MIXTAPE: Penny & Sparrow’s Songs Begging to Be Covered

From Joe Cocker covering The Beatles, Bon Iver covering Bonnie Raitt, Glen Hansard covering The Pixies, and many, many more, WE LOVE COVER SONGS. In fact, one of the most commonly had tour van conversations is “What should we cover next?” (And we deliberate that almost daily.) The art of taking someone else’s song and making it your own is difficult and praise-worthy. … THUS, when The Bluegrass Situation asked us to cultivate a playlist, we knew exactly where to go. So here it is, dear friend!! A list of songs — in our opinion — that are begging to be covered.” — Andy Baxter and Kyle Jahnke, Penny and Sparrow

Eagles – “New Kid in Town”

Like a lot of Eagles tunes, “New Kid in Town” manages to have emotional depth WITH a hook that’s catchy as hell. Not a lot of folks can do that. They did it over and over again. It reminds me of “Fun Times in Babylon” and for that reason I must have Father John Misty cover this as soon as possible. Please make that happen for me, FJM. You would sound delightful. (Andy)

Willie Nelson – “Buddy”

This song was on Parks and Recreation and it made the reconciliation of Leslie and Ron one of the most iconic scenes in TV history. For the month after, I listened to it over and over and over again. After 30 days of it I started to imagine who I wanted to hear cover it. I landed on one of two extremely recognizable (and lovely) voices: Ashley Monroe or Anaïs Mitchell. Please Universe, hear my cry. (Andy)

John Denver – “Sunshine on My Shoulders”

I would love to hear this covered by someone like Daniel Caesar. The melody with some R&B voicing would sound insane. (Kyle)

Miya Folick – “Thingamajig”

This song is admittedly new for me and (before it came along) it had been more than a year since a song made me cry on first listen. This one undid me. Eight straight listens and now I might die unless I hear I’M WITH HER cover this damn song in three-part harmony. (Andy)

Ace of Base – “Don’t Turn Around”

I love a good ‘80s/’90s jam saddened by some sad indie folk. Thinking if James Vincent McMorrow took this and pitched it to his gorgeous falsetto I would listen on every rainy morning and cry just a little. Maybe give it to Jason Isbell and let him turn it into an Americana masterpiece. (Kyle)

Alvvays – “Archie, Marry Me”

A friend of ours called this song a “We’ll be young forever” anthem. It toes some strange line between the grunge pop of “Cherry Bomb” and the new age sad rock of Phoebe Bridgers. I love it and really really wanna hear a slickly crooned version by Sam Smith. Take all my money Sam, just get it done. (Andy)

George Strait – “Lovesick Blues”

I love the yodeling in this one. Basically I want Miley Cyrus to imitate Dolly Parton imitating a ‘90s George Strait. I love this track. (Kyle)

Slim Whitman – “Rose Marie”

This one feels unfairly unknown. How this song got lost in the shuffle of history is beyond us but I damn sure wanna hear The Kernal or Robert Ellis do a version! (Andy)

All-4-One – “So Much in Love”

This could either be an Ariana Grande acapella jam, or in my wildest dreams a Simon & Garfunkel reunion where they folk harmonize it to perfection and the world is happy since they are friends again and that’s all I really want. (Kyle)

Anaïs Mitchell – “He Did”

Lyrically this song is masterful and angst ridden and haunting. As I think about it now, it would be an incredibly tall order to cover this monster, but I genuinely think a blues/soul rendition could be badass. The lyrics of the song mourn and bleed and I kinda wanna hear Cedric Burnside or Leon Bridges take it on. (Andy)

Cutting Crew – “(I Just) Died In Your Arms”

GIVE ME HAIM SINGING THIS SONG AND IT WILL BE THE RESURRECTION OF AN ‘80S POP RELIC!!!! It would also stream millions of times in a matter of days. It’s a jam and they’re the maestros I wanna hear introduce it to the next generation. (Andy)


Photo credit: Noah Tidmore

MIXTAPE: The Harmaleighs’ Anthems for the Weak

We are both anxious creatures, whether it comes to an existential crisis about our career choice or what to say next in a conversation. We created a playlist for the Bluegrass Situation based on songs that help calm our anxious minds. — Haley Grant and Kaylee Jasperson, The Harmaleighs

The Harmaleighs – “Anthem for the Weak”

An anthem for those who suffer from anxiety.

The Harmaleighs – “Don’t Panic”

One of our favorites off the new record — we want you to close your eyes and lose all concepts of time and space when you listen.

Lucius – “Go Home”

The first song we ever heard from our favorite band.

The Lumineers – “Gloria”

This is a banger. It does what a lot of Haley’s favorite songs do. It pairs heavy lyrical content with an upbeat danceable vibe. Also, have you seen the music video? It’s visually STUNNING.

Faye Webster – “Room Temperature”

Haley highly recommends you watch the music video. One of her favorites!

Molly Burch – “Without You”

She is Haley’s new favorite discovery! Her tunes give us a major throwback feels.

Theo Katzman – “Break Up Together”

King 👏🏻 of 👏🏻 break 👏🏻 up 👏🏻 songs 👏🏻

Bahamas – “Okay, Alright, I’m Alive”

Bahamas are the most underrated band walking planet Earth.

Ethan Gruska – “Rather Be”

His voice transfers Haley to another dimension.

Emily King – “Remind Me”

One of our favorite artists!! Love how you can feel the intention behind every single word.

