LISTEN: Wes Corbett, “Boss Fight”

Artist: Wes Corbett
Hometown: Bainbridge island, Washington; now Nashville, Tennessee
Song: “Boss Fight”
Album: Cascade
Release Date: December 4, 2020
Label: Padiddle

In Their Words: “‘Boss Fight’ was written in 2014 while I was still a professor at Berklee College of Music in Boston. I set out to write a high-energy minor melody in the style of Ronnie McCoury, knowing that I would use it when I finally made this record. It remained unnamed until we finished tracking it in the studio, and while talking over edits we all agreed it felt like the music you hear when you fight the final boss in a video game, thus the title ‘Boss Fight’ was born. Another memory from that day is how I found myself in disbelief hearing how much life this incredible group of my peers breathed into this track, and the whole record for that matter. Chris Eldridge, who produced Cascade, in particular had some invaluable insight on how to make this tune move the way it does. I am so grateful for everyone who made this music possible!” — Wes Corbett


Photo credit: Kaitlyn Raitz

IBMA Virtual Business Conference: Who’s Taking Part, How to Watch, and More

J.D. Crowe, Jerry Douglas, Sarah Jarosz, and Ronnie McCoury are just a few of the artists taking part in the IBMA Virtual World of Bluegrass, which begins today, Monday, September 28. Kristin Scott Benson, Doyle Lawson, and Mumford & Sons’ Winston Marshall are also confirmed to participate.

IBMA Virtual World of Bluegrass is an annual bluegrass music homecoming and convention that takes place online this year, encompassing the IBMA Business Conference, IBMA Bluegrass Ramble, the 31st Annual IBMA Bluegrass Music Awards, and music festival IBMA Bluegrass Live! powered by PNC running through October 3. See the full schedule.

Check out our General Information page regarding IBMA Virtual World of Bluegrass. You’ll find our full-week schedule…

Posted by International Bluegrass Music Association on Thursday, September 24, 2020

Conference registration is available at a lower price point than in years past: $99 for IBMA members, and $149 for non-members. Register here.

To stream the following sessions, as well as many others, IBMA Business Conference registration is required. Business Conference registration also allows access to other valuable content: an online version of the Gig Fair (one of the most popular conference events each year) the Songwriter Showcase, two virtual in-the-round Song Circles, the Annual IBMA Town Hall Meeting, the IBMA Virtual Exhibit Hall, and much more.


As previously announced, Sarah Jarosz will deliver the Keynote Address on Monday, September 28 to kick off this year’s virtual IBMA Business Conference. “Having attended IBMA as a young kid just getting into bluegrass, and having returned more recently as a performer at their Raleigh conference, I’m deeply honored to have been asked to be this year’s keynote speaker. I look forward to helping kick things off!” said Jarosz.

Organizers have added three presentations to lead each day’s conference activities, Tuesday through Thursday:

Tuesday at 11 AM ET: Artist-2-Artist with J.D. Crowe, Winston Marshall, and Jerry Douglas

Hall of Famer J.D. Crowe’s infusion of new ideas into bluegrass banjo took the music to a decidedly younger and more diverse crowd, inspiring a new generation of pickers and fans. His music would influence a young banjo player across the Atlantic named Winston Marshall, who would take the banjo to millions of fans worldwide. As a member of Mumford & Sons, Winston has helped completely transform the image of the banjo in popular culture. Jerry Douglas has used his dobro to build musical bridges throughout his storied career. He has shared both the stage and the studio with J.D. Crowe and Winston Marshall, and he invites you to join him and these two groundbreaking banjo players for a fun conversation about how music unites.

We just announced special feature presentations to kick off each day of the IBMA Business Conference:

Monday – Keynote…

Posted by International Bluegrass Music Association on Friday, September 18, 2020


Wednesday at 11 AM ET: Artist-2-Artist with Doyle Lawson and Kristin Scott Benson

Doyle Lawson has been a leader in bluegrass music for decades. He and Quicksilver played at a festival in Dahlonega, Georgia in the mid-eighties, and it changed the life of a young girl in the audience named Kristin. Three and a half decades later, Kristin Scott Benson is one the most celebrated banjo players of her generation and is the reigning IBMA Banjo Player of the Year. She sits down with Bluegrass Hall of Fame member, Doyle Lawson, to talk about the impact he and his music have had on her and on the bluegrass community at large.

Thursday at 11 AM ET: From the Bay, to Bean Blossom, and Back

Jerry Garcia is unquestionably a towering figure in American culture, and one of the most influential musicians of the 20th century. He and the Grateful Dead set the template for a new style of music that would inspire generations, much as Bill Monroe, The Father of Bluegrass himself, had done. What’s less known about Jerry, is that long before, during, and after the Grateful Dead, he was a banjo player, a bluegrass musician, even an aspiring Bluegrass Boy. Join Ronnie McCoury, filmmaker Brian Miklis and others in a conversation diving deep into the relationship of a true giant of American music, and the music that inspired him.

The Bluegrass Situation will proudly present our fifth annual Shout & Shine Online on Saturday, October 3rd at 2pm ET. And at press time, 30 artists have also been confirmed for a series of showcases known as the Bluegrass Ramble.

