MIXTAPE: Marie Miller’s Quiet Hope From Home

“Music has always been a source of hope in the most difficult seasons of life. It possesses that strange quality to make mosaics out of even the most broken places and emotions. As we face this pandemic as a world community, I pray this music fills your heart and gives you quiet hope from home.” — Marie Miller

The Collection – “Becoming My Own Home”

I remember the first time I heard this whole album, and I honestly gasped in joy! This song is about finding home within yourself. I think it speaks to this time as many of us are reconnecting with ourselves in our homes.

Brandi Carlile – “The Mother”

We have all lost something in this pandemic, but we haven’t lost who we are. Brandi Carlile I will love you forever.

Marie Miller – “Little Dreams”

I’m going to be super awkward and put myself on here for two reasons. 1. This song is about believing in your dream when EVERYTHING is falling apart. 2. I just want to be near Brandi in any way I can.

Lowland Hum – “I Will”

I can’t count how many nights I have looked at the sky and listened to this with wonder at the dark sky and bright stars. It just makes me feel like we are going to be OK.

Kelly Hunt – “Across the Great Divide”

Speaking of soothing music, Kelly Hunt makes truly lovely and peaceful music. Also I have yet to meet her, but I imagine she would be the kindest person in the world.

Punch Brothers – “Soon or Never”

I don’t think I will ever get tired of this song. It’s almost hauntingly beautiful. It breaks my heart, but puts it back together before the end of the song.

Joy Williams – “Front Porch”

Going with theme, I feel like I am at the front porch of forgiving myself and loving myself and that’s still home even if its not quite inside. “The light is on. Whatcha waiting for?”

Josh Ritter – “Change of Time”

As we all let go of what we thought this year would be, I am allowing Josh Ritter to serenade me and remind me all will be well.

Fleet Foxes – “White Winter Hymnal”

The first time I heard this song I was in love with this boy, and I felt like he might like me. I don’t know that boy anymore, but I feel that hope every time I hear it.

Robby Hecht and Caroline Spence – “I’ll Keep You”

I think Robby Hecht could fill any heart with hope. This song is about keeping things that matter, and I think it’s a great song for today.

The Wailin’ Jennys – “Glory Bound”

This song is about heaven, and the Wailin’ Jennys sing like angels. It would be hard to find something more hopeful and beautiful.

Michelle Mandico – “1,000 Feet”

The world needs to braver and kinder than its ever before to make beauty out of this sorrow. I believe we are far kinder and braver than we know. This song reminds us of just that.


 

MIXTAPE: Bradley & Adair’s Generations and Inspirations Collide

“We went into the studio and decided to do a whole album of duets. These are old songs, some of them are from the ‘40s, ‘50s, early ‘60s, one from the ‘80s, and a new song. We grew up with these songs and our parents grew up with these songs. Just like our latest record, many of the songs on this playlist are songs we’ve loved all of our lives. At the same time, some of them are newer, or unique takes on previous hits. That’s the great thing about music is the diversity and uniqueness that comes with it. We hope you enjoy some of our picks!” — Dale Ann Bradley and Tina Adair

Jack Greene – “There Goes My Everything”

This was the first song I heard on the radio. – DAB

The Osborne Brothers – “Once More”

I’ve been listening to them my whole life and am a student of their classic and seamless harmonies. This song is an example of that. – Tina

Simon & Garfunkel – “The Sound of Silence”

It’s a prophetic song that is still unraveling today as in the ‘60s. A look at human nature that continues to be so thought-provoking. – DAB

Alison Krauss & Union Station – “So Long, So Wrong”

This song encompasses everything I love about bluegrass. Great playing, fantastic vocals and an absolute amazing production/arrangement. – Tina

Glen Campbell – “Galveston”

It’s just a consummate recording in every way. – DAB

Brandy Clark – “Stripes”

This is one of my favorite written “new” songs. Brandy is one of the most clever songwriters in Nashville right now and this song shows it. Fun fact… I have a version of this recorded. Maybe someday I’ll let everyone hear it. Ha ha! – Tina

