LISTEN: The Shootouts, “Saturday Night Town”

Artist: The Shootouts
Hometown: Northeast Ohio
Song: “Saturday Night Town”
Album: Bullseye
Release Date: April 30, 2021
Label: Soundly Music

In Their Words: “It was inspired by a book I read about a historic small town in Ohio. Throughout the book there were stories of fun-loving locals who would cut loose at the end of a long week, referring to it as a ‘Saturday Night Town.’ I instantly knew that was meant to be a song title. We all come from, or know someone who comes from, a small town like this. Even if they end up leaving, it’s hard to get that out of your blood. I think we can all relate to a much-needed break at the end of a long week, no matter what town you call home.

“That same book inspired another track called ‘Rattlesnake Whiskey,’ which is also on Bullseye. Both of those songs were written in 2015, before The Shootouts began. They were some of the first original songs we performed live, and they quickly became fan favorites. They didn’t quite fit with the batch of tunes that became our debut album, Quick Draw, but they definitely felt like a perfect fit for Bullseye. Luckily, Chuck [Mead, producer] thought so too. I think we got the definitive versions, and I’m glad we finally got to record them both.

“Fun fact: We end almost every show with ‘Saturday Night Town’ and have almost since the inception of the band. It really allows the band to stretch out a bit and trade some tasty licks.” — Ryan Humbert, The Shootouts


Photo credit: Jamie Escola

8 of Our Favorite Underrated Sitch Sessions

Since our first excursion to Bonnaroo in 2013 BGS has been filming, crafting, and releasing Sitch Sessions with the absolute best and brightest musicians and artists in roots music. We’ve been so fortunate to work with new and old friends, freshly discovered and up-and-coming artists, and legendary performers with enormous legacies. After nearly eight years, we’ve amassed quite an archive of sessions, and within that archive more than a few stellar songs and performances have seemingly fallen to the wayside. 

These 8 Sitch Sessions from the BGS archives are a few of our most favorite, underrated moments from our years of shooting sessions. We hope you’ll enjoy a few of these “reruns” — and take a deep dive into our past featured videos yourself!

Nathan Bowles – “Burnt Ends Rag”

One of our favorite shooting locations is a rooftop in downtown Los Angeles, where countless BGS Friends & Neighbors have taped their Sitch Sessions over the years. One of our favorites is this clawhammer banjo performance by Nathan Bowles, which demonstrates that old-time music and its trappings can be perfectly at home in modernity — and in urban settings, too. More banjos in DTLA, please and thank you!


Andrew Combs – “Firestarter”

One fine AmericanaFest week in Nashville in September a few years back we partnered with Crowell Floral, Jacob Blumberg, and Dan Knobler on The Silverstreak Sessions, a series of Sitch Sessions set in a vintage Airstream and flanked by gorgeous flowers and verdant foliage. At the time, “Firestarter” had not yet been released — now you can hear it on Combs’ 2019 release, Ideal Man. For this session all Combs needed was his guitar, this heartfelt song, and that honey sweet, aching voice. 


Alice Gerrard – “Maybe This Time” 

Every opportunity we’ve had to collaborate or speak with Bluegrass Hall of Famer and living legend Alice Gerrard, we’ve taken it! This session is two of a pair we shot with Gerrard, the other a stark, awe-inspiring a capella number that was quite popular on our channels. This Alice original, “Maybe This Time,” is cheerier, lighter, and has that charming old-time bounce in its bluegrass bones. 

With a new documentary film available, You Gave Me a Song, perhaps it’s about time for another session with this hero of ours!


Ben Sollee – “Pretend”

Maybe you’ve seen Mark O’Connor play fiddle while skateboarding, or Rushad Eggleston performing all manner of acrobatics and avant garde silliness with his cello, but do you remember when Ben Sollee toured America by bicycle? In this 2016 session, Sollee demonstrates his cello-while-pedaling chops. 

We’re firm believers that the world needs more bluegrass, old-time, and Americana cello and we’re happy to return to this archived Sitch Session for that reminder!