The virtual music festival IBMA Bluegrass Live! powered by PNC, will take place Oct. 2-3. Special performances by The Travelin’ McCourys with special guest Del McCoury; Steep Canyon Rangers; Jerry Douglas & Odessa Settles; Sierra Hull & Molly Tuttle are just some of the highlights that bluegrass fans can look forward to.

 

In addition, PNC Bank is boosting its support for the IBMA and bluegrass artists experiencing financial hardship due to pandemic-related performance cancellations. PNC Bank, the presenting sponsor of IBMA Bluegrass Live! powered by PNC, has announced it will match all 2020 donations made to the IBMA organization and the IBMA Trust Fund, for a total up to $50,000. (Donate now.)

IBMA is the nonprofit professional organization for the global bluegrass music community — connecting, educating and empowering bluegrass professionals and enthusiasts while honoring tradition and encouraging innovation worldwide. The organization has suffered financially this year due to pandemic-related health precautions that are preventing the IBMA World of Bluegrass event from being held in Raleigh, N.C. The IBMA Trust Fund, which is administered by IBMA, was established in 1987 as a means to offer emergency financial assistance to bluegrass music professionals. In 2020, requests for assistance have increased tenfold due in large part to COVID-19.

As the presenting sponsor of IBMA Bluegrass Live! powered by PNC since 2013, PNC Bank has helped bring bluegrass music and culture to Raleigh for what has become one of the city’s most beloved live, free events. While IBMA Bluegrass Live! powered by PNC cannot be presented as an in-person event in 2020, PNC remains committed to supporting this event and community tradition by helping deliver bluegrass programming in a virtual setting, Oct. 2-3.

Donations may be made online; additionally, those registering for the free IBMA Virtual World of Bluegrass Music Pass have the opportunity to make a donation during the online registration process. The Music Pass includes access to all music performances during the week, including IBMA Bluegrass Live! powered by PNC, the IBMA Bluegrass Music Awards presented by Count On Me NC, and IBMA Bluegrass Ramble presented by Count On Me NC.


 

BGS 5+5: Carolina Blue

Artist: Carolina Blue
Hometown: Brevard, North Carolina
Latest album: Take Me Back (August 7, 2020)

What was the first moment that you knew you wanted to be a musician?

I was in my senior year of high school. The bluegrass bug had bitten me a couple of years before and it was what I was listening to predominantly. The year was winding down and we didn’t have that much going on, class-wise, so a few of my classmates who played guitar were bringing their instruments to school almost daily and jamming whenever and wherever they could. I couldn’t play a lick at the time, but I loved it so much that I found myself wherever the music was being made. I decided then that I wanted a guitar and I wanted to learn to play it, so when graduation rolled around, I took all the monetary gifts I received and bought a Yamaha (with a neck like a 2×4!) and a chord book and the rest is history. — Bobby Powell

Which elements of nature do you spend the most time with and how do those impact your work?

When we aren’t on the road, I spend 90 percent of every day outside. Farming has always been my other passion. The past couple of years, I’ve had to drastically scale back my operation because of the amount of time we’ve been on the road. I have a cow and calf operation, I put up my own feed as well as contract fields out for other folks, I grow a very large garden to eat fresh and can our vegetables for the winter, I raise farm fresh eggs, pork and chicken, and I spend every spare minute on the back of a horse. I have a lot of time in the quiet and stillness of nature, as well as to myself with the farm and animals. It allows me to appreciate the hard work of my forefathers and to appreciate what the land gives us. I live just the way my granddaddies before me did. It also inspires me to write music about those things that I love the most. It’s evident in my songwriting that I’m passionate about the land, our heritage, and knowing that every blessing is from God. I am Southern Appalachia. — Timmy Jones

What’s your favorite memory from being on stage?

My favorite memory from the stage had to be PreddyFest 2016, in Franklinton, North Carolina. We were singing one of our original songs, “Detroit City,” written by Tim. I’m looking out in the audience and could see people singing along. What a feeling, knowing that you’re teaching folks with your music. Knowing that they’re listening enough to know it by heart gives you such a feeling of accomplishment. It was incredible! — Bobby Powell

Which artist has influenced you the most… and how?

Anyone who has listened to my style for about five seconds can tell that I’m heavily influenced by Bill Monroe. Bill was the first real bluegrass that I ever heard. His high tenor voice and unique technique… I was completely enamored. Still am. I strive every time that I take my mandolin out of the case to honor what he started, but to include some of my own style in order to keep it fresh. It goes hand in hand that I would also be influenced by Mike Compton. Mike is a prodigy of Monroe. I was never fortunate enough to meet Bill in person, but I feel like Mike is without a doubt the next closest thing to Bill himself. He has been so kind to encourage my playing and to teach me on great levels! I feel like it would be a great injustice to not also mention Ronnie McCoury here. I appreciate these three mightily. — Timmy Jones

What’s the toughest time you ever had writing a song?