The Grateful Dead – “Ripple”

This is a song from The Grateful Dead that so much expresses the way I feel spiritually. – DAB

Blue Öyster Cult – “(Don’t Fear) The Reaper”

Talk about drive and timing with an iconic guitar riff, and one of the best rock bands ever. – DAB

Reba McEntire – “Fancy”

Well I’ve always been a huge fan of Bobbie Gentry’s voice and songwriting; however, one of my heroes in this business has been the one and only Reba McEntire (for her ability to interpret a song, entertain you and her amazing business sense). I admire her on so many levels. Her version of “Fancy” is one that can always entertain a crowd … and I love that. Reba was my first concert I attended outside of local bluegrass festivals. – Tina

The Stanley Brothers – “Jacob’s Vision”

Great writing and singing in pure Appalachian style. This song touched my heart the first time I heard it. – DAB

Harry Chapin – “Cat’s in the Cradle”

This is a song that has taken my breath away. – DAB

Poco – “Crazy Love”

I love the harmonies and guitar fingerpicking and just Poco’s overall laid-back feel with this song. It’s always been a fave of mine. – Tina

Mason Williams – “Classical Gas”

I love the guitar and this is so good! We all wanted and tried to play this. – DAB

Ludwig van Beethoven – “The Moonlight Sonata”

It’s such an emotionally driven piece. I always got lost while listening and felt several different feelings. – DAB

Linda Ronstadt – “Desperado”

Any style, any arrangement… we’ve all been “Desperado.” – DAB


Photo courtesy of Pinecastle Records

MIXTAPE: Anthony da Costa’s Quarantine Chill Out Roots-Grass Mix-Up

I know what you’re thinking, Anthony da Costa doesn’t really bluegrass…but hey, I live in Nashville and I have friends and I even say “y’all” now. And there’s something about roots music that cuts to the core of everything and deeply influences what I do…even if it doesn’t always sound like it. Here are some tracks to not go outside to! — Anthony da Costa

David Francey – “Border Line”

David Francey is one of my favorites ever and nothing will change that. I lucked out by sharing a stage with him at the Tønder Festival many years ago. He blew me away with his simple approach, golden voice, and powerful storylines. He stood there like a bard and held our hearts in his hand. After our show, I asked his guitarist which album I should start with and he emphatically stated Torn Screen Door. “Border Line” is track one from David’s debut album, which he made when he was 45 years old. Let’s take a journey with him, since we can’t really go anywhere else.

Jordan Tice – “Chicken Dog”

This playlist has a lot of mood, interspersed with that spontaneous dance party that we could all use right now. You don’t even have to put on real clothes, just dance. Jordan Tice is one of my best friends and also happens to be my one of my favorite acoustic guitar players on planet Earth. He has a fabulous new album that will be coming out soon… but until then, let’s jump to this scorcher of a bizarre bluegrass song called “Chicken Dog.” I still don’t know what it’s about, but also, like, who cares?

Molly Tuttle – “When You’re Ready”

This playlist wouldn’t really be complete without something from Molly Tuttle. I had the pleasure of touring with Molly for her album release in 2019. When the bluegrass kids all told me that Molly had made a “pop” album, my first thought was “ALRIGHT. Calm down, kids. What, are there drums or something? Are you scared?” But the young “queen” of the bluegrass world and honestly craziest picker out there made one of the best albums of last year: pop in the ’90s Aimee Mann singer-songwriter kinda sense. Molly knows how to write a poignant, catchy chorus — and then somehow squeezes in some pretty insane bluegrass runs –in the SAME SONG. Are you ready?

Bill Frisell – “I’m So Lonesome, I Could Cry”

Because, you know, quarantine sucks, right? And I live alone. And it HAS gotten lonesome at times… so lonesome that I could pull up this great compilation entitled The Best of Bill Frisell, Vol. 1: The Folk Songs and just mellowly and totally NOT CRY to myself. ♥

Sam Amidon – “Blue Mountains”

Speaking of Bill Frisell, he features on this pretty mesmerizing track from Sam Amidon. This record made me a believer. I don’t know that anyone else can do what Sam does with folk music. I don’t even know what this music is. It’s Sam Amidon music.

