LISTEN: Woodlock, “Normal”

Artist: Woodlock
Hometown: Melbourne, Australia
Song: “Normal”
Album: Collateral EP
Release Date: October 9, 2020
Label: Nettwerk Records

In Their Words: “I wrote ‘Normal’ a few years ago in Adelaide after a friend came to a show, and we were chatting about relationships. I wasn’t married at the time, but I was thinking about taking the next step. My friend opened my eyes on how marriage, after all the glamour, needs serious work, and how he still loved his partner, but it expressed itself differently over the years. I loved the idea of describing a deep love for someone without saying the word ‘love.'” — Eze Walters, Woodlock


Photo credit: Kane Hibbered

Artist of the Month: Steep Canyon Rangers

In a state with no shortage of bluegrass bands, North Carolina’s Steep Canyon Rangers have always set themselves apart with compelling songwriting and a camaraderie that feels authentic, whether they’re up on stage headlining Merlefest or at a performing arts center supporting Steve Martin. (The band shared IBMA Entertainer off the Year honors with Martin in 2011.) These guys have integrity, sure, but they also have an adventurous spirit, a subtle sense of humor, and a keen perspective that reflects where they are in life.

On their upcoming album, Arm in Arm, bluegrass fans will find a lot to like, but so will those listeners who pay attention to songwriting. It happens to be the first time they’ve recorded an album outside of North Carolina, opting to work at Southern Ground studio in Nashville, and to produce the album with Brandon Bell. Some of the sonic textures may sound different, but the emotions in their music remain intact.

“We’re not trying to sound like a style or genre,” says Graham Sharp, the band’s banjo player, frequent songwriter, and occasional lead singer. “We’re not trying to fit into a certain mold. For a long time, we were a traditional bluegrass band, and that meant the themes would have to fit into that mold: work songs, heartbreak songs, train songs. But we’ve evolved to play any groove, any style, and it has opened us up to so many more possibilities.”

BGS will spotlight Steep Canyon Rangers as our Artist of the Month with back-to-back interviews with two of its founding band members, Woody Platt and Graham Sharp, conducted by noted North Carolina author and journalist David Menconi. (Read part one with Woody Platt here. Read part two with Graham Sharp here.) Arm in Arm arrives on October 16, but we’ve include a few of its early tracks below in our BGS Essentials Playlist for Steep Canyon Rangers.


Photo credit: David Simchock

BGS 5+5: The Band of Heathens

Artist: Ed Jurdi of The Band of Heathens
Hometown: Asheville, North Carolina; band’s hometown is Austin, Texas
Latest album: Stranger
Band Nicknames: The Hand of Beathens

What’s your favorite memory from being on stage?

At the Americana Awards a few years back. I remember being on stage at the Ryman Auditorium and looking around and realizing that I was performing with a bunch of my heroes. Delbert McClinton, Emmylou Harris, John Hiatt and Sam Bush, to name just a few. It truly was a full circle moment for sure.

What other art forms — literature, film, dance, painting, etc — inform your music?

In short they all do. I have always been in awe of painters who can really create a world with their colors and imagery. I find myself being really inspired by the impressionistic painters and the way they use light to offer a unique and different perspective on things that can be somewhat mundane.

What rituals do you have, either in the studio or before a show?

I don’t have any real set rituals, but I generally like to hang around the gig and sing some songs either by myself, or with whoever else is hanging out. It’s a good way to warm up and it’s a fun way to get the group vibes in a positive space.

If you had to write a mission statement for your career, what would it be?

Follow the muse. Lead with your art and expression and figure out how to make the business part of the career work in service of the creativity. I can happily say that has always been the case.

Which elements of nature do you spend the most time with and how do those impact your work?

I live in Asheville, North Carolina, so I spend the most time in the mountains and the forests that surround us. I love being able to hike way out into the woods and find a vista where I can see both the great scope of things, but also hear the rustling of the leaves and the wind blowing through the tops of the trees. In those moments of solitude I find my mind is incredibly clear and clean, which is almost always when ideas begin to present themselves almost out of nowhere.


