Tag: The Infamous Stringdusters
Grammy Nominations 2022: See the American Roots Music Nominees
The Grammy Awards have revealed their nominees, and the American Roots Music ballot is especially diverse this year. Take a look at nominations for the 2022 show, which will air January 31 from Los Angeles on CBS. (See the full list.)
Best American Roots Performance
Jon Batiste – “Cry”
Billy Strings – “Love and Regret”
The Blind Boys of Alabama and Béla Fleck – “I Wish I Knew How It Would Feel to be Free”
Brandy Clark Featuring Brandi Carlile – “Same Devil”
Allison Russell – “Nightflyer”
Best American Roots Song
Rhiannon Giddens, Francesco Turrisi – “Avalon”
Valerie June Featuring Carla Thomas – “Call Me a Fool”
Jon Batiste – “Cry”
Yola – “Diamond Studded Shoes”
Allison Russell – Nightflyer
Best Americana Album
Jackson Browne – Downhill From Everywhere
John Hiatt with the Jerry Douglas Band – Leftover Feelings
Los Lobos – Native Sons
Allison Russell – Outside Child
Yola – Stand for Myself
Best Bluegrass Album
Billy Strings – Renewal
Béla Fleck – My Bluegrass Heart
The Infamous Stringdusters – A Tribute to Bill Monroe
Sturgill Simpson – Cuttin’ Grass Vol. 1 (Butcher Shoppe Sessions)
Rhonda Vincent – Music Is What I See
Best Traditional Blues Album
Elvin Bishop and Charlie Musselwhite – 100 Years of Blues
Blues Traveler – Traveler’s Blues
Cedric Burnside – I Be Trying
Guy Davis – Be Ready When I Call You
Kim Wilson – Take Me Back
Best Contemporary Blues Album
The Black Keys Featuring Eric Deaton and Kenny Brown – Delta Kream
Joe Bonamassa – Royal Tea
Shemekia Copeland – Uncivil War
Steve Cropper – Fire It Up
Christone “Kingfish” Ingram – 662
Best Folk Album
Mary Chapin Carpenter – One Night Lonely (Live)
Tyler Childers – Long Violent History
Madison Cunningham – Wednesday (Extended Edition)
Rhiannon Giddens with Francesco Turrisi – They’re Calling Me Home
Sarah Jarosz – Blue Heron Suite
Best Regional Roots Music Album
Sean Ardoin and Kreole Rock and Soul – Live in New Orleans!
Big Chief Monk Boudreaux – Bloodstains and Teardrops
Cha Wa – My People
Corey Ledet Zydaco – Corey Ledet Zydaco
Kalani Pe’a – Kau Ka Pe’a
Photo of Allison Russell: Marc Baptiste
Photo of Tyler Childers: David McClister
Photo of Rhiannon Giddens and Francesco Turrisi: Karen Cox
IBMA Awards 2021: See the Full List of Winners
The International Bluegrass Music Awards were handed out Thursday night at the IBMA’s first in-person awards ceremony since the COVID-19 pandemic began. Grammy Award-winning ensemble The Infamous Stringdusters hosted the 32nd annual edition of bluegrass’s biggest night from the Duke Energy Center for the Performing Arts in downtown Raleigh, North Carolina.
On the heels of the release of his brand new album, Renewal, guitarist Billy Strings won the night’s highest honor, Entertainer of the Year, while also winning his second Guitar Player of the Year trophy. 2020’s Entertainers of the Year, Sister Sadie, received the Vocal Group of the Year award, while Smithsonian Folkways’ compilation album, Industrial Strength Bluegrass, which celebrates the regional bluegrass stylings of southwestern Ohio, was the Album of the Year winner.
