Your Guide to the Internet’s Essential Bluegrass Content Creators

When I started playing mandolin in 2004, the internet was integral to my experience. I spent countless hours on websites like Mandolin Cafe, used a PayPal account I made when I was 9 to buy albums on eBay, and downloaded countless viruses onto our family computer pirating bluegrass recordings on Limewire. When the internet went public 30 years ago, it immediately changed the world and bluegrass. By the end of the ’90s, blogging had become mainstream and bluegrass had cultivated its own corner of the web with forums and listservs like BGRASS-L. When broadband replaced dial-up, people were able to share large files such as recordings and videos and information sharing exploded.

I grew up in a generation that saw regular people like Justin Kan (who would later go on to co-found Twitch) become celebrities through vlogging and like many people my age, I wanted to be a content creator. “Content” is just the soulless marketing word for the cultural ephemera humans have always created, but in the internet age. When I was in high school, microblogging became popular with platforms like Twitter (now X) while social media sites such as Vine and Snapchat that favored short form content appeared, creating another paradigm shift towards the hyper-specific, unpolished, slice-of-life videos we now see on TikTok and Instagram Reels.

My social media career began in earnest in 2019. I was burned out from touring and was trying to find a way to stay relevant without traveling so much. I started by posting clips of myself playing tunes that I was learning, which eventually morphed into a Patreon page. Patreon became hugely popular with artists after the COVID-19 pandemic hit, but at the time I began using it there were relatively few educational bluegrass pages. I ended up formatting mine in a similar way to podcasts that I subscribed to at the time. I studied up on how the algorithm works and during lockdown began creating and posting fervently.

A preview of Tristan Scroggin’s Patreon profile.

Once restrictions were lifted, I found myself drawn back into performing and had less and less time to consistently post. In the ever intensifying war for attention, consistency is key, but I found no satisfaction in churning out things I didn’t care about and the things I do care about take time. So I found myself burned out again, trying to learn how to slow down. It’s a vicious and common cycle.

Ultimately, I love creating new things and sharing them with people. This is true of all of the people on this list, many of whom are friends and part of a community that openly shares tips and tricks on how to navigate the unfiltered digital miasma of social media. For every entry on this list there are a dozen more who I couldn’t include for space. Separating the wheat from the chaff in the world of online bluegrass content can be difficult, but there are many shining beacons that have and will continue to influence those that follow them.

Billy Strings

Billy had a small cult following in his home state of Michigan before videos of him performing at festivals went viral. Videos became an integral part of Billy’s brand with footage from his concerts becoming inescapable for a time. Taping culture, the act of recording a live show and posting it online – an activity with ties to old school tapes of bluegrass shows that David Grisman, Jerry Garcia, and Sandy Rothman created and distributed along the West Coast to help spread bluegrass – had grown with social media and videos of full performances were shared religiously online. This practice has challenged more traditional bluegrass artists who have often relied on physical CD sales and see digital distribution as undermining that effort. Despite that, Billy’s most recent record Me / And / Dad was #1 in pure album sales in country, and #5 in all of music selling more than 15,000 copies upon release.

Billy’s Youtube channel has more than 300,000 subscribers and currently features everything from music videos to full concerts to behind the scenes mini-documentaries. Billy has since partnered with Nugs.net to livestream and host his current shows. Nugs is a livestream website that provides high quality video and audio of concerts, mostly rock and jam bands providing an updated version of the Grateful Dead tapers from days of yore.

Carter Vintage

Since their start nearly a decade ago, Carter Vintage Guitars has posted demonstration videos and in-store performance footage to their YouTube channel, which became a who’s-who collection of Nashville talent. While the videos started out as informal captures from around the store, by the end of 2016 the production quality had increased with Jon Roncolato and Keith Cypert making sure they looked and sounded great. While there are videos from hugely popular rock and Americana artists such as Jason Isbell, the majority of their most popular videos are from Molly Tuttle and Billy Strings from when they had recently moved to Nashville and were still relatively unknown.

Clover Lynn

@hillbillygothic Heres an old tune called Katey Daley hope yall enjoy #banjo #fyp #bluegrass #appalachia #music ♬ original sound – Clover-Lynn

Clover Lynn, also known as hillbillygothic, is from Southern Appalachia and plays banjo with a dark gothic-esque twist that challenges Steve Martin’s assertion that “you can’t play a sad song on the banjo.” She gained a massive amount of fame on TikTok and later Instagram for dueting posts. (A duet contains two videos in a split screen that play at the same time.) Specifically, she’d duet TikToks featuring men “challenging” feminism, spouting misogyny, or outright supporting violence against women. When they began spewing hate speech, Clover would appear alongside the original video loudly playing tunes like “Foggy Mountain Breakdown” over their bad opinions. This trend was extremely popular; the most popular post I could find had 8.2 million likes. Clover also uses her platform to advocate for the Appalachian region and its often overlooked BIPOC and LGBTQIA+ people, issues, and history.

Dirty Laundry

Marcus Veliz, through his page Dirty Laundry, has created a collection of moments and memories from his travels. Marcus is a wanderer driven by mindfulness. His videos offer short, musical meditations in nature that reflect on the beauty of living in the moment, which then informs his music. It’s all very “carpe banjo.” He has cultivated a following of nearly 40,000 followers on social media, but has deliberately chosen to focus on Instagram, because he values the community that he can build there. When scrolling on an app, these moments can be completely disembodied from the people who made them, but by creating a collection of these moments, Marcus, like a poet’s anthology, has created a digital visage of himself with Dirty Laundry that feels as if Woody Guthrie had an Instagram account. (Read BGS’s 2023 feature on Dirty Laundry here.)

Educational Videos by Eli Gilbert, David Benedict, and Lessons with Marcel

Educational content is hugely popular online. While there are countless pages dedicated to teaching bluegrass, I’ve collected just a few here. All three produce educational content that is supplemented by other work. Eli Gilbert has run his YouTube channel for nearly a decade, growing an audience of people learning the banjo (that included myself). Eli centralized these folks on his Patreon page and Discord server. While he’s not the first to post banjo tutorials or start a banjo Patreon page, he is currently the most popular banjo instructor on Patreon with more than 2,000 subscribers.

David Benedict has been well-known in the mandolin scene for quite some time. He curates a Mandolin Mondays series that’s run continuously since 2016. What started as videos of him playing tunes grew into a collection of over 400 videos in partnership with Mandolin Cafe that feature incredible mandolinists from all over the world. Check out his YouTube channel, too.

Marcel Ardans has over 500 full-length videos on his channel, Lessons with Marcel. Perhaps his most unique contribution to the genre is the bluegrass YouTube video essay. Video essays are exactly what they sound like and in the last decade they’ve gained immense popularity with the general public, especially on YouTube. With educational topics such as A Guide to Bluegrass History by Subgenre to more light hearted ones like The Untold History of Bluegrass Triangle, Marcel is filling a niche in the bluegrass community by providing thoughtful analysis in a style that audiences have become accustomed to. Marcel has also collaborated with many other popular social media pickers in the same sphere such as Jake Eddy and Hayes Griffin.