Photo credit: Jason Quigley

WATCH: Bonnie Whitmore, “Time to Shoot”

Artist: Bonnie Whitmore
Hometown: Austin, Texas
Song: “Time to Shoot”
Album: Last Will and Testament
Release Date: October 2, 2020

In Their Words: “When I wrote ‘Time to Shoot,’ it was after the Pulse nightclub shooting in Orlando. It was the largest death count of any mass shooting and was in the summer of 2016. Remember 2016? That year of a thousand losses that started with David Bowie, Prince, Leonard Cohen on Election Day, and Carrie Fisher (Princess Leia) right at the end? I was reflecting back on the earliest mass shootings that I could recall and I remembered it was Columbine in 1999. It struck me that it has been 20 years, and nothing has changed. Twenty years of making mass shootings normalized. The potential of becoming someone’s target practice is no longer how, but which large gathering.

“I was in high school when Columbine happened and I remember the immediate fear and repression that came afterwards, and for more than half of my life I’ve watched systemic violence being tolerated by my country and its people. I can see a pattern of unaddressed mental health issues and the ease of accessibility to these military-style weapons, and also the toxic masculinity and fear and shame that’s at its core, but each time it happens nothing changes. Nothing but more fear and ‘thoughts and prayers.’ I cannot accept that this is the only way. I know this is not an easy topic to discuss, but it is worth discussing over and over because we have to find a solution. It’s time we collectively shed some light in those dark places and do the work to get through this, because if the desire is to build towards a better future, then there is a lot that’s got to change for the better.” — Bonnie Whitmore


Photo credit: Eryn Brooke; Video: Ryan Doty

BGS 5+5: Thomm Jutz

Artist: Thomm Jutz
Hometown: born in Neusatz/Germany, living in Nashville, TN
Latest album: To Live in Two Worlds Vol.2
Personal nicknames: TJ

Which artist has influenced you the most … and how?

At this point in my life, I’d have to say that Norman Blake has influenced me the most. Not just as an instrumentalist, but also as a songwriter. When he started writing original material in the early ’70s he came out of the shoot with a distinctive songwriter’s voice. Unlike Kristofferson, Hartford, and Dylan, all of whom he had worked with, Blake’s focus was not on his inner world but on the old rural America that he’d grown up in. He applied his huge knowledge of railroad history to his writing. His songs were based on local characters that he’d grown up with or places that were meaningful to him. I like to write about historic events or characters from the past and I owe the inspiration for that to a large part to the great Norman Blake.

What other art forms — literature, film, dance, painting, etc — inform your music?

Literature has a great influence on my music. I read all the time. I try to keep something historical, a story and something philosophical or inspirational going at all times. The more I read, the more I write. Sometimes images from books come to me after years and I start writing about them. I also love to read cookbooks. In recent years I’ve really been into the novels of North Carolina writers Ron Rash and John Ehle.

What was the first moment that you knew you wanted to be a musician?

When I was eleven years old I saw Bobby Bare on TV. He hit me square between the eyes with his singing, the way he held the guitar and his cooler than cool attitude. My soul connected with the archetype of the wandering minstrel at that moment and has not let me go since. I never felt like I wanted to do anything but a musician and songwriter. I got to work with Bare a couple of times. He was every bit as great as I wanted him to be.

What’s the toughest time you ever had writing a song?

I can’t say that I struggle too much with songwriting. I believe that if you have a good idea and put in the time and co-write with the right people, your craft should make it possible for you to at the very least come up with something decent every time. One song idea that I had and didn’t know how to approach for over a year was for a song called “Help Me to Hold On” that I co-wrote with Milan Miller and that was recorded by Balsam Range. Every morning when I walked with my dog that idea was in my head, but I couldn’t some up with an angle to approach it. I still remember where I was out here by Percy Priest Lake when all the pieces came together. We wrote it the following Saturday and it didn’t take more than an hour to get it done.

Since food and music go so well together, what is your dream pairing of a meal and a musician?

