Artist:Southern Avenue Hometown: Memphis, Tennessee Latest Album:Family Personal Nicknames (or rejected band names): We don’t remember any rejected band names, but being from Memphis we definitely call everybody “mane.”
Answers have been provided by Tierinii Jackson, Southern Avenue lead vocalist and songwriter.
What was the first moment that you knew you wanted to be a musician?
It wasn’t one moment, it was the absence of one. I never imagined not being a singer and a songwriter. I grew up singing in church with my sisters and family and even when I ran away from all of that, the music stayed with me. Beale Street gave me my second education. That’s where I chose to be a full-time musician, even if the world didn’t choose it for me.
What is a genre, album, artist, musician, or song that you adore that would surprise people?
I love musical theater. It’s drama, it’s storytelling, it’s emotion on 10. I used to want to be on Broadway. Sometimes I still do. The song “Flying” on our new album is just about that. My mom actually turned the plane around mid-air so I wouldn’t fly to New York to make my dream come true. I do believe that it all connects and I have plenty of time to still do something special in that world.
What’s one question you wish interviewers would stop asking you?
People always ask how we met and how the band started. It’s everywhere online already. We just hope to get asked about new things now, go a little deeper. But it’s all good, no hard feelings at all. We love it when we have an interview where the person in front of us already has an understanding of who is in front of them.
What’s your favorite memory from being on stage?
When we toured with Willie Nelson, Bob Dylan, and John Mellencamp, it was already unbelievable. But then we found ourselves on stage at FarmAid, after two weeks on the road with them for the Outlaw Tour. I remember standing there thinking, “Am I dreaming?” It was one of those moments where everything just hits you, how far we’ve come, and how real it all is.
Genre is dead (long live genre!), but how would you describe the genres and styles your music inhabits?
We like to describe our music real simple. It’s Memphis music. That’s what raised us. We’re a mix of where we come from, how we grew up, and everything we dreamed of becoming. It all comes together in the sound.
Artist:DownRiver Collective Hometown: Nashville, Tennessee Latest Release: “Come On Back” (single) Personal Nicknames (or rejected band names): The Upstream Association
Which artist has influenced you the most – and how?
Well, this one is pretty easy for me, as it’s the artist I’m named after, Alison Krauss. One of my earliest memories is of my dad and I driving around town with her album, Live, on repeat. I was only about 4 or so at the time, but you best believe I sang every single word at the top of my lungs. The wild thing is, I still can’t rid myself of that album. It still plays through at least 4 times a week on my commute to and from work. That album, that voice, changed the course of my life. It was through singing along to Alison that I nurtured my love for singing. I found myself at an early age trying to mimic every bend, run, and glottal.
Through the course of my life, I found myself listening to other artists and genres, but somehow it always came back to Alison. I never saw myself singing bluegrass music, but it was in college when I broke out my Alison Krauss repertoire that I fell in love with the genre all over again. And I couldn’t be fully transparent about my adoration of Alison Krauss without mentioning the fact that she’s an absolute boss. Seeing a woman pave her own way for a younger generation of ladies in a male-dominated genre is so inspiring to me. – Ali Vance, lead singer
What has been the best advice you’ve received in your career so far?
I feel like some of the most meaningful advice that I’ve gotten from artists that I look up to has been pretty simple. I was told to always, first and foremost, be yourself. People are able to connect with songs more easily if there’s authenticity behind it. Another impactful piece of advice I got was to not ever compare yourself one-to-one with the artists that you look up to. Everybody has their own path and career arc to follow, and it’s always going to be different for everybody. I feel like these two things really go hand in hand. – Rico Wallenda, mandolin
What is a genre, album, artist, musician, or song that you adore that would surprise people?
This would come as a surprise to absolutely no one who has spent any time around me, but I absolutely adore pop divas. Right now, the ladies that are in regular rotation are Ariana Grande, Sabrina Carpenter, Dua Lipa, and Chappell Roan. I know it’s a little cliché, but there is something to it. On the one hand, it’s all about the vocalists. Any time a vocalist is as good as any of those ladies, I just find it so compelling and moving. I’ve also been really into Celine Dion, Kelly Clarkson, Whitney Houston– the list goes on. It’s just so awe-inspiring to listen to gifted singers like that.