In 2023, Marcel was an official social media ambassador at IBMA’s World of Bluegrass business conference, where he held a guitar contest in partnership with IBMA and Martin Guitars.

Hillary Klug

Hillary Klug gained international popularity for multiple viral videos featuring her fiddling while buck dancing. In addition to her 100,000 YouTube subscribers, she has more than a million Facebook fans with her most popular video on FB sitting at over 64 million views. Hillary has been able to leverage short form content to reach people all over the world and her frequent collaborators – such as Cristina Vane, Brenna MacMillan, and Bronwyn Keith-Hynes – have also developed substantial followings on these platforms thanks to video creation in this style.

Molly Tuttle

When sites like YouTube and Facebook launched, they created networks that many used to connect with real world friends and family. But videos uploaded to share with distant relatives had the side effect of being visible to the general public. So when Jack Tuttle began filming his children, Michael, Sully, and Molly, to share their musical talent with family back in Illinois, suddenly thousands of people could see their virtuosity. The family formed a band called The Tuttles with AJ Lee, performing regularly and continuing to post videos that would garner hundreds of thousands of views until the oldest, Molly, went to college.

I distinctly remember watching their most popular video dozens of times which featured Michael, the youngest, playing El Cumbanchero. I watched that video over and over again with a sense of both jealousy and admiration. This feeling would become familiar as similar videos – such as a very young Sierra Hull playing with Sam Bush – would also go viral.

Molly has gone on to become one of the most popular bluegrass acts currently touring. She was the first woman to win the IBMA Guitar Player of the Year and she won a Grammy for Best Bluegrass Album in 2022. In that same year, she was nominated for the Best New Artist Grammy alongside hugely popular artists such as Samara Joy and Latto. Molly’s brother Sully also still plays, professionally touring with childhood friend, bandmate, and fellow bluegrass internet child celebrity AJ Lee in her band Blue Summit.

The Petersens

The Petersens are a family band based in/near Branson, Missouri that has played theaters in that area for more than a decade. After their oldest daughter, Ellen, made the top 48 on American Idol (season 16), they began producing videos of themselves performing, which have become extremely popular. A video clip of Ellen’s audition is one of the first videos posted on their YouTube channel and currently sits at over 3 million views. They have since garnered more than 200 million views, which they’ve utilized to gain fans in countries all over the world. This form of vlogging has created an entire ecosystem and a style many other family bands emulate, such as the Sleepy Man Banjo Boys, The Family Sowell, the Cotton Pickin’ Kids, Williamson Branch, and more.

Bluegrass Barbie

A post by bluegrass.barbie on Instagram.

Bluegrass Barbie may not quite belong on this list, but I absolutely couldn’t write a piece about influential bluegrass social media personalities in the year 2024 without mentioning them.

As a chronically online teen, I watched the birth of internet “memes” – a term originally coined by evolutionary biologist Richard Dawkins in 1976. I very distinctly remember the first time I saw a bluegrass meme. Dread washed over me, as I was struck with a haunting vision of a future full of low effort, bottom text memes misquoting Bill Monroe. I lived in this “No Exit” style social media hellscape for years until 2023, when Bluegrass Barbie appeared.

This Instagram account doesn’t have the numbers (239 followers at the time of writing), but they do have the jokes. Rather than “dunking” on Mark O’Connor or Billy Strings ad nauseam, Bluegrass Barbie presents a look at the humor in growing up as a young woman in bluegrass in a way that is relatable, contemporary, and hilarious. It’s the only good active bluegrass meme account; fight me about it.

Russ Carson

Russ Carson, known as the banjo player for Ricky Skaggs and Kentucky Thunder since 2014, runs 81Crowe, a one stop shop YouTube Channel for banjo nerdery as well as a source of high-quality, behind the scenes footage of both his personal and professional life.

Russ creates more traditional vlog content. Videos of jam sessions have shown up on YouTube since the very beginning, but Russ innovated them by implementing a gopro he would wear on his head to film, simulating a POV experience for the viewer as a participant. In addition to performance and educational videos, Russ provides video content of private jam sessions and conversations with talented friends as well as his off-stage experience touring with one of the most well known bluegrass bands out there. His explanation of his personal thoughts on banjo as well as his other hobbies, including photography, are the kind of personal details that make vlogging what it is.

Take’s Bluegrass Album Channel

Takehiko Saiki’s Take’s Bluegrass Album Channel has an air of mystique about it. Since 2014 it has served as a digital museum where out-of-print vinyl records, albums, and CDs have been sporadically posted by the hundreds. In fact, this channel is no longer active. After posting 1,300 albums, Take started Take’s Bluegrass Album Channel Phase Two, which already has 1,000 more albums. Take is a fan of “roots music” in general and runs additional YouTube channels for folk, blues, jazz, and country music, but he seems to have a particular love for bluegrass. In addition to his album channels he has a channel for recordings of live performances from Bill Monroe to the Flying Burrito Brothers and everything in between.

These channels are a treasure trove for fans of classic bluegrass and an invaluable resource for amateur historians like myself. So much so that I felt conflicted about including it on this list for fear that it might disappear. Take is very clear that he will take down anything, immediately, at the request of the owner and states that the channel’s mission is to “make it possible for bluegrass lovers [all] over the world to have access to as many bluegrass albums not available on CD as possible.”


Photo Credit: Hillary Klug courtesy of the artist; Clover Lynn by Madison Tunnicliff.

WATCH: Rob Ickes & Trey Hensley with Molly Tuttle, “John Deere Tractor” (A Tribute to the Judds)

Artist: Rob Ickes & Trey Hensley and Molly Tuttle
Hometown: Franklin, Tennessee; Jonesborough, Tennessee; Palo Alto, California
Song: “John Deere Tractor”
Album: A Tribute To The Judds
Release Date: October 27, 2023

In Their Words: “It is an incredible honor to be included in this amazing tribute to The Judds. I grew up listening to these songs. I’ve always been a huge fan of The Judds and of that sound that they created with their producer Brent Maher. And ‘John Deere Tractor’ is one of my all-time favorite songs, so when we were asked to perform this song with the great Molly Tuttle, we of course jumped at the opportunity. I’m so proud to be a part of this album, and I’m so excited for everyone to hear it. Thank you to The Judds for creating such wonderful music that we’ll all be listening to forever.” – Trey Hensley

“I remember hearing The Judds on the radio for the first time — it blew my mind! It was a musical oasis on the radio, that’s for sure. As a kid growing up playing bluegrass, I loved their sound with the ACOUSTIC guitars(!), and the Dobros that were front and center in the mix (great production by Brent Maher!), and of course, their harmonies and song choices were impeccable. And Wynonna, what a voice! So strong, an amazing tone… ‘John Deere Tractor’ was a big song for me because my bluegrass hero, Larry Sparks, did a great version of it. I was really impressed when I saw that The Judds recorded it and loved their version also. It was such a thrill to record this awesome song, and I love the vocal performances by Trey Hensley and Molly Tuttle on this track. They hit it out of the park.” – Rob Ickes


Photo Credit: Rob Ickes & Trey Hensley by Jeff Fasano; Molly Tuttle by Bobbi Rich.