The toughest song I’ve ever written has got to be “Number 73987,” a co-write with Tim that’s on our forthcoming Billy Blue Records album. There have been tons of songs written and recorded about Bill Monroe (our hero) since his death in 1996. We wanted to honor him with this song and we wanted a totally different approach, something that had never been done before. I brought the idea to Tim about writing a song about Mr. Monroe’s famous mandolin, telling the story from the perspective of the instrument. Man, it was tough to write! We wrestled with it for a while, really wanting to do the song (and mandolin) justice, and finally got it finished. The recorded result is better than I could have ever hoped for. Tim really sang the fire out of it! I can’t wait for everyone to hear it! — Bobby Powell


Photo credit: Corey Johnson

IBMA Awards Nominees, Hall of Fame Inductees and Distinguished Achievement Awards Revealed

Nominees for the 31st Annual IBMA Bluegrass Music Awards have been revealed, with six nominees competing for Entertainer of the Year in 2020: Balsam Range, Billy Strings, Del McCoury Band, Doyle Lawson & Quicksilver, Sister Sadie, and Special Consensus. The extra nominee is due to a tie; in addition, the Album of the Year category has seven nominees, also due to a tie.

Three inductees will join the Bluegrass Hall of Fame: owner of Nashville’s iconic Station Inn, J.T. Gray; hardcore bluegrass traditionalists The Johnson Mountain Boys; and one of the premier bands at the forefront of the contemporary/progressive bluegrass movements of the 1970s and ’80s, New Grass Revival.

Additionally, the following will receive the Distinguished Achievement Award: festival pioneers Norman & Judy Adams, Musicians Against Childhood Cancer (MACC) founders Darrel & Phyllis Adkins, fiddle virtuoso/educator Darol Anger, San Diego’s KSON Bluegrass Special host Wayne Rice, and bluegrass innovator Jack Tottle.

The IBMA Awards will be broadcast on SiriusXM’s Bluegrass Junction on Thursday, October 1. However, the annual World of Bluegrass Conference will be virtual-only, due to COVID-19 concerns.

The IBMA Bluegrass Music Awards nominations are below.

ENTERTAINER OF THE YEAR (Tie)

Balsam Range
Billy Strings
Del McCoury Band
Doyle Lawson & Quicksilver
Sister Sadie
Special Consensus

VOCAL GROUP OF THE YEAR

Balsam Range
Blue Highway
Doyle Lawson & Quicksilver
Sister Sadie
Russell Moore & IIIrd Tyme Out

INSTRUMENTAL GROUP OF THE YEAR

Michael Cleveland & Flamekeeper
Mile Twelve
Ricky Skaggs & Kentucky Thunder
Sam Bush Band
The Travelin’ McCourys

ALBUM OF THE YEAR (Tie)

Chicago Barn Dance
Artist: Special Consensus
Label: Compass Records
Producer: Alison Brown

Home
Artist: Billy Strings
Label: Rounder Records
Producer: Glenn Brown

Live in Prague, Czech Republic
Artist: Doyle Lawson & Quicksilver
Label: Billy Blue Records
Producers: Doyle Lawson and Rosta Capek

New Moon Over My Shoulder
Artist: Larry Sparks
Label: Rebel Records
Producer: Larry Sparks

Tall Fiddler
Artist: Michael Cleveland
Label: Compass Records
Producers: Jeff White, Michael Cleveland, and Sean Sullivan

Toil, Tears & Trouble
Artist: The Po’ Ramblin’ Boys
Label: Rounder Records
Producer: Dave Maggard

Tribulation
Artist: Appalachian Road Show
Label: Billy Blue Records
Producers: Jim VanCleve, Barry Abernathy, and Appalachian Road Show

SONG OF THE YEAR

“Both Ends of the Train”
Artist: Blue Highway
Writers: Tim Stafford/Steve Gulley
Label: Rounder Records
Producers: Blue Highway

“Chicago Barn Dance”
Artist: Special Consensus with Michael Cleveland & Becky Buller
Writers: Becky Buller/Missy Raines/Alison Brown
Label: Compass Records
Producer: Alison Brown

“Haggard”
Artist: The Grascals
Writer: Harley Allen
Label: Mountain Home Music Company
Producers: The Grascals

“Hickory, Walnut & Pine”
Artist: The Po’ Ramblin’ Boys
Writers: Slaid Cleaves/Nathan Hamilton
Label: Rounder Records
Producer: Dave Maggard

“Living Like There’s No Tomorrow”
Artist: Doyle Lawson & Quicksilver
Writers: Jim McBride/Roger Alan Murrah
Label: Billy Blue Records
Producers: Doyle Lawson and Rosta Capek

GOSPEL RECORDING OF THE YEAR

“Angel Too Soon”
Artist: Balsam Range
Label: Mountain Home Music Company
Producers: Balsam Range

“Because He Loved Me”
Artist: Dale Ann Bradley
Label: Pinecastle Records
Producer: Dale Ann Bradley

“Gonna Rise and Shine”
Artist: Alan Bibey & Grasstowne
Label: Mountain Fever Records
Producer: Mark Hodges

“I’m Going to Heaven”
Artist: Doyle Lawson & Quicksilver
Label: Billy Blue Records
Producers: Doyle Lawson and Rosta Capek