On the other hand, the pop stars I listed all have a believablity factor that you can’t ignore when you listen to the music. That authenticity draws me to many different genres and artists, but it’s especially compelling with some of these current pop stars. Bailey [Warren, fiddle] and I often talk about these singers when we’re on the road, drowning the rest of the van in Olivia Rodrigo albums (Bailey’s favorite) and Ariana Grande records. – Jonny Therrien, guitar, Dobro
Does pineapple really belong on pizza?
Here’s the deal: Yes. I think we need to broaden our scope, expand our horizons. Food is just so good. And it isn’t nobody hurting anyone or damaging anything by putting a delicious fruit on their pizza. I think we live in a world where we can celebrate pizza as a pillar of food heritage and be thankful for all it has given to us while we push the boundaries of our pizza pleasures and discover new food frontiers. I love a classic pizza as much as anyone, I even order plain cheese pizza from Domino’s as an adult (did that last week). I also love a nice Hawaiian pie. There are multitudes in between, and here’s the good news: It’s all good. So let’s put this thing to rest once, at least for us right now. Pineapple does belong on pizza. Life is too short, and pizza is too good to be choosy. These are some things that I live by. – JT
What’s the toughest time you ever had writing a song?
We’ve spent a lot of time over the last few years figuring out how we write best together. We’re a big ensemble and getting that many creatives to be on the same page about anything can be tough. What used to be sort of a tricky thing to figure out has turned into each of us individually knowing our strengths and weaknesses better while chipping away at what it is that makes us sound like us. Mixing all our influences can be hard because sometimes those influences and the reflexes they’ve instilled into each of us individually can be at odds with one another.
The specific song that comes to mind is one that we recorded in January for our next album. The song was originally inspired by a sassy Alison Krauss number, which was a tune we had fallen in love with covering. Our earliest iterations of the song were marked by herky-jerky feels, strangely placed jazz chords, and lyrics that didn’t really convey the feeling we were after. At several different points, we were convinced the song was nearly finished except for maybe a lyrical tweak here and there. Finally, when we were in pre-production with Caleb Edwards and Eli Broxham, who co-produced our album, we explored a lot options: we re-arranged the structure, wrote new verses, found homes for the spicy chords, and settled on a rhythmic feel that matched the song’s sentiment perfectly. It felt like we had done the impossible: we pleased each of our artistic instincts in a song that we all had loved and hated at different times. In our show, we talk about this song as being the one that we had to write three times before it was good enough for the record.
That’s not even the end of the song’s story! I was talking to [John] Gray, our banjo player, last week and told him I dug what he did on the intro kick to the tune. Gray told me, “Yeah, I asked Caleb about the very last phrase of it, and he said he liked it, but had doubts about the other parts. The last phrase was the only part of the kick that I had doubts about, I was sure about everything else. So that’s when I knew that the whole intro was right.” – JT
Artist:Rebecca Lynn Howard Hometown: Salyersville, Kentucky Latest Album:I’m Not Who You Think I Am (out May 2, 2025) Personal Nicknames (or rejected band names): My family and friends call me Aunt B
What has been the best advice you’ve received in your career so far?
The best advice I’ve ever received is to tell the truth, no matter how hard, no matter how messy. People don’t connect with perfection, they connect with honesty. When I started writing from that place, everything changed. Music became more than just a craft. It became a way to heal, not just for me but for my fans too.
What’s the toughest time you ever had writing a song?
Honestly, the hardest songs to write are the ones I need to write the most. There was a time after my dad passed away when I couldn’t write at all. Every time I tried, it felt like I was staring into this giant void of grief and I didn’t have the words to make sense of it. Eventually, I stopped trying to force it and just let myself feel everything. When I finally sat down to write again, the song came out in one sitting. It was like the words had been there, waiting for me to be ready.
Which elements of nature do you spend the most time with and how do those impact your work?
Water, hands down! There’s something about being near water, whether it’s the ocean, a river, or even just a hard rain that takes away the noise in my head. It’s where I think the clearest and where my best lyrics come from. It helps me know that everything moves in seasons, especially the hard things.
If you were a color, what shade would you be – and why?
I’d be a deep blue… the kind that’s somewhere between dusk and the ocean just before a storm. That kind of blue is my favorite color cause it holds a lot of depth, beauty, a little bit of sadness, but also an understated kind of strength.
Since food and music go so well together, what is your dream pairing of a meal and a musician?
I’d love to sit down to a slow, home-cooked Southern meal. Something warm and comforting, like my mom’s homemade biscuits and honey butter, with a side of conversations about Jesus. And the perfect soundtrack? Probably someone like Johnny Cash or Brandi Carlile. Something raw – and real – and full of stories.