6 of the Best Roots Songs on ‘Songbirds & Snakes’

Years before Katniss Everdeen became the bow-wielding, redneck antihero of impoverished coal-mining District 12, there was another — Lucy Gray Baird. In the new movie adaption of the dystopian prequel to the original Hunger Games trilogy, Baird must brave the deadly annual games as well as future-President Coriolanus Snow’s affections.

If it sounds like the makings of a country murder ballad, well, you’d not be far off. Aside from being a multi-million dollar blockbuster event, the new film, officially titled The Hunger Games: Ballad of Songbirds and Snakes, features an excellent original soundtrack produced by Dave Cobb and chock-full of BGS Friends and Neighbors we know and love. The rootsy songs are the perfect backdrop for boot-stomping bar scenes and the desperate struggle against an authoritarian regime that eventually led to the villainous Snow’s power grab. They’re also just plain good!

If you’re new to the Hunger Games, to these artists, or to roots music, we’re happy to be your guide. With performances from Molly Tuttle, Billy Strings, Sierra Ferrell, Charles Wesley Godwin, Bella White, and more there’s something here for bluegrass and Americana fans of all ages. But there are also hidden gems in Rachel Zegler’s performance. Zegler, who portrays Baird, plays a guitar influenced by a very famous finger picker indeed.

In no particular order, here are six of the best roots tunes on the official Hunger Games: Ballad of Songbirds and Snakes movie soundtrack.

“The Garden” – Sierra Ferrell

A slow-moving acoustic, country-ish standard with emotional fiddle swells, Americana firebrand Sierra Ferrell performs “The Garden” on the official soundtrack. The tune features a wistful dream of a green garden watered with something other than salty tears, and of better days ahead.

“Bury Me Beneath the Willow” – Molly Tuttle

Together, Molly Tuttle and Dominick Leslie provide the guitar and mandolin parts heard throughout much of the film, but also on “Bury Me Beneath the Willow.” This tune is more of a bluegrass standard and features Tuttle’s iconic picking style and vocals. The lyrics speak of deep betrayal by a lover.

“Nothing You Can Take From Me” – Rachel Zegler

In the official featurette video for this tune, Rachel Zegler whips a gathered crowd into a barn-stomping frenzy with her vocal performance on “Nothing You Can Take From Me.” While District 12 workers clap and dance and Zegler sings, Molly Tuttle revealed in an Instagram post that she provided the guitar parts.

“I played Lucy Gray Baird’s guitar parts and Dom [Leslie’s] parts are in the Covey Band,” Tuttle said in her Instagram caption. “I was nerding out the whole time we worked on this. Fun fact: the guitar I recorded with is the same one that you see [Zegler] play in the movie. The choice of guitar was inspired by the archtop Gibson that Maybelle Carter plays.”

“Burn Me Once” – Bella White

Bella White’s haunting, vibrato-filled vocals hang in the air on “Burn Me Once,” a finger-picked acoustic tune. The lyrics speak to being heartbroken and wishing for true love with a new, more mature partner.

“Cabin Song” – Billy Strings

By far one of the fastest, hardest-driving tunes comes – perhaps unsurprisingly – from Billy Strings. Employing his famous guitar-picking skills on “Cabin Song,” Strings sings of wishing to go back to the woods.

“Winter’s Come and Gone” – Charles Wesley Godwin

Seasonally appropriate given the movie’s November release date, Charles Wesley Godwin’s smooth but gritty vocals lends the perfect tinge of darkness to lyrics about a little bluebird, being left in the rain and snow, and not having enough money to see the winter through.

Even if you’re not a fan of The Hunger Games, it might be worth hitting up the theatre to support roots music featured in such a high-profile and recognizable title. Or, you know, you could just download, stream, or purchase the soundtrack — it’s available on Spotify, Apple Music, or wherever you get your folk-y tunes!


Lead image of Rachel Zegler as Lucy Baird screenshot from The Hunger Games: The Ballad of Songbirds & Snakes (2023) Special Feature ‘Music.’

WATCH: Two Exclusive Clips From Molly Tuttle & Golden Highway’s ACL Debut

Just last week on October 28, PBS and Austin City Limits aired Molly Tuttle & Golden Highway’s debut performance on the prestigious, long-running series. Now, fans can watch the full episode – which also features country singer, songwriter, and activist Margo Price – for the next four weeks via this link.

Our friends at ACL were kind enough to bring to BGS and our readers these two exclusive performance videos from Tuttle’s fiery and energetic performance. Fresh off their packed and buzz-y Road to El Dorado tour, Tuttle and band – featuring Shelby Means (bass), Kyle Tuttle (banjo), Dominick Leslie (mandolin), and Bronwyn Keith-Hynes (fiddle) – showcase the blistering and effortlessly tight ensemble they’ve crafted together after nearly two-and-a-half years of performing together. Their set on ACL (full set list below) will be certain to introduce countless new fans to what’s one of the fastest rising groups in all of roots music, let alone bluegrass.

“El Dorado” begins with Tuttle’s gritty guitar and powerful right hand, telling a story from her Bay Area homeland, which features heavily on her most recent album, City of Gold. “San Joaquin” is a careening, forward-leaning train tune that’s always perfectly under control, even while it feels as though, at any moment, the locomotive may be launched from her rails. But what is perhaps most impressive about Tuttle & Golden Highway is the combination of their loose, in the moment vibe and their absolute, minute control.

Tuttle’s vocals are at some times soaring and crisp at others fierce and on the verge of breaking, demonstrating the passion and power she’s always infused into her nuanced and striking lyrics – and her fine-tuned cudgel of a right hand. Before closing her appearance with “San Joaquin,” Tuttle doffs her wig – she’s been continually open and honest about her life experiences with alopecia – backing up the devil-may-care nature of her music and band with an attitude to match. It’s part of what makes her particular brand of bluegrass so engaging.

Enjoy these two videos from Tuttle’s Austin City Limits debut then head to PBS to watch the full episode.

Austin City Limits Season 49 – Margo Price / Molly Tuttle

Margo Price Set List:
“Been to the Mountain”
“Change of Heart”
“That’s How Rumors Get Started”
“Twinkle Twinkle”

Molly Tuttle & Golden Highway Set List:
“El Dorado”
“Yosemite”
“Dooley’s Farm”
“Where Did All the Wild Things Go?”
“Crooked Tree”
“San Joaquin”


Photo Credit: Scott Newton

Lindsay Lou Conquers Personal Challenges on New Album, ‘Queen of Time’

With the September release of her album Queen of Time, Nashville artist Lindsay Lou takes listeners beyond a creative journey – it’s more like a long, strange, and satisfying trip, where her “radical truth” conquers all.

