Bourbon & Beyond 2022: Full BGS Bluegrass Stage Lineup Announced

For the fourth year, BGS is thrilled to be back in Louisville for another round of Bourbon & Beyond to be held September 15-18, 2022!

In addition to featured chefs, local food stands, and seemingly unending stalls of bourbon distilleries, the lineup includes mainstage sets from the likes of Jack White, Brandi Carlile, Chris Stapleton, The Doobie Brothers, Caamp, Yola, Jason Isbell, Charley Crockett, and many more, plus four days of bluegrass goodness on the BGS Stage located inside the Bourbon Tent.

Check out the complete Bluegrass Stage schedule below:

THURSDAY
Tyler Boone
Alex Leach Band
Hogslop String Band
Gary Brewer & the Kentucky Ramblers

FRIDAY
Circus No. 9
Tray Wellington
Missy Raines & Allegheny
Hogslop String Band

SATURDAY
Missy Raines & Allegheny
Laney Lou & the Bird Dogs
Jon Stickley Trio
Molly Tuttle & Golden Highway

SUNDAY
Jon Stickley Trio
Bella White
Jake Blount
Sierra Hull

Purchase tickets and discover more about B&B 2022 at bourbonandbeyond.com

The BGS Radio Hour – Episode 197

Welcome to the BGS Radio Hour! Since 2017, the show has been a weekly recap of all the great music, new and old, featured on BGS. This week we’ve got new releases from so many amazing artists on the roots scene today, from Luke Combs to Langhorne Slim to Sierra Hull! Remember to check back every Monday for a new episode of the BGS Radio Hour. 

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Luke Combs and Billy Strings – “The Great Divide”

Luke Combs, of country radio stardom, teams up with bluegrass-favorite Billy Strings this week for a new single. “The Great Divide” was written by the duo for Combs’s bluegrass album, one that he hasn’t completed yet. However, both artists agreed that the time to release this song was now, attempting to shine a light of hope in this tough time.

Allison Russell – “By Your Side”

Singer/frontwoman of the Birds of Chicago, Montréal-based Allison Russell brings this Sade cover to the show this week. What she calls an “endlessly expansive and inclusive song of love,” this song brings comfort to Russell – as it does to us, as well.

Jaelee Roberts – “Something You Didn’t Count On”

Nashville-based Jaelee Roberts is one of the quickest rising stars in bluegrass music. Her first single on Mountain Home Music Company, an original song co-written with Theo MacMillan (of Theo and Brenna), brings big promises of more great music to come.

Twisted Pine – “Amadeus Party”

A 5+5 guest this week is none other than Jim Olsen, president of Massachusetts record label Signature Sounds. Celebrating 25 years of the label, and the so many great artists presented by it, Olsen brings us the Golden Age playlist – which includes this jam from Twisted Pine.

Dale Ann Bradley – “Yellow Creek”

Kentucky-based Dale Ann Bradley brought us a new album this weekend! While you may remember her from former BGS Artist of the Month Sister Sadie – an all-female bluegrass supergroup – Bradley is stepping away from the band in 2021 to celebrate this new solo album, just one of so many in her extensive catalog.

Karen Matheson – “Glory Demon”

“Glory Demon” comes from Brewers Dictionary of Phrase and Fable. “It means war,” Matheson tells BGS. But, this is an anti-war song from the Scottish artist, one about how we never learn and life just keeps endlessly repeating itself.

Black Pumas – “Colors”

The Black Pumas are our February Artist of the Month here at BGS! You may recognize them from the Biden inauguration, where they performed this song from their 2019 self-titled album. Stayed tuned all month long, where we’ll be featuring exclusive content on the Black Pumas!

Langhorne Slim – “Mighty Soul”

This week on The Show On The Road podcast brings us a conversation with Sean Scolnick – known mostly by his alter-ego, Langhorne Slim. Host Z. Lupetin caught up with Slim to talk about his new album, Strawberry Mansion, creative funk, mental health, and more.