Artist:Sterling Drake Hometown: Philipsburg, Montana Latest Album:The Shape I’m In (out May 2, 2025 via Calusa Music/Missing Piece Records) Personal Nicknames (or rejected band names): “Sterl Haggard”
If you had to write a mission statement for your career, what would it be?
Roots country and folk music have a way of bringing people together. These songs carry the stories and wisdom of those who came before us, reminding us of what we share across generations. Music can open hearts, challenge perspectives, and create space for vulnerability. I’m especially grateful for the chance to use my platform to advocate for the land, the people who depend on it, and the importance of mental health both in rural communities and beyond. Whether playing for a small gathering or a big crowd, I see music as a way to keep these stories alive and inspire connection.
Which elements of nature do you spend the most time with and how do they impact your work?
I live in a small town in Granite County, Montana, where the land is mostly ranches and public wilderness and things are luckily untouched by urban sprawl. The Rockies and the high desert ranges are the place I like to go to in my mind. Although music is my main focus at this time in my life, I spend a lot of time outdoors. Horseback, hiking, camping, skiing, and helping out the neighbor in the branding pen. Being outside is part of my daily life, and it helps keep me grounded.
Genre is dead (long live genre!), but how would you describe the genres and styles your music inhabits?
I consider my music “roots” in the broadest sense. It draws from the deep well of American musical traditions: country, folk, Western, bluegrass, Western swing, and even Irish traditional. At times I may lean more on traditional country and honky-tonk and other times I may feel inspired by something else, and I enjoy the creative flexibility. At its core, it’s about storytelling, connection, and carrying forward the sounds and ideas that have shaped generations before me.
Which artist has influenced you the most – and how?
Willie Nelson has influenced me the most. He pulls from so many corners of American music – jazz, blues, folk, Western swing – but no matter what he’s playing, it always feels country, always feels Western, and always feels like Willie. He never let genres box him in, and that’s something I really admire. His approach to songwriting, storytelling, and even the way he plays guitar has shaped how I think about music.
A close runner-up would be Roger Miller. He had this effortless looseness and wit in his writing that made even the simplest songs feel unique. He never took himself too seriously, but was still a master of his craft. That balance between depth and playfulness is something I aspire to carry into my own music.
What’s one question you wish interviewers would stop asking you?
Interviewers will sometimes ask artists the question, “When did you know you were talented, or when you were a musician?” It makes it sound like creating music is something only a few people are born to do, when in reality, it takes years of work, dedication, and a willingness to keep learning. More importantly, it makes artistic expression seem out of reach for most people, when creativity exists in everything we do. Music isn’t about being chosen, it’s about choosing to put in the time and effort to make something meaningful.
Artist:Countercurrent (Brian Lindsay and Alex Sturbaum) Hometown: Olympia, Washington Latest Album:Flow (released March 3, 2025)
Which artist has influenced you the most – and how?
It’s a three-way tie for me between Great Big Sea (gateway drug into trad music, consummate performers, wonderful harmonies), early Solas (dazzling musicianship, tight arrangements, and an unmistakable guitar style) and the Grateful Dead (fearless improvisation, and pushing the boundaries of what is possible while keeping one foot firmly in folk). – Alex Sturbaum
Chicago fiddler Liz Carroll has probably had the most comprehensive influence on me – she is a master of creative interpretations of traditional fiddle tunes and composing new tunes in a trad idiom. Much of how I think about melodic improvisation and variation around a melody is influenced by her playing. Her recordings over the years showcase some incredible arrangements and beautiful production, ranging from very minimal, traditional-sounding, to lush and modern tracks. – Brian Lindsay
If you had to write a mission statement for your career, what would it be?
“Play ’em happy, sing ’em angry.” We want our music to inspire joy and resilience and to generally make folks feel good. However, we also want to call out the injustice we see in the world every day and use our music to aid the fight against fascism in whatever way we can. – AS
“Every tradition is a living tradition, if we participate.” Musical traditions don’t thrive when we only admire them inside a glass case, they benefit from curating the archives of the past, honoring the figures who have shaped it today, and welcoming new contributions that reflect today’s influences (cultural, political, technological, etc.). Most importantly, music communities thrive when we make music that we really love to listen and move to. – BL
Genre is dead (long live genre!), but how would you describe the genres and styles your music inhabits?