I listen to a whole lot of Norman Blake’s music when I’m cooking dinner with my wife every night. Another really good pairing is when my friend and fellow songwriter Jefferson Ross comes to visit from Atlanta. We stand around the kitchen or the grill with a beer, cook together and talk about books, music and vintage guitars.


Photo credit: Jefferson Ross

LISTEN: Selena Rosanbalm, “Can You Really Be Gone”

Artist: Selena Rosanbalm
Hometown: Austin, Texas
Song: “Can You Really Be Gone”
Album: Selena Rosanbalm
Release Date: October 9, 2020
Label: The Balm Records

In Their Words: “My ex-boyfriend took his own life four and a half years ago, but I still see him all over the place. I thought I saw him driving a van the other day, thought I saw him in a coffee shop. But I was especially struck when I saw a photograph of his niece some months ago; I could see his face so clearly in hers. ‘Can You Really Be Gone’ is about the suspension of reality people often experience after losing a loved one, when the logical mind knows the person is gone, but the emotional mind doesn’t want to give in to that fact.” — Selena Rosanbalm


Photo credit: Daniel Cavazos

Despite Challenges, Phil Leadbetter Finds Motivation in the All Stars of Bluegrass

There aren’t many people in bluegrass as adored as “Uncle” Phil Leadbetter. From performing for Gerald Ford with the Knoxville Newgrass Boys in 1975 to his work with J.D. Crowe, the formation of bands like Grasstowne, or beating cancer — not once, but five times — Leadbetter has earned his position as one of the most respected and beloved musicians in this familial genre.

His new project, Swing For the Fences, by Phil Leadbetter and the All Stars of Bluegrass, comes out September 25 on Pinecastle Records. While the band lost bassist, vocalist, and songwriter Steve Gulley to cancer between recording and release — as well as their touring schedule, slashed by COVID — Leadbetter is humble proof that we can keep pushing forward and doing what we love.

BGS sat down with Leadbetter to talk about the new release, working with old bandmates, and the dearly-departed Steve Gulley.

BGS: What’s something that ties these all stars of bluegrass together? What qualities were you looking for?

Leadbetter: I put this band together for a show one time, and we had Claire Lynch and Dale Ann Bradley. I was a founder or cofounder of several bands. I founded a band called Wildfire, I was a co-founder of Grasstowne with Steve [Gulley] and Alan [Bibey], which is Alan’s band now, and I was a cofounder of Flashback. With each band, a lot of times people just change directions. Each time I’ve lost the name, so that’s why I put my name out front with the All Stars of Bluegrass. I still kinda scratch my heels a little on it, but as the CD was coming out I had to make a decision. I told the guys, “my name’s out front, but every one of you still has 20% voice.”

On one of these all star shows, I just thought, “man I’m just gonna call ‘em all back together.” I had the chance to put together a show for a radio station, and I called on Alan and called on Steve. I decided that I wanted to do a record. Jason Burleson with Blue Highway, he was automatic. We had Claire Lynch, but she moved to Canada and couldn’t do it anymore. So I go back to Wildfire and I get Robert Hale.

One of our guests, Steve Wariner, he’s a good friend of mine I met during my cancer trip. When I came out of my third remission, he called me and said “listen to your voicemail.” He had written a song about me, my illness, about me and my wife. The song is too personal to record, but maybe one day. I said when Steve Gulley died I probably wouldn’t play again, but I found out I’ve gotta move on and Steve would want me to. With my illness I thought I would be gone first, and I told Steve that if I did, they should keep this band going. I just never expected him to go as quick as he did, like he did.

Steve Gulley, who so sadly passed away last month after a short battle with pancreatic cancer, has worked with you for years. So much in fact that he and his wife Debbie sing a duet (“Yesterday’s Gone”) on the new record. 

We were down to needing one more song. Steve had sung a song on some of his — he and Debbie had a country music show that they would do up in their town of Cumberland Gap — and Steve sung this song a few times. It was a Vern Gosdin tune, and I used to play with Vern a little bit, did a couple of trips with him. Anyway, we were down to one song and I told Steve, “you need to sing this one.” So he sang it, and he did it in one take. 