FRETLAND – “Could Have Loved You”

From Snohomish, Washington, Hillary Grace Fretland (of FRETLAND) catches up with BGS this week on a 5+5 segment – that is 5 questions, 5 songs. We talked favorite memories from being on stage, influences, and songwriting techniques.

Valerie June feat. Carla Thomas – “Call Me A Fool”

From her upcoming The Moon and the Stars: Prescriptions for Dreamers, Valerie June brings us this song that she dedicates to us all. Produced by June and Jack Splash – whose resume includes Kendrick Lamar, Alicia Keys, and John Legend – this album makes it clear to June why she makes music.

Mike Barnett feat. Cory Walker – “Hybrid Hoss”

Nashville-based fiddler Mike Barnett brings us this Bill Monroe twist-up from his upcoming duets album, +1. The record was slated for a fall 2020 release, until Barnett suffered from an unexpected brain hemmorage. After multiple successful surgeries, he is doing well and recovering in extensive rehab where he is reconnecting his brain and fingers. So in listening to this piece of amazing music, let’s all send our best wishes to Mike Barnett and his family. You can support Mike Barnett’s recovery here.

Sierra Hull – “King of Anything (Live)”

From last year’s Whiskey Sour Happy Hour, this week we’re featuring Sierra Hull’s performance of this Sara Bareilles pop-hit. The Nashville-based singer and songwriter just released Weighted Mind (The Original Sessions), an EP made up of the demos for her 2016 release, Weighted Mind. 

Fort Frances – “Fits and Starts”

“Time traveled on a superhighway,” Chicago-based singer and songwriter tells BGS of the world before the pandemic, “but since March, we’ve all been in a traffic jam.” David McMillin of the group suggests that getting a break from all that movement is actually a good thing, however. This song is all about hitting that pause button.

Jon Stickley Trio – “Future Ghost”

The Jon Stickley Trio is one of the most exciting instrumental, “jamgrass” groups on the scene today. Made up of drums, flatpick guitar, and fiddle, they continue to push the boundaries of instrumental roots music, while being a festival favorite across the nation. This week, they bring us this new single on Organic Records.

Langhorne Slim – “Morning Prayer”

At the end of the Show On The Road podcast episode with Langhorne, he graced us with a performance of this song, accompanied by his cat, Mr. Beautiful. What better way to end this week’s show?


Photos: (L to R) Allison Russell by Francesca Cepero; Sierra Hull by Gina Binkley; Valerie June by Renata Raksha

LISTEN: Jon Stickley Trio, “Future Ghost”

Artist: Jon Stickley Trio
Hometown: Asheville, North Carolina
Song: “Future Ghost”
Release Date: February 5, 2021
Label: Organic Records

In Their Words: “‘Future Ghost’ was written during the beginning of the pandemic, shortly after finding out I was going to be a father. I was having so many conflicting feelings, and a little difficulty sorting them all out. I ended up thinking a lot about the cycle of life and how impermanent everything is. At one point I thought I saw a ghost in the hallway, and it looked like me. Somehow, the idea that I could someday be a ghost, haunting this house, gave me a great sense of comfort and motivation to make the most of my time. This song ended up really capturing that energy.” — Jon Stickley


Photo credit: Sandlin Gaither

BGS & #ComeHearNC Celebrate the Cultural Legacy of North Carolina during #NCMusicMonth

On the national music scene, North Carolina sets itself apart by blending the heritage of traditional roots music with the innovation of modern indie and Americana sounds. The bluegrass canon of North Carolina encompasses pioneers like Charlie Poole and Earl Scruggs, as well as groundbreaking musicians like Elizabeth Cotten, Alice Gerrard, and Doc Watson. Today’s spectrum of talent spans from modern favorites such as Darin & Brooke Aldridge, Balsam Range, and Steep Canyon Rangers, and the progressive perspective of the Avett Brothers, Rhiannon Giddens, Mandolin Orange, Hiss Golden Messenger, Mipso, and many more.

One example of how the state is merging past with present is the recent opening of North Carolina’s only vinyl pressing plant — Citizen Vinyl in Asheville.