We draw from a lot of different folk traditions – Celtic, old-time, maritime, jam-band music, and more – but fundamentally, Countercurrent is a dance band. We cut our teeth playing for contra dancing, that’s still the main thing we do, and everything we play is built around groove and drive. One of our favorite things in the world is bringing our music to venues outside of folk communities and getting an audience to unironically throw ass to fiddle tunes. – AS
In a nutshell, “modern fiddle tune dance jams.” Our focus is to create music that moves people, both physically and emotionally, and our vocabulary comes from the genres of Irish, American old-time, and adjacent fiddle and song traditions. We add our own compositions using that vocabulary, but incorporating our musical influences from genres like jam bands, funk, electronic, and rock that we love. – BL
What is a genre, album, artist, musician, or song that you adore that would surprise people?
We both really enjoy the offbeat songwriter Dan Reeder. We had the pleasure of getting to see him and his daughter Peggy in Seattle recently – one of their rare tours from Germany – and we have been enjoying singing his songs together in green rooms and tour vehicles. I also have a sizable soft spot for Owl City. – AS
I’m very fond of the music of blues singer and instrumentalist Taj Mahal. I got some of his recordings when I was quite young and got to see him live near my home when I was in high school. I also love Moon Hooch, who essentially make saxophone-based EDM with live drums (I have an unabashed love for the saxophone, and brass instruments in general, though I don’t play any). – BL
Since food and music go so well together, what is your dream pairing of a meal and a musician?
I once had a Thai meal with roasted coconut and pork belly right before seeing Gillian Welch perform The Harrow and the Harvest in its entirety, and to be honest I have been thinking about both ever since. – AS
A meal consisting entirely of East Asian dumplings of every variety, with Kishi Bashi, whose music I adore and also appears to be an incredibly interesting and kind person. – BL
Artist:Amistat Hometown: Rosenheim, Bavaria, Germany Latest Album:What We Are EP (releasing March 21)
Which artist has influenced you the most – and how?
The godfather of indie-folk, Ben Howard! When we first started out as Amistat playing and writing music back in 2012, his album Every Kingdom had just come out. It was the first time ever that we had heard a sound like his. His lyrics, melodies, especially the style of guitar tuning, and the way he used his guitar as a percussive element, captured us and had us mesmerized. It’s to this date the most inspiring piece of music we’ve ever come across and we listen to it on repeat, still.
What rituals do you have, either in the studio or before a show?
The last hour before going on stage is holy to us and very important for us to get in the zone. We meditate for about half an hour (individually), then Josef runs through his vocal warm up routine (15 minutes). We brush our teeth (most important!) and just before going on stage we have this ritual that the entire team meets backstage for a toast – it’s actually reciting an old Irish poem. Every day someone else gets to take the lead on it:
“There are good ships and wood ships, ships that sail the sea, but the best ships are friendships and may they always be.”
What’s the most difficult creative transformation you’ve ever undertaken?
We started out as buskers on the streets of Melbourne. We did that full time for about 7 years. After that time we felt like nothing is really changing and that in order to grow we needed to change something again. We moved to Brighton, England, and wanted to try busking there. After about three weeks and 24/7 of rain we decided to move to Berlin. There we had to kind of rethink the whole busking thing and came up with the idea of putting on small house shows in people’s living rooms. That’s what we did and lived of for about two years. Then COVID hit and everything kind of stopped. During that time we honed down on the social media content and it all grew from there.
What’s one question you wish interviewers would stop asking you?
“What’s it like being twins?”
If you didn’t work in music, what would you do instead?
Jan would be a golf professional, Josef would be soccer professional.
Artist:Rose Betts Hometown: London, United Kingdom Latest Album:There Is No Ship (released March 7)
What has been the best advice you’ve received in your career so far?
When I lived in London, my parents would often come to my shows. Right before I’d go on, my mother would say, “Tell me a story.” It seems so simple to put it that way, but really it was such a wonderful gem of advice, a steady light, a root to hold onto. It’s easy to get caught up in other things, when I’m playing live I have to fight against the problems of not hearing myself, the lights, raucous crowds. When I’m singing a song to my phone to share on TikTok I’m thinking about the lighting, or whether its engaging enough. Even when I’m in a room with executives and they’re trying to figure out if I’m worth investing in – keeping that line of “tell me a story” in my head and my heart ties me to the old and beautiful tradition of what songwriting is and, when you take all the egos and the money out of it, what everybody wants to be a part of. We are born storytellers, all of us, and that is the thing that ties us together and helps us grow.
What other art forms – literature, film, dance, painting, etc. – inform your music?
