Tag: Country

LISTEN: Tobacco City, “AA Blues”

Posted on by Editor

Artist: Tobacco City
Hometown: Chicago, Illinois
Song: “AA Blues”
Album: Tobacco City, USA
Release Date: July 30, 2021
Label: Scissor Tail Records

In Their Words: “‘AA Blues’ is one of those songs that writes itself. My ex was having to go to AA meetings because of a brush with the law. It was cutting into our plans and I wrote her this ditty to make her feel better. The character in the song is trapped between working in a brewery and staring at beers all day and trying to walk a sober line. I think regardless of your sobriety status we can all relate to those kind of blues.” — Chris Coleslaw, Tobacco City

Photo courtesy of Tobacco City

LISTEN: Pi Jacobs, “Broken Cup” (Intro & Live)

Posted on by Editor

Artist: Pi Jacobs
Hometown: San Francisco, California
Song: “Broken Cup” (Intro & Live)
Album: Live From Memphis
Release Date: August 13, 2021
Label: Blackbird Record Label

In Their Words: “In my late teens and early 20s I wasn’t a person with a much of self-esteem; in fact, I thought pretty damn poorly of myself, so I was habitually getting into relationships with people who would reaffirm my feelings of unworthiness, unlovability, or being damaged goods. I was lucky though — a couple of amazing mentors showed up in my life and wouldn’t let me scare them off. They helped me to start seeing myself in a new and better light, so, by the time I hit 25, I was ready to try some new kinds of relationships. The problem was, I had to learn ALL NEW stuff! I hadn’t operated in the land of ‘healthy’ relationships before, and it felt like I didn’t know how to do ANYTHING, even little things, like returning phone calls. I started to feel as scared and unequipped as Bambi in the middle of a six-lane freeway, but I had had enough of my old ways, so I started to try, and I got very lucky by meeting my now-husband.” — Pi Jacobs

Photo credit: Shots By Morrisson

BGS 5+5: Jesse Daniel

Posted on by Editor

Artist: Jesse Daniel
Hometown: Ben Lomond, California
Latest Album: Beyond These Walls
Personal nicknames: Jessup

What was the first moment that you knew you wanted to be a musician?

When I was really young, probably around 6 or 7, my mom took us down to see my dad’s band play at a place called the Fernwood Lodge. We were camping down the road from the music venue and because my brother and I were a few years shy of the legal drinking age, we had to stay back at the tent while the older folks went and played music, partied, etc. There was an older woman who was watching us, so I waited until she fell asleep and I followed the sound of the music up to the bar where my dad was playing. I remember walking onto the front porch and watching my dad on stage from the window outside. Somebody told my mother that I was there and she came outside to get me. I thought she’d make me go back, but she let me stay and I hung out with them. We danced and listened to my dad’s band play with the bikers, hippies and rednecks. I remember knowing that I would be on that stage when I was old enough. It made a huge impact on me.

What’s your favorite memory from being on stage?

I was doing a show with Colter Wall, opening up solo at a place called The Orpheum Theater in Flagstaff, Arizona. I was slightly unsure of how the crowd would take a solo opener, because there were thousands of people there — it was sold out on a Tuesday night! The crowd was extremely receptive and I’ll always remember their excitement. As I got to the end of the set, I played “Soft Spot (For the Hard Stuff)”, which is one of my more known songs. The crowd sang the words of the chorus back to me at the top of their lungs and it gave me chills. Still does. There’s no feeling like it.

If you had to write a mission statement for your career, what would it be?

As far as a mission statement goes, I’ve told people for a long time that my goal is to make good country music and live a good life. I want to lift others up with my music, help them through life’s hardships and make them happy. Country music is life music and I want to tell stories that are true. I’m in competition with no one and never will be. I’ll keep running my own race and doing what I love.

Which elements of nature do you spend the most time with and how do those impact your work?

I love being outdoors. As a kid, I grew up next to a mountain creek and we’d spend whole days catching crawdads, swimming and playing in that creek. If I ever get stressed or overwhelmed by life, going swimming or fishing is a guaranteed way to clear my mind and get back in touch with the here and now. On my new record Beyond These Walls, I’ve got a song about fishing and another about the beauty and simplicity of nature. Nature is as much a part of me as the music is.

