WATCH: Sonja Midtune, “Los Angeles”

Artist: Sonja Midtune
Hometown: Los Angeles, California
Song: “Los Angeles”
Album: Dreams Melt Away (EP)
Release Date: April 2, 2021

In Their Words: “‘Los Angeles’ is a song with multiple meanings. What starts as a love song quickly turns into an analogy about the relationship; pretty on the surface, but messy underneath, just like Los Angeles. It asks the question, ‘Are WE Los Angeles?’ and ends with me accepting L.A. as my home, but wow, I am lost here. The music video was shot by my boyfriend at all of my favorite unique L.A. spots that I’ve discovered through the years. He loves the song. šŸ™‚ We had a blast!” — Sonja Midtune


Photo credit: Michelle Lanning

BGS 5+5: Noel Paul Stookey

Artist: Noel Paul Stookey
Hometown: Blue Hill, Maine
Latest album: Just Causes
Personal nicknames: Paul of Peter, Paul & Mary

What’s your favorite memory from being on stage?

Standing at the Lincoln Memorial with Peter Yarrow, Mary Travers, and 250,000 others listening to Dr. Martin Luther King Jr. deliver his ‘I Have a Dream’ speech at the 1963 March on Washington. As Mary said that day, ā€œ…we are watching history.ā€

What was the first moment that you knew you wanted to be a musician?

Was there ever a “first moment?” Music has been a part of my life for as long as I can remember though I never seriously thought I would earn a living as a “professional.” I was attracted to the medium as a form of expression and never as commerce.

What rituals do you have, either in the studio or before a show?

Now THAT’s an interesting question! I always try to have beer and coffee backstage at a performance, because (borrowing a page from Alice in Wonderland‘s toadstool discipline), I will have a sip of beer if I’m jittery or wound too tight from all the coffee I’ve consumed during soundcheck OR a cup of coffee if the beer I’ve sipped has caused me to relax so much that I’ve lost focus. I suppose it’s a self-medication of sorts.

How often do you hide behind a character in a song or use ā€œyouā€ when it’s actually ā€œmeā€?

Songwriters deal in metaphors. I don’t “hide” behind a character as much as employ characters to present different perspectives in what is often an invented situation — witness “The Connection,” a song that uses four scenes to reveal a relationship between drug use in the USA and the funding of the Taliban terrorist group, or “Jean Claude,” a story song questioning the meaning of freedom for an 83-year-old French man who, as a teenager, had his best friend taken away to a Nazi concentration camp.

What other art forms — literature, film, dance, painting, etc — inform your music?

I’m a folkie. All it takes is a circumstance; a piece of life revealed in real time to become inspiration for a song. We write for the betterment of the human condition. And, if that occasionally is termed “art,” then so be it.


Photo credit: Kevin Mazur

LISTEN: The Gina Furtado Project, “Kansas City Railroad Blues”

Artist: The Gina Furtado Project
Hometown: Winchester, Virginia
Song: “Kansas City Railroad Blues”
Release Date: April 9, 2021
Label: Mountain Home Music Company

In Their Words: “How in the world I made it all these years as a banjo player and not heard of ā€˜Kansas City Railroad Blues,’ I have no idea. Nonetheless, I heard this tune for the very first time last year and it quickly became my new favorite. This tune has the magic fire that drew me to the banjo as a kid and hasn’t let me put it down since. I chose it knowing it would be a great way to show off the hot pickers in the band. It provides a perfect template for Drew and Malia to exhibit their pristine swing style chops. This is also the first single of ours that includes our newest band member, Lu Furtado. And boy, does she make a grand entrance with her stellar bass playing! Lastly, Wayne Benson and Kristin Scott Benson, joining us on mandolin and from the producer’s chair, respectively, made this a super special recording. I hope you enjoy listening to it as much as we enjoyed recording it!” — Gina Furtado


Photo credit: Sandlin Gaither

The Show on the Road – Caroline Spence

This week on The Show On The Road, we feature a conversation with an admired and sharp-witted singer-songwriter in the fertile Nashville Americana scene, Caroline Spence.