 

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Built over 15 months in 1938-1939, The Asheville Citizen Times Building (@citizentimes) was designed by architect Anthony Lord as the grand center for the city’s two newspapers and radio station WWNC. Located at 14 O’Henry Avenue, the massive three-story building of reinforced concrete, granite and limestone, utilizing 20,000 glass bricks, is considered Asheville’s finest example of Art Moderne design. In 2019, Citizen Vinyl claimed the first floor & mezzanine of this iconic landmark as the future home of a vinyl record pressing plant, as well as a café, bar and record store – and is reviving the historic third floor radio station as a modern recording and post-production facility.

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According to press materials, the building’s third floor played host to Asheville’s historic WWNC (“Wonderful Western North Carolina”) which was once considered the most popular radio station in the United States. In 1927, the station hosted live performances by Jimmie Rodgers and made his first recordings shortly before he went to Bristol, Tennessee.  In 1939, the station featured  the first ever live performance by Bill Monroe and the Bluegrass Boys during its Mountain Music Time segment.  Citizen Vinyl expects to keep the live music tradition alive in this former newspaper building, too.

Here at BGS, we’ve been committed to North Carolina music from our launch, notably with our Merlefest Late Night Jams, which are always worth staying up for. And how much do we love the IBMA World of Bluegrass week in Raleigh? Looking back on our archive, we gathered these songs from the artists we’ve covered over the years — and looking ahead, you’ll see all-new interviews with the Avett Brothers and Mipso, examine the classic country stars with roots in North Carolina, and spotlight some rising talent with video performances at the state’s most scenic destinations.

In the meantime, you can discover more about the North Carolina music scene through their website and on Instagram at @comehearnc


Editor’s note: This content brought to you in part by our partners at Crossroads Label Group.

MIXTAPE: Songs That Changed Jon Stickley’s Life and Still Blow His Mind

When I was a senior in high school, my lacrosse teammate Andy Thorn loaned me a couple CDs and a mandolin. The two CDs were the original David Grisman Quintet album and Sam Bush’s Glamour and Grits. I was an angsty teen drummer in a punk band, and when I popped the Grisman album in my Sony Discman and pushed play, my life changed forever.

We started a little band and I started learning mandolin and making weekly trips to the local record store to buy every “newgrass” album I could. I didn’t know anything, so searching through the bluegrass/country section was an adventure of discovery. I learned to recognize the font that Rounder Records used and started using liner notes to find other musicians to listen to.

A lot of the tracks on this list are track #1 on the album, and I think that’s because when I heard them for the first time, they magically seared themselves into my brain. When I hear them today they inspire the same excitement as they did when I first heard them, and they have had an enormous impact on the music that I create for the Jon Stickley Trio. — Jon Stickley

David Grisman – “E.M.D.”

The first track I ever heard in the vein of bluegrass/newgrass. I heard David Count “1,2,3,4…” just like the Ramones! Then they launch into the most indescribable, unbelievable, clean, rockin’ jam I’ve ever heard. Also my first introduction to my guitar hero, Tony Rice. Nothing compares to this track!

Sam Bush – “Whayasay”

Another leading cut. This was my introduction to the one and only Sam Bush. His kickoff tells you everything you need to know about Sam’s music. It’s masterful, tasteful, and it freakin’ ROCKS. Then he goes totally Mark Knopfler at the end. Blew my young mind!

Jerry Douglas, Russ Barenburg & Edgar Meyer – “Big Sciota”

I picked this record up at the store because, on the back cover, they are dressed in gorilla suits. I thought, these dudes MUST be cool. Something about the tone of this record is unparalleled. It’s just the nicest-sounding acoustic record I’ve ever heard. Still cook dinner to it almost every night and my wife walked down the aisle to another track from the album called “The Years Between.”

Ricky Skaggs & Kentucky Thunder – “Pig In A Pen”

Holy crap. This is another album I bought blind at the record shop knowing absolute nothing about the music. To this day I have never heard anything rock this hard! Also, my first intro to a big guitar hero, Bryan Sutton.