A former bluegrass songsmith with roots in groups like her former backing band, the Flatbellys, and Sweet Water Warblers, Lou’s Queen of Time marks the start of another new solo chapter and follows a rough time in her life filled with earthquakes of change. She both lost a grandmother who was pivotal to her development and experienced the end of a marriage – all while her career picked up steam. But, through those endings came a new beginning. One where she better understood her place in the universe, both spiritually and musically.

On Queen of Time, Lou welcomes herself to that new identity (and all who care to follow), doing so with a fresh sound and some old friends. Featuring Billy Strings and Jerry Douglas, 11 thought-provoking tracks infuse her bluegrass roots with atmospheric folk, back-porch psychedelia, and more, as lyrics and voice weave together into something like a sonic dreamcatcher – snatching ethereal truths from the cosmos and translating them in ways the mind can just begin to process.

Recently, Lou spoke with BGS about this heady transformation, working with her friends, and how her “teacher-turned-Rainbow-Gathering-healer” of a grandma helped shape her radical spirituality.

BGS: Tell me how you’re feeling about music making these days? I know this album comes after a lot of change in your life, personally and professionally. Has the way you feel about making music changed, too?

Lindsay Lou: It felt like the most freeing recording endeavor that I have ever set out on. Working with [producer] Dave O’Donnell was really great. He held a ton of space for me creatively and emotionally and just in all the ways. So it was really nice. I brought in all of my friends, and what drew me to music to begin with was jams that my family would have, so feeling among my chosen family, being able to bring in the people who I’ve been jamming with in living rooms and on stages for the last several years, was really, really sweet.

Honestly, I’m feeling really inspired and just really happy about music. All of the tours have felt like they were in really good flow, and spiritually, it just feels very open and satisfying. I sort of blew up my life a few years ago, and the last three years or so I’ve been gestating and rebuilding my path. It was rebuilding on the foundation I had laid down with the Flatbellys and the Warblers, so it wasn’t out of nowhere, but it felt like there was a lot of unknown – and there were times where I felt there’s just some fear that goes into it. But now I’m on the cusp of watching all of this be born and come to life, and it feels so good. It’s like everything that I could have hoped for. 

Seeing the record in the hands of people and hearing all the stories they send me about how it’s touched their lives has been very, very fulfilling. And I’m watching the album chart and watching different things on the horizon, different gigs and stuff – it’s just really inspiring, and I feel really excited to follow this new path that I’ve laid out for myself. 

You don’t always get that payoff when your life blows up, so congrats! Tell me a little bit about the imagery behind the Queen of Time theme. You’re asking the listener if they know who they really are – did that come from an epiphany you had?

It definitely came from an epiphany and the ongoing question and journey of self-discovery, because it’s something you never achieve. It’s just a journey you’re always on. The imagery [for the song “Queen of Time”] was definitely from Absolem, the caterpillar from Alice in Wonderland. He challenges Alice, “Who are you?” And it was less about who she was and more about who she identified as, because we contain multitudes. So this is a broad and complex question, and as I’ve been playing it, the song has sort of come to life and revealed itself to me in new and unexpected ways. I always love that with songs.

You start the album off with this refrain saying, “I don’t need the world to hear me / I’m singing and nothing else matters.” What’s the significance of that to you?

I guess it’s just acknowledging the personal relationship. I always say that the voice is a window to the soul, but a lot of people have this horrible trauma that they carry with them – that they’re not a good singer and that they don’t have a good voice, and so they don’t ever sing. I feel so much grief thinking about people not even singing to themselves. In my darkest hour, the most soothing thing that I have found to do is to sing to myself. And it’s not because I think that I have the greatest voice, it’s because singing actually releases endorphins in your mind. It’s like a physiological truth that the experience of singing is medicinal and it’s a form of meditation. 

The obvious interpretation of that is that as career musicians, you’re always wanting more people to hear you and wanting your fan base to expand. But at the end of the day, the reason that I sing and I think the reason anyone sings, is because it is a magical and medicinal way of expressing your soul, your spirit, your inner truth. So just remembering that value that I don’t need to be anywhere to let my voice ring and to connect with my own soul in that way, that’s really the most powerful thing.

I know your grandmother had a big part in influencing the record. But on top of everything else she was to you, did she also help you get into music?

I guess in a roundabout way, she did. Her greatest influence on me was spiritually. She was a preacher woman, and she lived her life the best that she could in the literal footstep of Jesus. So she took everyone in and she welcomed everyone. She was always preaching that [unless] you have not sinned, don’t cast the first stone and really strongly believed that no one will be left behind. Like if God said the greatest commandment was to love God and to love your brother, then she spent her whole life practicing that. Now, I call myself a praying atheist. I don’t necessarily connect with any institution of religion, but I do connect with the practice of spirituality and of love. Even Christianity says that God is love. So in my mind it’s like, “Well, then let’s just get right to the heart of the matter and call it love!” If we’re living in love and if we’re thinking critically and we’re following our radical truth, then we’re doing it right. 

Was music a part of your childhood?

[My grandmother] had 12 children and she surrounded herself with hippies and counterculture. And her husband – the father of her 12 children – was a musician. He played the trumpet and he sang, so they always sang to their children, and the songs that she sang to them, they sang to their children. So I heard all the gospel songs that she sang to my mom, because my mom sang them to me, and there’s been various forms of family bands throughout the generations of all of her children. The older kids had a rock band, and they would get together and sing gospel songs in harmony and Beatles songs and folk songs, and the younger kids formed bands with the older cousins. There was just always music around, so I think she just held space for music.

She sounds like an amazing person. Is that her voice in the phone conversations you put on “Love Calls”?

Yeah. I played that song for a couple of my friends before she was in it. There was this long expansive jam and my girlfriends listening to it were like, “We want more Lou here.” I thought, “Well, what version of Lou makes sense to go there?” And it dawned on me that it was the version of Lou that interviewed grandma. I interviewed my grandma on the one hand to sort of preserve her radical life story for posterity. And on the other hand, as a way of knowing myself. I’ve collected about 27 hours of her telling me her life story and how she came to believe what she believes. It’s a little bit foggy now, but I had an idea of what story I wanted to put there, and once that conversation was in there, the song had the context that it was calling for.

What was the context?

The song is about someone being a guide of love for someone else. And the conversation is her telling me the story of meeting someone at a rainbow gathering who she had a conversation with, and later found out that that conversation talked them out of suicide. Many parts of this record came together in the context of me witnessing suicides in my music community, and addiction and mental health struggles. And pretty much all of my music goes back to that in some way, because of where I came from and the world that I see around me.

Other songs have that through line to it too, right? Like “Nothing’s Working”? I know you worked with Billy Strings on that one, how did it come together? 

He and I get together every once in a while to write and we had gotten together and started that song. He had just been hanging out with Bryan Sutton and had this open B shape thing in his head that he started to play along with, and he was talking to me about Ionia – the town that he grew up in. He had just seen so many people get a job and try to make all the right decisions and try to always do the right thing, and just end up with nothing to show for it, because they’re stuck in a system that doesn’t support them and wasn’t built for them, or a scene that really wasn’t good for them. 