So anyway, we’re driving home and we’re throwing around names of people we need to call. Claire Lynch, she was with us before Robert Hale came in. So our first thought was to call Claire, but I told Steve I had an idea, “why don’t we get Debbie to sing?” They sent me the tracks and I just got blown away, how good it was. When Steve passed everything just made sense, I called the record company and told them we needed to get this out. 

You’ve been incredibly open with your cancer battles and victories over the last few years, even noting that “5-time cancer survivor” is your greatest achievement, beyond music or awards.

If I was to get twenty IBMA awards, that would still be my greatest achievement. Cause, you can’t get any awards if you’re dead. The very first one was so special because I had my wife and son there. I was pretty sick in 2014, then I got sick again and got well again. Then I got another one in 2019. You know, I just remember all of these so well, because I remember exactly where I was in my health when I got each one of them.

There’s so many good players right now, truthfully I hope the whole ballot will eventually be full with new players. There’s some of these guys out there right now that have moved really far ahead of what I’ve ever done, and so many other players, that it’s time to get some new blood on there, and keep people energized. I’ve had three, and one would have been enough if it meant seeing someone else get the next one.

So many things I would imagine have changed since the recording of this record. What are your thoughts when you listen back to it today?

It means a lot that I got to record with Steve again, and our last thing has been my favorite thing. I’ve done a lot of records, but this went easier than anything I’ve ever played on. I think a lot of it was that me and Alan, we already felt like brothers. And Steve, you add that in and it’s like three brothers. Jason comes in, and Robert Hale I’d worked with in Wildfire and with J.D. Crowe. It was just easy, like working with family. Our plan right now is to announce a new player at some point.

I’m looking forward to the next [record], but not having Steve there will be hard. With our concerts, I’ve made a promise to myself that every show we play will include a Steve Gulley song. So that way we never replace him, we just find somebody for the space.


 

WATCH: Malin Pettersen, “Queen of the Meadow”

Artist: Malin Pettersen
Hometown: Oslo, Norway
Song: “Queen of the Meadow”
Album: Wild Horse
Release Date: October 16, 2020
Label: Die With Your Boots On Records

In Their Words: “My grandmother, my father’s mother, died a few years ago. She lived on this tiny island and she is buried in the graveyard by the small island church. There is a kind of flower that grows out there called Queen of the Meadow (Mjødurt) and it has the sweetest most distinct smell. It makes me feel a quiet kind of happiness that is so pure and whole. After my grandmother died I tried writing her a song, but I just couldn’t find the words that could express how I felt about her. Words can only express so much — emotions are much more complex and textured. It ended up being a song about my own funeral. I hope I can be buried at the same graveyard, and I hope it’ll all align with the bloom of Mjødurt — because it holds everything I could ever dream of being remembered by.” — Malin Pettersen


Photo credit: Jonathan Vivaas Kise

Meet the Full Lineup of Shout & Shine Online

The entire BGS team is pretty stoked for our fifth year of Shout & Shine performances! In 2016 we partnered with PineCone Piedmont Council of Traditional Music in Raleigh, NC to showcase diversity in bluegrass and roots music at IBMA’s World of Bluegrass business conference and festival. In doing so, a wonderful platform has been provided to artists so often overlooked, as well as those just starting their journeys in the music industry.

Things are a bit different this go ‘round, and we’ll be celebrating equity and inclusion in a more pandemic-suited way this year with Shout & Shine Online! The showcase will take place Saturday, October 3rd at 2pm ET — viewers can tune in right here on BGS, or on our Facebook page or YouTube channel, as well as via PineCone’s channels, and IBMA’s conference platform, Swapcard (free music pass registration available here).

 

In celebration, we’ve put together a preview of what you can look forward to during Shout & Shine Online.