Brandi Carlile – “Oh Dear”

Brandi has been such an influence for both of us from a young age. This is one of our favorite songs by her.

Dixie Chicks – “Not Ready to Make Nice”

When morale is low on tour and we are finishing up the last stretch home, you better believe we CRANK this tune.

Patty Griffin – “Forgiveness”

This song has been a constant in our road playlist since we started the band. The songwriting and performance of it is so emotionally raw. This is a grounding track for us. It’s a reminder that the most important thing to portray in a record is the feeling and Patty Griffin nails it.

Lowland Hum – “Will You Be”

The sound of their voices together immediately calms Haley down.

Caroline Rose – “Getting to Me “

Haley swears she has listened to this song 300 times. There is something about the beat in the beginning that makes her feel at ease.

Andrew Bird – “So Much Wine, Merry Christmas”

This song brings Haley back to a very peaceful time in her life. When she listens to it, she can close her eyes and pretend like she’s 21 again.

Paul Simon – “Diamonds on the Souls of her Shoes”

Paul Simon is an artist we both have strong roots with. His voice and instrumentation of all of his songs can make your heart sing.


Photo credit: Ruth Chapa

MIXTAPE: Wild Ponies’ Favorite Duos

Ah, the mixtape. Playlists. Songs. BGS asked us to do a mixtape and we decided it would be fun to ‘mix’ it up with a bunch of our favorite duos. A lot of them we just pulled off of our Wild Ponies Friends and Neighbors playlist. The hard part was narrowing it down. We threw in a few ringers who aren’t really our friends or neighbors — but we wish they were. There are so many ways to present music. We love a great big band, a power trio, a solitary soul with an acoustic guitar…

But there’s really something special about two voices working together, spiraling into that rare space that makes the whole room levitate. There’s a push and twist. If you’re at a show you can see it in the performers’ eyes when it locks in and happens. But if you can’t be at the show the next best thing is to close your eyes and just listen to the music. If you sit real still you might even be able to levitate at home, just a little. It’s worth a try. — Doug and Telisha Williams, Wild Ponies

Stacey Earle and Mark Stuart – “Next Door Down”

Oh, y’all, where do we even start with Stacey and Mark? We would not be making the mixtape or probably even be in Nashville without the support and love of these two. We picked “Next Door Down” from Simple Girl, because it was this release that began our love affair with Stacey and Mark. I’m pretty sure we can still play each and every song on that record!

Gillian Welch & David Rawlings – “Annabelle”

Well, our first dog was named Annabelle, after this song. That’s just how much we love Gillian, Dave, and this record.

Buddy & Julie Miller – “Keep Your Distance”

We’re so excited about Buddy and Julie’s new record, but we reached back in time a little on this one. When I listen to this song (by Richard Thompson?), Buddy and Julie’s influence on Wild Ponies’ sound is so evident.

Porter Wagoner and Dolly Parton – “Put It Off Until Tomorrow”

Oh, Porter and Dolly, one of the original duos. Each of them is such a talent, but together, there is magic — a third, indescribable element that elevates the song,

John Prine and Iris Dement – “In Spite of Ourselves”

Come on, John Prine AND Iris Dement. Our love for both of these superstars runs deep, but the blend of their quirky authenticity is stunning.

The Louvin Brothers – “My Baby’s Gone”

There’s nothing like family harmony. We were lucky enough to get to know Charlie Louvin later in his life, and the stories he shared about singing with his brother were slightly terrifying and beautiful. All the years after Ira’s death, Charlie could still hear Ira’s voice and his part every time he sang. The way that they could seamlessly switch parts and cross each other’s lines is something that maybe only those that share blood can accomplish.

Wild Ponies – “Hearts and Bones”

Singing this song live each night has become a favorite spot in our set. There’s something in the intimacy of our vocals — even just the “ooohs.” It almost feels like we’re sharing something that the audience shouldn’t be allowed to see.

Robby Hecht and Caroline Spence – “A Night Together”

Robby and Caroline are both amazing singers and songwriters. Two of our favorites in Nashville, right now. This duet record is absolutely stunning. I hope there’s another coming.

Conway Twitty and Loretta Lynn – “Easy Loving”

This song was released before I was born, but feels like the soundtrack to my childhood. I think I can even smell the chicken casserole cooking in the oven.

The Everly Brothers – “All I Have to Do Is Dream”

This is what every duo wants to sound like. Period. Anyone who tells you different is either lying or they’ve never actually heard this track.

Freddy and Francine – “Half a Mind”

I’m so happy that Lee and Bianca (aka Freddy and Francine) are in Nashville now. Their show and sound is amazing! Don’t those tight, powerful harmonies make you want to move?!

The Sea The Sea – “Love We Are We Love”

I challenge you to pick out who is singing what part with these two. Chuck and Mira’s voices blend so beautifully together, that it’s easy for me to get lost somewhere in the space between.

The White Stripes – “In the Cold, Cold Night”

Bad. Ass. The White Stripes make me want to break all the rules. This is such a cool track, because it’s mostly just Meg’s voice and Jack’s guitar. I guess not technically a duet, but it still feels like one. So intimate and creepy.

Anana Kaye – “Blueberry Fireworks”

Anana and Irakli are just weird and cool. Their writing is so big and theatrical. I love what they do. You should really go see them live — you can’t look away. They’re so good.

Waylon Jennings & Willie Nelson – “Pick up the Tempo”

Similar to the Conway and Loretta tune, this sounds like my childhood, only this time the smell is my daddy’s truck instead of chicken casserole.