We wrote the first verse, and kind of left it at that, and it sat in my voice memos for a couple years. Then I was on a plane on my way to the Jeff Austin tribute concert benefit [late member of Yonder Mountain String Band, who died in 2019], and I was just thinking about things. I think I finished it on my way home, but during that same week, I attended my cousin Emily’s funeral. She died in her 20s and was struggling with opiate addiction. I don’t mention either of them in the song necessarily, but it really got me into the headspace of thinking about people I know who are still alive, who are struggling with similar challenges. The song is about telling their story, and telling their story with compassion and honesty.

I noticed a lot of hard bluegrass influence on tracks like “Rules,” and along with Billy you have a collab with Jerry Douglas. Do you still feel like you can be creative in the bluegrass form these days? Or is it harder to do that as you grow as an artist?

Bluegrass gave me a lot of tools and a home. It gave me a place to belong and an opportunity to hone my craft, just in terms of tightening up rhythm and getting better at playing the guitar – and having an entire world of people I can get together with anytime, anywhere, and play any one of the many songs in the bluegrass canon and sing three-part harmony, like we’ve been a band our whole lives. It gave me so much, but I didn’t grow up in a family or a community that played bluegrass music. It was something I found in my early 20s. I’ve never been like people like Billy and Molly [Tuttle] – [bluegrass] is not just a part of their history, it’s like their earliest memories.

I grew up doing acoustic music, so there’s always going to be some element of that in my music. And I’m so grateful to have bluegrass now as a tool of expressing myself. But I don’t think I find it harder as I get older. I just find it easier to connect more authentically with my own voice, and bluegrass is a tool of doing that – but it’s not the only tool. 


Photo Credit: Dana Kalachnik

Watch a Brand New Video From Americana Firebrand Sierra Ferrell

With a brand new, to-be-announced album coming in 2024, Americana singer, songwriter, and “musical vagabond” Sierra Ferrell has released “Fox Hunt,” a galloping, gothic track with a storybook-style animated video. (Watch above.) It’s one of her most sonically mainstream single releases to date, reminding of groups like the Lumineers — a shimmering polish on the deeply patina-ed, gritty sounds drawn from her West Virginia raising.

Ferrell is one of the fastest rising stars in American roots music, with a tour schedule and dance card filled to bursting. Listeners place her in musical constellations with such high energy and “back to basics” artists like Billy Strings, Molly Tuttle, Zach Bryan, Margo Price, and more – many of whom she calls friends and collaborators. But Ferrell, in a twist of homophonics, brings a feral and untethered mastery into her music, a quality that continually has fans begging for more. Her performance of femininity – and as often, her subversion of it – recalls other mountain music mavens like Dolly Parton, Ola Belle Reed, Wilma Lee Cooper, and Loretta Lynn, but with their often aspirational facades – qualities of each of their professional brands – exchanged for a devil-may-care attitude that’s just as deliberate and intentional. It’s as much an extension of Ferrell’s agency as any of the women who came before her donned their own rhinestones, big hair, and striking make-up as representations of their individuality.

2024 will undoubtedly find Sierra Ferrell notching many more career milestones as her ever-growing audience will be hanging on for every rollicking, frolicking note.


Photo Credit: Bobbi Rich

WATCH: Bronwyn Keith-Hynes, “Can’t Live Without Love”

Artist: Bronwyn Keith-Hynes
Hometown: Nashville, Tennessee
Song: “Can’t Live Without Love” (Featuring Molly Tuttle, Sam Bush, Bryan Sutton, Jerry Douglas, and more)
Release Date: October 13, 2023 (single); October 17, 2023 (video)
Label: Sugar Petunia Records

In Their Words: “I’m so happy to share a behind the scenes studio video from the recording of my debut vocal single, ‘Can’t Live Without Love’ featuring Molly Tuttle and Sam Bush. This song is the first track I’ve released from my upcoming album, out in Spring 2024. We tracked it last fall in Nashville, at Brent Truitt’s studio, ‘The Cave,’ and it was actually the first song of the first day of recording the album, so it’s kind of fitting it should also be the first song to be released.

“I’m joined by some of my absolute favorite musicians: Jerry Douglas, Bryan Sutton, Dominick Leslie, Wesley Corbett and Jeff Picker. They all brought so much joy and magic to this track! And it was such an honor to get to sing with Molly Tuttle and Sam Bush, both of whom inspire me so much on a musical and personal level. This song by Jamie Hartford is a beautiful meditation on what we can and can’t live without in this life and how we can overcome challenges by focusing on what’s important.” – Bronwyn Keith-Hynes

Track Credits: Written by Jamie Hartford

Co-produced by Brent Truitt and Bronwyn Keith-Hynes
Recorded by Brent Truitt. The Cave, Nashville, TN
Mastered by Alex McCollough. True East Mastering, Nashville, TN

Bronwyn Keith-Hynes – lead vocal, fiddle
Molly Tuttle – harmony vocal
Sam Bush – harmony vocal
Jerry Douglas – Dobro
Bryan Sutton – guitar
Dominick Leslie – mandolin
Wesley Corbett – banjo
Jeff Picker – bass


Photo Credit: Alexa King Stone
Video Credits: Shot at The Cave in Nashville, TN; produced by Steve Voss of Solar Cabin.

See the Full Winners List from the 2023 IBMA Bluegrass Music Awards

The unofficial theme of the “Biggest Night in Bluegrass” – the 34th Annual IBMA Bluegrass Music Awards, held tonight at the Martin Marietta Center for the Performing Arts in Raleigh, North Carolina – was “Bluegrass Prom,” the colloquial and affectionate nickname given to the awards ceremony by its attendees, honorees, and nominees.

Hosted by Molly Tuttle, who took home three trophies, and Ketch Secor of Old Crow Medicine Show, the three-hour production featured a performance by Bluegrass Music Hall of Fame inductee Sam Bush, songs from each of the night’s Entertainer of the Year nominees – including Sister Sadie paying tribute to Wilma Lee Cooper, another Hall of Fame inductee – touching remembrances of bluegrass forebears Bobby Osborne and Jesse McReynolds, and culminated with Secor, Tuttle and her band Golden Highway, Del McCoury Band, and more leading the crowd in a rousing rendition of “Wagon Wheel.”

In the instrumentalist categories, there were notable first-time wins in two categories, Trey Hensley taking home Guitar Player of the Year – in a field that included both Molly Tuttle and Billy Strings – and Vickie Vaughn, of Della Mae, High Fidelity, and more, receiving the Bass Player of the Year trophy. Kristin Scott Benson took home her sixth Banjo Player of the Year Award, Greg Blake of Special Consensus won his first IBMA award for Male Vocalist of the Year, and the night’s final and most prestigious recognition, Entertainer of the Year, went to Billy Strings, a well-deserved third consecutive win in the category.