Previously announced Bluegrass Music Hall of Fame inductees Lynn Morris, Alison Krauss, and the Stoneman Family were honored during the show as well. See the full list of winners below:
ENTERTAINER OF THE YEAR:
Billy Strings
VOCAL GROUP OF THE YEAR:
Sister Sadie
INSTRUMENTAL GROUP OF THE YEAR:
Appalachian Road Show
SONG OF THE YEAR:
“Richest Man” – Balsam Range (artist), Jim Beavers/Jimmy Yeary/Connie Harrington (songwriters), Balsam Range (producer), Mountain Home Records (label)
ALBUM OF THE YEAR:
Industrial Strength Bluegrass: Southwestern Ohio’s Musical Legacy – Various Artists, Joe Mullins (producer), Smithsonian Folkways Recordings (label)
GOSPEL RECORDING OF THE YEAR (Tie):
“After While” – Dale Ann Bradley (artist), Public Domain, Dale Ann Bradley (producer), Pinecastle Records (label)
“In the Resurrection Morning” – Sacred Reunion featuring Doyle Lawson, Vince Gill, Barry Abernathy, Tim Stafford, Mark Wheeler, Jim VanCleve, Phil Leadbetter, Jason Moore (artists), Mark Wheeler (songwriter), Barry Abernathy, Jim VanCleve (producers), Dottie Leonard Miller (Executive Producer), Billy Blue Records (label)
INSTRUMENTAL RECORDING OF THE YEAR: “Ground Speed” – Kristin Scott Benson, Skip Cherryholmes, Jeremy Garrett, Kevin Kehrberg, Darren Nicholson (artists), Earl Scruggs (songwriter), Jon Weisberger (producer), Mountain Home Music (label)
NEW ARTIST OF THE YEAR:
Appalachian Road Show
COLLABORATIVE RECORDING OF THE YEAR:
“White Line Fever” – Bobby Osborne with Tim O’Brien, Trey Hensley, Sierra Hull, Stuart Duncan, Todd Phillips, Alison Brown (artists), Merle Haggard/Jeff Tweedy (songwriters) Alison Brown, Garry West (producers), Compass Records (label)
FEMALE VOCALIST OF THE YEAR:
Dale Ann Bradley
MALE VOCALIST OF THE YEAR (Tie):
Danny Paisley
Del McCoury
BANJO PLAYER OF THE YEAR:
Scott Vestal
BASS PLAYER OF THE YEAR:
Missy Raines
RESOPHONIC GUITAR PLAYER OF THE YEAR:
Justin Moses
FIDDLE PLAYER OF THE YEAR:
Bronwyn Keith-Hynes
GUITAR PLAYER OF THE YEAR:
Billy Strings
MANDOLIN PLAYER OF THE YEAR:
Sierra Hull
Photo of Billy Strings by Jesse Faatz
MIXTAPE: Jeremy Garrett’s Melting Pot of Influential Music
My mind has been concentrated on making music for my latest record, Wanderer’s Compass. I let Wanderer’s Compass be a collection of as many influences in music I’ve had as possible. I’ve been playing long enough that I used to learn my fiddle parts from an LP and move the needle back to catch the solo parts. Then of course over time, with the advent of the internet, the influence highway, so to speak, became much wider. I’ve always thought it is hard to put music in a box, since it is art, even though I essentially understand the reason for genres. To me the whole point of art is to let all of your influences and experiences be the palette in which to create your vision. This playlist is really fun for me to listen to, and I hope you enjoy it as well. — Jeremy Garrett
Dire Straits – “Where Do You Think You’re Going?”
This song was off a record that I heard early on in my life and the soul that Mark Knopfler brought to this song continues to influence me to this day.
Larry Sparks – “Blue Virginia Blues”
Larry is a master of song delivery, selection, singing, and incredibly soulful guitar playing that is old school, yet crosses any boundaries from that world into the new because art like that knows no bounds.
Tony Rice – “Urge for Going”
From the album Native American, this track is the epitome of how to produce a song to pull all of the essence from it for the listener to hear. Any bluegrass musician can tell you that Tony Rice is the man to listen to for song production, not to mention his unmatched guitar skills.
Jeremy Garrett – “Wishing Well”
“Wishing Well” is an original and on this track I stretch way out on the fiddle for a jam.
David Grisman – “Fish Scale”
David is one of the best and truest musicians of our time. This is a one-of-a-kind song from a one-of-a-kind artist, David Grisman. I particularly love Tony Rice’s playing on this track.
The Stanley Brothers – “The Lonesome River”
This is one of history’s most eerie and interesting sounding bluegrass duos. Their songs and the way they sing them are my personal favorite sounds of the traditional bluegrass era.
Strength in Numbers – “Blue Men of the Sahara”
This ensemble was one of the most creative in acoustic music. This particular song showcases what happens when you marry music stylings from around the globe, and Mark O’Connor rips a fiddle like nobody’s business.
Merle Haggard and Willie Nelson – “Pancho and Lefty”
This cut is pure magic if you ask me. I love everything about it, from the wacky-sounding synth stuff to the magic that Haggard brings when he comes in for his verse. Sends chills up my spine.