Caroline Spence – “Mint Condition”

Another session filmed on our home turf in Los Angeles, Nashville-based singer-songwriter Caroline Spence brought “Mint Condition” to her taping fresh off her debut, eponymous release on Rounder Records in 2019. “Mint Condition” displays Spence’s unique skill for writing strong, unassailable hooks that on almost any other songwriter’s page might trend cheesy or trite. Spence instead displays the simple profundity in her lyrics, a skill evidenced plainly in this session.


Laura Veirs – “July Flame”

Over the years, we’ve partnered with festivals, companies, and brands on tailor-made sessions — like our Portland series, where we partnered with our friends at Ear Trumpet Labs on some of our most popular, most viral Sitch Sessions ever! This beautiful, sunny, summery rendition of “July Flame” by Laura Veirs certainly deserves a re-up. 

In 2016, after this session was published, Veirs went on to release case/lang/veirs with Neko Case and k.d. lang. Remember that!? 


Kelsey Waldon – “Powderfinger”

We first filmed a Sitch Session with Kentuckian country singer and songwriter Kelsey Waldon in 2015 — after the release of her debut album, The Goldmine, in 2014. In the time that’s elapsed since, Waldon has followed her golden debut with two more impeccable studio albums, the latest being White Noise / White Lines, which was released on the late John Prine’s Oh Boy Records in 2019. On the tail of White Noise / White Lines, Waldon gave us this gorgeous cover of Neil Young’s “Powderfinger” displaying her talent for cover song interpretations as well as original song sculpting.


Sunny War – “He Is My Cell”

Guitarist and singer-songwriter Sunny War has just released a brand new album, Simple Syrup, as charming and entrancing as ever and built firmly, yet again, upon her unique and idiosyncratic guitar picking style. In 2018 she released With the Sun, an album that included “He Is My Cell,” which ended up featured in a Sitch Session in early 2019 on BGS. 

War recently appeared as a guest on our Shout & Shine series – read our interview here. 


 

LISTEN: Acoustic Syndicate, “Sunny”

Artist: Acoustic Syndicate
Hometown: Shelby, North Carolina
Song: “Sunny”
Release Date: April 9, 2021
Label: Organic Records

In Their Words: “‘Sunny’ is one of those things that’s been on my ‘list of things to finish’ for quite some time. Based on an idea for a short story that I was working on some years ago, it’s a discussion about love, coping with loss, hope, and ultimately, redemption. I’ve been carrying that melody around in my head for years and finally got lucky enough to find the right words to go with it. The tune was one that I was kinda holding in reserve for a possible solo project at some point. After putting it together and sharing with the other fellas, they were all in to record it. The piano (Brian Felix) and violin (Lyndsay Pruett) were part of the original idea, and it was such a pleasure to watch it materialize in the studio on a super solid track by Fitz, Bryon, and Jay. Being back in the studio after seven years has been a real treat. I love the process of recording, and I have missed it very much. Our engineer, Clay Miller, is a ‘steely eyed missile man’ and has the patience of Job! He makes the recording process an absolute joy. I’m so grateful and honored to be making new music with these dudes again.” — Steve McMurry, Acoustic Syndicate


Photo credit: Sandlin Gaither

The BGS Radio Hour – Episode 203

Welcome to the BGS Radio Hour! Since 2017, the Radio Hour has been our weekly recap of all the great music, new and old, featured on the pages of BGS. This week, we’ve got music from CeeLo Green to Loretta Lynn! Remember to check back every week for a new episode.

APPLE PODCASTS, SPOTIFY

Loretta Lynn feat. Margo Price – “One’s On The Way”

Loretta Lynn’s original cut of this song made it to No. 1 on the charts in 1971. When Margo Price teamed up with Lynn to celebrate the latter’s 50th anniversary of “Coal Miner’s Daughter,” Price chose this song specifically, suggesting how legendary it was for Lynn to have sung about women’s rights and birth control in the country music of the ’70s. It’s still legendary today.

