LISTEN: Aaron Burdett, “Arlo”

Artist: Aaron Burdett
Hometown: Saluda, North Carolina
Song: “Arlo”
Release Date: March 19, 2021
Label: Organic Records

In Their Words: “Years ago I used to drive down to play the open mic night at a place called Eddie’s Attic in Georgia. It was a weekly event and I’d go down every six weeks or so. I’d work on my chops and mingle with other writers in one of the premier songwriter venues in the Southeast. Among the semi-regular performers those evenings was a songwriter named Arlo, and although we haven’t seen each other in person for probably 15 years we’ve kept in touch and still talk every week or so. We wax poetic about music and songs and audio gear and guitars or any number of oddball subjects.

“He’s not exactly the character in this song, but he is a character in his own right. Almost every line in the song ‘Arlo’ is something he said to me directly, verbatim. I’ve twisted the meaning and implications of the phrases to suit my vision for the narrator in the song, but the words more or less came from real life, from a real live Arlo, over the past 10 years. We’d talk and afterwards some sentence he said would stick with me so I’d write it down on the ‘Arlo’ sheet. Eventually this song fell out of that collection of phrases and snippets of conversations. Goes to show that you should be careful when you’re being clever around a songwriter, you may hear something you recognize in the next draft.” — Aaron Burdett


Photo credit: Sandlin Gaither

WATCH: Aoife O’Donovan, “Transatlantic” (Feat. Kris Drever)

Artist: Aoife O’Donovan (featuring Kris Drever)
Hometown: Newton, Massachusetts
Single: “Transatlantic”
Release Date: March 17, 2021
Label: Yep Roc Records

In Their Words: “I started writing ‘Transatlantic’ many years ago after one of my frequent trips across the pond. The lyric started as a classic love song, but when I dusted it off to complete it for this project with the Irish Arts Center, it became something different. I felt strangely moved by the nostalgia and longing for camaraderie, innocently described by my pre-pandemic self. As I finished the tune in January of this year — feeling certain of nothing but the uncertainty of these times — I immediately began to hear the voice of Kris Drever, a friend based in Glasgow. Kris enlisted his trio mates Euan Burton and Louis Abbott to be the rhythm section, and layered the recording with the inimitable strings of Jeremy Kittel. The refrain references the old classic ‘Loch Lomond,’ a ‘song from another time.’ Raise a glass. We will be together again.” — Aoife O’Donovan


Photo credit: Rich Gilligan

LISTEN: Will Orchard, “Rita”

Artist: Will Orchard
Hometown: Boston, Massachusetts
Song: “Rita”
Album: I Reached My Hand Out
Release Date: March 18, 2021
Label: Better Company

In Their Words: “‘Rita’ is a song about the blurred lines between attraction that’s real and long-lasting, and attraction that’s intense and fleeting. To me, it’s about lacking trust in my own impulses, and constantly questioning if those feelings are valid. I wrote this song while on tour on two separate occasions about a year apart, and the distance between those two moments really helped me put what I was feeling in perspective. The contributions of Allen, Jess, James, and Miles really helped bring this song to life and create the dark and the anxious landscape of those emotions.” — Will Orchard


Photo credit: Tim Ryan

LISTEN: Claire Kelly, “Sitting Still”

Artist: Claire Kelly
Hometown: Cary, Illinois; Milwaukee, Wisconsin; Nashville, Tennessee
Song: “Sitting Still”
Album: The Scenic Route
Release Date: March 19, 2021

In Their Words: “‘Sitting Still’ was the first song I wrote when the world came to a screeching halt in March of 2020. When the pandemic hit, I hid out with a few Nashville friends on a farmhouse in Tullahoma, Tennessee, to wait out the storm so to speak. We took the days easy out there on the farm: fishing, reading, writing, driving the old Ford truck around the property. Even though our tours had been cancelled and jobs had been lost, we tried to embrace the gift of time we’d be given and find some peace in slowing down.” — Claire Kelly


Photo credit: Jorie Struck

Harmonics with Beth Behrs: Jewel

Welcome to Season 2 of Harmonics! On episode 1 of our new season, we’re kicking things off with the incredible, four-time Grammy-nominated folk singer-songwriter, Jewel.

LISTEN: APPLE • SPOTIFY • STITCHERAMAZON • POCKET CASTS • MP3

Jewel joins host Beth Behrs for an insightful conversation about her experience with mindfulness throughout her life as a response to anxiety. She presents multiple tangible skills she has developed along the way that hopefully anyone can easily apply to their own lives to expand their mindfulness.