George Jones – “Choices”
There may not be any better country singing than this right here.
Jimi Hendrix – “Red House”
There is perhaps no one more inspiring to a musician who wants to tap into soul and vibe. Hendrix is the one who paved the way for all of us in that regard.
Deep Forest – “Sing with the Birds”
This music was an indicator for me at an early age that I loved world music and the technology that continues to evolve to help create some of it. This is programming at its finest and it’s flowing with creativity.
Jeremy Garrett – “Nevermind”
This is a Dennis Lloyd cover that I love to perform. Dennis is an Israeli pop artist. It’s a culmination of my bluegrass chops on fiddle, guitar, mandolin, along with effects, experimentation, and programmed beats.
Photo credit: J.Mimna Photography
IBMA Bluegrass Music Awards Reveal Nominees, Hall of Fame Inductees
Nominees for the 32nd Annual IBMA Bluegrass Music Awards presented by Yamaha were announced today, with Balsam Range, Billy Strings, Doyle Lawson & Quicksilver, Del McCoury Band, and The Po’ Ramblin’ Boys landing in the top category of Entertainer of the Year. Alison Krauss, Lynn Morris, and the Stoneman Family will be inducted into the Bluegrass Music Hall of Fame during the show as well.
Five people who have made significant contributions to bluegrass music were named as recipients of the IBMA Distinguished Achievement Award: industry leader Nancy Cardwell Webster, broadcaster Lee Michael Demsey, Czech luthier/performer Jaroslav Prucha, musician/performer Cliff Waldron, and Boston Bluegrass Union’s Stan Zdonik.
The IBMA Bluegrass Music Awards on Thursday, September 30, at the Duke Energy Center for the Performing Arts in Raleigh, North Carolina. Awards are voted on by the professional membership of the International Bluegrass Music Association (IBMA), the professional nonprofit association for the bluegrass music industry.
ENTERTAINER OF THE YEAR
Balsam Range
Billy Strings
Doyle Lawson & Quicksilver
The Del McCoury Band
The Po’ Ramblin’ Boys
MALE VOCALIST OF THE YEAR
Ronnie Bowman
Del McCoury
Danny Paisley
Junior Sisk
Larry Sparks
FEMALE VOCALIST OF THE YEAR
Brooke Aldridge
Dale Ann Bradley
Sierra Hull
Molly Tuttle
Rhonda Vincent
VOCAL GROUP OF THE YEAR
Darin & Brooke Aldridge
Balsam Range
Blue Highway
Doyle Lawson & Quicksilver
Sister Sadie
INSTRUMENTAL GROUP OF THE YEAR
Appalachian Road Show
Billy Strings
Michael Cleveland & Flamekeeper
The Infamous Stringdusters
The Travelin’ McCourys
NEW ARTIST OF THE YEAR sponsored by Ron & Nancy McFarlane
Appalachian Road Show
Carolina Blue
Gina Furtado Project
High Fidelity
Merle Monroe
SONG OF THE YEAR
“Banjo Player’s Blues”
Artist: High Fidelity
Songwriter: Charlie Monroe
Producers: Jeremy Stephens, Brad Benge
Label: Rebel Records
“Hitchhiking to California”
Artist: Alan Bibey & Grasstowne
Songwriters: Wes Golding/Alan Bibey/Jerry Salley
Producers: Jerry Salley, Ron Stewart, Dottie Leonard Miller
Label: Billy Blue Records
“Just Load the Wagon”
Artist: Junior Sisk
Songwriter: J.R. Satterwhite
Producers: Amanda Cook, Junior Sisk, Mark Hodges
Label: Mountain Fever Records
“Leaving on Her Mind”
Artist: Doyle Lawson & Quicksilver
Songwriter: Jack Clement
Producer: Rosta Capek
Label: Billy Blue Records
“Richest Man”
Artist: Balsam Range
Songwriters: Jim Beavers/Jimmy Yeary/Connie Harrington
Producer: Balsam Range
Label: Mountain Home Music Company
ALBUM OF THE YEAR (Tie)
Bluegrass 2020
Artist: Scott Vestal, Patrick McAvinue, Cody Kilby, Dominick Leslie, Curtis Vestal
Producers: Scott Vestal, Ethan Burkhardt, Lonnie Lassiter
Label: Pinecastle Records
Distance and Time
Artist: Becky Buller
Producer: Stephen Mougin
Label: Dark Shadow Recording
Fall Like Rain
Artist: Justin Moses
Producer: Justin Moses