Photo credit: Rob Hanning

MIXTAPE: Sam Outlaw & Sarah Darling’s (Just) Love Songs

Our duet, “Forever and Always,” is a sweet and simple love song about dedication and commitment. It’s devoid of any cynicism or irony and there are no strings attached. Hence the (Just) Love Songs distinction. While we all know that the reality of love is filled with shadows, I think it’s OK to occasionally revel in the parts of life that still resemble the bright fantasy — and to take a walk in the sun. — Sam Outlaw & Sarah Darling

Sam’s picks…

The Everly Brothers – “Devoted to You”

This is the song my wife and I chose to play for our wedding ceremony when she walked down the aisle. From the opening chimes of the electric guitar to the unflinching Disney-esque lyrics, this is one of the sweetest love songs I’ve ever heard. And while the singer seems to be promising a perfect world that is completely at odds with the harsher realities of love, the sentiment is pure and the delivery is flawless.

Gerry Rafferty – “Right Down the Line”

This is the song I most associate with my relationship with my wife and also a song that we included in our wedding ceremony. You could call it “our” song. The laid-back instrumentation and the humility of the lyrics best describe how I feel about my love for Andie. “The brightest light that shines. It’s been you, woman. Right down the line.” Damn, Gerry.

Don Williams – “We’ve Got a Good Fire Goin’”

I love adult contemporary and easy listening, and this song quadruples down on everything I love about it. And while one could argue the dangers of objectifying one’s partner I think the writer is simply making associations between his beloved and the elements that bring him the most peace. Fire in the fireplace and rain falling outside. Coffee in the cup. All is well. And please God why can’t I have just one billionth of the vocal charm present in every syllable of a Don Williams song?? PLEASE GIVE ME HIS VOICE LIKE IN THE LITTLE MERMAID. Ugh.

John Berry – “She’s Taken a Shine”

Not sure a song like this would even be ‘allowed’ in our present culture. The subject is a stereotype of a woman who is essentially being “saved” by a man. To put it bluntly — she’s finally getting laid and it’s completely changed her whole vibe and everyone’s noticing it. But what a great pop song. And while it might not have hit as big as some of the other country hits from the ‘90s I doubt you can find me a sweeter chorus. John Berry’s voice makes you absolutely believe every word of the story and if you love a good bridge as much as I do look no further.

Dolly Parton – “Think About Love”

Dolly. Is. The. Absolute. Ultimate. And EIGHTIES Dolly is one of her best eras. She coolly pivots to full blown Pop Star and Movie Star in the ‘80s and has a bunch of hits while other “traditional” country singers were getting lost to the discount cassette bin. I love every gated snare crack and every goofy synth punch in the production and I love the grandiose bridge. Repeat after me: We don’t deserve Dolly. We don’t deserve Dolly.

Randy Travis – “Deeper than the Holler”

George Jones said his favorite singer is Randy Travis. So combine one of the best voices of all time (across any genre) with a song that is so catchy you could tow a small planet on the hook and you end up with “Deeper than the Holler.” But what exactly is a “Holler”? Well I can tell you it DOESN’T MATTER when the song is this good. Again, we’re not talking about “real life” love here with all its heartaches and rough edges and nuance. We’re talking about good-ole-boy lovey dovey ooshy gushy love love love love. Fuck yeah.

Vince Gill – “Whenever You Come Around”

Vince famously wrote this song for his wife, Amy Grant, but he wrote it before they got married at a time when he couldn’t just come right out and tell her of his love. One time my wife and I had the pleasure of seeing the Western Swing band The Time Jumpers play a rare ‘on tour’ show in San Diego. Vince, who is a member of the band, opened the show with a solo acoustic set and when he played this song there was not a dry eye in the room. In fact I’m pretty sure I just cried his entire set so. Lastly — the BEE GEE VEES in this production are the gold standard of ‘90s smooth and Vince’s guitar solo is expert level.

Handing it off to Sarah…

Alison Krauss – “When You Say Nothing at All”

Not only is this song featured in my favorite movie Notting Hill, but it’s simply just so beautiful. When you are with your mirror soul, you don’t have to say anything. They already know what your heart is thinking and that’s true love. It’s also one of my favorite cover songs to play live.

George Strait – “I Cross My Heart”

There’s a theme of me loving songs from movies on this list! I first heard this track in Pure Country and absolutely was head over. That moment in the movie when George’s character Dusty goes after his girl at the end while being serenaded by this beautiful one made all us country girls swoon.

Louis Armstrong – “What a Wonderful World”

I literally cry every time I hear this track. It’s probably in my top five songs I love of all time. Isn’t it true how love makes you feel? Music and everything around you seems to have a different glow. I believe Louis when he’s saying these sweet words. Also, audio/visually, it’s stunning to hear the imagery. I think to myself, what a wonderful world.

Michael Bublé – “Home”

This one made my list because it tugs the heartstrings. As a traveling musician, I get homesick often and find myself daydreaming about sitting on my front porch with my husband and looking at the sunset. I have the most panoramic view of the Tennessee sky. Home is where the heart is.

Lady Antebellum – “Need You Now”

This is my favorite slightly scandalous love song. I like it because we’ve all been there. We’ve had that person we know we shouldn’t call but we need to have that fix. Love can make you think you’ve completely lost your mind and do crazy things.