“Little Black Train”
Artist: Appalachian Road Show
Label: Billy Blue Records
Producers: Barry Abernathy, Darrell Webb, and Ben Isaacs

INSTRUMENTAL RECORDING OF THE YEAR

“Tall Fiddler”
Artist: Michael Cleveland with Tommy Emmanuel
Label: Compass Records
Producers: Jeff White, Michael Cleveland, and Sean Sullivan

“Shenandoah Breakdown”
Artist: Doyle Lawson & Quicksilver
Label: Billy Blue Records
Producers: Doyle Lawson and Rosta Capek

“Soldier’s Joy”
Artist: Jesse McReynolds with Michael Cleveland
Label: Pinecastle Records
Producer: Jesse McReynolds

“The Appalachian Road”
Artist: Appalachian Road Show
Label: Billy Blue Records
Producer: Jim VanCleve, Barry Abernathy, and Appalachian Road Show

“Guitar Peace”
Artist: Billy Strings
Label: Rounder Records
Producer: Glenn Brown

NEW ARTIST OF THE YEAR

Appalachian Road Show
Carolina Blue
High Fidelity
Merle Monroe
Mile Twelve

COLLABORATIVE RECORDING OF THE YEAR

“Chicago Barn Dance”
Artists: Special Consensus with Michael Cleveland & Becky Buller
Label: Compass Records
Producer: Alison Brown

“I’m So Lonesome I Could Cry”
Artists: Jason Barie featuring Del McCoury & Paul Williams
Label: Billy Blue Records
Producer: Jason Barie

“Tall Fiddler”
Artists: Michael Cleveland with Tommy Emmanuel
Label: Compass Records
Producers: Jeff White, Michael Cleveland, and Sean Sullivan

“The Barber’s Fiddle”
Artists: Becky Buller with Shawn Camp, Jason Carter, Laurie Lewis, Kati Penn, Sam Bush, Michael Cleveland, Johnny Warren, Stuart Duncan, Deanie Richardson, Bronwyn Keith-Hynes, Jason Barie, Fred Carpenter, Tyler Andal, Nate Lee, Dan Boner, Brian Christianson, and Laura Orshaw
Label: Dark Shadow Recording
Producer: Stephen Mougin

“On and On”
Artists: Gena Britt with Brooke Aldridge
Label: Pinecastle Records
Producer: Gena Britt

MALE VOCALIST OF THE YEAR

Ronnie Bowman
Del McCoury
Russell Moore
Danny Paisley
Larry Sparks

FEMALE VOCALIST

Brooke Aldridge
Dale Ann Bradley
Amanda Smith
Molly Tuttle
Rhonda Vincent

BANJO PLAYER OF THE YEAR

Kristin Scott Benson
Gena Britt
Gina Furtado
Ned Luberecki
Scott Vestal

BASS PLAYER OF THE YEAR

Barry Bales
Mike Bub
Todd Phillips
Missy Raines
Marshall Wilborn

FIDDLE PLAYER OF THE YEAR

Becky Buller
Jason Carter
Michael Cleveland
Stuart Duncan
Deanie Richardson

RESOPHONIC GUITAR PLAYER OF THE YEAR

Jerry Douglas
Andy Hall
Rob Ickes
Phil Leadbetter
Justin Moses

GUITAR PLAYER OF THE YEAR

Trey Hensley
Billy Strings
Bryan Sutton
Molly Tuttle
Jake Workman

MANDOLIN PLAYER OF THE YEAR

Alan Bibey
Jesse Brock
Sam Bush
Sierra Hull
Ronnie McCoury


 

A New Cookbook From Music Community Gives Us ‘All the Thyme in the World’

Nashville business owner and frequent BGS collaborator Maria Ivey apparently didn’t have enough on her agenda when a tornado hit Music City in early March and the music industry subsequently shut down due to the COVID-19 pandemic. That’s the moment when she started quite the gargantuan project — a community cookbook.

All the Thyme in the World features scores of recipes — soups and appetizers, sauces and mains, desserts and breakfasts — from the aptly described “grounded” music industry, which includes a true cross-section of musicians, performers, touring professionals, industry experts, writers, designers, and so on.

The volume leans into the homespun, down-to-earth charm of DIY community cookbooks common in the South and across rural America, taking wisdom from lovable food nerd Alton Brown himself, as referenced in the foreword:

“First, such books must be spiral-bound or they are not to be trusted. Second, all recipes must be directly attributed to a member of the community. Food is mighty personal, and the sharing of a recipe, especially one that may have been polished and perfected through years of practice, is powerful medicine. Third, community cookbooks must be truly democratic…”

Not only is All the Thyme in the World democratic, powerful medicine, mighty personal, and yes, spiral-bound, its profits will support the vital work of the Music Health Alliance’s COVID-19 & Tornado Relief programs. The first pre-order period closes June 1. Music + food fans are encouraged to order now to make the first printing.

https://www.instagram.com/p/B-0UARbBex4/

BGS connected with Maria Ivey over email to discuss the project and give a sneak peek at a couple of the recipes.