Label: Mountain Fever Records
Industrial Strength Bluegrass: Southwestern Ohio’s Musical Legacy
Artist: Various Artists
Producer: Joe Mullins
Label: Smithsonian Folkways Recordings
Load the Wagon
Artist: Junior Sisk
Producers: Amanda Cook, Junior Sisk, Mark Hodges
Label: Mountain Fever Records
Still Here
Artist: Steve Gulley & Tim Stafford
Producers: Steve Gulley, Tim Stafford
Label: Mountain Home Music Company
BANJO PLAYER OF THE YEAR
Gena Britt
Gina Furtado
Rob McCoury
Kristin Scott Benson
Scott Vestal
BASS PLAYER OF THE YEAR
Mike Bub
Todd Phillips
Missy Raines
Mark Schatz
Marshall Wilborn
FIDDLE PLAYER OF THE YEAR
Jason Carter
Michael Cleveland
Stuart Duncan
Bronwyn Keith-Hynes
Deanie Richardson
RESOPHONIC GUITAR PLAYER OF THE YEAR
Jerry Douglas
Andy Hall
Rob Ickes
Phil Leadbetter
Justin Moses
GUITAR PLAYER OF THE YEAR sponsored by Yamaha
Trey Hensley
Billy Strings
Bryan Sutton
Molly Tuttle
Jake Workman
MANDOLIN PLAYER OF THE YEAR
Jesse Brock
Sam Bush
Sierra Hull
Ronnie McCoury
Tristan Scroggins
COLLABORATIVE RECORDING OF THE YEAR
“Birmingham Jail”
Artists: Barry Abernathy with Vince Gill
Songwriter: Traditional
Producers: Barry Abernathy, Jim VanCleve, Dottie Leonard Miller
Label: Billy Blue Records
“In the Resurrection Morning”
Artists: Sacred Reunion featuring Doyle Lawson, Vince Gill, Barry Abernathy, Tim Stafford, Mark Wheeler, Jim VanCleve, Phil Leadbetter, Jason Moore
Songwriter: Mark Wheeler
Producers: Barry Abernathy, Jim VanCleve, Dottie Leonard Miller
Label: Billy Blue Records
“My Baby’s Gone”
Artists: Justin Moses with Del McCoury
Songwriter: Dennis Linde
Producer: Justin Moses
Label: Mountain Fever Records
“Tears of Regret”
Artists: High Fidelity with Jesse McReynolds
Songwriters: Jesse McReynolds/Lucille Hutton
Producers: Jeremy Stephens, Corrina Rose Logston, Brad Benge
Label: Rebel Records
“White Line Fever”
Artists: Bobby Osborne with Tim O’Brien, Trey Hensley, Sierra Hull, Stuart Duncan, Todd Phillips, Alison Brown
Songwriters: Merle Haggard/Jeff Tweedy
Producers: Alison Brown, Garry West
Label: Compass Records
INSTRUMENTAL RECORDING OF THE YEAR
“The Appalachian Road”
Artist: Appalachian Road Show
Songwriter: Jim VanCleve
Producers: Jim VanCleve, Barry Abernathy, Appalachian Road Show, Dottie Leonard Miller
Label: Billy Blue Records
“Foggy Mountain Chimes”
Artists: Scott Vestal, Patrick McAvinue, Cody Kilby, Dominick Leslie, Curtis Vestal
Songwriter: Earl Scruggs
Producer: Scott Vestal
Label: Pinecastle Records
“Ground Speed”
Artists: Kristin Scott Benson, Skip Cherryholmes, Jeremy Garrett, Kevin Kehrberg, Darren Nicholson
Songwriter: Earl Scruggs
Producer: Jon Weisberger
Label: Mountain Home Music Company
“Mountain Strings”
Artist: Sierra Hull
Songwriters: Frank Wakefield/Red Allen
Producer: Joe Mullins
Label: Smithsonian Folkways Recordings
“Taxland”
Artist: Justin Moses with Sierra Hull
Songwriter: Justin Moses
Producer: Justin Moses
Label: Mountain Fever Records
GOSPEL RECORDING OF THE YEAR
“After Awhile”
Artist: Dale Ann Bradley
Songwriter: Public Domain
Producer: Dale Ann Bradley
Label: Pinecastle Records
“Grit and Grace”
Artist: Balsam Range
Songwriters: Ann Melton/Milan Miller/Beth Husband
Producer: Balsam Range
Label: Mountain Home Music Company
“Hear Jerusalem Calling”
Artist: Joe Mullins & The Radio Ramblers
Songwriters: Marty Stuart/Jerry Sullivan
Producers: Joe Mullins, Dottie Leonard Miller
Label: Billy Blue Records
“In the Resurrection Morning”
Artists: Sacred Reunion featuring Doyle Lawson, Vince Gill, Barry Abernathy, Tim Stafford, Mark Wheeler, Jim VanCleve, Phil Leadbetter, Jason Moore
Songwriter: Mark Wheeler
Producers: Barry Abernathy, Jim VanCleve, Dottie Leonard Miller
Label: Billy Blue Records
“When He Calls My Name”
Artist: Alan Bibey & Grasstowne