John Mailander – “Forecast”

John Mailander is one of the nicest people in the world, but PLEASE don’t tell him that I said that… it might go to his incredibly large and insufferable ego. All kidding aside, John released his debut solo album (as far as I’m aware) last year. It’s called Forecast and this is the title track… and it’s one of those “get up off your couch and dance” songs I was talking about before. John is as versed in Phish as he is the oldest of old-time fiddle and bluegrass. He is very dear to me and his music endlessly inspires me to push things further.

Rachel Baiman – “Something to Lose”

I met Rachel Baiman within the context of her duo with Christian Sedelmeyer, 10 String Symphony (check them out, they’re out of this world). I’m so glad that Rachel has been doing a lot of her own music these days in addition. This record, produced by Andrew Marlin from Mandolin Orange, has a warm, “right there in the room” kinda feel to it. This song makes me cry. There, I said it. Love is fine, OK? Will I ever see anyone again!?

Aoife O’Donovan – “Pearls – Live”

I recently revisited this live album I got to make with the inimitable Aoife O’Donovan. Lots of people know Aoife from her work with Crooked Still, as well as her more recent recordings and travel as part of I’m With Her. I toured with Aoife as her guitarist and harmony singer from 2016 into 2017. We toured her album In the Magic Hour, which was produced by Tucker Martine and features gorgeous arrangements of strings, horns, fuzzed out guitars, drums, voices… We had to recreate Aoife’s music live with three people and no bassist… which means we made it our own. This particular song is a favorite deep cut of mine.

Paper Wings – “As I Walk Down”

I’ve been saying to anyone who will listen, and I will say it to you now: Paper Wings is currently my favorite band. This is as rootsy as I get and I’m quite alright with it. Wilhelmina Frankzerda and I met when we were touring in Joy Williams’ Front Porch band. One night in Houston, Wilhelmina gave me a pair of headphones and showed me some mixes from what became Paper Wings’ Clementine album. It’s my favorite album of 2019. They’re clearly drawing from a very deep well of tradition but with new, crooked and inventive melodies…plus, they’re writing SONGS! New songs. Great, great songs.

Mipso – “Coming Down the Mountain”

Because we’re all going to come out of this eventually, right? Here’s a song to take off your mask to. See you all on the other side. ♥


Photo credit: Jacqueline Justice

Artist of the Month: The Secret Sisters

The secret is out, as the Secret Sisters have finally issued their newest album, Saturn Return. Time is a through line of the project, heard in songs like “Late Bloomer,” as well as the album title, which is an astrological reference to Saturn returning to the same location in the sky as it was when you were born. Motherhood also informs the music, as sisters Lydia and Laura Rogers were new mothers at the time, but also grieving the recent loss of their grandmothers.

Produced by Brandi Carlile and Phil and Tim Hanseroth (aka “The Twins”), Saturn Return positions the sisters as solo vocalists to some degree, as both Lydia and Laura recorded separately for the first time. And in contrast to their other albums, they wrote all of the material here themselves. A sweet celebration of the women who came before them can be found in the opening track, “Silver,” while the final track, “Healer in the Sky” is poignant, vivid, and simply beautiful.

Look for a two-part interview with the Secret Sisters — our BGS Artist of the Month for March — in the weeks ahead. (Read part one here. Read part two here.) In the meantime, enjoy our Essentials playlist, comprising choice covers (including one of Carlile’s songs), rare and interesting collaborations, and new music you’ll want to hear from Saturn Return.