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A sought-after lyricist who mines her own vulnerabilities and lovelorn past to tell delicately crafted story-songs, Caroline Spence’s voice seems to always hover angelically above the page, bringing to mind new-wave country pop heroine Alison Krauss or her vocal hero, Emmylou Harris.

Growing up in Charlottesville, VA daydreaming to Harris’ signature twangy honey-toned records like Wrecking Ball, Spence admittedly was a bit starstruck when the silver-maned lady herself came on board to sing harmonies on the title track of Spence’s newest LP, Mint Condition. It quickly became a critic’s darling and an Americana radio staple nationwide.

As a conversationalist, she usually leads with cheerful southern modesty, but beginning with her 2015 debut, Somehow, Spence wasn’t afraid to push at country music’s guy-centric boundaries. She brought aboard a talented group of genre-defining collaborators like blue-eyed soul hero Anderson East and pop-folk favorite Erin Rae to give the songs new heft. Her follow-up Spades And Roses brought more lush atmospherics to her yearning acoustic stories, elevating the clear-eyed feminine power behind emotive songs like ā€œHeart Of Somebody.ā€

While Spence will tell you she is just furthering the empowered spirit of roots songwriter pioneers who came before her, during this time of high anxiety, her deeply felt love songs like ā€œSit Here and Love Meā€ and ā€œSlow Dancerā€ seem especially fitting, touching on her bouts of depression and her inability to connect with the ones who are trying to help her through.

Sometimes sad songs truly do make people happy, and if you’re feeling a bit low, maybe pop on her newest single “The Choir,” about finding your people when you need them most.


Photo credit: Angelina Castillo

LISTEN: The Shootouts, “Saturday Night Town”

Artist: The Shootouts
Hometown: Northeast Ohio
Song: “Saturday Night Town”
Album: Bullseye
Release Date: April 30, 2021
Label: Soundly Music

In Their Words: “It was inspired by a book I read about a historic small town in Ohio. Throughout the book there were stories of fun-loving locals who would cut loose at the end of a long week, referring to it as a ‘Saturday Night Town.’ I instantly knew that was meant to be a song title. We all come from, or know someone who comes from, a small town like this. Even if they end up leaving, it’s hard to get that out of your blood. I think we can all relate to a much-needed break at the end of a long week, no matter what town you call home.

“That same book inspired another track called ‘Rattlesnake Whiskey,’ which is also on Bullseye. Both of those songs were written in 2015, before The Shootouts began. They were some of the first original songs we performed live, and they quickly became fan favorites. They didn’t quite fit with the batch of tunes that became our debut album, Quick Draw, but they definitely felt like a perfect fit for Bullseye. Luckily, Chuck [Mead, producer] thought so too. I think we got the definitive versions, and I’m glad we finally got to record them both.

“Fun fact: We end almost every show with ‘Saturday Night Town’ and have almost since the inception of the band. It really allows the band to stretch out a bit and trade some tasty licks.” — Ryan Humbert, The Shootouts


Photo credit: Jamie Escola

LISTEN: Stephen Flatt, “White County Shine”

Artist: Stephen Flatt
Hometown: Nashville, Tennessee
Song: “White County Shine”
Album: Cumberland Bones
Release Date: April 16, 2021
Label: Flatt Family Music

In Their Words: “My grandparents and great-grandparents resided in White County, Tennessee, specifically Sparta. My great-uncle Lester Flatt and his family also lived in White County/Sparta, not far from my great-grandparents (his brother and sister-in-law). They were a close family and often worked odd jobs together, like working at the sawmill, before Lester struck out as a musician. I doubt Lester was involved in any of the moonshine activities that might have occurred on my side of the family tree, so I’d hate to drag his name into that. Lester was a staunch teetotaler, probably partly due to witnessing the effects of alcohol on friends and family members.

“Although ‘White County Shine’ is a semi-fictional account, it is a very real reflection of my family, my grandfather, the very real mountain moonshine culture, and the potential byproducts that come along with that dark spot of the mountain lifestyle. When the song says, ‘He lost all his money, but he never lost his high,’ that’s real and raw and it’s about my grandfather. I would venture to say that although the song is upbeat and jovial, it probably brings up some bad scars for my dad and my uncles when they hear it. I thought about this as really a generational thing, with generational impacts.