See the full list of winners (in bold) from tonight’s IBMA Bluegrass Music Awards, presented by our friends at Yamaha, below:

ENTERTAINER OF THE YEAR:

Appalachian Road Show
Billy Strings
Del McCoury Band
Molly Tuttle & Golden Highway
The Po’ Ramblin’ Boys

VOCAL GROUP OF THE YEAR:

Authentic Unlimited
Balsam Range
Blue Highway
Del McCoury Band
Sister Sadie

INSTRUMENTAL GROUP OF THE YEAR:

Billy Strings
Michael Cleveland & Flamekeeper
The Infamous Stringdusters
Molly Tuttle & Golden Highway
The Travelin’ McCourys

SONG OF THE YEAR:

“Blue Ridge Mountain Baby”

Artist: Appalachian Road Show
Songwriters: Barry Abernathy/Jim VanCleve
Label: Billy Blue Records
Producer: Appalachian Road Show

“Crooked Tree”
Artist: Molly Tuttle & Golden Highway
Songwriters: Molly Tuttle/Melody Walker
Label: Nonesuch Records
Producers: Jerry Douglas and Molly Tuttle

“Diane”
Artist: Sister Sadie
Songwriters: Jeffrey Nath Bhasker/Samuel Tyler Johnson/Cameron Marvel Ochs
Label: Mountain Home
Producer: Sister Sadie

“Heyday”
Artist: Lonesome River Band
Songwriters: Barry Huchens/Will Huchens
Label: Mountain Home Music Company
Producer: Lonesome River Band

“Power of Love”
Artist: Rick Faris
Songwriters: Johnny Colla/Huey Lewis/Christopher Hayes
Label: Dark Shadow Recording
Producer: Stephen Mougin

ALBUM OF THE YEAR:

Crooked Tree
Artist: Molly Tuttle & Golden Highway
Label: Nonesuch Records
Producer: Jerry Douglas and Molly Tuttle

Lovin’ of the Game
Artist: Michael Cleveland
Label: Compass Records
Producers: Jeff White, Michael Cleveland, and Sean Sullivan

Lowdown Hoedown
Artist: Jason Carter
Label: Fiddle Man Records
Producers: Jason Carter and Brent Truitt

Me/And/Dad
Artist: Billy Strings and Terry Barber
Label: Rounder Records
Producers: Billy Strings and Gary Paczosa

Radio John: The Songs of John Hartford
Artist: Sam Bush
Label: Smithsonian Folkways
Producer: Sam Bush

GOSPEL RECORDING OF THE YEAR:

“The Glory Road”

Artist: Joe Mullins & The Radio Ramblers
Songwriters: Paul Martin/Harry Stinson/Marty Stuart
Label: Billy Blue Records
Producers: Joe Mullins and Adam McIntosh

“Jordan”
Artist: Darin & Brooke Aldridge with Ricky Skaggs, Mo Pitney and Mark Fain
Songwriter: Fred Rich
Label: Billy Blue Records
Producer: Darin Aldridge and Mark Fain

“The Scarlet Red Lines”
Artist: Larry Sparks
Songwriter: Daniel Crabtree
Label: Rebel Records
Producer: Larry Sparks

“Take a Little Time for Jesus”
Artist: Junior Sisk
Songwriter: David Marshall
Label: Mountain Fever Records
Producers: Junior Sisk and Aaron Ramsey

“Tell Me the Story of Jesus”
Artist: Becky Buller with Vince Gill and Ricky Skaggs
Songwriter: Fanny Crosby, arrangement by Becky Buller
Label: Dark Shadow Recording
Producer: Stephen Mougin

INSTRUMENTAL RECORDING OF THE YEAR:

“Contact”
Artist: Michael Cleveland with Cody Kilby, Barry Bales, and Béla Fleck
Songwriter: Michael Cleveland
Label: Compass Records
Producer: Jeff White, Michael Cleveland, and Sean Sullivan

“Foggy Morning Breaking”
Artist: Alison Brown with Steve Martin
Songwriters: Alison Brown/Steve Martin
Label: Compass Records
Producers: Alison Brown and Garry West

“Gold Rush”
Artist: Scott Vestal’s Bluegrass 2022
Songwriter: Bill Monroe
Label: Pinecastle Records
Producer: Scott Vestal

“Kissimmee Kid”
Artist: Jason Carter
Songwriter: Vassar Clements
Label: Fiddle Man Records
Producers: Jason Carter and Brent Truitt

“Scorchin’ the Gravy”
Artist: Frank Solivan & Dirty Kitchen
Songwriter: Frank Solivan
Label: Compass Records
Producer: Frank Solivan

NEW ARTIST OF THE YEAR:

Authentic Unlimited
East Nash Grass
Henhouse Prowlers
The Tennessee Bluegrass Band
Tray Wellington

COLLABORATIVE RECORDING OF THE YEAR:

“Alberta Bound”
Artist: Special Consensus with Ray Legere, John Reischman, Tisha Gagnon, Claire Lynch, Pharis & Jason Romero, Patrick Sauber
Songwriter: Gordon Lightfoot
Label: Compass Records
Producer: Alison Brown

“Big Mon”
Artist: Andy Leftwich with Sierra Hull
Songwriter: Bill Monroe
Label: Mountain Home Music Company
Producer: Andy Leftwich

“Foggy Morning Breaking”
Artist: Alison Brown with Steve Martin
Songwriter: Alison Brown/Steve Martin
Label: Compass Records
Producer: Alison Brown and Garry West

“For Your Love”
Artist: Michael Cleveland with Billy Strings and Jeff White
Songwriter: Joe Ely
Label: Compass Records
Producer: Jeff White, Michael Cleveland, and Sean Sullivan

“From My Mountain (Calling You)”
Artist: Peter Rowan with Molly Tuttle and Lindsay Lou
Songwriter: Peter Rowan
Label: Rebel Records
Producer: Peter Rowan

MALE VOCALIST OF THE YEAR:

Greg Blake
Del McCoury
Danny Paisley
Larry Sparks
Dan Tyminski

FEMALE VOCALIST OF THE YEAR:

Brooke Aldridge
Dale Ann Bradley
Jaelee Roberts
Molly Tuttle
Rhonda Vincent

BANJO PLAYER OF THE YEAR:

Kristin Scott Benson
Alison Brown
Béla Fleck
Ned Luberecki
Scott Vestal

BASS PLAYER OF THE YEAR:

Mike Bub
Todd Phillips
Missy Raines
Mark Schatz
Vickie Vaughn

FIDDLE PLAYER OF THE YEAR:

Jason Carter
Michael Cleveland
Stuart Duncan
Bronwyn Keith-Hynes
Deanie Richardson

RESOPHONIC GUITAR PLAYER OF THE YEAR:

Jerry Douglas
Andy Hall
Rob Ickes
Matt Leadbetter
Justin Moses

GUITAR PLAYER OF THE YEAR:

Chris Eldridge
Trey Hensley
Billy Strings
Bryan Sutton
Molly Tuttle

MANDOLIN PLAYER OF THE YEAR:

Alan Bibey
Jesse Brock
Sam Bush
Sierra Hull
Ronnie McCoury


Photo Credit: Molly Tuttle & Golden Highway by Chelsea Rochelle

PREVIEW: IBMA’s World of Bluegrass, This Week in Raleigh

The biggest week in bluegrass has arrived. The International Bluegrass Music Association’s annual business conference and festival begins tomorrow, September 26, and continues through Saturday, September 30, in Raleigh, North Carolina. It’s the 10th year the event has been hosted in the music-rich state of North Carolina.