Willie Nelson – “Always on My Mind

Isn’t it true that there’s always that person you can’t ever shake or get out of your mind? I feel like this song allows us to know we aren’t alone. Maybe the timing wasn’t right or simply not meant to be, but you learned something from each other. Some people stick forever and they become part of us.


Photo credit: Sean McGee

MIXTAPE: The Steel Wheels’ Music for Your Community Gathering

Building community is part of what music, and all good art, does. It brings us together. Music is a common rhythm, a poetic notion, an underlying common language for us all. A good mixtape grabs hold of that commonality and builds on it, with a few surprises along the way. As a band, The Steel Wheels curate a music festival each year, and a mixtape, or playlist, is kind of the digital version of that venture. So, let’s stop talking about it, and start building community with a PERFECT mix. – Trent Wagler, The Steel Wheels

Fruit Bats* – “Humbug Mountain Song”

Let’s start with a groove anyone can get behind. It’s accessible for the pop music lovers who wandered into this gathering — they didn’t know they liked the banjo at all until the second half of this intro kicks in. But now they’re engaged. And why can’t the piano, banjo, and drums live together in harmony? Stop closing your mind.

Kristin Andreassen* – “Get Together”

A good mixtape needs to establish that everyone is included. Loading things up with all your favorite new and rare songs isn’t always inviting. A cover song is common language at the very best. A little freshening up of a classic song will get us all swaying together in time. And what better theme than coming together? Now we’ve got everyone in the room in tune and we can introduce more variance in the mix.

The Wood Brothers* – “Sing About It”

The foundation of community is the strength we have together. Nothing better exemplifies this than the tight grooves and sweet harmonies of the Wood Brothers. And their message here is spot on. No matter where we are in our journey of pain, loss, trouble, or fear, singing a song just might help it pass.

Kaia Kater* – “New Colossus”

Now that we’re all in this, let’s tie the knots tighter. This song is like a sweet honey that helps stick us tightly. The way the melody veers and twists through literary verses encourages your conversations to dig a little deeper.

Jerry Garcia & David Grisman – “Russian Lullaby”

I think it’s more than nostalgia that brings me back to these late Garcia recordings, when he teamed up with longtime friend and musical pioneer David Grisman. The loose nature of these recordings makes you want to sit crisscross applesauce and share most embarrassing moments with a new acquaintance. If the ice wasn’t broken earlier, Jerry will rockabye you, baby. Collaborations are community building at their core.

River Whyless* – “All of My Friends”

Now that we’re all floating together in a musical high, don’t pull away. Leave the phones in your pocket. Let’s be here together fully. River Whyless is a band that simultaneously indicts and playfully dances with the information-overwhelmed age we live in.

Cedric Burnside* – “Hard To Stay Cool”

What is more true blue than these dyed in the wool Burnside family blues. Cedric Burnside’s whole album is full of these tasty grooves. It’s not hard for him to stay cool.

Tim O’Brien* & Darrell Scott – “With a Memory Like Mine”

Here’s another one of my favorite collaborations. The album Real Time by Tim and Darrell has had such a musical impact on me. To hear two great songwriters, who sing and play any instrument they pick up with such mastery, is humbling and inspiring.

Bahamas – “No Wrong”

I’m obsessed with Bahamas’ music right now. The guitar, the groove, and the vocals. The presence of this recording is also so immediate and direct. When you’re among your people, it feels like you can do no wrong.

The Steel Wheels* – “Road Never Ends”

I couldn’t help but include one from our new record. The love and joy of the road is bittersweet. This song puts words to the difficulties of transience while acknowledging the beauty of the strange kind of mobile community it creates.

Ana Egge – “Rock Me (Divine Mother)”

There are few songwriters who tap into deep spiritual depths without cliché like Ana Egge. She’s a treasure. And this song has slayed me every single time I’ve ever heard it.

Tinariwen – “Imidiwan Win Sahara” (feat. Tunde Adebimpe)

All music conjures up a sense of place. Tinariwen was introduced to me by our drummer, Kevin Garcia, and I’ve regularly wanted to go to where their sound takes me. As a songwriter and specifically a lyricist, it’s helpful to reset your listening ear and turn off the language centers of your brain by listening to music with lyrical content in a language you do not speak.

Dr. Dog – “Listening In”

A good mixtape has some curveballs. Dr. Dog has been a sonic companion for me since I first saw them live 10 years ago at Bristol Rhythm and Roots. The lyrical tapestry is so full and always connects through some kind of thought-lightning striking through your brain. I love the line, “I can hear the fear in me…talking.”

David Wax Museum – “Time Will Not Track Us Down”

We’re getting towards the end of our little mixtape. Like the Sunday afternoon lazy picnic, we are starting to wind it all down. David Wax is known for his high energy original Latin-inspired masterpieces, but this simple paired down guitar/vocal really calms my spirit and prepares us to part.

Robert Ellis & Courtney Hartman* – “Up On The Hill Where They Do The Boogie”

One more cover song for good measure. Let’s celebrate the most wacky and wonderful souls among us, and let’s boogie like John Hartford.

Josh Ritter – “Homecoming”

Remember that curating music for your gathering is a privilege. You are setting the sonic table for everyone in your presence. It’s also a responsibility. Everyone wants to feel at home at the end of the day. Everyone wants be at their best and be reminded that they are capable of their best. Music replenishes the various ways daily life drags us down. A mixtape is a good refuge and stand-in for when music festival season is slow.