Throughout her career, Jewel has brought these skills to struggling children as well, having been an avid advocate for mental health awareness and using her platform to lift others up. Her work through her own Jewel Never Broken program, in conjunction with the Inspiring Children Foundation, has supported so many children with mental health support resources, mentoring, education, and equipping kids with important life skills and tools to earn college scholarships, becoming forces for good in the world.

Jewel’s honesty regarding her own struggles, and how it informs her creativity, her art, and her life, is incredibly inspiring.

In case we haven’t yet convinced you of the wealth of knowledge and wisdom present in this episode — Jewel also gives Beth a personal lesson on how to yodel!!


Listen and subscribe to Harmonics through all podcast platforms and follow Harmonics and Beth Behrs on Instagram for series updates!

Photo credit: Dana Trippe

BGS 5+5: Israel Nash

Artist: Israel Nash
Hometown: Dripping Springs, Texas
Newest Album: Topaz
Nickname: Izz

Which elements of nature do you spend the most time with and how do those impact your work?

Nature is a big part of my creative process. We have a ranch out here in the middle of Texas Hill Country. It’s a place like no other, surrounded by cascading hills, cedars, oaks and scrub brush, it’s a wild land really with rocks and cactus, and the sunsets are a pure psychedelic wonder. They kind of look like those Thomas Kinkade paintings that were in every dentist office in the ‘90s. Endless pink and purple pastel swirls. And the night sky is one of a kind. Dripping Springs is one of 27 designated Dark Sky cities in the entire world. Which basically means just look up at night time. It’s cosmic.

I built a studio out here where I make all of my albums and write. It has a patio and a pair of big double doors that I keep open most of the time to feel like the outside is always inside. It’s definitely a part of not only the process, but something you hear in the records I make. Magic is in nature, we take that for granted, but trees just grow and give us breath at the same time, I mean birds fly around in the air, like naturally! Gotta see the beauty in all that, be aware of it and let it be something that keeps you open.

What other art forms — literature, film, dance, painting, etc. — inform your music?

I think it’s important to keep up my chops through other mediums of art other than music. Taking the music hat off for a bit and working on other creative outlets can be really magical. And I always find some melodies while I’m working on that other stuff that creates a nice yearning to get back to music. It’s a cycle. Doing one always informs the other. Music will always be my main outlet, but ultimately I want to be a creator and maker of things. I want to chase inspirations wherever they lead me and bring ideas to life, adding form to the formless. Lately I’ve been working with film, from shooting/editing to finishing up this movie script I’ve been working on. Who knows? Just make stuff. That’s my mantra.

What’s the toughest time you ever had writing a song?

On Topaz, I have a song called “Dividing Lines” about how divisions separate us and drives out love. Took me about two years of rewriting this song. I always had what I call the anchor, which here for me was the chorus and those words, dividing lines. But that version was completely different from one now. It just didn’t work yet. My wife is always my first line of listening and when she kind of puts her head down and is like “ummmm” I know I need to go back until I get a better response. It took two years on and off to work it out. And not because I was focused on it, rather it would pop back up in my mind and I would have a new idea to chase. Ultimately, I completely changed the verses, added a musical break and then this big outro. I finally got the head nod/wild dancing response I wanted from her, I knew it was done.

What was the first moment that you knew you wanted to be a musician?

I loved music since I was a kid and took piano lessons, but I fell in love and knew my path the moment my uncle picked up a Strat and showed me “Johnny B. Goode.” Electric guitars got me. Somehow I convinced my parents to let me quit piano lessons and take guitar lessons and I got this red Strat knock off and a tiny Gorilla guitar amp. My piano lessons were at an old church lady’s house, but guitar lessons were held in the backroom of a guitar shop and the teacher would literally smoke cigarettes through the lessons!

I guess it was all slowly preparing my folks for the future with me. Music was my childhood dream, I’m talkin’ 11 years old childhood dreams. I’m proud of that and have been able to learn and grow so much. It makes me excited for the future. I think we all get a little better at things as we get older, and I mean “better” in this holistic way that encapsulates your feelings, perceptions, experiences, talents, understanding, knowledge, reflections, all that good stuff. My vision and path might have changed over time, but I’ve always been moving and chasing new places. Music has been so centric in allowing me to pursue life, learn about myself and strengthen my craft.