Photo credit: Alysse Gafkjen

MIXTAPE: Eleven Hundred Springs’ Songs by Talented Friends

I have always maintained that whatever you do as a career, the great takeaway is the relationships you make along the way. That’s certainly been my experience in music. I have had the opportunity to get to know and share stages with so many talented people that play many different styles of music. This Mixtape is just a taste of the long list of friends who blow me away regularly with their songs, live shows, and friendship. — Matt Hillyer, Eleven Hundred Springs

Brennen Leigh & Noel McKay – “Breaking Up Is Easy”

I have been a fan of each of these folks independently of each other before they started making music together. Both of them sing and write so well. I chose this song because I really dig the groove and the way they sing together on it. There’s a moment when Brennen is singing underneath Noel while he’s singing the lead that is just so great. Truly though, I’m a fan of everything they’ve done. Separate or together.

Courtney Patton – “So This Is Life”

Courtney is like my sister. We have a lot of fun together. This song is just about as perfect an example as I’ve ever heard of an honest accounting of witnessing love coming together and falling apart. Being that honest is so difficult and she nailed it.

Max Stalling – “Blue Eyes”

Max is one of my best friends in “the biz.” We both kinda got our start at the same time and place, and he’s super great guy. He’s also able to paint a picture with words like no one else. This song I love because it’s a testament to his abilities as a poet, but also with melody. It’s a straight ahead danceable country love song.

The Wagoneers – “Sit A Little Closer”

When I started playing in bands I was 13 and into rockabilly. Through some twist of fate I crossed paths with this band and they took me under their wing. They were my introduction to so much great country music. They have such a great live show. Their frontman, Monte Warden, taught me so much about how to write songs.

The Derailers – “100% Pure Fool”

When Eleven Hundred Springs was beginning, The Derailers were a real example to us. The band was so tight. Their love of all things traditional country, particularly the Bakersfield sound meant a lot to us. They had roots in the rockabilly world. They were our kind of band. They were also very kind to us every time we got the chance to share the stage. This song was always a barn burner at their shows.

Mike & The Moonpies – “Steak Night at the Prairie Rose”

In the same way that I think the Derailers felt good about a young band coming up behind them that cared about traditional country music when they looked at Eleven Hundred Springs, that’s how we feel about the Moonpies. They’re great and they give a damn. They work their asses off and write great songs. I feel like they’re just getting better and better. The Steak Night record felt like a real turning point for them though.

Jason Eady – “Wishful Drinking”

Jason’s A.M. Country Heaven record is one of my favorites of all time. It’s a solid collection of great country songs. It’s hard for me to narrow down any one favorite, but this may be it.

The Tejas Brothers – “Don’t Be So Mean”

The music of the Texas Tornados and Doug Sahm have always been so influential to Eleven Hundred Springs. The first time we played with The Tejas Brothers, it was a natural match. Their connection to that sound was something we loved. We became friends instantly and found as many ways to collaborate as we could and we remain close to this day.

Joshua Ray Walker – “Canyon”

When we discover new artists on the scene that are doing really great things, it’s so exciting. Joshua Ray Walker is someone who’s topping that list right now. He’s such a great writer, singer, and guitar picker. Our friendship is just beginning, but I look forward to a lot of fun collaborations with him.

Reverend Horton Heat – “We Belong Forever”

Jim Heath has been one of my biggest mentors since I was 12. He’s always been like a big brother. Not only is his talent and voice one of a kind, but his work ethic has been a huge example. He and his band are truly self-made. This song isn’t the typical loud rocking tune the band is known for, but it showcases their ability to take it down to something quiet and also play something beautiful. I love the way the guitar melody on the high strings go along with the walking bass on the low strings. Not everybody can do that.

Tommy Alverson – “My Hometown”

Over the years Tommy and I’s relationship has evolved from him being a mentor to friendship. I have learned a lot playing shows with him, and I always feel like family when I’m with him and his son Justin, who is also a dear friend.

Walt Wilkins – “When It Was Country”

When spending time with Walt, I always hope some of his cool will rub off. This song makes the hair on the back of my neck stand up every time.