Photo credit: Josh Saul

*2019 Red Wing performers. Red Wing Roots Music Festival takes place in Mt. Solon, Virginia, on July 12-14, and is hosted by The Steel Wheels

MIXTAPE: Jade Jackson’s Songs for Loneliness

Loneliness is something I’ve experienced [for] as long as I can remember. Before I fully comprehended its meaning, I became familiar with it in my earliest childhood memories. Finding comfort in what we’re used to, I naturally gravitated toward music that evoked that feeling and when I started writing and creating art, it was my biggest inspiration. – Jade Jackson

Bruce Springsteen – “The River”

Similar stories have been told by artists over the years. But Springsteen’s take on loneliness is untouchable. The harmonica crying in the intro sets the tone for this genius tale of faded love.

Sheryl Crow – “The Difficult Kind”

This song blends loneliness and strength. Owning up, recognizing you’re the reason for your loneliness is tough to face. The pain in her voice along with the electric fiddle combine to tug at your heart as the lyrics capture an honest look inside.

Mojave 3 – “Yer Feet”

This song reminds me of hopelessness, heartache, and the dull pain that foreshadows lost love.

John Fullbright – “High Road”

I remember bursting into tears the first time I heard the climax of this song. The story unfolds beautifully and illustrates true love ending too soon.

Hank Williams – “I’m So Lonesome I Could Cry”

Hank Williams spun in our record player more than any other artist growing up. It’s a song I loved when I was young, because of its imagery, and as I grew older I related to it in a whole new way.

Violent Femmes – “Good Feeling”

“Vague sketch of a fantasy
Laughing at the sunrise
Like he’s been up all night
Ooh slippin’ and slidin’
What a good time but now
Have to find a bed
That can take this weight”

Enough said.

Townes Van Zandt – “Waiting Around to Die”

Townes Van Zandt is one of my all-time favorite songwriters, and in my opinion, the king of sad songs. Behind the vocals the guitar picking, drums, and harmonica in this song sound like a drunken heartache. The Be Good Tanyas have a rendition of this song that I find equally despondent.

Johnny Cash – “Hurt”

Trent Reznor’s song “Hurt” covered by Cash takes my breath away. Loneliness often leads to a numbness begging to be broken by self-inflicted pain. This song is a raw tribute to wanting to disappear.

Patsy Cline – “Walkin’ After Midnight”

This is the perfect lonesome song, with its desperation and hopelessness accompanied by pedal steel.

Mazzy Star – “Fade Into You”

I love how poetic these lyrics are. They evoke a yearning for emotional connection; walking through depression wishing to be loved by someone.

Jade Jackson – “Bridges”

I wrote this song during one of my loneliest times of my life.

Jade Jackson – “Loneliness”

This song was inspired by realizing you don’t have to be alone to feel lonely.


Photo credit: Matt Bizer
Editor’s Note: Jade Jackson released her new album, Wilderness, on June 28.

MIXTAPE: Stevie Redstone’s Roots Music to Drive To

I love me some driving. Whether it be for touring, or just a hankering to get out there and see some place I’ve never seen, I always enjoy packing up and hitting the pavement. While I do plenty of searching for new tunage, here are a few of my longtime staples you’d likely hear if you were in the passenger seat on a long ride with Stevie. — Stevie Redstone

The Band – “Across the Great Divide”

Nothing quite says road music to me more than The Band. They have so many great ones to travel to, but “Across the Great Divide” sticks out for me.

Paul Simon – “Graceland”

It’s no secret to those who know me that Paul is probably my favorite American songwriter. The Graceland album is a personal fave and the title track always gets me in that happy driving mood.

Allman Brothers Band – “Ain’t Wastin’ Time No More”

I love everything about this song. Lyrics, message, melodies, vocals. It’s all there.

Grateful Dead – “Promised Land”

This Chuck Berry-penned tune covered by another driving music titan of a band, The Grateful Dead, will get your motor runnin’. It’s also quite literally about traveling around the country. See what I did there?

Creedence Clearwater Revival – “I Heard It Through the Grapevine”

Originally written by Barrett Strong and Norman Whitfield of Motown fame, there are many adaptations of this great driving tune, including of course Marvin Gaye’s. I love this CCR version when I’m out there, in part because they really went for it with the jam. Eleven mins of gritty joy.

The Beach Boys – “Here She Comes”

Among  my favorite Beach Boys tunes. It has an infectious piano part/groove and the best bridge maybe ever.

The California Honeydrops – “When It Was Wrong”

One of the best and most underappreciated bands of our time. Just listen, mmk?

Crosby, Stills, Nash & Young – “Suite: Judy Blue Eyes”

A pinnacle of songwriting, harmonies, movement, etc. Simply stunning, and it never gets old.

My Morning Jacket – “Evil Urges”

I’m so impressed by Jim James as a solo artist and for his work with My Morning Jacket. This one’s always stuck out for me, but the catalogue of greatness is extensive.

Phish – “Down With Disease”

I’ve seen Phish live FAR more than any other band. I love a good jam and they’ve taken me to some of the highest highs that I’ve experienced for a live show. The sheer amount of songs and live recordings is too daunting to pick any one in particular, so I threw a YouTube dart and landed on this old video of “Down With Disease.”