How often do you hide behind a character in a song or use “you” when it’s actually “me”?

I do a mixture of both, partly truth and partly fiction. I love telling stories from others perspectives. A lot of my songs are about my own life experiences, but I’ll attribute them to the character of the song. Many are stories from real people I’ve met in rehabilitation facilities, jails, on the street or on the road. When you look for it, the inspiration is endless. Stories are everywhere and they are waiting to be told.

Photo credit: Kayla Lilli

WATCH: Luke LeBlanc, “Same Blues”

Posted on by Editor

Artist: Luke LeBlanc
Hometown: Minneapolis, Minnesota
Song: “Same Blues”
Album: Only Human
Release Date: July 9, 2021

In Their Words: “It was October 2018 and I’d just moved to Nashville. I didn’t know I’d only live there six months, but as proud as I was to have been born and raised in North Minneapolis, I knew I had to explore the Nashville music scene: the songs, the stories, the mystique. It had been a long day, but I had to make my first move. So I called Roy August. I had met Roy about six years prior when I was 16 and visiting Nashville for the first time, playing an open mic near Music Row. Now in his 80s, Roy had co-written the Oak Ridge Boys’ “Fancy Free,” their first #1 on the Billboard country chart back in 1981. He happened to be in the audience and he loved my music. We kept in touch every so often through Facebook.

“Roy told me to meet him at the Hardee’s for brunch in Lebanon, Tennessee, just northeast of Nashville. We didn’t have a goal in mind, just to catch up and say hello. At the end of our conversation, he pulled out a folded piece of paper and told me it was something he’d been working on. ‘See what you can do; we’ll co-write it.’ I went home and wrote the rest of the lyrics, changed some, added others, and put music to it. With regards to the video, we tried to capture what the song is about: the tug between the status quo and what you’re currently doing versus that thing you really want to do. It portrays someone who has ‘fooled himself into working all day,’ knowing that deep down, the ‘fever won’t die young.’ Cody Hansen at Exist Media filmed and edited the video and John Cleve Richardson appears in the video playing piano.” — Luke LeBlanc

Photo credit: Exist Media

Shaped by String Bands and Bluegrass, John R. Miller Delivers ‘Depreciated’

Posted on by Editor

On his new album Depreciated, John R. Miller shows a true appreciation for traditional country songwriting and progressive bluegrass musicianship, even though his music isn’t neatly defined by either one. A West Virginia native who now lives in Madison, Tennessee, Miller unveiled the material at a club show in Nashville just a few days after the album’s release on Rounder Records. His original songs are rich in detail and humor, although his lyrics can get moody enough to satisfy anybody who’s looking for the darker side of acoustic music. Delivered in his rough-hewn baritone, his songs somehow feel like familiar stories that you want to hear again.

Before returning to the road, Miller caught up with BGS at an East Nashville coffee shop to talk about his acoustic heroes, where he found his first guitar, and why he puts a fiddle in a rock ‘n’ roll band.

BGS: You announced this record by releasing “Lookin’ Over My Shoulder,” which is not exactly a happy song, but it does makes me laugh. What was on your mind as that song was taking shape?

Miller: I wrote that after I moved away from the town I’d lived in for a while. It’s a small-town scenario. When you go back after being away, you’re in the mode of trying to avoid some people. It can be tricky to navigate but I thought it was a funny little song that I didn’t think we would end up recording. Then we rearranged it a little bit and turned it into what it is now – and it’s the first song on the record. You just never know, I guess.

Where is your hometown?

The place where I grew up is just off the highway in the eastern panhandle of West Virginia. It has historically been pretty rural. There’s a lot of development around the highway, so it’s turned into a strip mall highway town. Just over the mountain, it gets real country real quick. But for most of my 20s I lived in a river town called Shepherdstown. It’s small, just a couple of bars in town and everybody knows everybody. That was home for a long time, but I felt like I needed a fresh start, so I moved down here. I spent so much time traveling and felt untethered in the first place. A lot of my friends started getting older and moving away. A few of them actually came down here. This was the next place, where I knew the most people and the most couches to crash on for a little while. I decided to give it a shot and I’m still here.

When did you gravitate toward playing guitar?