From Tuesday to Thursday, industry professionals, artists, musicians, songwriters, lawyers and more will participate in panels and professional development during Wide Open Bluegrass, the conference portion of the week’s programming. Highlights will include a keynote address by Matt Glaser of Berklee College of Music (Tuesday), the Momentum Awards Luncheon (Wednesday) and Industry Awards Luncheon (Thursday) — plus a BGS-presented panel on podcasts, An Essential Guide To Podcasting (Wednesday), which will be moderated by Keith Billik of Picky Fingers and will feature Basic Folk hosts Cindy Howes and Lizzie No, among others. During the evenings, when conference events have concluded, attendees and fans will enjoy the Bluegrass Ramble, IBMA’s roster of more than thirty showcasing acts and bands at venues peppered throughout downtown Raleigh.

On Thursday evening, it’s the so-called “Bluegrass Prom,” the 34th Annual IBMA Bluegrass Music Awards, held at the Martin Marietta Center for the Performing Arts just steps away from the conference center and host hotel. Hosted by Ketch Secor and Molly Tuttle, the biggest night of the biggest week in bluegrass will see artists and bands like Billy Strings, Sister Sadie, Tray Wellington, Del McCoury Band and many more vie for awards like Entertainer of the Year, Vocal Group of the Year, Best New Artist and beyond. The Bluegrass Music Hall of Fame & Museum will also induct three new members during the ceremony, mandolinist Sam Bush, innovator and stylist David Grisman and the legendary and chart-topping Wilma Lee Cooper.

The awards show marks the week’s transition from conference to festival, as Bluegrass Live! takes over the Red Hat Amphitheater and all of downtown Raleigh on Friday and Saturday. On the main stage, enjoy headliners like Mighty Poplar, Molly Tuttle & Golden Highway, AJ Lee & Blue Summit, Missy Raines & Allegheny and an all-star banjo collaboration of Tray Wellington, Jake Blount and Kaïa Kater. Vendors, artisans, food trucks and more will line the streets of downtown, where dozens more bands will perform for the second-largest bluegrass festival audience in the world – nearly 200,000 bluegrass and roots music fans will make Raleigh their destination this weekend.

Below, find our short list of events, bands, panels, showcases, presentations and shows not-to-be-missed at IBMA’s World of Bluegrass and Bluegrass Live!

Panels & Conference Events

The World of Bluegrass business conference gets going bright and early tomorrow morning, with a New Attendee Orientation at Raleigh Convention Center room 304 at 9 a.m. Once you have the lay of the land, check out these conference programs and panels throughout the week. Don’t miss your IBMA professional member constituency meeting – they’re held throughout the week for the various constituencies – and don’t miss the exhibit hall, full of vendors, organizations, festivals and more. It opens Wednesday at 1 p.m.

IBMA KEYNOTE ADDRESS & RECEPTION BY MATT GLASER
TUESDAY 4PM – 5:30PM | RCC BALLROOM

Matt Glaser, who served as chair of Berklee College of Music’s String Department for 28 years and has pioneered its American Roots Music Program, will give a “dynamic” presentation for this year’s keynote entitled, Hidden Threads: Bluegrass in the American Musical Tapestry.” Glaser will explore the many styles, genres and formats that influenced and informed the creation of bluegrass – jazz, blues, gospel, old-time and so much more.

SUPERSESSION – WOMEN IN THE BUSINESS OF BLUEGRASS
WEDNESDAY 9AM – 9:50AM | RCC 306

An absolutely star-studded panel will explore how women and femme folks continue to carve out spaces for themselves, professionally, in these roots music communities. Panelists include: Deering Banjos chief executive Jamie Deering, event planner and promoter Claire Armbruster (Planning Stages), the owner/operator of Elderly Instruments, Lillian Werbin, broadcaster and radio host Michelle Lee, BGS contributor and collaborator Brandi Waller-Pace, a non-profit founder, organizer and educator (Fort Worth African American Roots Music Festival & Decolonizing the Music Room), Rounder Records co-founder Marian Leighton Levy, Mary Beth Martin of the Earl Scruggs Center and Carly Smith of the Bluegrass Music Hall of Fame & Museum.

IBMA MOMENTUM AWARDS LUNCHEON
WEDNESDAY 11AM – 1PM | RCC BALLROOM

Each year during World of Bluegrass the Wednesday luncheon is devoted to awarding up-and-comers in the bluegrass industry, from bands and instrumentalists to industry involved professionals and mentors. You can see the full list of Momentum Awards nominees here. Plus, hear luncheon showcases by a fine selection of Bluegrass Ramble bands.

SUPERSESSION – OH, DIDN’T THEY RAMBLE: THE BLUEGRASS SIDE OF ROUNDER RECORDS
WEDNESDAY 1PM – 1:50PM | RCC 306

BGS contributor and Carolina Calling host David Menconi will release his new book, Oh, Didn’t They Ramble: Rounder Records and the Transformation of American Roots Music, next month, so it’s perfect timing for this panel examining the historical significance of this record label. The lineup will feature Rounder founders and IBMA Hall of Fame members Ken Irwin, Marian Leighton Levy and Bill Nowlin along with broadcaster Daniel Mullins and, of course, Menconi himself.

AN ESSENTIAL GUIDE TO PODCASTING 
WEDNESDAY 2PM – 2:50PM | RCC 304

We are so excited to convene Keith Billik of Picky Fingers Podcast, Lizzie No and Cindy Howes of Basic Folk, and more BGS team members from our Podcast Network to talk about the essentials of bluegrass and roots music podcasting. If you’re interested in learning about distribution, sponsorships, syndication, editing, production, pre-production and so much more, this conversation is for you.

IBMA INDUSTRY AWARDS LUNCHEON
THURSDAY 11AM – 1PM | RCC BALLROOM

On Thursday, the Industry Awards luncheon will recognize achievements and contributions of the industry’s sound engineers, broadcasters, writers and more. Plus, IBMA will hand out their second-highest honor, the Distinguished Achievement Award, to a small handful of honorees – of which we’re one! BGS is so humbled and honored to be one recipient of this year’s Distinguished Achievement Awards. Watch for a feature on BGS and the award presentation later this week.