Songwriters: Alan Bibey/Ronnie Bowman
Producers: Alan Bibey & Grasstowne, Ron Stewart, Jerry Salley, Dottie Leonard Miller
Label: Billy Blue Records
Photo of Billy Strings: Jesse Faatz
Photo of Alison Krauss: Capitol Records
Photo of Molly Tuttle: Zach Pigg & Chelsea Rochelle
LISTEN: Andy Falco, “The Edge”
Artist: Andy Falco
Hometown: Sayville, New York
Song: “The Edge”
Album: The Will of the Way
Release Date: July 16, 2021
Label: Americana Vibes
In Their Words: “‘The Edge’ is one of the few songs on my forthcoming album that was written prior to 2020. The lyrics were co-written with Travis McKeveny, also from Long Island, who I’ve written with several times now including ‘2001: A Canyon Odyssey’ off the Dusters’ album Laws of Gravity. ‘The Edge’ is one of the few that I’m playing everything on the track except the drums/percussion (Dave Butler) and the harmony vocals (Jon Preddice and Erica Leigh). I recorded it as a demo, but I felt like the track had a certain magic to it, particularly in the end jam so I left most parts as they were, blemishes and all, including the end lead guitar which was done with just that one take. It’s a song about giving yourself to someone, and hoping they will accept you with all your faults, so I thought the little ‘flaws’ here and there represent the sentiment of the song.” — Andy Falco
Photo credit: Jay Strausser
LISTEN: The Infamous Stringdusters, “My Sweet Blue Eyed Darling”
Artist: The Infamous Stringdusters
Hometown: Denver, Colorado; Brevard, North Carolina; Sayville, New York
Song: “My Sweet Blue Eyed Darling”
Album: A Tribute to Bill Monroe
Release Date: May 28, 2021
Label: Americana Vibes
In Their Words: “During the great pause of 2020, the only way to make music as the Stringdusters was to record remotely, since we’re all scattered around the country. We recently launched our label Americana Vibes, which has been a great vehicle for us to release all of our recorded music (Stringdusters and solo albums), as well as other artists we dig. One of the projects we thought would be fun to record was some OG bluegrass, so of course we turned to Bill Monroe. Without him, there would certainly be no Stringdusters. We each picked some of our favorites, including this one, ‘My Sweet Blue Eyed Darling,’ recorded our parts at home, and I mixed the record in my studio on Long Island to honor the Father of Bluegrass, Bill Monroe.” — Andy Falco, The Infamous Stringdusters
Photo credit: Jay Strausser
BGS 5+5: Chris Pandolfi
Artist: Chris Pandolfi
Hometown: Golden, Colorado
Latest Album: Trance Banjo
Personal nicknames: Panda
Which artist has influenced you the most … and how?
From one perspective, this is a really tough question for me because there are many sides to my music, and many influences that have factored in really heavily at different periods. But from another perspective, it’s easy. I wouldn’t be playing the banjo if it wasn’t for Béla Fleck. I discovered the Flecktones in high school and was just blown away in every possible way. It was a moment of pure inspiration, and after a handful of shows all I wanted to do was learn how to play the banjo. That was the start of my journey as a musician, and none of that happens had I not discovered Béla’s music.
But his influence doesn’t end there. He’s a legendary improviser on the instrument, and that’s a big part of what the Stringdusters do. But maybe even more importantly, he’s made his mark by recontextualizing the banjo, combining it with so many eclectic sounds and bringing it to many new genres. That’s a big goal of mine as well, and that’s very much inspired by Béla. He didn’t leave too much undiscovered territory! But the bigger your imagination, the more territory there is to explore, and I love that challenge.