I was about 14 when I picked up guitar. My dad had a nylon string guitar in the closet that I never saw him play. I was starting to get into music more, and into punk bands that I found out about from my friends. Basically I was trying to learn power chords on this classical nylon string guitar classical guitar. Eventually I wrote that out and got a Stratocaster and tried to do garage bands in high school.

Were you and your friends listening to acoustic music too?

Maybe not when I was a teenager. We were mostly into indie rock and punk rock growing up, like skater kids. It probably wasn’t until I was 19 that my musical interests expanded a little bit. I started getting into songwriters. The real gateway for me was that Steve Earle and Del McCoury Band album, [1999’s The Mountain], which is one of the best out there. I had already found my way into Steve Earle’s music and then that dovetailed nicely with bluegrass and old-time music with that record. That was a big one for me.

Are you a bluegrass fan?

Oh yeah. I’ve lived in the bluegrass world a little bit and during times in my life a whole lot. I used to play in a string band too. It was more like a fiddle-centric string band, but we did some bluegrass stuff as well and got on that circuit for a little while. There were a couple of guys in the string band that were ahead of me in terms of what they knew about and what they liked, so they helped me learn about a whole lot of stuff.

Who were some of your influences in bluegrass?

I’m a huge Jimmy Martin fan. That stuff’s so cool and just kind of ragged in all the right ways. The Stanley Brothers, of course. There are some modern bluegrass bands that I’ve grown to love a whole lot. Town Mountain is one of the best out there. We crossed paths with them a little bit back in the day and it’s cool to see them still doing it. The Seldom Scene’s Live at the Cellar Door record is a classic too. I really love that. I also really love that early newgrass stuff, like Old & In the Way and John Hartford. That Old & In the Way record was a constant in the van.

Speaking of that, how did you get the idea for “Half Ton Van“?

That song in particular, I spent months looking for an old van to get the band moving. I was on Craigslist and Marketplace a whole lot. I feel like I was seeing a lot of the same tricks, you know? I went to look at a lot of terrible vans. It was a few years ago and I had already been through a few vans with other bands, and it always feels like I’m trying to find one at the last minute. I ended up getting one that was full of rust holes and leaking oil and everything like that. So the song is an amalgam of all those experiences of people trying to sell their junk to you.

At your show, the crowd really responded to “Shenandoah Shakedown,” which surprised me. It has that gothic feel, and seems to be the sleeper on the record.

That one seems to be doing pretty good. I wouldn’t have expected that either because it’s kind of different. It doesn’t strike me as an accessible song necessarily. That one is heavily inspired by living on the river out there. It’s more of a collection of vignettes of time spent up there, and some mushrooms and whatnot involved, you know? Some of the characters are composites but there are specific people in it, for sure.

There’s a lot of fiddle on this record too. Why do you like having that in the mix?

I love fiddle tunes and fiddle music and I spend a lot of time at fiddlers conventions, like the Clifftop Appalachian String Band Music Festival in West Virginia, or in Mt. Airy, North Carolina. It’s been a constant in my life for a really long time now. I’ve got a lot of buddies in that world and I play a little fiddle myself too. It’s a great way to just sit down and play tunes with people. The communal feeling and the non-commerciality of it is really cool. So I’m a little obsessive about it. Putting fiddle in a full rock ‘n’ roll band sounds good to my ears, and I also feel like if it wasn’t there, I would miss it — the presence of it.

Why did you want to include a guitar instrumental, “What’s Left of the Valley,” on here?

I’ve definitely written a couple of guitar pieces, but my partner Chloe really liked that one. I played it for her and it was her idea to just try it in the studio. We took a break from doing the stuff we had on the docket and gave that a try. It ended up feeling so nice, I thought it would be a good way to break up the songs on the record. I like that kind of stuff too, like an instrumental interlude.

At your show I was happy to hear you cover a Gary Stewart song, “Single Again.” What is it about that honky-tonk sound that appeals to you?

Man, it just sounds so cool to me. There’s a really wide range of it but that Gary Stewart stuff is so cool and so nuanced. A really high level of musicianship playing pretty accessible music is pretty awesome. I love country music very much. That’s been my soul food. Early to mid ‘70s is the sweet spot for me.

As a songwriter going into a music career, did you always want to have a full-band sound?