If you had to write a mission statement for your career, what would it be?

To make things always that fulfill the cycle of inspiration. Be inspired > Create > Inspire Others to Create…. We can all feed off that and see where it flows. That’s what keeps me interested and moving forward, chasing inspiration. Not just expecting it to fall on my lap, but living and being among it.


Photo credit: Chad Wadsworth

The BGS Radio Hour – Episode 201

Welcome to the BGS Radio Hour! Since 2017, the Radio Hour has been a weekly recap of all the great music, new and old, featured on BGS. This week, we’ve got music from Ani DiFranco, Andrew Marlin, and a Whiskey Sour Happy Hour appearance from Chris Eldridge! Remember to check back every Monday for a new episode of the BGS Radio Hour.

APPLE PODCASTS, SPOTIFY

Ani DiFranco – “Simultaneously”

Longtime voice of social change and activism through her music, Ani DiFranco brings us a new album, Revolutionary Love, at a time where we so much need it — a time marked by social and political unrest, racial equity, and the COVID-19 pandemic. While DiFranco usually has a busy tour schedule, the past year has been an opportunity to spend time at home with family, write a children’s book, start a free radio station, and write a musical about restorative justice. All of that in ONE year.

Melissa Carper – “Makin’ Memories”

Coming March 19, this Texas-based artist brings us Daddy’s Country Gold. BGS caught up with Carper on a recent 5+5 to talk about influences, memories, nature, songwriting, and the first moment she knew she was going to be a musician.

Elise Davis – “Empty Rooms”

Although the pandemic has been hard on everyone, musicians have a unique experience – most were accustomed to singing in bars and halls every night, for different crowds, in different cities. Even the empty rooms are missed, suggests Elise Davis in this new single from her upcoming project, Anxious. Happy. Chill. 

Mando Saenz – “Shadow Boxing”

From Corpus Christi, TX, singer and songwriter Mando Saenz – AKA ‘Mando Calrissian’ – graces the show this week with with a song from his newest album, All My Shame. His mission statement? To create music true to his heart and inspirations. It doesn’t get much truer than that.

Andrew Marlin – “Oxcart Man”

In 2018, Andrew Marlin (of Mandolin Orange) released his first solo album – a collection of mandolin-based old-time instrumentals entitled Buried in a Cape. Now after nearly 3 years, Marlin returns to the medium with twin albums of a similar aesthetic – Fable & Fire, Witching Hour. 

Six-String Soldiers & The SteelDrivers – “Long Way Down”

The United States Army Field Band teams up with bluegrass favorite The SteelDrivers for a new collaborative video of “Long Way Down.” From Alabama to their home in D.C., the Six-String Soldiers have been able to collaborate with the SteelDrivers a few times now.

Vivian Leva & Riley Calcagno – “Will You”

A couple of grown-up old-time festival kids, Vivian Leva and Riley Calcagno bring us a mixtape of their “old-time deep cuts” this week. From Roscoe Holcomb to Foghorn Stringband to Hazel & Alice, the duet offers their playlist in celebration of a newly released self-titled album.

Valerie June – “Why the Bright Stars Glow”

Tennessee-born and Brooklyn-based Valerie June is our March Artist of the Month here at BGS! Stay tuned all month long for exclusive interviews and content regarding her new album, The Moon and the Stars: Prescriptions for Dreamers.

Melody Duncan – “Over the Hill”

Aging is something that none of us escape. Melody Duncan relishes in the life lessons that we’re given from unavoidable challenges and growth opportunities, in exchange for more time here on Earth. Like a journal entry, “It’s a dedication for all of those willing to invest in a good today,” says Duncan, “even if our bones ache in the morning.”

Nathan Vincent – “Blue Ridge State”

It’s hard to end something, even when we know we have to. For Texas-based Nathan Vincent, the title is a physical place and an emotional one – and like the mountains, the relationship in the song rises and falls. Vincent and his crew journeyed to Asheville, NC to shoot the video, a “visual motif” that accompanies the sentiment and progression of the song.

Emily Moment – “Master of One”

From her upcoming The Party’s Over, London-based Emily moment brings us a song this week about our hurtful behaviors. We’re drawn to the things that hurt us so much, suggests Moment – like the Fugu fish in Japan, whose tastiest part is closest to its poison.