Brandi Waller-Pace

BGS joined hands with Decolonizing the Music Room’s founder Brandi Waller-Pace to curate 2020’s lineup. “The mission of Decolonizing the Music Room is to center Black, Brown, Indigenous, and Asian voices, knowledge, and experiences within the field of music education,” says Waller-Pace. “In addition to that, it is part of DTMR’s core values that we are an openly LGBTQ+ affirming non-profit organization. I am honored to have served as curator for this year’s Shout & Shine and to have had this opportunity to partner with BGS and PineCone on work that highlights a convergence of our values.”

Here you can see Waller-Pace along with Caitlin Hearn playing an old-time standard, “Five Miles From Town.” Waller-Pace’s music is dripping with that sweet, old-timey-ness.


Rissi Palmer

The IBMA isn’t the only thing we love in Raleigh — there’s also Rissi Palmer. In 2007 she released “Country Girl,” making her the first African American woman on the country charts in over 20 years. She’s been releasing consistently powerful music since, leading all the way up to her most recent album, Revival. On top of all of this, Palmer hosts the new Apple Music Country radio show, Color Me Countrya conversation between herself and various Black and Brown women in country/Americana/roots music. We can’t wait to have her right here on BGS!


Sunny War

You may have already seen our friend Sunny War’s episode 2 of our monthly Shout & Shine series. In our interview that came out earlier this month, War speaks about her current outlook on the music scene and how it feels to be surrounded by new “activist” musicians who weren’t doing it before, as well as her incredibly unique guitar style.


Kaïa Kater

Kaïa Kater is no stranger at BGS. She has been featuring in a Cover Story, she’s written an op-ed, and she’s had some important conversations with other musicians. Needless to stay, we’re ecstatic to have this Afro-Caribbean-Canadian songwriter and Appalachian musician back for Shout & Shine Online!


Stephanie Anne Johnson

While Stephanie Anne Johnson’s music is often rooted in America’s painful past, it’s always got down home roots. Maybe that’s why they’ve got the “American Blues.” A veteran of NBC’s The Voice, Johnson is the leader of Tacoma-based band The Hidogs, whose most recent album is entitled Take This Love.


Jerron “Blind Boy” Paxton

Blind Boy Paxton’s music is something of a journey back in time. But his songs and stories aren’t from dusty old books or archives — they are the soundtrack of his growing up in south-central Los Angeles, among the largest Creole and Cajun population outside of Louisiana. Our friend Paxton has been featured in our Shout & Shine column before, but Shout & Shine Online is his appearance on the showcase. We couldn’t be more excited!


Tray Wellington Band

North Carolina’s Tray Wellington is an acclaimed progressive banjo player — and he’s only 21. From his 2019 IBMA awards — one for Momentum Instrumentalist of the Year and another for Momentum Band of the Year with his former group Cane Mill Road — it’s easy to tell what a bright future he’s got in the world of bluegrass and beyond. He’ll be joining us with his whole band!


Amythyst Kiah

You may know her from Our Native Daughters, or our BGS Class of 2019  — either way, Amythyst Kiah is one of the most powerful, raw, and soulful singers and songwriters the roots music scene has today. We’re beyond thrilled that she’ll be joining us to anchor the Shout & Shine Online lineup!


Photos courtesy of the artists
Poster design by Grant Prettyman, Belhum

LISTEN: Mike McClure, “A Little Bit of Love”

Artist: Mike McClure
Hometown: Ada, Oklahoma
Song: “A Little Bit of Love”
Album: Looking Up
Release Date: September 25, 2020
Label: Crow and Gazelle

In Their Words: “Chrislyn Lawrence and I wrote this one together. I had it started, some of the lines in the second verse were from a poem she was working on, then we worked out the chorus together. The past couple of years I’ve worked to let go of things in my life that weren’t doing me any good. As my partner, Chrislyn showed me how letting go is the only way to make room for the things your soul is crying out for — it’s like burning away the driftwood to get down to the essence. ‘Little Bit of Love’ is about what can come from that release: letting certain things die away, so there can be rebirth and ascension. Love, in action, is the only thing I know of that can make that kind of transformation happen.” — Mike McClure


Photo credit: Chrislyn Lawrence