Bryan Sutton – “Decision At Glady Fork”

Senior year of high school my uncle Pat took me to the Béla Fleck Bluegrass Sessions concert. I knew who Sam Bush and Béla were, but it was my first time hearing Jerry Douglas, Stuart Duncan, and the young Bryan Sutton. They played this song and the audience pooped their pants!

Béla Fleck – “Blue Mountain Hop”

The ultimate supergroup in my opinion. This song got me thinking about composition and arrangement in a new way. It seems like each new part of the song was written with each individual soloist in mind. Also the giggles and growls in the intro remind you that they’re having a ball.

Béla Fleck & the Flecktones – “Sinister Minister”

Two words. Victor Wooten. Blew. My. Young. Mind! I’ve listened to this version of this song more times than I can count, and it’s one of the covers that we do in the trio. The Flecktones probably had more of an impact on our trio than anyone else out there.

The Bluegrass Album Band – “Blue Ridge Cabin Home”

This is another album where I had no idea what I was buying. It wasn’t until I looked at the back of the CD that I realized that Tony Rice was on it. It was my introduction to J.D. Crowe, Doyle Lawson, Bobby Hicks, and Todd Phillips. I fell in love with bluegrass banjo by listening to this song, and I was thrilled to find out there were five more volumes!!!

The Nashville Bluegrass Band – “Dog Remembers Bacon”

Another record store score that I grabbed just because “bluegrass” was in the title. LOL. These guys became my favorite group for years and this was always one of my favorite tracks. I learned about Gillian Welch from this album. Stuart Duncan is the best fiddler in the world!

Acoustic Syndicate – “No Time”

Man, I love these dudes SO much. My Uncle Pat gave this album to my dad around ‘98, and I promptly stole it. The chill energy of this album really spoke to me and I feel like it really embodies the spirit of the North Carolina festival scene. Super sentimental band for me!

Tracks from our new album “Scripting the Flip” that draw heavy on these influences:

Jon Stickley Trio – “Scripting the Flip”

This song is pretty much a bluegrass fiddle tune turned on its head. It reminds me of some of my favorite newgrass instrumentals that take the music somewhere new.

Jon Stickley Trio – “Driver”

Well, given that my buddy Andy Thorn got me into this music waaaaay back in the day, I had to bring it full circle and write a tune for him to come in and play on. This piece definitely draws on the music of the Flecktones and some of the tunes they play in odd meters.

Jon Stickley Trio – “Bluegrass in the Backwoods”

Kenny Baker, Bill Monroe’s longtime fiddler, was surprisingly one of the most innovative of the classic bluegrass pickers! He is thought of as a traditional fiddler, but his music is really anything but. I think this tune was way ahead of its time and we love the elements of gypsy jazz and Latin music in the melody. We HAD to cover this on at some point and it was so much fun!


Photo credit: Sandlin Gaither

ANNOUNCING: WinterWonderGrass Unveils Vermont’s Sugar & Strings Schedule

WinterWonderGrass 2020 is mere weeks away (Steamboat Springs fast approaches!) and BGS is excited to announce the schedule for WWG’s Vermont edition, the final iteration of the event in 2020, taking place April 10 & 11 at Stratton Resort in Manchester, VT. The placement of this year’s festival coincides with the end of the ski and snowboard season at the resort, and WWG plans to bring one heck of party to the mountain’s base to close out the year. Psychedelic folk-grass band Cabinet is also set to make their first post-hiatus performance over the weekend.

Additionally, starting on Tuesday, February 11th, WWG plans to release a limited quantity of single-day tickets and weekend general admission passes will move to tier 2 pricing the same day. Tickets and more info available here.

“WinterWonderGrass continues to honor the pillars of bluegrass while creating space for the evolution of the genre to flourish. I feel this lineup speaks to that ethos,” remarks festival founder, Scotty Stoughton, via press release. “I’m super excited to see first-time bands like Twisted Pine take our stage and welcome back local favorites, Saints & Liars. I’m humbled Cabinet is coming out of hiatus to perform at WinterWonderGrass and it’s always a pleasure to watch The Infamous Stringdusters and Della Mae take the stage.”