Artist of the Month: Nathaniel Rateliff

One of the most powerful artists in roots music, Nathaniel Rateliff has a solo album coming out in just a couple weeks, and as a preview, he’s released a music video for the title track. The evocative video mirrors a song with a lot of weight and meaning behind it, a trademark of Rateliff’s style. A simple song — voice accompanied by galloping guitar and a swirl of ambient textures — “And It’s Still Alright” has a beckoning quality that is matched with a grainy film aesthetic, shot in black and white with a splash of washed-out color.

In 2019, Nathaniel Rateliff and the Night Sweats scored a platinum single with “S.O.B.” and a gold record for their self-titled album. Now the pieces are in place for the next installment of Rateliff’s music as And It’s Still Alright is slated for a Valentine’s Day release. Tour dates are filling in, including a stop at the Ryman Auditorium in Nashville, as well as multiple shows in New York City, Los Angeles, San Francisco, Toronto, and Minneapolis. His European tour kicks off in April.

To hold over the anticipation for the new record and our upcoming Artist of the Month coverage, enjoy our BGS Essentials playlist.


Photo credit: Rett Rogers

MIXTAPE: Sideline’s Motivation Music

When we sat down to put together this mixtape we realized that the best playlist to pull from had already been created by Steve Dilling, our banjo player. These are songs that we actively listen to on a weekly basis. The theme also became obvious, because it truly is why we listen to these songs — motivation.

Sideline has been an actively touring group for about six years. We had started out with only four to six shows a year. Now we’re up to 130 shows, meaning roughly 200 days away from home. Road life isn’t easy, especially when it’s that heavy. Being pulled away from home and family for that long. Traveling hundreds of miles day and night. It can be easy to get weary and drawn. When we want to get a glimpse at the reason why we do this, and why we really love it so much to go through it all, we pull out this playlist.

We could’ve had a weekend of tough crowds, or maybe tough income. We’ve had several breakdowns that have left us sitting there feeling as low as one can get. So we pull out this playlist. It’s the perfect combination of songs to not only pull you out of the ditch, but get you excited and ready to take whatever is in front of you. It motivates us and gives us something to strive for musically. We hope you get the same motivation from it as we do! — Skip Cherryholmes, Sideline

Ronnie Milsap – “Don’t You Ever Get Tired (Of Hurting Me)”

Ronnie Milsap knows how to make you feel every single word. The way he comes back in on the last chorus, and his ending tag line are especially significant. Unbridled emotion. Unbridled talent.

Lee Ann Womack – “Never Again, Again”

This song just hits you in the face right out of the gate. The lead and harmony vocals are so tight and emotional all at once. It’s so sad, and it has so much power behind it.

Ronnie Milsap – “Stranger Things Have Happened”

Another vocal gem. This song was recorded at a time when tuning and pitch fixing didn’t exist. The performance is passionate and flawless. Whether you pull from the lows or the highs of this song, it will not leave you wanting anything but just more of it.

The Doobie Brothers – “Long Train Running”

This song has so much drive and groove, accompanied by energetic harmonies. As a band that focuses heavily on rhythm, this song always gets the creative juices flowing.

Stevie Wonder – “Superstition”

This song is all groove. There is so much space between beats. At first glance you might feel like it’s nice and even, but then you realize that it pushes the whole way through. It can physically excite you with every turnaround.

The Bluegrass Album Band – “Blue Ridge Cabin Home”

There really isn’t a bad Bluegrass Album Band song, but this is one for the history books. J.D. Crowe and Tony Rice’s performance has set the standard for so many musicians. It is 100% bluegrass in its most natural form, and it is always just as exciting.

Kansas – “Carry on Wayward Son”

Vocals. Rhythm. Energy. Arrangement. Lead guitar work. This song has every bit of these elements to the max. It changes time signatures three times and changes grooves twice, all seamlessly. It hits the excitement nerve nonstop.

Journey – “Separate Ways (Worlds Apart)”

Steve Perry’s vocal is immaculate. The song has such a drive behind it. The intro is iconic, and catches your attention from the very first notes.