Todd Snider – “Turn Me Loose (I’ll Never Be the Same)”

“Turn me loose, I’ll never be the same!” is a phrase that rodeo cowboys used to yell when they were ready – something Snider first heard from Jerry Jeff Walker, but fitting himself perfectly. He asked the cosmos to provide a rock to put is foot on, and so the story goes, the new album from Todd Snider: First Agnostic Church of Hope and Wonder. 

DL Rossi – “Tumbling”

From Grand Rapids, Michigan, DL Rossi brings us a song from his upcoming album, Lonesome Kind. It’s a kind of youthful innocence, warming up to the harsher realities of life. And while we can’t opt out of our hurtful experiences, as Rossi suggests, we can share them to encourage one another.

Aaron Burdett – “Arlo”

North Carolina-based singer and songwriter Aaron Burdett compiled this song by noting quotes that his friend Arlo would say, collecting them for over 10 years. Arlo isn’t necessarily the character in the song, Burdett says, but a character, someone who always has a bold thing to say.

CeeLo Green – “Slow Down”

CeeLo Green brings us a video for “Slow Down” from his latest album, CeeLo Green is… Thomas Calloway. From the writing of the song, to the recording and then making of the video, it was a completely expressive process for Green, who called it an “out of body experience.” Ironically titled, the song pulls the listener even closer into the climactic height of the record.

Natalie D-Napoleon – “Gasoline & Liquor”

Driving through the rural Mojave, D-Napoleon passed a sign that read “Gasoline and Liquor.” While she knew it would be a song, she thought it sounded like a man’s song, one written via passing lines back and forth with her husband. The video reflects the landscape of the “Wild Wests” of both the American desert and Western Australia, the places between which this artist splits her time.

Danny Paisley and the Southern Grass – “Date With an Angel”

Danny Paisley is the current reigning prince of Baltimore-D.C.-area bluegrass, a scene with rich history dating back to the 1950s. This week, Paisley and his band the Southern Grass bring us a song from their upcoming release, Bluegrass Troubadour. 

Aoife O’Donovan feat. Kris Drever – “Transatlantic”

Aoife O’Donovan is no stranger here at BGS, or anywhere in the roots community for that matter! Her work with artists like Crooked Still, I’m With Her, and the Goat Rodeo Sessions proves why that is. This week on BGS, she teams up with Scottish artist Kris Drever to bring us a message that we’ll all be together again.

Brigitte DeMeyer – “Salt of the Earth”

BGS caught up with Brigitte DeMeyer from San Francisco this week on a 5+5 – that is, 5 questions, 5 songs. We talked musical inspirations, songwriting techniques, and her mission statement: being herself.

Will Orchard – “Rita”

For Boston-based Will Orchard, this song is about trusting impulses, and the constant questioning of whether or not those feelings are valid. Written on tour in two parts separated by almost year, Orchard was able to combine them with the perspective of time, earning a place on his newly released album, I Reached My Hand Out. 

Helena Rose – “What’s Killing You is Killing Me”

Helena Rose wrote this song while struggling to tell a loved one how she felt about their addiction. Rose offers this song to others who have loved ones battling addiction, giving hope to the struggle, and showing that there is a light at the end of the tunnel.

Valerie June – “Smile”

As March has slipped away and we welcome April, we bid farewell to our March Artist of the Month, Valerie June. This song comes from her latest album, The Moon and the Stars: Prescriptions for Dreamers.

The Bones of J.R. Jones – “Bad Moves”

In celebration of his latest album, A Celebration, we caught up with the Bones of J.R. Jones for a 5+5, talking about performance memories, art forms, and songwriting techniques. Jones’ curated playlist brings us everything from Nina Simone to Bruce Springsteen to the White Stripes.

John Smith – “Friends”

The pandemic was hard on us all, no doubt, but for Wales-based John Smith, it just kept bringing the punches. Trying to make sense of it all, Smith brings us The Fray, his latest album in a 15-year career, teaming up with artists and friends like Sarah Jarosz and Bill Frisell.