I don’t mind playing by myself — it’s kind of its own thing — but I’ve always played in bands and I love that connection. It’s so much fun. I prefer to be making music with my buddies and I’m fortunate to be playing with the band I’ve got now. They’re easygoing folks and great musicians. We’ve been on the road for a little over a week now and this is the first long tour that we’ve gotten to take together. We’re all getting used to it again.

Listening back to this record now, what goes through your mind?

I’m really proud of the work we did and what I love most about it is that I got to actually sit and play the songs live in a room with some of my close friends. Adam Meisterhans, who played guitar with us the other night, co-produced the record. He and I played in bands in West Virginia. I know him from Shepherdstown too. He’s like a brother to me. So it’s been cool to very intentionally work on a project and have it get finished and work out, you know? It’s nice to know that we did it the way we wanted to.

Photo credit: David McClister

LISTEN: Elijah Ocean, “Honky Tonk Hole”

Posted on by Editor

Artist: Elijah Ocean
Hometown: Nashville, Tennessee
Song: “Honky Tonk Hole”
Album: Born Blue
Release Date: July 23, 2021

In Their Words: “‘Honky Tonk Hole’ is about a guy who has seen better days and whose big dreams have all gone up in smoke. Now he spends all his time drinking and playing country music in bars. Not entirely sure why he’s complaining about it, though. Seems kinda fun and not a bad life. It’s a high-energy shuffle about falling into a rut but also kind of loving it.” — Elijah Ocean

Photo credit: Wolfe & Von

LISTEN: Dallas Burrow, “My Father’s Son”

Posted on by Editor

Artist: Dallas Burrow
Hometown: New Braunfels, Texas
Song: “My Father’s Son”
Album: Dallas Burrow
Release Date: July 23, 2021

In Their Words: “A real storyteller’s song, this is an autobiographical history of four generations of men in a family line and the influence that fathers have on their sons, sparing no detail. My grandfather was born on the 4th of July and he was a Master-Sergeant in the Army Air Corps, and survived D-Day. They called him Junebug. He’s always been a mythical character in my mind, as I never got to meet him. My dad never saw much of him either, as my grandfather was usually either off at war, or otherwise absent. Then my father was a hippie and a hitchhiker, a rebel and an outlaw, a poet and a songwriter, and later in life, a teacher, a triathlete, and more than anything else, unlike his father, always there for me. So I absorbed all those things; the legacy of having a war hero for a grandfather who was there when our country needed him, but who was absent from his own children’s lives because of it, and the stories my dad told me of his own travels and exploits when America was young and wild and free, in the ’60s and ’70s.

“Then of course there was my own journey, taking up the mantle of being a storytelling musician, the struggles, the trials, the beauty, the wonder, all of that, which would eventually lead me to meeting a woman, and having a son, which ultimately, radically changed my life from one of a wandering troubadour with an insatiable taste for the wild side of life, to a relatively responsible, grounded adult, still a troubadour, and still with a wanderlust, but with an entirely different set of priorities and lifestyle choices. This tune tackles the job of weaving all of those nuances of my family line into a neat little folk song that captures the idea that no matter who our fathers were, we are who we are in part because of those that came before us.” — Dallas Burrow

Photo credit: Ryan Vestil

16 Bluegrass Songs for Summer Vacation

Posted on by Justin Hiltner

It’s summer, our second in the “after times,” where road trips, national parks, and scenic byways are king. As you head off on your COVID-aware vacations this summer, don’t leave all the driving music to indie, easy listening, country & western, or rock ‘n’ roll. The chop of the mandolin, thump of the doghouse bass, and rapid-fire roll of the five-string banjo are just as suited to soundtrack your sunny forays. To prove that point, here are 16 bluegrass songs perfect for inclusion on your summer vacation playlists. (Listen to the full playlist on Spotify below.)

“Highway” – Claire Lynch

Bluegrass being an itinerant livelihood and a nomadic community, traveling songs are just as expected a feature as murder ballads, train tunes (a form of travel song unto themselves!), and moonshine running tales. This modern classic via Claire Lynch — written by Lynch and Irene Kelley — is a perfect example of the form, more ‘90s country offered by a string band than a traditional, four-on-the-F-style grassy track. It’s delightful — and perfectly winsome and longing when you find yourself listening while traveling down the highway.

