — an unburdening if its limbs of the lies it has stood for. This song centers the narrative of a Black Southern woman’s furious quest to find her way back home to the South under the shade of her magnolia.
“‘Magnolia Blues’ is an ode to Southern Black folk — too often hemmed out of what we mean when we say ‘Southerner’ — and it is also an ode to the South itself. To rescue it from — in the words of William Faulkner — ‘a make believe region of swords and magnolias and mockingbirds which perhaps never existed.'” — Adia Victoria
Artist:Alexa Wildish Hometown: Nashville, Tennessee Song: “The Well” Album:Alexa Wildish
In Their Words: “‘The Well’ was originally written years ago, then released in 2020 on my eponymous EP, and it was not until this year that I fully lived its meaning. This video was filmed in Lake Atitlán, Guatemala. The pristine beauty and undeniably loud earth presence helped me to see myself more lucidly than ever before. It seems as if the surrounding volcanic energy erupted from me all that I was unwilling and too afraid to see, and then the water offered me grace in return in its loving reflection. The footage was captured over a few days of adventuring and playing with the elements. We collected video during a torrential downpour, parts of it at 5 in the morning when no one was on the lake other than a few local fishers, and the rest tucked away in the deep parts of the forest. My gratitude for this land and the way it brought me back home to myself will forever be imprinted on my heart.” — Alexa Wildish
In July we put together a playlist of bluegrass songs for summer vacation and once the inspiration was flowing, it was difficult to stop! We thought we should return to the theme, but slightly zoomed out, to include songs from across the roots music landscape. With the summer still shining, enjoy these 17 folk, Americana, and country songs perfect for your road trip playlist.
“Ride Out in the Country” – Yola
Yola was a 2020 Best New Artist nominee at the Grammys and she’s just returned with a new, full-length album on Easy Eye Sound, Stand For Myself. The entire project is lush and resplendent, like the glory days of orchestral, big-sound country-pop in the ‘60s and ‘70s. For this playlist, though, we return to her prior release, Walk Through Fire, and the perfectly country track, “Ride Out in the Country.” Take the scenic byways and crank the volume!
“I Like It When You’re Home” – Della Mae
One of the nicest silver linings of vacation is missing home – and that delicious feeling of returning to your own space and your own bed after being away. And your loved one(s), too! Della Mae captures that sentiment in this jammy, rootsy track from their album, Headlight. Take the day off, drive north, sit by a lake.
“A Little Past Little Rock” – Lee Ann Womack
A truly quintessential driving song. A must-add even if your vacation route comes nowhere near Arkansas. The baritone guitar intro, the shout-along-with-the-lyrics chorus, the whimsically late ‘90s production. A banger. A bop.
“Sunny and Warm” – Keb’ Mo’
Keb’ Mo’ is a master of vibes. His single “Sunny and Warm” showcases the acoustic blues musician in a more traditional R&B light – and the impact and result are simply golden. This track will have you craving your happy place, wherever that warm and sunny locale may be.
“Heavy Traffic Ahead” – Bill Monroe
Look, we’re The Bluegrass Situation! We’ve gotta get our bluegrass kicks in somewhere – bluegrass is roots music, after all. Given that we left this classic by the Big Mon himself off our Bluegrass Songs for Summer Vacation we felt it was worth inclusion here. And worth a mention so that you’ll go check out the entirely bluegrass playlist, too!
“Country Radio” – Indigo Girls
Finally a country song about country radio – and cruising around aimlessly listening to it – that is enjoyable and free of the guilt associated with the false nostalgia, conservative politics, authenticity signalling, and post-2000s country. Especially the kind most often played on the radio! This Indigo Girls track is testament to all the folks out there who love country music, even if it doesn’t always love them back. Don’t worry, it will. Eventually! (Read the BGS interview.)
“White Noise, White Lines” – Kelsey Waldon
If you catch yourself daydreaming, in a dissociative or meditative trance as you keep it between the lines, Kentucky-born singer-songwriter Kelsey Waldon has the exact soundtrack for you. “Whie Noise, White Lines,” the title track of her most recent album, speaks to that near-trope-ish phenomenon of losing oneself amid the countless miles traveled while living the life of a traveling musician. Waldon, as in most of her music, accomplishes this motif without stereotypes or clichés, and the result is a song that will be a staple on vacation playlists for decades to come.
“Table For One” – Courtney Marie Andrews
A variation on the same theme, this time from Courtney Marie Andrews, “Table For One” is gauzy and lonesomely trippy. “You don’t wanna be like me / this life ain’t free,” the singer pleads, seeking a sense of reality in a life almost entirely abided within liminal spaces. Find peace in the redwoods, but try to hold on to it. You might lose it twenty miles later.