Nickel Creek – “Smoothie Song”

Chris Thile is one of the most brilliant players of our time. This song creates a blend of intricate performance and aggressive energy. The beat drives hard, as does Chris’ right hand on the bouzouki.

Sideline – “Crash Course in the Blues”

This song was fun to put together. We were looking for a song that we could jam to and have fun with. Steve came across this Steve Wariner tune one day and it was a perfect fit. It really gives everyone a chance to shine! We tracked it as live as possible to capture that fun energy.

Sideline – “Return to Windy Mountain”

There is nothing like a good story song and the life of Melvin Goins is a great story. This song has nods and elements to his classic sound, along with our own take on things. Finding the blend between the music and the lyrics is one of the best parts about recording and it made this song a blast to put together.

Sideline – “Thunder Dan”

When we put this song together we had no idea what it would do when it came out, let alone that it would win IBMA’s Song of the Year. It’s a catchy tune with a cool story. It was all about playing it to a mean groove and giving the lyrics the best background. People really took to it, singing along and requesting it everywhere.


Photo credit: Stephanie Cherryholmes

MIXTAPE: The Milk Carton Kids, In Harm’s Way

“There’s a paradox at the heart of great harmony singing: when voices combine in so elemental a way that they disappear into each other, the effect is dizzying, mystifying, disorienting, and yet by far the most satisfying sound in music. Here’s a VERY incomplete playlist, spanning a few generations, of bands defined by their harmonies, who set my mind spinning with their vocal arrangements, execution, and pure chemistry as singers.

“Full disclosure: my own band is included aspirationally and for the sake of self-promotion. Author’s Note: Sorry not sorry for naming this playlist with a pun.” — Joey Ryan, The Milk Carton Kids

The Jayhawks – “Blue”

That unison in the first few lines is so thrilling cause you know what’s about to happen, and when the parts separate it just feels so good.

Gillian Welch – “Caleb Meyer”

The harmonies and Dave’s playing are so intricate in this song you’d be forgiven for glossing over the lyrics, which tell the story of an attempted sexual assault victim killing her attacker with a broken bottle. Check out the Live From Here version with Gaby Moreno, Sarah Jarosz, and Sara Watkins, and catch the alt lyric subbing “Kavanaugh” for “Caleb Meyer” about halfway through.

Gram Parsons & Emmylou Harris – “Hearts on Fire”

Just one of the all-time great duets. Who’s singing the melody, Emmylou or Gram? Hint: trick question.

Our Native Daughters – “Black Myself”

Do all supergroups hate being called supergroups? I wouldn’t know. Our Native Daughters is a supergroup though, and the power of their four voices in the refrains and choruses of this one are all the proof I need.

Dolly Parton, Linda Ronstadt, & Emmylou Harris – “Those Memories of You”

It’s insane that three of the great singers of their generation just so happened to have this vocal chemistry. Their voices swirl together like paint and make a color I’ve never seen before.

boygenius – “Me & My Dog”

Favorite game to play when this song comes on is “try not to cry before the harmonies come in.” Very difficult. Impossible once they all sing together.

The Smothers Brothers – “You Can Call Me Stupid”

GOATS. IDOLS. Favorite line is, “That’s a pun isn’t it?” “No, that really happened.”

The Milk Carton Kids – “I Meant Every Word I Said”

My band. Imposter syndrome. We recorded the vocals on this whole album into one mic together. It helps us disappear our voices into each other’s.

Crosby, Stills, Nash & Young – “Carry On”

For me, CSNY are the pinnacle of that disorienting feeling harmonies give you when you just have no idea what’s going on. I’ve never been able to follow any one of their individual parts and I LOVE that.

Sam & Dave – “Soothe Me”

When the chorus comes around and you can’t decide which part you want to sing along with, you know they did it right.

Louvin Brothers – “You’re Running Wild”

The Louvins sound ancient to me. Primal. The way their voices rub against each other in close harmony is almost off-putting but I’m addicted to it.