Photo credit: Shelby Duncan

MIXTAPE: Gangstagrass’ Standard Setters

As purveyors of genre crossing, we like to recognize standouts within a genre that innovated simply by epitomizing a sound with particular skill: tracks that demonstrated what virtuosity could do within a genre, that pushed the genre to new heights (or at least new places) for us, tracks that maybe we used to judge what came afterward. We could list a lot of classics, but this list is really about the tracks that were the standard setters for each of us personally, making a mark in how we thought about a genre or sound. For our Mixtape, we selected a few songs and described the impact the tracks made. Gangstagrass

Flatt & Scruggs – “Foggy Mountain Special”

Earl’s fast, regular picking in songs like “Foggy Mountain Breakdown” made his three-finger rolls, like the Foggy Mountain roll, iconic. But this heavily-swung tune, while not a slow song by any standard, really explores the bluesy side of bluegrass banjo. The syncopated banjo kick, with the band entering on the second beat, throws off the listener’s perception of time. The main lick itself deserves to be as iconic as any fast-flowing Scruggs roll. And that solo! From the single-string bends to that chromatic octave line, Earl knows to keep playing it just a little bit longer. You couldn’t go back and redo any part of this any better, not in a hundred years. They nailed it.

Norman Blake and Tony Rice – “Little Beggarman/Gilderoy”

Tony Rice sounds his best on duo albums, whether it’s with country superstar Ricky Skaggs on a journey to reconnect with his bluegrass roots, or songster Norman Blake, whose clear-as-a-stream picking and earnest vocals are augmented by Tony’s unparalleled rhythm work and rich baritone. On this instrumental track, guitar and mandolin trade breaks and, unusually, trade tunes. Because they’re both in A, with similar chords and melodies, you almost don’t notice the transition, except that the tune Blake plays on mandolin is minor, while Tony’s guitar tune is major. It’s a beautiful, subtle effect that showcases both artists and enhances the sound of each instrument.

The Steeldrivers – “Ghosts of Mississippi”

Before Chris Stapleton was Chris Stapleton, he was in a band called the Steeldrivers. The mainstream music audience has rightly picked up on his powerful vocals and formidable songwriting, but arguably his best work has been with this band that gave him a perfect setting. From the smoldering growl of the banjo to the searing whine of the fiddle, the sound has not been surpassed by either Stapleton’s pop work or by any other bluesy bluegrass band. This track in particular sets the bar, serving up equal parts groove, emotion, and one hell of a catchy melody.

Béla Fleck and the Flecktones – “Hole in the Wall”

The Flecktones represent Béla’s furthest ventures outside traditional bluegrass, and this late track on their second album, Flight of the Cosmic Hippo, is a representative example of their early sound. Of note, Howard Levy’s keys get more room than on most other tracks which tended to feature more of his admittedly superlative harmonica work. Near the end, there’s enough sonic buildup to justify a fantastic extended banjo solo with fluidly shifting time signatures and tonalities. Banjo players who have tried to emulate this piece will have noticed that, like many Béla tunes, it centers around a particular lick, in a particular nonstandard key, played in open G tuning. But as with magic, sometimes understanding the trick doesn’t make it any less exciting to see it performed right in front of you. — Gangstagrass

Pharoahe Monch feat. Black Thought – “Rapid Eye Movement”

Every now and then there’s a collaboration that you just know is going to be dope just by the parties involved. “That’s what I figured when I saw these two MCs on a track from Pharoahe Monch’s 2014 album P.T.S.D. I wasn’t prepared for HOW DOPE, however,” says R-SON. Pharoahe Monch drops bars about being in a relationship with his ammunition and then filing for divorce and releasing his “ex-calibers.” Not to be outdone, Black Thought starts his verse with the last two lines of Pharoahe’s and goes on to “send shots to ancient Greece to pop Socrates.” Black Thought’s line “the ex-slave sado-masochist/who gave massa my ass to kiss” is, as R-SON puts it, “just another example of Black Thought’s conscious swagger that laces every verse that he blesses a track with.”

Black Star – “Thieves in the Night”

Mos Def and Talib Kweli came together on the Black Star album and created gems but this was the standard for R-SON. Their distinct flows built two very different parts — Kweli’s recounting what his man Louis said and thought and how those thoughts affected Kweli. Mos Def’s verse, on the other hand, had a breakdown of the hook where he responded to the things said in it. The song ends with one of the great lines in the genre’s history: “I give a damn if any fan recall my legacy, I’m tryina live life in the sight of God’s memory.” R-SON notes that “in my younger days the song brought tears to my eyes and I’m happy to say that it still does.”

Mos Def – “Mathematics”

We cannot think of another time when someone counting from 1 to 10 (Dolio the Sleuth on “Ain’t No Stopping” aside) has had more meaning. Mos raps, “5 dimensions, 6 senses, 7 firmaments of heaven and hell, 8 million stories to tell, 9 planets keep orbit around the probable 10th, the universe expands length….” He continues his “…numbers game, but shit don’t add up somehow,” speaking of the number of bars he has to do what he does, and the minimal amount of money he gets from it all. “6 million ways to die for the 7 deadly thrills / 8-year-olds getting found with 9 mils / it’s 10 p.m., where your seed, he’s on the hill/….pumping crills to keep they bellies filled.” His word (and number) play is immaculate.

UGK – “Int’l Players Anthem (I Choose You)”

A seminal “posse cut” that unites two legendary duos of Southern hip-hop, UGK and Outkast, exhibiting four distinct flows and approaches to the subject of being a “player.” Each emcee delivers a memorable verse complete with the stunning street poetry they’re known for, with cadences that ride the beat (or the lack of beat, in the case of Andre 3000’s intro verse) that samples heavily from Willie Hutch’s “I Choose You” from the soundtrack of 1970s Blaxploitation flick, The Mack.