“Handsome Molly” – Tim O’Brien

Our July 2021 Artist of the Month Tim O’Brien’s rendition of this bluegrass classic is a far cry from, say, a Flatt & Scruggs’ cut. O’Brien’s has a slight transatlantic bent — with a distinct island detour, perhaps through the sunny Caribbean. If you’ve found a craving to set your foot on a steamboat and sail the ocean ‘round deep inside your soul, this one’s for you.

“1952 Vincent Black Lightning” – Del McCoury Band

Another track with a transatlantic story, this ever-popular, most-requested number covered by the Del McCoury Band is a road trip staple — whether you get in or on your vehicle to hit the highway. It would be a sin to make a bluegrass summer vacation playlist and not include “1952 Vincent Black Lightning!”

“Val’s Cabin” – Laurie Lewis

A rare example of a bluegrass song actually about summer vacations, this Laurie Lewis original, “Val’s Cabin,” begins as a simple retelling of childhood memories — nostalgia being a common rhetorical device (and when attempted by many other writers, a well-worn trope) in bluegrass. But Lewis, a veteran through-hiker, wilderness excursioner, and backpacker as well as a Grammy-nominated bluegrass singer and songwriter, tinges the story with melancholy and the existential questions raised by the ever-worsening climate crisis. The song is as evocative as it is gorgeous; though the singer can’t find the way to “Val’s Cabin” any longer, every listener can.

“Paddy on the Turnpike” – Vassar Clements

If you ever happen to find yourself Crossing the Catskills on a summery jaunt, “Paddy on the Turnpike” must be in your listening rotation. Avoid the tolls, but still go for a ride on the turnpike with Vassar Clements’ wild, unpredictable, jaw-dropping, wonky fiddling. “Paddy” is a blank canvas for Clements and a study in bluegrass’ unending affinity for flat seven chords.

“Don’t Give Your Heart to a Rambler” – Tony Rice

A hit in nearly every jam circle that ever circled, “Don’t Give Your Heart to a Rambler” is almost as if “Gentle on My Mind” had been written by a much less kind or compassionate protagonist. Tony’s solo vocal stylings are as iconic as his six-string licks, nearly obliterating any memory of this song ever having been sung by anyone else. What’s more, the titular advice of the track still stands. Just don’t.

“Highway 40 Blues” – Larry Cordle & Lonesome Standard Time

Because “Interstate 70 Blues” just doesn’t roll off the tongue. And that melodic hook should go down in history as one of the best country licks to ever lick! Cordle wrote one built for the long haul with “Highway 40 Blues.” It’ll keep you good company as you go wherever and back.

“Banjo Pickin’ Girl” – Annie Staninec

Is there any better reason to go around this world than being a banjo picker? There are never enough banjo pickin’ girls and this anthem, no matter how many times it’s picked up, studied, and retooled by another banjo pickin’ girl, always SLAPS. (Clawhammer pun intended.) Fiddler and multi-instrumentalist Annie Staninec, who’s traveled around the world making music quite a bit herself, gives an excellent old-time rendition of this favorite.

“A Crooked Road” – Darrell Scott

Darrell Scott turns a literary device pretty common in songwriting on its ear, with a tender eye for detail and emotion that he brings into all of his musicmaking. Life is, after all, about the journey — not the destination. Why not take the crooked, and thereby, the road less traveled? 

Plus, take this song as suggestion: The Crooked Road, Virginia’s Heritage Music Trail, is well worth a visit. Put this song on and take the Crooked Road.

“Up and Down the Mountain” – David Parmley & Continental Divide

Work life doesn’t suit you? Does “paradise” mean a fiddle and the open road? If so, “Up and Down the Mountain” is for you and your road trip playlist. Especially if you’re planning on trekking through the Rockies, Sierras, Ozarks, Applachians, or what-have-you. Turn off cruise control, watch for the runaway truck ramps, and go up and down those mountains! David Parmley & Continental Divide know something about geography and topography, after all…

“Roving Gambler” – The Country Gentlemen


Not sure why you’d be headed to Las Vegas during one of the hottest summers on record, but if you’ve got your sights set on a casino — wherever it may be — crank up “Roving Gambler” and hope your 2 a.m. slot machine binge or your evening “re-learning” blackjack ends more amiably than with gunfire. Speaking of which, perhaps “Blackjack” deserves a slot on this playlist…