Gates open at 1:45 PM each day during the two-day music festival, with music beginning at 2:00 PM. Pickin’ Perch and the Main Stage will see alternating sets for two days of nonstop music.

Tickets for California and Vermont are on sale now, but moving fast! Very limited single-day tickets remain for Friday and Sunday at the Colorado stop, which is otherwise completely sold out. VIP tickets to the California are also sold out, but fans are encouraged to check out the official fan-to-fan ticketing exchange powered by Lyte if they’re in search of tickets as more of the dates and tiers sell out.

See the daily schedules below:


Photo of Jon Stickley Trio ski in/ski out show, WWG Tahoe 2017: Tobin Voggesser

GIVEAWAY: Win Tickets to WinterWonderGrass (Steamboat Springs, CO) Feb 21-23

WATCH: Jon Stickley Trio, “Animate Object”

Artist: Jon Stickley Trio
Hometown: Asheville, North Carolina
Song: “Animate Object”
Label: Organic Records

In Their Words: “‘Animate Object’ is the trio’s current theme song. At heart, it’s a little flatpicking tune to have fun with, but we’ve rhythmically turned it on its head like we like to do. This video was shot in three different locations with deep significance to us. The World Famous Station Inn represents our love and respect for our bluegrass roots. Spirit of the Suwannee is where our band was born, and where we thankfully return every year to connect with that spirit and experience rebirth under the live oaks. And finally, the [Caverns and] Bluegrass Underground symbolize the deep, introspective dive we’ve taken into ourselves in search of the meaning of our music and where it is coming from. This track is the next step in a never-ending evolutionary journey that is the Jon Stickley Trio.” — Jon Stickley


Photo credit: Sandlin Gaither

The Show On The Road – Jon Stickley

This week, one of the preeminent guitar pickers and instrumental adventurers working today, Jon Stickley.

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Based in Asheville, North Carolina, Stickley leads one of the most sonically innovative, shreddingly mind-expanding, and confoundingly impossible-to-categorize acoustic groups, the Jon Stickley Trio.

Host Z. Lupetin spoke with Jon in a hotel bathroom a while back to hear his side of his guitar hero story. Listen for an exclusive acoustic performance from Jon at the end of the episode.

3×3: Jon Stickley on Small Cuts, Fire Trucks, and a Healthy Fear of Child Prodigies

Artist: Jon Stickley
Hometown: Asheville, NC
Latest Album: Triangular
Personal Nicknames: Stick. Sticky. Stickles. Sticky Rice.

If you could go back (or forward) to live in any decade, when would you choose?

Hmmm … interesting question. Maybe the ’80s. From what I remember, they were a happy time, and I would love to hear Tony Rice sing in his prime. I’m apprehensive of the future, and don’t want to go too far into the past because of the lack of medical technology.

If you weren’t a musician, what would you be?

A Park Ranger. It’s what I went to college for. Whenever I’m setting up a tent, I tell everyone, “I have a DEGREE in this!”

If a song started playing every time you entered the room, what would you want it to be?

“Smells Like Teen Spirit”

 

MERRY CHRISTMAS Y’ALL! #outtake #familyphoto #pups

A photo posted by Jon Stickley Trio (@jonstickleytrio) on

What is the one thing you can’t survive without on tour?

Earplugs. I wear them pretty much constantly. No one seems to notice I can’t hear what they’re saying.

What are you most afraid of?

Small cuts that may become infected and cause loss of life or limb. Also, child prodigies.

Who is your favorite superhero?

Quailman from Doug

 

@martinguitar #D18 @echomountainrecording @songsfromtheroad

A photo posted by Jon Stickley Trio (@jonstickleytrio) on

Pickles or olives?

Another great question! I love them both, but if I had to choose … hmmm … olives. Oh no! Did I choose wrong?

Which primary color is the best — blue, yellow, or red?

Fire trucks are red. Russians are red. Fire trucks are always rushin’, so I’d probably say blue because, “Go USA!”

Summer or Winter?

Definitely Summer because I don’t ski and why else would you like Winter?