Ralph Stanley and the Clinch Mountain Boys – “Nobody’s Love Is Like Mine”

Rench was listening to 1970s-era Clinch Mountain Boys when he started putting Gangstagrass together as a sound. There’s been a good deal of attention to the Stanley Brothers, but the sound was developed and refined to a new level with the addition of Ricky Skaggs and Keith Whitley. The vocal harmonies are tight and the full string section is on point in a way that epitomizes the best of classic bluegrass sound.

Stuff Smith – “Serenade for a Wealthy Widow”

Stuff Smith is one of the few truly iconic jazz fiddlers. His style is on Charlie Parker’s level. “In an alternate reality, where we weren’t so hung up on jazz’s horn players, I feel Stuff would have been one of the fathers of bebop,” says Brian. Stuff’s style pulls from such a diverse array of influences, from Stéphane Grappelli to the Western swing fiddlers like Bob Wills. The gruffness of his tone and clarity of his lines point to the meld between the character of string band/blues fiddlers players before him like Clifford Hayes and Robert Roberson, and the progressive harmonies that took over jazz after bebop. Stuff is the perfect example of harmonic personality over the harmonic intellectualism that followed. “This track is one of the more off-beat compositions that I love to surprise folks with,” Brian adds.

Slam Stewart – “Oh Me, Oh My, Oh Gosh”

“I feel much the same way about Slam as I feel of Stuff; his musical voice is synergistic of the eras before and after him,” Brian says. The way he rides the rhythm comes from an era of bassists mimicking the sound of tubas in marching bands, indicative of players like Bill Johnson, Wellman Braud, and Pops Foster. His style foreshadows others like Jimmy Blanton, Oscar Pettiford, and Ray Brown with their strong solo personalities. This tune is a favorite; it’s a slick lyric and showcases what Slam can do on all fronts.

Outkast – “Rosa Parks”

This one came out of left field in 1998 — when Southern rap was growing into national attention — and planted a flag with the trademark quirkiness of Outkast style, including a harmonica breakdown in the middle of the song. Their fast-flow style is undeniable and surgical here, while their unabashed Southern drawls in this radio hit opened the floodgates for Southern hip-hop to start dominating the charts.

Wilson Pickett – “Hey Jude”

This has a lot to do with the way the Swampers in Muscle Shoals epitomized the soul sound of the ‘60s in the best way, but this track in particular pushed boundaries by including what would later become familiar Southern rock sounds, courtesy of a young Duane Allman. Of course, the wicked Mr. Pickett kills it with a prime example of soul vocals just owning the track.


Photo credit: Sean Aikins

MIXTAPE: Crowder’s Simple Yet Complex Bluegrass Playlist

“I think my favorite description of bluegrass music is from Bill Monroe: ‘It’s Scottish bagpipes and ole-time fiddlin’. It’s Methodist and Holiness and Baptist. It’s blues and jazz, and it has a high lonesome sound.’ It is that and more to me. It is simple and complex. It is death and life. It is impossible to put together anything close to a definitive playlist of such things so here are a few songs I really like.” — Crowder

“A Far Cry” – Del McCoury Band

Del McCoury is the epitome of the progressive conservation of that “high lonesome” sound.

“Angel Band” – Stanley Brothers

This is it for me. An old gospel song from a poem originally titled “My Latest Sun Is Sinking Fast.”

“The Prisoner’s Song” – Bill Monroe

This origin of this song goes back to the beginning of recorded “hillbilly” music and nothing better than the Father of Bluegrass’ take on it with electric guitar, piano, and drums. Heretical!

“Ruby” – Osborne Brothers

Those falsetto jumps and holds, if you’re not smiling we can’t be friends.

“Shady Grove” – Ricky Skaggs

Mr. Skaggs is one of my favorite humans ever made and he and Kentucky Thunder slay this traditional Appalachian courtin’ song that’s found its way into the repertoire of all the greats.

“Walls of Time” – Bill Monroe

A classic written by Monroe and Peter Rowan, but not recorded until after Rowan left the group. The lyrics are perfectly haunting.

“Freeborn Man” – Jimmy Martin

“King of Bluegrass” after the addition of Gloria Belle. That female vocal sitting above Martin’s cutting tenor is supreme.

“Mama’s Hand” – Hazel Dickens

Known for her singing style as well as her advocate songs for coal miners and the working folk and to be one of the first women to record a bluegrass album. This song tells the story of the day she left her family’s home in West Virginia.

“Carry Me Across The Mountain” – Dan Tyminski

This guy is legend. Popping into the universal ethos and consciousness of popular culture every so often, from his updated version of “Man of Constant Sorrow” to vocal feature on Avicii’s international hit “Hey Brother.”

“Blue Train” – Nashville Bluegrass Band

I love how these guys incorporate black gospel and spirituals. Just a line as simple as “coming for to carry me” brings with it the momentum and mass of a locomotive.

“Salty Dog Blues” – Flatt and Scruggs

The original meaning of “salty dog” comes from rubbing salt into the coat of your dog as a flea repellent. That infers that a “salty dog” would be your favorite person or your best friend. I like that.

“Oh, Death” – Ralph Stanley

No vocalist will ever fit a song more perfectly.