“Travelin’ Prayer” – Dolly Parton

The kick-off of one of Dolly Parton’s masterpieces, her 1999 bluegrass album The Grass Is Blue, “Travelin’ Prayer” was actually written by Billy Joel. Yes, that Billy Joel. The original, from 1973’s Piano Man, featured banjo playing by Eric Weissberg and Fred Heilbrun. So of course the tune stands up to the bluegrass treatment and then some, between Stuart Duncan’s haunting fiddle cadenza to begin the track, the rip roarin’ tempo and train whistle harmonies, and the lonesome feeling of being away from your baby while he travels the world. We’re gonna assume Dolly’s blessed pen and ink added the lyric: “And keep him away from planes / cause my baby hates to fly!”

“Road to Columbus” – Kenny Baker

Growing up this writer frequented a bluegrass jam in Granville, Ohio, about 25 miles east of the state’s capital, Columbus. Like clockwork, every week as the jam wound down around noon on Wednesdays, Troy Herdman — a local bluegrass community stalwart, Doc Watson-style flatpicker, and mentor of many who lived in or around Columbus — would call this tune. Everyone would chuckle, and we’d play “Road to Columbus” as everyone, but especially Troy, hit the road to Columbus. 

Herdman passed away last week at the age of 91. I certainly wouldn’t be the musician I was today if it wasn’t for Troy, and I know quite a few others who would say the same. So no matter where I travel, I always keep “Road to Columbus” nearby. Especially when I’m headed home to Ohio.

Many pickers speculate over whether Kenny Baker and Bill Monroe were referencing Columbus, Ohio, or Columbus, Indiana. But, according to Roland White — who introduces the song with an anecdote from his time on the road with Monroe — it’s about Ohio. For this Ohioan, that’s confirmation enough!

“That’s How I Got to Memphis” – Tom T. Hall

His own recording of one of his most popular hits may sound more like straight up and down country than ‘grass, but even the most casual fan of Tom T. Hall knows that this Bluegrass Hall of Famer is bluegrass to his core. If you’re headed down I-40 from Nashville — or, really, towards Memphis from any direction, no matter how direct or circuitous, this song is a must-add for your road trip playlist.

“Where Rainbows Never Die” – The SteelDrivers

This song is about a decidedly different kind of journey, not often referred to as a “vacation,” but even so it’s a poignant, encouraging, and downright delicious song to background any journey. If you’re road weary — or life weary — “Where Rainbows Never Die” is a certified pick-me-up that doesn’t shy away from reality, like the grit and coarseness in Chris Stapleton’s lead vocal wrapping you in its warmth. There’s a comfort in life not being sugar-coated — and in knowing somewhere, west of where the sun sets, rainbows never die.

“Home Sweet Home” – Flatt & Scruggs

Home never feels so sweet as when you’ve just returned after a long, restful, relaxing vacation. So we’ll close our summer vacation playlist with Flatt & Scruggs’ rendition of this tune pulled directly from the American songbook, “Home Sweet Home.” We hope a banjo roll always greets you at your door, and if not, this playlist will at least cover that for you. Wherever you roam, there’s no place like home! And no music like bluegrass.

Editor’s Note: Check out our follow up playlist, Take the Journey: 17 Songs for a Sunny and Warm Summer Vacation

LISTEN: Kashena Sampson, “Hello Darkness”

Posted on by Justin Hiltner

Artist: Kashena Sampson
Hometown: Nashville, TN
Song: “Hello Darkness”
Album: Time Machine
Release Date: September 10, 2021
Label: New Moon Records

In Their Words: “This is a cover song by the Dutch rock band, Shocking Blue. I asked my best friend if she could choose one song for me to cover which one would she choose, it was this. I love Shocking Blue and I think it’s a great song and I connect to the lyrics, especially with what I was going through at that time in my life. To me, this song carries the message of yearning for someone who you cannot be with. It goes along with what a lot of the songs on this record are about. My struggles with codependency, fantasizing in relationships and thinking someone outside of me was the answer to my problems. It is a very heavy feeling when you think that someone else can fix you and you find out that they are not the answer. A good portion of the songs on this record are about a relationship I had with someone I cared for very much, who had gotten into some trouble and was incarcerated. I went into rescue mode and believed I had to save them in order to be ok.” — Kashena Sampson