I actually turn to other art forms for inspiration much more than I turn to music. Literature has always been important to me and totally informs more songwriting. Melody is a gift from the air, it isn’t something I overthink, but words, and everything that can be poured into a melody through them, are so magical to me. Authors like Tolstoy, Turgenev, Austen, and Emily Brontë, poets like Keats, Philip Larkin, Seamus Heaney – they all inspire me in different ways to become a better songwriter. I love the challenge of finding new ways to say old things. It offers me and also the listener a chance to look afresh at the world and at themselves.
Which elements of nature do you spend the most time with and how do those impact your work?
Nature is my church, it is where I go to free my mind. Living in LA, I’ve become acquainted with a different kind of nature and I’m not sure it suits me. England is lush, the greens are abundant, the air is rich and full of moisture, it weighs the sky down, bringing it nearly within touching distance. None of this is in LA. So my favourite thing to do here is to drive to San Bernardino, up into the mountains, to Crestline. Being around those trees fills me up, I can feel it nourishing something in me.
Nature roots me to the simplicity of what it is to be alive. It is passive and without pity – a witness. I feel like songs need what human beings need: air and light and water. But everyone has feet that touch the earth, so all songs need to have a part of themselves in contact with the ground, the roots, the stone.
If you didn’t work in music, what would you do instead?
I’d like to think I’d have some quiet job somewhere which gave me lots of time to read, maybe as a librarian or a translator of foreign literature. Or perhaps something in costume or fashion – I love making clothes and I love film costume, so being someone who brought the world of film to life through costume would be pretty wonderful.
Does pineapple really belong on pizza?
Surely trying to police pizza is like trying to say that a violin only belongs in an orchestra and you can’t have pancakes for dinner. Think about all the wonderful things we’ve made because we broke the rules. I love when cultures mix together and make something new and unexpected, it happens all the time, and should be celebrated. That said I don’t have pineapple on my pizza.
Artist: Amy Irving Hometown: San Francisco, California Latest Album: Always Will Be (out April 25, 2025)
What has been the best advice you’ve received in your career so far?
I’ve been an actor all my life. I began on this new path, making music with the band GOOLIS, a few years back. And I’ve been learning so much from them, especially our band leader Jules David Bartkowski.
I remember going into the studio to record our sophomore album, Always Will Be, and Jules suggested I improvise some. Well, let me tell you, as an actress, I had been traumatized in acting school improv class. I was never comfortable acting without a script. I’ve always considered my gift was in interpreting playwrights’ words. So, when I sang, I followed the notes exactly. But Jules and Aaron, our keyboardist, insisted that I try. I complained my mistakes would be so loud and they replied, “Oh yeah, Amy, we never make mistakes here.” Okay, I got it. I did it. And now you can’t keep me down on the farm.
What rituals do you have, either in the studio or before a show?
Before every show, after sound check, I retreat to my dressing room, to meditate and rest my voice. It’s a time to conserve my energy. I eat some protein that will not talk to me on the stage. Half a beta blocker keeps my hands from shaking. I do a vocal warmup, either alone with a taped class or over FaceTime with my wonderful vocal coach, Celeste Simone. Gabriel Barreto, my son and manager and record producer and photographer, then digs his elbows into my tight shoulders. When it’s five minutes to showtime, I usually run to the bathroom and have to throw up (yes, I get terrible stage fright), knock back a shot of tequila, then Jules leads us all in an exercise of shaking all the tension from each part of our bodies.
Genre is dead (long live genre!), but how would you describe the genres and styles your music inhabits?
Working with bandleader Jules is a thrill, because our music covers so many genres, once he decides on his arrangements. He has taken the songs of Willie Nelson and transformed them from punk rock to samba.
Broadly speaking, Jules was going for a kind of golden age of mid- to late-century global pop/rock approach. To offer a more specific example: the first song of the record Always Will Be, “Dream Come True,” was, for Jules, an attempt to channel 1960s Italian rock acts like Mina and Adriano Celentano, while throwing in some Vegas-style late Elvis maximalism and some doo-wop baritone sax. On the song “Getting Over You,” he was trying to find an intersection between The Clash and The Supremes. On “Everywhere I Go” he was trying to mix the Mexican influence of the original with the connected worlds of Klezmer and Balkan music and 1970s Ethiopian jazz.
Since food and music go so well together, what is your dream pairing of a meal and a musician?
I’d like to eat foie gras and fig jam on a baguette with a glass of pinot noir while Édith Piaf sings to me “Non, je ne regrette rien.”