BGS: A deadly tornado hit Nashville in early March, barely preceding the coronavirus pandemic, so “disaster mode” here has been going on a little longer and has been a little more intense than in a lot of other cities — and you still added this project to your plate! Why is it so important to you? 

Maria Ivey: We have to take care of each other!! If we want to believe that the music industry will snap back after some semblance of normalcy returns, we have to ensure that aid is given to keep creators creating. Music Health Alliance does just that. The idea for this cookbook came while I was sitting at the kitchen table, staring down the future wondering what the hell I would do with my hands and all of this time. I sent a few late night emails asking foodie music friends for recipes and help, which were then forwarded to other folks — some I knew, some I didn’t. While I was writing press releases for countless festival cancellations I was cooking nonstop. Three meals a day, sometimes four, crowding the fridge with leftovers and feeding the excess to the dog and chickens. Partly because staying home was the right thing to do and partly because I had to do what my bones told me to do. 

Proceeds from this cookbook will go to Music Health Alliance’s COVID-19 & Tornado Relief Program. I have personally witnessed the good this organization does for our musical community and am honored to aid their efforts with this cookbook. 

Why do you think musicians, creators, performers, and folks in the industry responded in such numbers? What is it about cooking and the kitchen that makes them so closely intertwined with music?

Cooking and music are both creative endeavors. It makes sense that some of the best songwriters or musicians I know are also the most interesting cooks. For example Christian Sedelmyer is a monster musician, but he’s equally capable in the kitchen, probably because he pays attention to flavors and knows how to make ingredients compliment each other. Not unlike what he does with the fiddle.

Inside you’ll find recipes from journalists and photographers, publishers and interns, a drum tech for arena tours and a tour manager who always drives the late shift, songwriters and banjo players, festival producers and super fans, a beloved Nashville guitar shop owner and The Late Show’s band leader, Bowie’s bass player and a Grand Ole Opry host. And Dolly Parton. I chose to leave off job titles and places of employment because none of those labels have a bearing on how food tastes. 

The cookbook is an incredible way to visualize the community we all have surrounding us (myself and BGS executive director Amy Reitnouer Jacobs both submitted recipes as well). What have you learned about this community that has surprised you most? 

I guess it’s not really surprising, but I was reminded of — floored by, even — how willing folks are to help each other. People I have never met volunteered to help me format recipes. My neighbors, all involved in music in some way or another, offered to help ship out books once printed. 

Gena Johnson emailed something like 50 people for recipes. Shelly Colvin, too. Both blasted the recipe request to god knows how many people helping to fatten the book up. Journalist and editor friends, like yourself, emailed me asking how to best spread the word. Grant Prettyman immediately jumped in to design the cover art and layout, citing his Atlanta upbringing and his mother’s collection of Junior League cookbooks as inspiration for the aesthetic.

A quick Google search led me to Pollock Printing, a third-generation family printer in Nashville. I had a long and happy conversation with the owner, John Craig — someone I’ve still not met in person — who knew several of my clients and told sweet stories of his dad leading bluegrass jams. Dacey Sivewright, a friend [and BGS contributor] who has been writing about music for over a decade, reached out to offer help editing the recipes. I stopped saying “I” and started saying “we.”

Then we had 100 recipes. And then 200. When the website went live, orders poured in from people I had never met and from places I had never been. My brother ordered 15 copies. I cried. And just like that, the world didn’t feel so scary and I didn’t feel so alone. We didn’t feel so alone. Apart, yes. But not alone. 

You must be so excited to get to tasting these recipes! Have you tried any yet? What have you tried and what are you excited to get to cooking?

JoJo Hermann (keys player for Widespread Panic) submitted a family recipe for whole bird “Vinegar Chicken.” I tried it a few weeks ago and it was incredible, the vinegar marinade takes what can be an otherwise bland protein and made it interesting and punchy, and the skin was super crisp. I made broth with the leftover bones. I laughed because he submitted the recipe and then his sister emailed me to make sure everything was correct. Definitely something that would happen in my family. 

Marshall Chapman sent in “Pork Noodle Soup,” a recipe she adapted from the New York Times. I made it on one of the colder days in March and it was instant warmth (fresh grated ginger and garlic) and comfort (rice noodles and pork fat). I haven’t made Jon Batiste’s recipe for “Katherine’s Red Beans,” but it’s on my to-do list for this weekend. Everyone I know who is from New Orleans is an excellent cook so I’m excited to try his take on this classic.

And there must be some Ivey family recipes in the mix as well?

Yes! I gave a recipe for “Green Jacket Green Beans” (when the beans turn Augusta National Green, they are ready to be eaten) and my husband, Taylor, put his “Sunday Morning Biscuits” in the book. I’m partial, but they are both excellent, and easy! Salt and fat. Always. I’ve been known to order a side of green beans with my biscuits and breakfast at Cracker Barrel, so it’s fitting that these recipes are our contributions. 

I’m glad to have had a reason to write them down. Several people said that about their recipes, too — thanking me for giving them a reason for writing down whatever their famed dish is, getting specific with measurements and ingredients. We have to archive this stuff! It’s so easy to Google for a recipe but I’d like to see a return to cookbooks, community cookbooks in particular. 