Plus, a few more panels and programs starred on our calendar include:

AVOIDING TOKENISM IN TRAD MUSIC
WEDNESDAY 2PM – 2:50PM | RCC 306

DIVERSITY, EQUITY, & INCLUSION (DEI) TOWN HALL
WEDNESDAY 4PM – 5PM | RCC 306

IBMA TOWN HALL MEETING
THURSDAY 9AM – 10:30AM | RCC 306

YOUTUBE: FINDING YOUR COMMUNITY, GROWING YOUR AUDIENCE
THURSDAY 1:30PM – 2:20PM | RCC 305

IBMA WOMEN’S COUNCIL MEETING
THURSDAY 4PM – 5PM | RCC 306

THE MAKING OF WILL THE CIRCLE BE UNBROKEN ALBUM AND ITS IMPACT ON THE WORLD
FRIDAY 1PM – 3PM | RCC 306

BLUEGRASS IS FOR EVERYONE JAM
SATURDAY 12PM – 2PM | RCC MAIN LOBBY

See the full conference schedule on IBMA’s website here.


Bluegrass Ramble

30+ bluegrass, old-time, and roots music bands will showcase throughout downtown Raleigh during IBMA’s World of Bluegrass. These shows are open to both conference attendees and the general public. Find out more about ticketing and admission here.

Not sure where to begin? Here are a few bands worth your attention – and perhaps a hasty jog down Fayetteville Street!

ALEX LEACH

Multi-instrumentalist, songwriter and Clinch Mountain Boys alumnus Alex Leach brings a delightful ’60s and ’70s flair to his brand of central Appalachian bluegrass. We recently premiered his latest single, “Summer Haven,” and look forward to catching him live this week during the Bluegrass Ramble.


GOLDEN SHOALS

Golden Shoals are Nashville-based duo Amy Alvey and Mark Kilianski, another group we were fortunate enough to recently feature in a video premiere for “Bitter,” a song co-written by Alvey and Rachel Baiman.


RACHEL SUMNER & TRAVELING LIGHT

You may recognize Rachel Sumner from her time in zany, jazz-inflected string band Twisted Pine. She’s since ventured out on her own as a solo artist with her music centered on her New England-influenced songwriting and chambergrass aesthetics – though she originally hails from the Southwest U.S.


SEQUOIA ROSE

“Bluegrass is for everyone,” after all, and we’re so glad to see Sequoia Rose on the official showcase lineup for IBMA! We were first introduced to her jamgrassy music via submission earlier this year and have been itching for a chance to hear it live.


THOMAS CASSELL

Mandolinist, writer and songwriter Thomas Cassell – who, you may know, is a BGS contributor as well – makes his home in Nashville, Tennessee, though he was raised in the bluegrass-steeped mountains of Southwestern Virginia. His brand of bluegrass is all at once timeless and forward looking with its keystone being his honeyed voice, like a youthful Dan Tyminski with a dash of Russell Moore.


VIOLET BELL

North Carolina string duo Violet Bell are both ethereal and grounded. Their latest album, Shapeshifter, is a stunning conceptual work that is never burdened by the nuanced stories it tells. (Read our feature on the record here.) Omar Ruiz-Lopez and Lizzy Ross subtly and deftly complicate the roots music forms that infuse their music. A must-see at IBMA.


WYATT ELLIS

Our readers, followers and fans can’t get enough of mandolin prodigy Wyatt Ellis, who gracefully and virtuosically continues the now generations-old tradition of fleet-fingered youngsters shredding the mando. Like Ricky Skaggs, Marty Stuart, Chris Thile, Sierra Hull and many more before him, Wyatt enjoys cross-generational collaboration and has his sights set on a lifelong career in this music. Catch him showcasing at IBMA and tell folks thirty years from now you “saw him when.”

Keep in mind, this is merely the tip of the bluegrass iceberg for this week in Raleigh. There’s the entire lineup of the street fest plus the lineup of Bluegrass Live!’s mainstage, the Red Hat Amphitheater, to explore, too. In short, there’s nowhere else to be this week than Raleigh, North Carolina for IBMA’s World of Bluegrass conference and festival.


Graphics courtesy of IBMA

See Exclusive Live Performance Photos of Dierks Bentley and Molly Tuttle

It’s been a busy summer for Dierks Bentley and Molly Tuttle, as the former crisscrosses the country on his Gravel & Gold tour and the latter has released her critically-acclaimed album, City of Gold, with her band Golden Highway. With Bentley’s well-known love of bluegrass – he’s been a regular at the World Famous Station Inn in Nashville for decades and his 2010 bluegrass album, Up on the Ridge, featured many of our favorite grassers – and the golden similarities between Tuttle’s and Bentley’s brands at the moment, this match-up feels more than apropos.

“We were so lucky to have Molly and her awesome band be part of several shows on our summer tour,” Bentley says. “We had shared the stage before at the Station Inn, so taking the show on the road seemed like the next logical step! Not only do they put on a killer show, but they are super fun to hang with off stage as well.”

Dierks Bentley, Molly Tuttle, Charlie Worsham, and more rehearse back stage at the Station Inn.

The love, appreciation, and admiration Bentley and his band have for bluegrass is nearly unmatched in country and it’s obvious that admiration – for Tuttle & Golden Highway, too – is mutual. “We introduced [Golden Highway] to pickleball and cold plunges,” Bentley continues, “and of course to our fans every night, some of who had never listened to bluegrass music. For Molly Tuttle to be those fans’ first experience with bluegrass was really an honor for me. We made some new bluegrass fans for life!”

For their part, Tuttle and band have spent the last couple of years on the road building a show that feels equally at home at bluegrass festivals, rock clubs, mid-sized theaters, and even full-scale, multi-artist arena shows – like the Gravel & Gold tour. The energy they bring with them every time they step on stage feels right at home in a lineup with Bentley et. al. The enjoyment shared by all is palpable in these exclusive photographs by Zach Belcher.

“I loved going out on the road with Dierks Bentley this summer,” Tuttle says. “His kind and welcoming personality shines through in his show and everything he does. I’m a big fan of his music and especially love his bluegrass material so it was a thrill to jump up on stage with him and his killer band each night for an acoustic portion of the set! Watching him play was like seeing a masterclass in putting on a great show that the audience will take with them forever and I’m so grateful for the ways Dierks spotlighted us and bluegrass music as a whole to his crowds.”

Enjoy this collection of photographs from Bentley’s and Tuttle’s appearances together, and don’t miss their Gravel & Gold and Road to El Dorado tours as they continue through the end of summer and into the fall.

More Station Inn green room rehearsing with Molly Tuttle, Charlie Worsham, Dierks Bentley, Ben Helson and Cassady Feasby.
Molly Tuttle & Golden Highway join Dierks Bentley and band on stage.
Dierks Bentley and very special guest, his eldest daughter, Evie.
Molly Tuttle joins Dierks Bentley on stage in Cleveland, Ohio.
(Front row) Ben Helson, Molly Tuttle, and Dierks Bentley in Cleveland, Ohio.
Dierks Bentley
Dierks Bentley
Molly Tuttle & Golden Highway with Dierks Bentley on stage near gold country in Corning, California.
Dierks Bentley in Corning, California.

All photos: Zach Belcher