Does pineapple really belong on pizza?
I think anything goes. I remember a long time ago when Wolfgang Puck first opened Spagos on Sunset Boulevard in Los Angeles, I was appalled to see “Jewish Pizza” on the menu. Well, it was smoked salmon and cream cheese pizza and I’m here to tell you it was delicious!
Artist:HORSEBATH Hometown: Montréal, Québec and Halifax, Nova Scotia Latest Album:Another Farewell (released February 7)
What’s your favorite memory from being on stage?
One of our biggest highlights was definitely opening for Sierra Ferrell at Toronto’s legendary Massey Hall. A few of us are from rural Ontario and grew up going to show’s there, and so to have the opportunity to step on that stage in front of our family and friends was quite special. We are extremely grateful that Sierra trusted us and our music, and it’s a memory we will cherish forever. – Etienne Beausoleil
What other art forms – literature, film, dance, painting, etc. – inform your music?
We love to dance – especially swing and two-step. When we’re jamming and that heartbeat kicks in – the pulse, the groove that drives us – we know we’ve got a tune that’ll pull people onto the dance floor and keep them moving all night. – Daniel Connolly
How often do you hide behind a character in a song or use “you” when it’s actually “me”?
I think it’s easier to use a kind of veil, in a way, when it comes to writing a certain type of song. We often write about our own experiences and it’s always an exposing thing to share. A lot of our songs are quite personal. Maybe we focus on the sadder ones, but I’ve always felt they make for a more relatable story. The “character” can be the way you play or sing it. You can easily picture yourself living through all the same experiences but in another time, era or place. When it’s coming from personal experience, playing with those different imaginary versions we all have inside of us can create an entire mood that becomes the song. – Dagen Mutter
If you didn’t work in music, what would you do instead?
Make films. – DC
We’re all artistic people. It’s hard to say what we would be doing if it weren’t music and this band, but it’s safe to say that we would all be interested in the arts. Some of us have backgrounds in filmmaking and acting, so perhaps we would be involved somehow in the filmmaking industry. – EB
What’s one question you wish interviewers would stop asking you?
What colour we would be. – DM
The meaning of our name. – DC
It’s our best kept secret and only very few people in the world know the true meaning of the name. – EB
Artist:Max Wareham Hometown: Middletown, Connecticut Latest Album:DAGGOMIT! (releasing February 21) Personal Nicknames or Rejected Band Names: The Bluegrass Pagans, The Bluegrass Feds, The Bluegrass Paranormal Investigators, The Bluegrass Rats
Which artist has influenced you the most – and how?
I play in Peter Rowan’s Bluegrass Band – he’s been a pretty big influence on me. His spirit as an artist burns strong; he has a vision that isn’t restricted by parameters of tradition or genre and he has an incredible way of singing and playing from the heart. Who else has played in a band with both Bill Monroe and Jerry Garcia? I was honored to have him produce my album, DAGGOMIT!. He’s also a distant cousin of mine.
What other art forms – literature, film, dance, painting, etc. – inform your music?
I like to write and practice photography, especially film. The great French photographer Eugene Atget is a huge inspiration to me. His photographs have profound harmony in them – every proportion is perfect and the simplest lines can be so expressive. To me, it’s very musical. I also love the German author W.G. Sebald. His writing often explores themes of decay and loss through a gauzy lens of nostalgia, not unlike bluegrass music.
What’s the most difficult creative transformation you’ve ever undertaken?
I’ve worn lots of different musical hats, so I generally don’t find it difficult to transform creatively. While bluegrass and the banjo are my primary focus, I played electric bass for years in psych-pop band, Sun Parade, and studied jazz guitar performance at school. I write and record some non-bluegrass songs under the name Sir Orfeo and was in the chamber-pop studio band Cousin Moon – to me, it’s all music.
If you didn’t work in music, what would you do instead?
I’d probably work in archaeology. I quit music for a short while and worked on an archaeological dig in eastern Tennessee, excavating a 16th century Cherokee settlement. There’s something I love about digging, whether that’s literal or uncovering the history of forgotten banjo players.
I crewed for a hot air balloon pilot for a while, too, but that’s a tough gig.
Since food and music go so well together, what is your dream pairing of a meal and a musician?
Well, I did once find myself grilling a steak in a parking lot behind a venue with Dobro legend Jerry Douglas. I thought his company and the steak were a perfect pairing. He was wearing denim and the steak was medium-rare.
Photo Credit: Sasha Pedro
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