“Two Roads” – Valerie June
Cosmic and longing, Valerie June distills Kermit the Frog’s “the lovers, the dreamers, and me” into album form with her latest outing, The Moon and Stars: Prescriptions For Dreamers. Whatever bug you’ve been bitten by – rambling, restlessness, cabin fever, listlessness – let this song and this album scratch that itch. And as you let the miles fade behind you, on whichever of the two roads you take, don’t forget to look up… at the moon and stars and beyond.
“Christine” – Lucy Dacus
Whether or not you’ve experienced the beautiful, transcendent, and heart-rending forbidden love of being queer — on the outside looking in on love that society has constructed to which you’ll never have access — Lucy Dacus’ fantastic, alt/indie roots pop universe will give you a crystalline window into this very particular iteration of unrequited love on “Christine.” The song feels almost as though you’ve woken from a warm, sunny, time-halting afternoon nap in the back seat of a car yourself.
“It’s a Great Day to Be Alive” – Darrell Scott
Darrell Scott goes two for two, landing on both our bluegrass summer vacation round-up and our rootsy list, too! “It’s a Great Day to Be Alive” is THE song for the moment you realize you’re out of the office, away from your chores, without a care in the world — whether you have rice cooking in your microwave or not.
“Hometown” – Lula Wiles
For those summers when all you can muster is a trip home. Lula Wiles don’t just trade in nostalgia and hometown praise, though, they take on the subject with a genuine, measured perspective that picks up paradoxes, turns them over, and places them back down for listeners. It’s a subtly charming earworm, too.
“Heavenly Day” – Patty Griffin
“Oh heavenly day / All the clouds blew away / Got no trouble today…” The exact intention to be channeling during vacation! Don’t let your summer getaway be one of those vacations from which you end up needing a vacation. Leave your troubles behind, have a heavenly day.
“Midnight in Harlem” – Tedeschi Trucks Band
Your travels may not bring you even within the same state as Harlem, but this song had still better be on your road trip playlist. There’s almost no song better to put on at midnight, wherever you may be roaming, than Tedeschi Trucks’ “Midnight in Harlem.”
“Outbound Plane” – Suzy Bogguss
Every time I step into an airport my anxiety seems to sing, “I don’t want to be standing here with this ticket for an outbound plane.” It’s always true. This writer has not yet returned to the jetways post-COVID, so we’ll see how that goes. At least there will be the security and comfort of this jam (composed by Nanci Griffith and Tom Russell) from Suzy Bogguss’ heyday.
“455 Rocket” – Kathy Mattea
There are plenty of modern versions of muscle cars available and on the road today, but not a single one is an Oldsmobile 455 Rocket! Kathy Mattea represents the rockabilly/Americana tradition of paeans to automobiles and gearhead culture with this loping tribute to a 455 Rocket, an early cut for Gillian Welch and David Rawlings. If you happen to take your country drives in a muscle car, regardless of brand, this track is for you.
“Take the Journey” – Molly Tuttle
What better way to conclude our playlist than with this always-timely reminder from Molly Tuttle? It might be a cliché, though it really is true: It’s about the journey, not the destination. So take the journey! Enjoy its twists, turns, and be in the moment. And take some clawhammer guitar along with you.
Artist:Del Barber Hometown: Inglis, Manitoba Song: “Nothing Left to Find” Album:Stray Dogs: Collected B-Sides Volume One Release Date: August 20, 2021 Label: acronym Records
In Their Words: “Stray Dogs is a result of over 10 years of writing and recording music. When the pandemic began I was lost, scared about the future and in the depths of an unprecedented creative slump. I built a studio out of an old shed on my farm in an attempt to force myself to try and write songs. Every day I’d go out there in the mornings and struggle to get one line that I liked or one chord progression that was inspired. I wasn’t getting anywhere and it was my first taste of the fabled ‘writer’s block.’ Instead of writing new material like I had intended, I began to delight in the process of looking back. ‘Nothing Left To Find’ was one song I kept coming back to. I had so many versions of it in my files, it begged to be finished. After cutting a dozen of the verses I had written, it’s now a short and sweet song that really ties the tonal landscape of Stray Dogs together.” — Del Barber
In Their Words: “For a big part of my life, I grew up feeling like country and bluegrass were genres that I could never be a part of even though the music has always felt like home. So often queer, trans, and non-binary artists are set apart and left out even though we are everywhere, in every genre, and in every town. When I wrote ‘Countries’ it felt so good to lean into those roots with the help of Todd Sickafoose, Daren Hahn, James Deprato, Alisa Rose, and Andy Waegel. For me this tune was born from an experience of feeling harmed, heartbroken, and gaslit, but in the studio it took on so much joy thanks to the help of an incredible country singer Liz Lewis as well as Briget Boyle and the one and only Vicki Randle on backing vocals. I love that about this song, and about country and bluegrass in general. Its ability to hold complexity and feelings that are sometimes at odds. This song is that. Produced by Julie Wolf with Nino Moschella and released by Waxsimile Production, ‘Countries’ is an ode to where I come from.” — Dillbilly
Amythyst Kiah is having a moment with Wary + Strange, an album that positions her among today’s most compelling singer-songwriters. Although she is an East Tennessee native, her personal lyrics somehow feel universal — this isn’t an album about rivers and mountains, but instead touches on identity (“Black Myself”), grief (“Wild Turkey”), and unsolicited advice (“Soapbox”). Written from a place of questioning and reckoning, a gently-played song like “Firewater” would satisfy anyone who enjoys an acoustic aesthetic, as well as those who draw confidence from the music of others.