Let’s make it painfully clear for our readers before we go — how can they support All the Thyme in the World?

Pre-order here before June 1 to be included in the first print run! 


Photo credit: Melissa Madison Fuller

Del McCoury – Toy Heart: A Podcast About Bluegrass

In an interview backstage at the Grand Ole Opry host Tom Power talks to Bluegrass Hall of Famer and Grammy award-winner Del McCoury about how he started playing banjo, his (interesting) time in the military, joining Bill Monroe’s band, being replaced by Bill Keith, starting over, playing music with his sons, and how he found his way to becoming a legend of bluegrass music — and to some, defining the whole thing.


Listen: APPLE MUSIC • STITCHER • SPOTIFY • MP3

Subscribe to TOY HEART: A Podcast About Bluegrass wherever you get your podcasts. New episodes drop every other Thursday through May.

 

My Love Will Not Change: Four Versions of a Modern Classic

“My Love Will Not Change” — but my favorite version of this song just might. (And yours might, too!)

The tune, penned by consummate songwriter, bluegrasser, and country stalwart Shawn Camp and his rockabilly collaborator and friend Billy Burnette, has had versions recorded and performed by both writers as well as Bluegrass Hall of Famer Del McCoury. Today, another iteration has hit the airwaves and digital shelves from Americana rocker Aubrie Sellers. The track, which features harmonies from Steve Earle, will appear on Sellers’ sophomore release, Far From Home, set to drop on February 7, 2020.

“I love bluegrass, and I thought it would be fun to bring a song with unmistakable mountain soul like this into my world a little bit,” Sellers relates in a press release. “It’s the only song [on the album] I didn’t write, but it’s something I wish I’d written. I live for straightforward, emotionally-driven writing like this. When I envisioned the sound for the track, I knew there was no one else who could do it like Steve.”

It should come as no surprise that bluegrass influenced this hard-and-heavy, rollicking rendition of the song — and not simply because Camp wrote it and the Del McCoury Band originally recorded and popularized it. In 2015, Sellers appeared on a Stanley Brothers classic, “White Dove,” with her mother Lee Ann Womack and Dr. Ralph Stanley himself on Ralph Stanley and Friends: A Man of Constant Sorrow, which was the final album released by the bluegrass forefather before his death in 2016.

In honor of the newly-minted Sellers and Earle cover, we thought we’d lay out a handful of this modern classic’s cuts and performances, posing the question to you, our BGS readers: Which one is your favorite?

The absolute original. If you’ve never had the pleasure of having your face peeled off by Shawn and company at one of his many Station Inn shows, where he routinely cobbles together just such a mind-blowing bluegrass-meets-trad-country band, you maybe haven’t really ever had a truly “Nashville” experience. Is that bluegrass organ? Let’s call it that. You can hear the influence of Camp and Guthrie Trapp’s chicken-pickin’ shredding in the Sellers cut, too. And you’ll notice, across all cuts of this song, no one tries to emulate Camp’s vocal phrasing, which outright refuses to snap to any semblance of a grid, because it can’t be done.

 

A more languid, loping style that reads as honky-tonk and rockabilly and “shuffle across them polished-smooth floorboards” all at once. Nashville legend and Fabulous Superlative Kenny Vaughan is on guitar, once again reinforcing the inextricable role of the Telecaster in this song. That is, until we get to its next version…

 

And suddenly, all of our perceptions about what this song is and what it should be are thrown out the window. Whether it’s “Misty” or “1952 Vincent Black Lightning” or “Nashville Cats,” Del has a way of taking a song and immediately making every listener forget that it ever could’ve had a version that predates him. The definitive cut? Perhaps. The counterintuitive intervals between the harmony vocal and the lead (notice how Ronnie’s tenor sounds eerily similar to his father’s voice), the subtly dissonant melodic hook, and Mike Bub’s relentless rhythm — that doesn’t just reside in the pocket, it’s freakin’ mayor of the city of the pocket — are icing on the cake. Splendid.

 

It’s remarkable that the Sellers and Earle version doesn’t attempt to reinvent the wheel, while simultaneously covering almost entirely fresh ground. The skeletal structure is still here, with hallmarks from Camp’s, Burnette’s, and McCoury’s versions each, but this take is original. The grungy, harder rock flavors don’t blow out the more subtle touches, either. Sellers gives her own melodic embellishments and her own twists of phrasing as well, with Earle matching, but again referencing the there-are-no-rules feel of the harmonies in the other cuts. For something so seemingly disparate from the others, it is equally charming and unabashed.

Perhaps it doesn’t so much matter which one is preferable over the others? We’ll gladly take them all. Pardon, while I scroll back up to the top and start again.


Photo credit: Scott Siracusano

The Ringers, Created by Jerry Douglas, Will Play IBMA Wide Open Bluegrass Festival

IBMA World of Bluegrass announced its Main Stage schedule, as well as three special performances, for the Wide Open Bluegrass Festival next month in Raleigh, North Carolina.

Sam Bush will make a guest appearance with Del McCoury Band, while and a new band created by Jerry Douglas called the Ringers will perform for the first time ever. Douglas formed the group with Ronnie McCoury, Todd Phillips, Christian Sedelmyer, and Dan Tyminski.