Photo credit: Laura Partain

MIXTAPE: Ben Reddell’s Stars of the Grand Ole Echo

Posted on by Editor

Heya! I’m Ben Reddell, GM of Bedrock LA, and curator of the Grand Ole Echo. What a year, am I right? 2020 had the music world completely shut down, which saddened me to no end. Through the power of computers I was able to remotely finish my EP, LA Baby! And live music is possible soon? Don’t tempt me with a good time! With that being a possibility, this month has found me taking out the ole Rolodex and seeing what all my LA pals have been making in this trying time, this new normal, on this road to recovery. (Don’t hit me!)

If you’re new to Grand Ole Echo, it’s the swinging Los Angeles country and roots show here in beautiful Echo Park on Sunday afternoons. As you will see proven by this playlist, I curate the GOE with a very eclectic mix of roots music. We love our traditional country here in Echo Park, but we also like to let our freak flag fly with the hippie-dippie, pot-smoking types as well. Hopefully all of these folks will be playing live on my stages again, and when they do, I hope to cut a rug with you. Here’s a playlist of some of those folks. — Ben Reddell

Tony Hannah – “My Old Car”

Tony is kinda new to my attention. She was booked for 2020 GOE, but you know. Anyway she is super fun, and this track is pure LA bliss, Beach Boys, ’80s country punk. A little bit of everything.

Mara Connor – “Blues Runs the Game”

My pal Mara Connor made an awesome EP this year of some beautiful tunes. My favorite on this one is her cover of Jackson C. Franks’ “Blues Runs The Game.” The whole EP is like you’re floating on a cloud, it’s simply divine.

Sam Morrow – “Getting by on Getting Down”

I can’t wait to see all of these bands live again. But boy howdy am I ready to have my face melted with some loud, guitar-driven music. And boy does Sam Morrow deliver that here with this tune. The whole record really cooks.

Joe Bourdet – “Unwritten Story”

My pal Joe Bourdet really delivered a beautiful country-rocker opus with his EP Meadow Rock. This is the perfect summer song to sit on the porch and feel the wind caress your face. And that’s not hyperbole!

Sie Sie Benhoff – “Night Train”

My pal Sie Sie released this country cooker, “Night Train.” The song is so sweet and so tough at the same time — emblematic of what I love about Sie Sie. She the nicest gal you’re ever gonna meet, but she could also probably chew on nails.

Victoria Bailey – “Skid Row”

My buddy Victoria made an amazing record last year despite it all. The whole thing has awesome honky-tonk energy and she sings it with some great power. “Skid Row” is like an Asleep at the Wheel-style number that really makes you wanna dance.

Eric Roebuck – “Need a Change”

My buddy Eric put out the single “Need a Change” this year and it’s a mean, heady, ’70s rock jam. Really great guitar playing by Eric on this one. Eric’s previous band, Professor Colombo, was one of my favorites. But I just know this kid is on to something and I expect some sick stuff coming from him in the future.

Katie Jo – “I Don’t Know Where Your Heart’s Been”

My pal Katie Jo is a real sensation. She put out this single this year and I simply love the Patsy Cline vibes. Katie’s got an amazing voice and live she’s a showstopper.

Trevor Beld Jimenez – “Get Ready to Fly”

My pal Trevor put out his solo record, I Like It Here, last year and it’s simply divine. My favorite tune is “Get Ready to Fly.” It’s just so sweet and happy, much like Trevor.

Pacific Range – “Studio Walk”

My friends Pacific Range put out their amazing album High up the Mountain. These dudes were one of my favorite bands to book on the porch at GOE when they were first starting out. They just would electrify the air when they were out there.

Mail Order Cowgirls – “Brand New Start”

I’ve was made aware of this band through my co-worker Meg at Bedrock. I’ve seen them show up to the studio in western regalia a few times, but I’ve never met them. Anyway I think they are cool as shit. They had a self-titled EP come out this year which is great. Hoping to get them on a GOE soon.

Los Bolos – “Why Get Sober”

This year Los Bolos put out The Best of the Greatest Hits and it was really hard not to crack open an afternoon beer when I put it on for the first time. Sure I was in lockdown, but there was a real good party going on in my head.

Photo credit: Chris Phelps