Chris Eldridge – “Angeles”

It’s hard to believe that it’s been a year since COVID changed all of our lives. We’re looking back at some of our virtual series from last year, highlighting the many performances which deserve to be seen more than once. This week, we’ve got Chris Eldridge (of the Punch Brothers) with a cover of Elliot Smith’s “Angeles” – a tribute to the city where BGS was born.

Ariel Posen – “Now I See”

Sometimes the smallest realizations can lead to the biggest breakthroughs, suggests Ariel Posen. From his new album Headway, this song is about self acceptance, and finding belonging among our imperfections.

Adam Douglas – “Joyous We’ll Be”

By taking a stand against the political and social challenges that we face, Adam Douglas offers this song for a brighter future. From watching his home country since 2016, seeing everything that was hidden rise to the top, Douglas was troubled by the viewpoints of so many. “It’s not an anti-45 song though,” he says. “It is an ‘anti-idiot’ song.”


Photos: (L to R) Andrew Marlin by Lindsey Rome; Chris Eldridge; Valerie June by Renata Raksha

WATCH: Drew Holcomb and The Neighbors, “I Need to Go Somewhere”

Artist: Drew Holcomb and the Neighbors
Hometown: Nashville, Tennessee
Single: “I Need to Go Somewhere”
Release Date: March 5, 2021
Label: Magnolia Music/ToneTree

In Their Words: “‘I Need To Go Somewhere’ is a song about the cabin fever we have all been experiencing in this pandemic, a song about needing to go somewhere, anywhere, I just need to go. I was writing with my producer Cason Cooley and he had a bunch of brochures on the coffee table, RV brochures. He was telling me he was planning on taking his three kids on a big cross-country trip. I leaned back and said, ‘I need to go somewhere…’ And started make joke lines about ‘put me on a plane, I don’t care where it’s going,’ and he stopped me and said, ‘That’s the song we are writing today.'” — Drew Holcomb


Photo credit: Ashtin Page

WATCH: Reid Jenkins, “Strange Lover”

Artist: Reid Jenkins
Hometown: New York City
Song: “Strange Lover”
Album: A Beautiful Start
Release Date: April 23, 2021
Label: Nettwerk

In Their Words: “While most of my songs start while I have an instrument in my hand, ‘Strange Lover’ started as a title that I later put to music. I was struck by the ambiguity in the word ‘strange’ — how it means both unfamiliar and bizarre, and how those two senses of the word have different meanings, but often feel the same when you’re faced with new experiences, such as falling in love. I wanted to write a song that suspended itself in that ambiguity and explore the tension between avoiding the unknown while being drawn in by the thrill of beauty and discovery.

“The lyrics and melody of the verses evolved slowly over the course of a year or so. Sometimes the lines came to me during sessions of very intentional writing; I remember penning ‘Try as I might, I just can’t quite make you make sense’ while sitting in a very idyllic songwriter-y setting — on a bench overlooking the sea on the coast of Maine. Other lines kind of wafted their way out of my subconscious, such as ‘You’re a giant, yet you fit right on the palm of my hand,’ which came to me while walking with my friend at night in Riverside Park in New York. The chorus burst out of me in five minutes about a week before I got into the studio. The process of recording it was similarly organic. Unlike the other three songs on my upcoming EP, I showed up to the studio without much of an arrangement or an agenda for how I wanted it to sound. I let it evolve over the course of the recording process, and I think the final product reflects that process in its hazy and relaxed feeling.” — Reid Jenkins


Photo credit: Shervin Lainez

WATCH: Abigail Dowd, “Beautiful Day”

Artist: Abigail Dowd
Hometown: Carthage & Southern Pines, North Carolina
Song: Beautiful Day
Album: Beautiful Day
Album Release Date: April 23, 2021

In Their Words: “I started writing ‘Beautiful Day’ sitting on our neighbor’s front porch one morning. I was living with them at the time, after our house flooded and my husband and I were waiting for the city to buy and demolish it. He was still living in our house with no heat, taking care of our cat and dog, and it got a little lonely month after month of waking up alone in other people’s houses. It was such a wild experience of not knowing what each day would bring or when the sky would clear, so to speak. As the verses started shaping up, I remembered all of the times in my life that felt dark and uncertain, but were actually necessary parts of growing into better versions of myself. This song became a reminder to enjoy the moment and have faith that it was leading to a brighter day. And now, I look back on those days as gifts of time with friends, with my guitar, and without the distractions that used to keep me from having long stretches to write.” — Abigail Dowd


Photo credit: Todd Turner