“The Little Old Log Cabin in the Lane” – Fiddlin’ John Carson

The first “hillbilly” song ever recorded with vocals and lyrics. When I moved to Atlanta I landed in Cabbagetown on Carroll Street living in the Fulton Bag and Cotton Mill that he and his children worked in. That’s as close as I’ve ever come to greatness.

Photo credit: Eric Brown

MIXTAPE: Mother Banjo’s Womenfolk Playlist for Hard Times

Long before I picked up a banjo and started writing songs, I was a fan — an awkward teenage girl that stayed at home on Friday nights so I could listen to WKSU’s Profiles in Folk show. I found solace in the singer-songwriters that shared their heartfelt stories of hope and heartbreak. I most identified with the women artists like Dar Williams and Shawn Colvin, who spoke to me in every stage of life and became a key part of my road trip mixes and my playlists as I hosted my first college radio show more than 21 years ago.

I still host a radio show to this day — Womenfolk, highlighting the best in women’s folk/acoustic music on KFAI 90.3 FM Minneapolis. I’ve gotten to interview some of my biggest sheroes, including Joan Baez, Indigo Girls, and of course Dar and Shawn. It is the best way for me to stay connected to the next generation of songwriters, find new inspiration and introduce today’s awkward teens to female voices that speak to being yourself, finding love and embracing the hope that exists even in the darkest of times. I created this particular mix of mostly new songs to help me through pregnancy, reminding myself to be ferociously authentic and kind, no matter what life hurls at us. Mother Banjo

Our Native Daughters – “Black Myself”

One of my favorite albums of 2019, Songs of Our Native Daughters features four African American banjo-playing singers (many of whom have been staples of my radio show), including Rhiannon Giddens, Allison Russell, Leyla McCalla and Amythyst Kiah. Like this opening track, the whole album speaks to standing tall no matter what.

Vicky Emerson – “The Reckoning”

I have known Vicky Emerson a long time and have had the privilege of playing shows around the country with her, including a double release show we did this year in Minneapolis. Taking the production reigns, Vicky has released her most fully realized album to date with songs like this that speak to these times and showcase amazing voices, including Kari Arnett, Annie Fitzgerald and Sarah Morris.

Lena Elizabeth – “Get It Right”

One of my favorite young talents to come out of the Twin Cities music scene, Lena Elizabeth just put out her first full-length album featuring this title track. She’s embarking on her first tour this year so catch her if you can.

Jillian Rae – “Free”

Minneapolis fiddler Jillian Rae has played with many notable acoustic bands including The Okee Dokee Brothers, Brass Kings and Corpse Reviver. But around these parts, she’s probably better known for her own songwriting project that mixes Americana, rock and pop. This song is from her more acoustic EP, Wanderlust.

Tracy Grammer – “Hole”

Dave Carter and Tracy Grammer were hugely influential on my songwriting. (I even covered the tune “Anyway I Do” on my gospel record.) When Tracy released her first EP after Dave’s death, I was blown away and eagerly awaited her next solo project. Fourteen years later, we were finally blessed with Low Tide, featuring this awesome non-radio friendly tune.

Emily Haavik & The 35s – “Candle”

Duluth native Emily Haavik writes terrific songs with honest lyrics and infectious hooks. This song always makes me feel better no matter what state I’m in.

Heather Styka & The Sentimentals – “Love Harder”

I’ve known Heather Styka for years, but I’ll never forget when I first heard her sing this at a late-night showcase at Folk Alliance International Conference. I cried as everyone joined her in this cathartic anthem. If you haven’t already, check out her new album North–this song won’t be the only that will make you cry.

The OK Factor – “Love Song for Lucy”

Originally from Iowa, this dynamic string duo can do anything they set their mind to–re-interpreting pop songs, putting their own spin on traditional tunes and writing timeless pieces like this. The OK Factor’s new EP is a collection of love songs and lullabies.

The Lowland Lakers – “Time to Move Along”

Haley Rydell’s voice never ceases to move me, nor her deceptively simple songwriting. Although The Lowland Lakers are currently on hiatus while songwriting partner Nate Case is studying in Germany, Haley continues to play music solo and with the band Buffalo Gospel.

I’m With Her – “Overland”

I’m With Her is a folk supergroup needs no introduction. From my first listening, this song was one of my favorites as it hearkens to the best old folk songs–telling a personal story in the context of a changing country. This tune just feels timeless.

Amy Helm – “Michigan”

One of my all-time favorite singers, Amy Helm put on one of my favorite shows of the past year at the Dakota Jazz Club, blowing me away with this Milk Cartons Kids cover. This studio version from her new album features some amazing harmonies by Allison Russell (Our Native Daughters, Birds of Chicago) and Russell’s partner JT Nero.

Sarah Morris – “Confetti”

Sarah Morris does the impossible, writing songs about being kind without being saccharine or condescending. I love everything about this track–the message, the melody, her singing and her amazing band that bring this song to life.

Mavis Staples – “We Go High”

Quite simply, Mavis Staples is my favorite–as a singer, an activist and a relatable human that brings joy to all who get to experience her music. Although she is 79, this latest studio album proves her best days are not behind her. Thank God.

Mother Banjo – “Will Your House Be Blessed?”

Written by British songwriter and crime novelist John B. Spencer, this song is one I learned from Rani Arbo & Daisy Mayhem. It has become a favorite of the Mother Banjo Band and a staple of our live shows. It feels even more relevant now in our political climate and has become such a personal anthem for me, I couldn’t imagine not putting it on my new album, Eyes on the Sky.


Photo credit: Elli Rader