Photos: (L to R) Margo Price by Bobbi Rich; Aoife O’Donovan by Rich Gilligan; Todd Snider by Stacie Huckeba

LISTEN: Chris Cain, “Can’t Find a Good Reason”

Artist: Chris Cain
Hometown: San Jose, California
Song: “Can’t Find a Good Reason”
Album: Raisin’ Cain
Release Date: April 9, 2021
Label: Alligator Records

In Their Words: “We recorded the Raisin’ Cain album at Kid Andersen’s Greaseland studio and I just had the changes to this song. Before we left Greaseland I said, ‘We’ll just record this one real fast and we’ll see what I can do with it later.’ Greg Rahn (keys) said, ‘Does this have a bridge?’ It didn’t, yet, so I just made one up real quick. We recorded the music to it and I added the intro to it that it has on there. When I got home I wrote the lyric based on personal stuff that you just store up in your mind and recorded the vocals the next day at Greaseland. Kid and I were in there and I added the vocals with the lyric I just wrote. I get to the part that goes ‘It really is nobody’s fault, we both tried hard to make it, but as hard as we try, we end up having to fake it.’ There’s a big blank spot right there and I told Kid, ‘Wait, I gotta write more words to it.’ Kid said, ‘Why don’t you just put whoa whoa whoa whoa, right there.’ I did and that’s how it turned out. I really wasn’t just trying to fake it.” — Chris Cain


Photo credit: Marilyn Stringer

LISTEN: The Pink Stones, “Put Me On”

Artist: The Pink Stones
Hometown: Athens, Georgia
Song: “Put Me On”
Album: Introducing…The Pink Stones
Release Date: April 6, 2021
Label: Normaltown Records

In Their Words: “‘Put Me On’ is a song I wrote a little while back, but it’s still a tune that I love a lot. It’s a pretty straightforward country tune about making yourself sick over someone, trying to get to them, and then realizing that all the signs had really been telling you to turn around and go the other way the whole time. We had some fun with this one in the studio, too. Used some groovy amps, had our buddy Jessica Thompson come in sing with me, and Wandy really got to have some fun on the B3.” — Hunter Pinkston, The Pink Stones


Photo credit: Taylor Chmura

LISTEN: Hey, King!, “Get Up”

Artist: Hey, King!
Hometown: Ontario, Canada and Tucson, Arizona
Song: “Get Up”
Album: Hey, King!
Release Date: April 2, 2021
Label: ANTI-

In Their Words: “I feel like every serious, emotionally raw album can use a breath of lightness. When Taylor dared me to write a song from our dogs’ perspective I thought it would be a fun experiment, but we fell in love with the track and are so happy it made it on the record!” — Natalie London, Hey, King!


Photo credit: Richard Fournier

LISTEN: The Rev. Peyton’s Big Damn Band, “I’ll Pick You Up”

Artist: The Rev. Peyton’s Big Damn Band
Hometown: Nashville, Indiana
Song: “I’ll Pick You Up”
Album: Dance Songs for Hard Times
Release Date: April 9, 2021
Label: Thirty Tigers

In Their Words: “Well, this song goes out to anyone that drives or has ever driven a POS car. Of all of the songs on the record, this one probably has the most ‘rural’ subject matter, but it’s the most complicated in its vocal layers, and in my mind I wanted to layer it like a Stax records song from the ’60s. It starts with my thumb on the bass, and I wanted my slide guitar and my harmonica to come in together like a horn section. Breezy and Max worked really hard to get the strange vocal layering I came up with to really work in the choruses. And the beat that Max plays is straight ’60s R&B.” — Rev. Peyton


Photo credit: Tyler Zoller

WATCH: Cha Wa, “My People”

Artist: Cha Wa
Hometown: New Orleans, Louisiana
Song: “My People”
Album: My People
Release Date: April 2, 2021
Label: Single Lock Records

In Their Words: “The message I am trying to send with the ‘My People’ music video is based on ancestral recall. This is a phenomenon where people consciously or subconsciously draw on the experiences and lives of their ancestors to perpetuate a certain lifestyle or culture. I am also trying to give the viewer an idea of the different spirits that dominate New Orleans. These are represented by the various elements of New Orleans culture shown, such as the Skull and Bone Gang, the Mardi Gras Indians, and the brass band.