“I went camping with my cousin once on Bon Air Mountain, and he brought a jar of moonshine. When he woke up the next morning, he took a big pull off the shine and exclaimed, ‘You gotta have a shot before breakfast!’ Later, I wrote ‘White County Shine’ with the lyric ‘a shot before breakfast will always do you right’ in the chorus. This song features some of my friends and bluegrass greats, with Charlie Cushman on banjo, Deanie Richardson on fiddle, Justin Clark on mandolin, Steve Hinson on Dobro, Kenny Vaughan on the flattop, and Ronnie Bowman adding some amazing harmony. The song is a fun and entertaining romp!” – Stephen Flatt


Photo credit: Flatt Family Music

Harmonics with Beth Behrs: Carly Stein

This week on Harmonics, host Beth Behrs speaks with entrepreneur Carly Stein, founder and CEO of wellness brand Beekeeper’s Naturals.


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Stein talks with Beth about the journey that brought her to the founding of the company, from a childhood and young adult life afflicted with chronic illness and an allergic reaction to Western medicine, to a seemingly miraculous discovery of propolis (a substance created by honeybees) as an aid for said illness, and her subsequent endeavors in bringing authentically organic, high quality, natural bee products to North America through her own beekeeping. Carly’s story is an eye-opening look into the sometimes murky world of wellness, and an inspiring tale of determination and vision.


Listen and subscribe to Harmonics through all podcast platforms and follow Harmonics and Beth Behrs on Instagram for series updates!

8 of Our Favorite Underrated Sitch Sessions

Since our first excursion to Bonnaroo in 2013 BGS has been filming, crafting, and releasing Sitch Sessions with the absolute best and brightest musicians and artists in roots music. We’ve been so fortunate to work with new and old friends, freshly discovered and up-and-coming artists, and legendary performers with enormous legacies. After nearly eight years, we’ve amassed quite an archive of sessions, and within that archive more than a few stellar songs and performances have seemingly fallen to the wayside.Ā 

These 8 Sitch Sessions from the BGS archives are a few of our most favorite, underrated moments from our years of shooting sessions. We hope you’ll enjoy a few of these ā€œrerunsā€ — and take a deep dive into our past featured videos yourself!

Nathan Bowles – ā€œBurnt Ends Ragā€

One of our favorite shooting locations is a rooftop in downtown Los Angeles, where countless BGS Friends & Neighbors have taped their Sitch Sessions over the years. One of our favorites is this clawhammer banjo performance by Nathan Bowles, which demonstrates that old-time music and its trappings can be perfectly at home in modernity — and in urban settings, too. More banjos in DTLA, please and thank you!


Andrew Combs – ā€œFirestarterā€

One fine AmericanaFest week in Nashville in September a few years back we partnered with Crowell Floral, Jacob Blumberg, and Dan Knobler on The Silverstreak Sessions, a series of Sitch Sessions set in a vintage Airstream and flanked by gorgeous flowers and verdant foliage. At the time, ā€œFirestarterā€ had not yet been released — now you can hear it on Combs’ 2019 release, Ideal Man. For this session all Combs needed was his guitar, this heartfelt song, and that honey sweet, aching voice.Ā 


Alice Gerrard – ā€œMaybe This Timeā€Ā 

Every opportunity we’ve had to collaborate or speak with Bluegrass Hall of Famer and living legend Alice Gerrard, we’ve taken it! This session is two of a pair we shot with Gerrard, the other a stark, awe-inspiring a capella number that was quite popular on our channels. This Alice original, ā€œMaybe This Time,ā€ is cheerier, lighter, and has that charming old-time bounce in its bluegrass bones.Ā 

With a new documentary film available, You Gave Me a Song, perhaps it’s about time for another session with this hero of ours!


Ben Sollee – ā€œPretendā€

Maybe you’ve seen Mark O’Connor play fiddle while skateboarding, or Rushad Eggleston performing all manner of acrobatics and avant garde silliness with his cello, but do you remember when Ben Sollee toured America by bicycle? In this 2016 session, Sollee demonstrates his cello-while-pedaling chops.Ā 

We’re firm believers that the world needs more bluegrass, old-time, and Americana cello and we’re happy to return to this archived Sitch Session for that reminder!