In addition, a special performance titled “You Gave Me a Song”: Celebrating the Music of Hazel Dickens & Alice Gerrard will feature Alice Gerrard, Laurie Lewis, Allison de Groot & Tatiana Hargreaves, Cathy Fink & Marcy Marxer, Justin Hiltner, Jon Weisberger, and Eliza Meyer.

Wide Open Bluegrass is the free weekend festival that takes place at Raleigh’s Red Hat Amphitheater and on seven additional stages in downtown Raleigh on September 27-28.

These artists join previously announced talent such as I’m With Her (Sara Watkins, Sarah Jarosz, & Aoife O’Donovan), Doyle Lawson & Quicksilver, Balsam Range, Sister Sadie, Frank Solivan & Dirty Kitchen, and Molly Tuttle for Main Stage performances at Red Hat Amphitheater for this year’s festival. Performances at Red Hat Amphitheater will begin at 5 pm and will feature premier bluegrass acts for six hours.

The performances at Raleigh’s Red Hat Amphitheater will be open to the public for free, subject to venue capacity. A limited number of reserved seats in prime sections of the venue are available for purchase to ensure admittance for every performance.

Here is the schedule for the Main Stage performances at Red Hat Amphitheater for the 2019 Wide Open Bluegrass festival:

Friday, September 27
5:00 – Sister Sadie
6:05 – Balsam Range
7:15 – Molly Tuttle
8:25 – I’m With Her (Sara Watkins, Sarah Jarosz, Aoife O’Donovan)
9:45 – The Ringers featuring Jerry Douglas, Ronnie McCoury, Todd Phillips, Christian Sedelmyer, and Dan Tyminski

Saturday, September 28
5:00 – “You Gave Me a Song”: Celebrating the Music of Hazel Dickens & Alice Gerrard
6:10 – Frank Solivan & Dirty Kitchen
7:15 – Doyle Lawson & Quicksilver
8:30 – Del McCoury Band, with Sam Bush, and Special Guests (more to be announced)

IBMA Reveals Award Nominees, Hall of Fame Inductees, Distinguished Achievement Winners

Five of the top bands in bluegrass earned IBMA Entertainer of the Year nominations from the International Bluegrass Music Association. The ballot was revealed on Wednesday morning in Nashville.

The Entertainer of the Year nominees are Balsam Range, Sam Bush Band, The Earls of Leicester, Del McCoury Band, and Joe Mullins & the Radio Ramblers.

Due to a tie, seven titles will compete for the Song of the Year category. The IBMA Awards will take place Thursday, September 26, at the Duke Energy Performing Arts Center in Raleigh, North Carolina, with hosts Jim Lauderdale and Del McCoury.

Mike Auldridge, Bill Emerson, and the Kentucky Colonels have also been named as inductees into the Bluegrass Hall of Fame.

Distinguished Achievement Award recipients include radio personality Katy Daley, Mountain Home label founder Mickey Gamble, former IBMA executive director Dan Hays, The Lost and Found founder Allen Mills, and Japanese language magazine Moonshiner, now in its 37th year covering bluegrass and acoustic music.

The full ballot is below.

ENTERTAINER OF THE YEAR

Balsam Range
Sam Bush Band
The Earls of Leicester
Del McCoury Band
Joe Mullins & the Radio Ramblers

VOCAL GROUP OF THE YEAR

Balsam Range
I’m With Her
Doyle Lawson & Quicksilver
Russell Moore & IIIrd Tyme Out
Sister Sadie

INSTRUMENTAL GROUP OF THE YEAR

Sam Bush Band
Michael Cleveland & Flamekeeper
The Earls of Leicester
Ricky Skaggs & Kentucky Thunder
The Travelin’ McCourys

NEW ARTIST OF THE YEAR

Appalachian Road Show
Carolina Blue
High Fidelity
Mile Twelve
Billy Strings

SONG OF THE YEAR (7 nominees, due to a tie)

“Dance, Dance, Dance”
Artist: Appalachian Road Show
Writers: Brenda Cooper/Joseph Cooper/Steve Miller
Producers: Barry Abernathy, Darrell Webb, Ben Isaacs
Executive Producer: Dottie Leonard Miller
Label: Billy Blue Records

“The Girl Who Invented the Wheel”
Artist: Balsam Range
Writers: Adam Wright/Shannon Wright
Producer: Balsam Range
Executive Producer: Mickey Gamble
Label: Mountain Home Music Company

“The Guitar Song”
Artist: Joe Mullins & the Radio Ramblers with Del McCoury
Writers: Bill Anderson/Jamey Johnson/Vicky McGehee
Producer: Joe Mullins
Associate Producer: Jerry Salley
Label: Billy Blue Records

“The Light in Carter Stanley’s Eyes”
Artist: Peter Rowan
Writer: Peter Rowan
Producer: Peter Rowan
Associate Producer: Tim O’Brien
Label: Rebel Records

“Next Train South”
Artist: The Po’ Ramblin’ Boys
Writer: Mac Patterson
Producers: The Po’ Ramblin’ Boys, Dave Maggard, Ken Irwin
Label: Rounder Records