I have many great memories of being on stage, but the night that we played in Covington, Kentucky, in the summer of 2019 stands out. It was an electric show, and the moment we walked off stage we all sort of simultaneously decided that we had just made a live album. That has only happened a handful of times in our career, even though we have had many gratifying shows. But this was one of those stand out nights where something connected on a deeper level. It seemed like everything we did just hit the crowd with maximum power, and then they were feeding us with so much energy and emotion. That’s what can happen at a show. It can happen any night, even when a venue is not packed out, and that possibility is one of the great thrills of this career. On a night like that, everyone there is an equal participant in the performance. There’s no divide between the performers and the crowd, and the possibilities are endless.
What other art forms — literature, film, dance, painting, etc — inform your music?
I get inspiration from a lot of places, but books and visual art are high on that list. I love artists and writers who surprise you. It may not inspire a specific melody or song, but it definitely stokes the idea inside me that anything is possible, and with imagination and creativity you can always find new paths to travel. Lately, I have really enjoyed the work of Clyfford Still. Still was an American, abstract painter whos work is bold and stunning. There’s a beautiful museum dedicated to his work here in Denver, and it turned me into a big fan.
I also love reading science fiction, mainly because the imagination factor of good sci-fi is off the charts. I read a trilogy of books in recent years called The Three Body Problem by a Chinese author named Cixin Liu that blew my mind. The story is gripping and endlessly creative. Two song titles on my new record, Trance Banjo, are references to that trilogy, both from the second book, Dark Forest, which is my favorite. Great art of any kind transports you to a place that feels very free, where there’s no strong sense of self. I get a lot of inspiration from that feeling.
Playing music is one challenge, but performing is a whole other hill to climb. When I am getting ready to play live or record, I always try to spend some time with my instrument (15-45 minutes or so) playing really mindfully and getting in the zone. That zone of being deeply focused on the music has seemed like a mystery at points in my career, and will forever be elusive in some way. But there is also something methodical about it, and that’s where practice comes in. When I practice I spend some time focusing on more mechanical elements, a new technique, transcribing or that sort of thing. But ultimately, I want to devote a good chunk of every practice session to building that zone. A good practice session should be like a meditation. The more time you can log in that focused zone, the more you know what it feels like and the easier it will be to conjure up in a performance setting. It’s a lifelong journey, and it certainly keeps you humble! But it’s not magic, it just takes practice.
If you had to write a mission statement for your career, what would it be?
I think my most consistent goal is to sound like myself as a player, and craft music that is unique as a producer. Bluegrass is the banjo’s native territory, and a common goal among proficient bluegrass players is to study and copy the styles of the early masters. For banjo players, that’s Earl Scruggs, and I would give anything to sound like Earl! There is so much great knowledge there, and so much expression as well. It’s a bedrock element of the instrument that practically every great player has a deep knowledge of.
While I have spent much time working on the fundamentals of Earl’s style, that is more of a starting point for me, and not an end-game. There are times on stage when I really try to emulate that older sound. But when it comes to crafting my own style and my own music, I try to use those old school bluegrass rudiments — timing, power, tone — but then add my own voice as well. The same goes for producing. It’s all about identifying and connecting with sounds that move you, and then using your imagination to grow from there and utilize those tools to bring your own vision to life.
Photo credit: Chris Pandolfi
The BGS Radio Hour – Episode 191
We are so excited to bring to you the BGS Radio Hour podcast. Since 2017 the BGS Radio Hour has been a recap of the wonderful music, new and old, that we’ve covered here on BGS throughout the week, broadcast over the airwaves in Murfreesboro, TN, southern California, and around the country. Now you can check back in every Monday for the Radio Hour in podcast form!
This North Carolina-based band, who just released their sophomore album Tribulation, is a supergroup of sorts – with members having formerly played with David Grisman, Mountain Heart, and Josh Turner. “Goin’ to Bring Her Back” is a recent release, in the Road Show’s own style of classic bluegrass.
Canadian songwriter Ian Foster first wrote this song when the famous Voyager 1 spacecraft passed into interstellar space, AKA, “the space between the stars.” A monumental moment for all humanity, it inspired this song — which is about faith in ourselves, science, and who we are.