Caroline Spence – ā€œMint Conditionā€

Another session filmed on our home turf in Los Angeles, Nashville-based singer-songwriter Caroline Spence brought ā€œMint Conditionā€ to her taping fresh off her debut, eponymous release on Rounder Records in 2019. ā€œMint Conditionā€ displays Spence’s unique skill for writing strong, unassailable hooks that on almost any other songwriter’s page might trend cheesy or trite. Spence instead displays the simple profundity in her lyrics, a skill evidenced plainly in this session.


Laura Veirs – ā€œJuly Flameā€

Over the years, we’ve partnered with festivals, companies, and brands on tailor-made sessions — like our Portland series, where we partnered with our friends at Ear Trumpet Labs on some of our most popular, most viral Sitch Sessions ever! This beautiful, sunny, summery rendition of ā€œJuly Flameā€ by Laura Veirs certainly deserves a re-up.Ā 

In 2016, after this session was published, Veirs went on to release case/lang/veirs with Neko Case and k.d. lang. Remember that!?Ā 


Kelsey Waldon – ā€œPowderfingerā€

We first filmed a Sitch Session with Kentuckian country singer and songwriter Kelsey Waldon in 2015 — after the release of her debut album, The Goldmine, in 2014. In the time that’s elapsed since, Waldon has followed her golden debut with two more impeccable studio albums, the latest being White Noise / White Lines, which was released on the late John Prine’s Oh Boy Records in 2019. On the tail of White Noise / White Lines, Waldon gave us this gorgeous cover of Neil Young’s ā€œPowderfingerā€ displaying her talent for cover song interpretations as well as original song sculpting.


Sunny War – ā€œHe Is My Cellā€

Guitarist and singer-songwriter Sunny War has just released a brand new album, Simple Syrup, as charming and entrancing as ever and built firmly, yet again, upon her unique and idiosyncratic guitar picking style. In 2018 she released With the Sun, an album that included ā€œHe Is My Cell,ā€ which ended up featured in a Sitch Session in early 2019 on BGS.Ā 

War recently appeared as a guest on our Shout & Shine series – read our interview here.Ā 


 

LISTEN: Acoustic Syndicate, “Sunny”

Artist: Acoustic Syndicate
Hometown: Shelby, North Carolina
Song: “Sunny”
Release Date: April 9, 2021
Label: Organic Records

In Their Words: “‘Sunny’ is one of those things that’s been on my ‘list of things to finish’ for quite some time. Based on an idea for a short story that I was working on some years ago, it’s a discussion about love, coping with loss, hope, and ultimately, redemption. I’ve been carrying that melody around in my head for years and finally got lucky enough to find the right words to go with it. The tune was one that I was kinda holding in reserve for a possible solo project at some point. After putting it together and sharing with the other fellas, they were all in to record it. The piano (Brian Felix) and violin (Lyndsay Pruett) were part of the original idea, and it was such a pleasure to watch it materialize in the studio on a super solid track by Fitz, Bryon, and Jay. Being back in the studio after seven years has been a real treat. I love the process of recording, and I have missed it very much. Our engineer, Clay Miller, is a ‘steely eyed missile man’ and has the patience of Job! He makes the recording process an absolute joy. I’m so grateful and honored to be making new music with these dudes again.” — Steve McMurry, Acoustic Syndicate


Photo credit: Sandlin Gaither

The BGS Radio Hour – Episode 203

Welcome to theĀ BGSĀ Radio Hour! Since 2017, the Radio Hour has been our weekly recap of all the great music, new and old, featured on the pages ofĀ BGS.Ā This week, we’ve got music from CeeLo Green to Loretta Lynn! Remember to check back every week for a new episode.

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Loretta Lynn feat. Margo Price – “One’s On The Way”

Loretta Lynn’s original cut of this song made it to No. 1 on the charts in 1971. When Margo Price teamed up with Lynn to celebrate the latter’s 50th anniversary of “Coal Miner’s Daughter,” Price chose this song specifically, suggesting how legendary it was for Lynn to have sung about women’s rights and birth control in the country music of the ’70s. It’s still legendary today.