“In this video, I juxtapose the origin story of the Mardi Gras Indians with the present day representation of our Black and Native American hybrid culture. Historically, many Black people who escaped slavery in South Louisiana were taken in, guided to safety, and hidden from slavecatchers by sovereign Native American tribes. From the natives, they acquired new customs, language, and dress, and meshed them with African masking traditions. This not only provided immediate freedom from captivity for the people who escaped, but also would eventually provide an avenue for the Black people of New Orleans to feel free on carnival day despite not being allowed to participate in the official Mardi Gras celebrations. (Read more below the player.)

“Brass bands in New Orleans also represent freedom, as they are the centerpiece of second lines. Second lines are long parades that involve high-energy dancing and music, free of cost to anyone who wants to show up. They happen every Sunday, and for many people, no matter how terrible their week might have been, second lines provide a space where they can dance, rejoice in the music, forget about their troubles for a little bit, and feel free. This is a tradition that dates back to the days of the drum circles at Congo Square, where only in New Orleans, Black enslaved people were allowed to play drums, sing, and dance however they wanted.

“The Skull and Bone Gang’s purpose is to warn people of impending danger to their lives. The idea is that they are there to remind people to lead a good and safe life, or they will be the next to die. What better spirit is there to relay the message than a dead man walking? All of these spirits, plus many more are constantly working in New Orleans to make it what it is. Mardi Gras day is just when they all come out to play.” — Aurelien Barnes, video producer/vocalist, Cha Wa

“In a society that is divided by so many things, ‘My People’ reminds us that no matter who you are — rich or poor, big or small — we’re all in this together as humans. Cause one day we gon’ all be in the same boat.” — Joseph Boudreaux Jr, vocalist, Cha Wa


Photo credit: Zach Smith

Artist of the Month: Peggy Seeger

Peggy Seeger is saying goodbye to recording and the road with First Farewell, which she’s considering her likely final album in a career spanning seven decades. A folk legend in her own right, Seeger comes from a sterling musical pedigree, and she’s ensuring that lineage continues by enlisting her sons Neill and Calum MacColl to join her on the album.

Seeger’s reemergence is marked by “The Invisible Woman,” immersed in a perspective that anyone of a certain age can understand. Upon its release, she noted, “My older son Neill MacColl was hesitant for ages about co-writing with me. He turned up at my home one day, laid his 6’1” self along my two-seater sofa and laconically offered a possible subject for a song. ‘The Invisible Woman’ strolled in gradually, wearing clown shoes and lace underwear. We ended up with a song that expressed an uncomfortable new feeling that was creeping up on us both, but that echoed the folk songs that I’d sung to him since birth.”

For dedicated fans of folk music, Seeger remains an important figure in a family that shaped the modern folk era. Her mother, Ruth Crawford Seeger, is a notable composer who was the first woman to be awarded the Guggenheim Fellowship Award for Music. Her rather, Charles Louis Seeger, did pioneering work in ethnomusicology at the University of California in Los Angeles, while her brother Mike Seeger and half-brother Pete Seeger carved out their own indelible careers in the folk framework. Peggy, though she was a child, may also be credited with discovering singer-guitarist Libba Cotten, who worked in the Seeger home.

At 85, Peggy Seeger stands as a folk icon in England and America, and if First Farewell is her swan song, she’s still making herself heard on topics ranging from suicide and loneliness, to social media and modern slavery. Fans in the UK can expect multiple tour dates to support the eloquent project. Our two-part, exclusive interview is available now (Read part one here. Read part two here.) and we hope you enjoy our Essential Peggy Seeger playlist, as well.


Photo credit: Vicki Sharp