“A lot of these songs come from a moment in my 20s when I was grappling with trauma while also trying to navigate the experience of being a Black and LGBT woman in a white suburban area in a Bible Belt town,” says Kiah, who moved to Johnson City after growing up in Chattanooga. “I’ve had moments of feeling othered in certain aspects of my life, and it took me a long time to figure out who I wanted to be and how to move through this world.”
With that perspective and a guitar in hand, she’s been sharing her music on stages ranging from the Grand Ole Opry to Newport Folk Festival to Jimmy Kimmel Live, where she performed “Black Myself.”
Upon announcing the record, she noted, “‘Black Myself’ is the first song I’ve written that was confrontational. I’d always made it a point to sing songs that anybody could relate to, but this was something that had been welling up inside me for a long time, and working with three other Black women in Our Native Daughters put me in the position where I finally had the courage to put those words out. The reception of the song so far has given me hope that there are people out there who are ready to confront the shared trauma of racism, to look within ourselves and see how we might be perpetuating racist beliefs, and to do what is needed to create equality for all people.”
Next month, Kiah (pronounced “KEE-uh”) is in the running in multiple categories for the Americana Music Honors & Awards. (As a solo artist, she’ll compete for Emerging Act of the Year, while “Black Myself” is up for Song of the Year. Our Native Daughters is also up for Duo/Group of the Year.) With this incredible career momentum, she’s criss-crossing the country in the months ahead: After a gig with Brandi Carlile and Sheryl Crow at the Gorge in Washington, she’ll be everywhere from Maine to Mexico, with a MerleFest gig in the mix too. Enjoy new music and some crowd favorites in our BGS Essentials Playlist with Amythyst Kiah below. And don’t miss our two-part Artist of the Month interview. Read part one here. Read part two here.
Artist:Claire Hawkins Hometown: New York City Song: “Small Doses” Release Date: June 18, 2021
In Their Words: “‘Small Doses’ was the last song I wrote before the pandemic, when I was still performing in youth hostels across Europe on the Foreign Voices Travelers Tour. It was a weird, wonderful time that was brought to an abrupt end in March 2020. It wasn’t until several months later that I revisited the song. I reached out to some artist friends, and suddenly we had this fantastic collaborative project to work on together during lockdown. The track was produced by Katie Buchanan, who produced my first-ever single when I was 17; the music video, which will be out later this month, was shot and directed by Florence Bradish, who created the music video for my song ‘Dublin.’ After so many months of staying apart, the opportunity to make art with my friends has made this release all the more special.” — Claire Hawkins
Artist:Jesse Lynn Madera Hometown: LA and Nashville Song: “Revel” Release Date: July 23, 2021
In Their Words: “Writing ‘Revel’ changed the way I approach songwriting. It made me understand more about the opportunity we have as artists to positively impact a person’s day. I’ve written a lot of sad, emotional songs, and I’ve seen that those can be therapeutic. Knowing someone is getting cheered up, cheered on, inspired, by listening to one of my songs is pretty mind-blowing. I try to be a source of light for the people close to me, and this is the first time I’ve really been able to tap into that with my songwriting. ‘Revel’ was written around the holidays in 2020, in a living room that was still vibrating with all the good times we’ve had. I needed ‘Revel.’ I needed a reminder of all the light that follows darkness. Being human is rollercoaster enough without a pandemic to further complicate the experience. We’ve all suffered through our share, and hopefully we’ve all experienced the sun coming up over the horizon of despair. This will be no exception. The glow shall return, and we’ll all be reveling in it.” — Jesse Lynn Madera
Artist:Colin Hay Hometown: Topanga Canyon, California Song: “Wichita Lineman” Album:I Just Don’t Know What To Do With Myself Release Date: August 6, 2021 Label: Compass Records
In Their Words: “‘Wichita Lineman’ was the first song where I realized the importance of the written song, in and of itself. Before that, I had always put artists and songs together, like Bob Dylan, The Beatles, The Who, The Kinks, and many others, who all primarily wrote and performed their own songs. ‘Wichita Lineman’ spoke of things I could only wonder at. The geographical vastness of the land, the hopes and dreams of the man working the line, and indeed of all people who inhabit this country. And, a love story contained within achingly beautiful music and melody. I can’t think of a better song.” — Colin Hay
Photo credit: Paul Mobley
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