“Take the Journey”
Artist: Molly Tuttle
Writers: Molly Tuttle/Sarah Siskind
Producer: Ryan Hewitt
Label: Compass Records

“Thunder Dan”
Artist: Sideline
Writer: Josh Manning
Producer: Tim Surrett
Label: Mountain Home Music Company

ALBUM OF THE YEAR

City on a Hill
Artist: Mile Twelve
Producer: Bryan Sutton
Label: Independent

Del McCoury Still Sings Bluegrass
Artist: Del McCoury Band
Producers: Del and Ronnie McCoury
Label: McCoury Music

For the Record
Artist: Joe Mullins & the Radio Ramblers
Producer: Joe Mullins
Associate Producer: Jerry Salley
Label: Billy Blue Records

I Hear Bluegrass Calling Me
Artist: Carolina Blue
Producers: Bobby Powell, Tim and Lakin Jones
Executive Producers: Lonnie Lassiter and Ethan Burkhardt
Label: Pinecastle Records

Sister Sadie II
Artist: Sister Sadie
Producer: Sister Sadie
Label: Pinecastle Records

GOSPEL RECORDING OF THE YEAR

“Acres of Diamonds”
Artist: Joe Mullins & the Radio Ramblers
Producer: Joe Mullins
Associate Producer: Jerry Salley
Label: Billy Blue Records

“Gonna Sing, Gonna Shout”
Artist: Claire Lynch
Producer: Jerry Salley
Label: Billy Blue Records

“I Am a Pilgrim”
Artist: Roland White and Friends
Producers: Ty Gilpin, Jon Weisberger
Label: Mountain Home Music Company

“I See God”
Artist: Marty Raybon
Producer: Jerry Salley
Label: Billy Blue Records

“Let My Life Be a Light”
Artist: Balsam Range
Producer: Balsam Range
Executive Producer: Mickey Gamble
Label: Mountain Home Music Company

INSTRUMENTAL RECORDING OF THE YEAR

“Cotton Eyed Joe”
Artist: Sideline
Producer: Tim Surrett
Label: Mountain Home Music Company

“Darlin’ Pal(s) of Mine”
Artist: Missy Raines with Alison Brown, Mike Bub, and Todd Phillips
Producer: Alison Brown
Label: Compass Records

“Earl’s Breakdown”
Artist: The Earls of Leicester
Producer: Jerry Douglas
Label: Rounder Records

“Fried Taters and Onions”
Artist: Carolina Blue
Producers: Bobby Powell, Tim and Lakin Jones
Executive Producers: Lonnie Lassiter and Ethan Burkhardt
Label: Pinecastle Records

“Sunrise”
Artist: Sam Bush & Bela Fleck
Producers: Akira Otsuka, Ronnie Freeland
Label: Smithsonian Folkways Records

COLLABORATIVE RECORDING OF THE YEAR

“Burning Georgia Down”
Artist: Balsam Range with Atlanta Pops Orchestra Ensemble
Producer: Balsam Range
Label: Mountain Home Music Company

“Darlin’ Pal(s) of Mine”
Artist: Missy Raines with Alison Brown, Mike Bub, and Todd Phillips
Producer: Alison Brown
Label: Compass Records

“The Guitar Song”
Artist: Joe Mullins & the Radio Ramblers with Del McCoury
Producer: Joe Mullins
Associate Producer: Jerry Salley
Label: Billy Blue Records

“Please”
Artist: Rhonda Vincent and Dolly Parton
Producers: Dave Cobb, John Leventhal, Frank Liddell
Label: MCA Nashville

“Soldier’s Joy/Ragtime Annie”
Artist: Roland White with Justin Hiltner, Jon Weisberger, Patrick McAvinue, and Molly Tuttle
Producers: Ty Gilpin, Jon Weisberger
Label: Mountain Home Music Company

MALE VOCALIST OF THE YEAR

Shawn Camp
Del McCoury
Russell Moore
Tim O’Brien
Danny Paisley

FEMALE VOCALIST

Brooke Aldridge
Dale Ann Bradley
Sierra Hull
Molly Tuttle
Rhonda Vincent

BANJO PLAYER OF THE YEAR

Gina Furtado
Mike Munford
Noam Pikelny
Kristin Scott Benson
Scott Vestal

BASS PLAYER OF THE YEAR

Barry Bales
Mike Bub
Beth Lawrence
Missy Raines
Mark Schatz

FIDDLE PLAYER OF THE YEAR

Hunter Berry
Becky Buller
Jason Carter
Michael Cleveland
Stuart Duncan

RESOPHONIC GUITAR PLAYER OF THE YEAR

Jerry Douglas
Andy Hall
Rob Ickes
Phil Leadbetter
Justin Moses

GUITAR PLAYER OF THE YEAR

Kenny Smith
Billy Strings
Bryan Sutton
Molly Tuttle
Josh Williams

MANDOLIN PLAYER OF THE YEAR

Alan Bibey
Sam Bush
Sierra Hull
Ronnie McCoury
Frank Solivan