The Highwomen – “If She Ever Leaves Me”

There’s probably even better examples of the Highwomen doing that crazy thing with their four voices where they become one entirely unique voice, all together, but this song is just so good I had to go with it. And the blend in the choruses is just as intoxicating as it gets.

I’m With Her – “See You Around”

Really an embarrassment of riches in modern music on the harmony front. Hearing I’m With Her perform around one microphone drives me insane with the best possible mix of confusion, jealousy, and joy.

Mandolin Orange – “Paper Mountain”

The melancholy is so satisfying when either one of them sings alone, and then they bring that low harmony and I have to leave the room.

Skaggs & Rice – “Talk About Suffering”

This whole record is a masterclass in two-part harmony. It changed my entire concept of singing. I’m Jewish, but when this song comes on it makes me sing wholeheartedly of my love for Jesus.

The Everly Brothers – “Sleepless Nights”

The absolute masters of both parts of a two-part harmony standing alone as the melody. Credit to Felice and Boudleaux for that, for sure, but the Everlys executed it better than anyone before or since.

Simon & Garfunkel – “59th Street Bridge Song (Feelin’ Groovy) — Live at Carnegie Hall, New York, NY – July 1970

This is far from my favorite S&G song, but this live version especially showcases what geniuses they were at arranging crossing vocal lines, unisons, parallel melodies, nonsense syllables and swirling harmonies. Plus the nostalgic “awwww” from the crowd gives me hope that a sensitive folk duo could one day achieve mainstream success again.

Shovels & Rope – “Lay Low”

This starts out as a song of profound loneliness with just one voice singing, then the harmony comes in and it gets… even lonelier? Harmony is magic.

Boyz II Men – “End of the Road”

I’m a child of the ‘90s, don’t @ me. I never realized at all those 8th grade slow dances that we were subliminally being taught world-class harmony singing and arranging. Good night.


Photo Credit: Jessica Perez

MIXTAPE: Lily Kershaw’s Songs That Made Her Want to Write Music

“I decided to make a mixtape of the songs that inspired me to write music. It is always good to return to the reason you started something, especially if you find yourself lost in the middle or far from the start and you need to anchor back to where you began. It’s like going home to reground, rejuvenate, and revitalize! Luckily music is a portable home on our phones these days so I can always dive back in whenever I need to. I hope you enjoy my Mixtape!” — Lily Kershaw

Simon & Garfunkel – “The Sound of Silence”

I chose this song to begin with because it was the first song I heard that made me want to write music. I remember the first time I heard it the world felt like it stopped and an immediate desire to create a song arose in me.

Joni Mitchell – “Cactus Tree”

I’ve been listening to Joni since I was a kid, and this song of her’s in particular made me want to write. I love that she is talking about a woman who would be deemed as “complicated” just because of her desire to be untethered and free, but Joni made her seem so alive and well and glamorous. I remember wanting to be like the woman she sang of.

“He can think her there beside him
He can miss her just the same”

How brilliant is that lyric?!

Leonard Cohen – “Chelsea Hotel #2”

I have covered this song at the majority of shows I’ve ever played live. Cohen wrote this about Janis Joplin. These particular lyrics break my heart:

“Ah but you got away didn’t you babe
You just turned your back on the crowd
You got away I never once heard you say
I need you, I don’t need you”

Crosby, Stills & Nash – “Helplessly Hoping”

I went through a very dark season in my life and the first thing I would do when I woke up in the morning during that time was listen to this song. It would make me feel better even if only for a fleeting moment. I always hope that the music I write can bring comfort to anyone who needs it.

Bob Dylan – “A Simple Twist of Fate”

People tell me it’s a sin
To know and feel too much within

I deeply relate to these lyrics.

Joan Baez – “Diamonds And Rust”

Joan actually wrote this song about Bob Dylan. The poetry is next level!

“Well you burst on the scene already a legend
the unwashed phenomenon
The original vagabond
You strayed into my arms
And there you stayed temporarily lost at sea
The Madonna was yours for free
Yes the girl on the half shelf could keep you unharmed”

Cat Stevens – “The Wind”

This song always re-grounds me and connects me back to my heart and my goal to write music and tell stories from my heart.