Todd Snider – “Turn Me Loose (I’ll Never Be the Same)”

“Turn me loose, I’ll never be the same!” is a phrase that rodeo cowboys used to yell when they were ready – something Snider first heard from Jerry Jeff Walker, but fitting himself perfectly. He asked the cosmos to provide a rock to put is foot on, and so the story goes, the new album from Todd Snider:Ā First Agnostic Church of Hope and Wonder.Ā 

DL Rossi – “Tumbling”

From Grand Rapids, Michigan, DL Rossi brings us a song from his upcoming album,Ā Lonesome Kind.Ā It’s a kind of youthful innocence, warming up to the harsher realities of life. And while we can’t opt out of our hurtful experiences, as Rossi suggests, we can share them to encourage one another.

Aaron Burdett – “Arlo”

North Carolina-based singer and songwriter Aaron Burdett compiled this song by noting quotes that his friend Arlo would say, collecting them for over 10 years. Arlo isn’t necessarily theĀ character in the song, Burdett says, butĀ aĀ character, someone who always has a bold thing to say.

CeeLo Green – “Slow Down”

CeeLo Green brings us a video for “Slow Down” from his latest album, CeeLo Green is… Thomas Calloway. From the writing of the song, to the recording and then making of the video, it was a completely expressive process for Green, who called it an “out of body experience.” Ironically titled, the song pulls the listener even closer into the climactic height of the record.

Natalie D-Napoleon – “Gasoline & Liquor”

Driving through the rural Mojave, D-Napoleon passed a sign that read “Gasoline and Liquor.” While she knew it would be a song, she thought it sounded like a man’s song, one written via passing lines back and forth with her husband. The video reflects the landscape of the “Wild Wests” of both the American desert and Western Australia, the places between which this artist splits her time.

Danny Paisley and the Southern Grass – “Date With an Angel”

Danny Paisley is the current reigning prince of Baltimore-D.C.-area bluegrass, a scene with rich history dating back to the 1950s. This week, Paisley and his band the Southern Grass bring us a song from their upcoming release, Bluegrass Troubadour.Ā 

Aoife O’Donovan feat. Kris Drever – “Transatlantic”

Aoife O’Donovan is no stranger here at BGS,Ā or anywhere in the roots community for that matter! Her work with artists like Crooked Still, I’m With Her, and the Goat Rodeo Sessions proves why that is. This week on BGS,Ā she teams up with Scottish artist Kris Drever to bring us a message that we’ll all be together again.

Brigitte DeMeyer – “Salt of the Earth”

BGSĀ caught up with Brigitte DeMeyer from San Francisco this week on a 5+5 – that is, 5 questions, 5 songs. We talked musical inspirations, songwriting techniques, and her mission statement: being herself.

Will Orchard – “Rita”

For Boston-based Will Orchard, this song is about trusting impulses, and the constant questioning of whether or not those feelings are valid. Written on tour in two parts separated by almost year, Orchard was able to combine them with the perspective of time, earning a place on his newly released album,Ā I Reached My Hand Out.Ā 

Helena Rose – “What’s Killing You is Killing Me”

Helena Rose wrote this song while struggling to tell a loved one how she felt about their addiction. Rose offers this song to others who have loved ones battling addiction, giving hope to the struggle, and showing that there is a light at the end of the tunnel.

Valerie June – “Smile”

As March has slipped away and we welcome April, we bid farewell to our March Artist of the Month, Valerie June. This song comes from her latest album, The Moon and the Stars: Prescriptions for Dreamers.

The Bones of J.R. Jones – “Bad Moves”

In celebration of his latest album, A Celebration,Ā we caught up with the Bones of J.R. Jones for a 5+5, talking about performance memories, art forms, and songwriting techniques. Jones’ curated playlist brings us everything from Nina Simone to Bruce Springsteen to the White Stripes.

John Smith – “Friends”

The pandemic was hard on us all, no doubt, but for Wales-based John Smith, it just kept bringing the punches. Trying to make sense of it all, Smith brings usĀ The Fray,Ā his latest album in a 15-year career, teaming up with artists and friends like Sarah Jarosz and Bill Frisell.


Photos: (L to R) Margo Price by Bobbi Rich; Aoife O’Donovan by Rich Gilligan; Todd Snider by Stacie Huckeba