Always a festival favorite, Scythian has a deep connection with their fans: deep enough to have taken over 600 of them along to Ireland on tours over the last seven years. The Virginia-based group brought us a song about those magical nights in Galway City.
Throughout this holiday season in particular, it’s important to remember those traditions which unite us. Though many holiday reunions may hot happen this year, Frank Solivan brings us this warm reminder of how we’ll “muddle through” for BGS Wraps.
Tina Adair – “Eighteen Wheels and a Dozen Roses”
Tina Adair, lead singer of the powerhouse group Sister Sadie, delivers to us her take on an ’80s classic, originally recorded by Kathy Mattea. Adair and the rest of her bandmates in Sister Sadie are our Artist of the Month this December!
The story we didn’t know we needed. From her new album Are You Gone?, Sarah Harmer brings us a song crafted from summer memories and small pleasures. The video, however, gives us a glimpse into the day in the life of a “little frog.”
Colorado banjo guru Andy Thorn first recorded this tune with the Colorado Playboys (Travis Book, Jon Stickley, and John Frazier.) Over a decade later, the composition once again is given life in a collaboration with pianist Eric Deutsch recorded in vibrant Mexico City.
The Steel Wheels – “The Healer”
Virginia’s The Steel Wheels were recent 5+5 guests — that’s 5 questions, 5 songs. We chatted with the band about their inspirations, cherished memories of being on stage, and dream musician-meal pairings. This week on the Radio Hour, they brought us a song from their new album, Everyone a Song, Vol. 1.
Katie Oates – “Here in Gastonia”
By way of Katie Oates, this week we honor 29-year-old Ella May Wiggins, a songwriter and textile worker who was shot and killed in an infamous workers’ strike of 1929. This song, written by Si Kahn and from the album We Go On: Si Kahn’s Songs of Hope in Hard Times, reminds us of the ongoing struggle for better lives and justice, for all people.
Songwriter and folkster Jesse Colin Young (of the Youngbloods) brought us a return to his roots with his new record Highway Troubadour. The South Carolina-based artist revisits decades of his musical material while exploring a new launch into solo performance.
It’s no doubt that we’re all missing people this holiday season and Ron Pope is no exception. While there will be few big family Christmases this year, we can still sit around and sing our favorite Christmas songs, which is exactly what inspired this new release from Pope.
Beloved Gillian Welch and her partner David Rawlings were among the many affected by the Nashville tornados in March 2020. After saving a collection of demo recordings which were scattered amongst the wreckage, Welch has so graciously invited the rest of the world in to hear these 48 unreleased songs. On this episode of the BGS Radio Hour, we bring you “Rambling Blade.”
Like we said: Sister Sadie is a powerhouse – no ifs, ands, or buts about it. The all-female, hard-driving bluegrass band racked up multiple awards at this year’s IBMA Awards, including the highest honor: Entertainer of the Year. The group is our December Artist of the Month, so check back for tidbits all month long, as we have plenty to feature on Sister Sadie!
One thing that bluegrass bands haven’t been slack on this year is Christmas songs. No exception, the Infamous Stringdusters bring us this classic, done Dusters-style of course, from their new album Deck the Halls.
Photo credit: (L to R) Tina Adair by John Dorton; The Infamous Stringdusters, ‘Dust the Halls’; Gillian Welch by David Rawlings.
BGS Wraps: The Infamous Stringdusters, “Joy to the World”
Artist: The Infamous Stringdusters
Song: “Joy to the World”
Album: Dust the Halls
Release Date: December 4, 2020
In Their Words: “Early in the COVID-19 pandemic, after all touring was indefinitely canceled, we were trying to figure out how to stay connected musically as a band spread out all around the country. We started to consider doing some remote recording projects (each guy from his own home studio), but doing a brand new original Stringdusters album requires us to be together. I had actually already started thinking about a Christmas album last year, but never had the time to start recording it, so when the idea came up we were able to use that list of mostly traditional songs and added an Andy Hall arrangement of ‘Winter Wonderland.’
“I put together arrangements for the band, wrote charts, made a guitar track and the guys all added their parts one by one. As the pieces were coming in and I was assembling and mixing them in my studio, the songs started to come to life and I felt like the band was together again. It was truly therapeutic and particularly nice that it was joyful holiday music, which helped me through some of the darkness happening in the world around us. We hope this album can help bring a little of that joy in to people’s homes, and we wish everyone a happy and healthy holiday season.” — Andy Falco, The Infamous Stringdusters