Elliott Smith – “Between the Bars”

This is another song I love to cover live and have done so often. I love and relate to this passage of lyrics in particular:

“People you’ve been before that you don’t want around anymore
That push and shove and won’t bend to your will
I’ll keep them still”

Nico – “These Days”

I love a woman simply speaking about where she is at in that moment of her life. It is honest, poetic, simple, and profound.

“I’ve been out walking
I don’t do too much talking these days
These days
These days I seem to think a lot
about the things I forgot to do”

Sufjan Stevens – “Chicago”

This song brings me life. I feel so many things when I listen to this song. It definitely connects me back to my heart and to the place in me that wants to write music.

Now comes the part of my mixtape that is solely a Simon & Garfunkel appreciation section. Here are some of the lyrics that have most inspired me to write!

Simon & Garfunkel – “The Boxer”

“I am leaving I am leaving
but the fighter still remains”

Simon & Garfunkel – “The Dangling Conversation”

“In the dangling conversation
and the superficial sighs
The borders of our lives

And you read your Emily Dickinson
and I my Robert Frost
and we note our place with book markers
that measure what we’ve lost

Simon & Garfunkel – “The Only Living Boy in New York”

“Half of the time we’re gone
but we don’t know where
And we don’t know where”

Now these next two songs are ones I have written. They show the side of what the inspiration from the songs thus far have lead me to create!

Lily Kershaw – “Now & Then”

This is a simple honest folk song about the complicated nature of love and how it changes over time.

“Remember the rooftop parties
Remember the friends
Remember the way I love you now
and the way that I loved you then”

Lily Kershaw – “Darker Things”

This is another of my more acoustic, stripped songs. In it I worry about someone I love very much and how they are hurting and in return hurting themself.

“And you say you hate the way your
mind makes you feel about
all the darker things in your life
I feel you now
I can feel you”

I hope you have enjoyed my mixtape of the songs that inspired me to write music!


Photo credit: Lindsey Byrnes

MIXTAPE: Fruition’s Songs About Time

“I put together this playlist with a theme of ‘time.’ This theme is wide open, so it has the potential to be vastly vague, or momentarily specific. I’ve chosen some of the former and the latter; seasons changing, or that one chapter of a changing relationship. I’m drawn to songs that lyrically take me not just to a certain space, but a certain time that I understand.” — Mimi Naja, Fruition

Bahamas – “All The Time”

A deep, honest, smooth breath of fresh air. Of presence. I end up using this song to get into a sort of meditation sometimes, when things are moving too fast and I can’t keep up. “I’ve got all the time in the world…”

Erykah Badu – “Next Lifetime”

Anyone that’s been in a committed relationship, met someone new, felt that spark and stayed true understands this theme.

Elephant Revival – “Season Song”

Paints a gentle and weighted picture of the clock ticking and the seasons changing.

Fruition – “Turn Your Love”

This one paints a few different pictures in the verses, but the chorus comes back to the same idea. We have the power to take the time to direct our energy where we choose. “Turn your love to the ones you ain’t had time to take time to think of.”

Bob Marley – “Waiting In Vain”

This is a familiar position — the push and pull of romantic endeavors, being willing to be patient but also wanting to make sure things are moving forward. Waiting in vain. Spot-on.

The Frightnrs – “Gonna Make Time”

When you recognize that being busy had you overlooking the love you’ve already got.

Simon & Garfunkel – “April Come She Will”

Evokes some tender reflection. Seasons turning can always do this. This is one of the most well-known songs of this nature, and it’s incredibly short, which is impressive.

Sade – “In Another Time

A very subtle consolation to a woman’s overlooked feelings that imply hope that her dude might eventually figure it out…

Erykah Badu – “Time’s A Wastin”

An anthem of acknowledging the endless mystery and it being a given to be your best, just because.


Photo credit: Dustin Chambers