Tag: Americana

WATCH: Tejon Street Corner Thieves, “Deal Rag”

Posted on by Editor

Artist: Tejon Street Corner Thieves
Hometown: Colorado Springs, Colorado
Song: “Deal Rag”
Album: Stolen Goods
Release Date: May 7, 2021
Label: Liars Club

In Their Words: “‘The Deal Rag’ had been a staple in our band since day one. It’s upbeat and fun as hell to play! It’s about when deals go wrong and you end up in a bad situation. Something we’re all too familiar with. We love the ragtime swing and the and the washboard solo rips. This is the first song we decided to put on Stolen Goods. It really sets the pace for the whole album.” — Connor O’Neal, Tejon Street Corner Thieves

Photo credit: Mountain Trout Photography

LISTEN: Leigh Nash (ft. Ruby Amanfu), “Good Trouble”

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Artists: Leigh Nash (featuring Ruby Amanfu)
Hometown: Nashville, Tennessee
Single: “Good Trouble”
Release Date: February 5, 2021

Editor’s Note: “Good Trouble” was inspired by the words of late Congressman John Lewis, who fought tirelessly for the social justice and racial equality we are still striving for to this day. His famous “Get in good trouble’ quote has become a modern call to action in dismantling an oppressive system and inspires hope for future generations.

In Their Words: “I had always admired Congressman Lewis and the work he did. I was enamored with a speech of his that talked about good and necessary trouble. I wanted to explore the concept more and once I started working with Matt and Ruby, everything just came together effortlessly.” — Leigh Nash

“When Leigh Nash reached out to ask me to join her and Matt Maher in co-writing ‘Good Trouble’ with them, it felt like a hand reaching out to hold mine. Allyship is so important to me and I believe that it is necessary now more than ever. Writing the second verse of ‘Good Trouble’ came as a natural response to what Leigh was singing in the first verse. I wanted to share my perspective, innermost feelings and the struggles I face walking around every day in a body with brown skin. I am reminded of the poem by German Lutheran pastor, Martin Niemöller, ‘First they came…’ Now is the time to identify privilege. It’s the time for being shaken awake. It’s time to speak up boldly as now-saints such as Representative John Lewis, Dr. Martin Luther King Jr., Rosa Parks and many, many others have paved the way for us to do so. This time of unrest in our country is affecting our generation and many others in a way that we can no longer deny.” — Ruby Amanfu

Photo credit: Allister Ann

LISTEN: Allison Russell, “By Your Side”

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Artist: Allison Russell
Hometown: Montréal, Québec, Canada
Song: “By Your Side” (Sade cover)
Release Date: January 29, 2021
Label: Fantasy Records

In Their Words: “An endlessly expansive and inclusive song of love — it could be the love between lovers, the love of a parent for a child, the love for an elder who is not long for this world. … It feels like it has always existed and always will — it feels like an expression of our collective unconscious. It comforts me and invokes a melancholy yearning all at once. I was singing this one to my seven-year-old daughter, Ida, like a lullaby. I couldn’t get through it without crying. This pandemic has been devastating for our little ones. I’ve returned to this song almost daily during these hard months. ‘By Your Side’ may have lost the Grammy back in 2001 but it has won the test of time. Sade lights the way for so many of us. I remember how electrified I felt the first time I heard her and saw her on television — a mixed heritage black woman like me — not fitting easily or neatly into any box, transcending them all. A living, breathing Goddess. I sing this in homage and gratitude. I hope to have the privilege of meeting her one day. Sade’s voice gives me strength and hope.” — Allison Russell

Photo credit: Francesca Cepero

The Show On The Road – Langhorne Slim

Posted on by Shelby Williamson

This week on The Show On The Road, a wide-ranging conversation with the peripatetic, Pennsylvania-born, confessional folk songwriter Sean Scolnick, who for the last fifteen years has become a troubadour truth-teller of the Americana circuit, amassing a devoted following performing as his many-hatted, impish alter-ego: Langhorne Slim.


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Host Z. Lupetin caught up with Slim to discuss his much awaited new LP, Strawberry Mansion (just released last week via Dualtone), which is named after the neighborhood in Philadelphia where both of his grandfathers grew up. Coming out of a deep creative funk, Slim produced a record of many entwined reckonings. A flurry of twenty-two diaristic sonic sketches, incantations, and emotive story-songs follow his struggle with mental illness, sometimes in real time, his pandemic isolation, and sobriety. It’s an overall hopeful collection that shows Langhorne may finally be finding his true calling on the other side of the darkness.

Sean Scolnick is never shy about revealing how his mental health and creativity are ever-evolving. Without playing the hundreds of international shows and festivals a year he normally does, Scolnick had to create at home in a new way. A note his therapist gave him still holds true, as he releases his newest record without being able to take his guitar and his trademark worn hat in public to support it: “When you’re freaking out, just play.”

Make sure you stick around ’til the end of the episode when Slim plays an acoustic rendition of “Morning Prayer,” joined briefly by his cat, Mr. Beautiful.

Photo credit: Harvey Robinson

Whether Your Dream Is Big or Small, Valerie June Dedicates This Song to You

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Valerie June blends her roots writing and singing styles with a markedly modern production quality in her new single, “Call Me a Fool,” giving the music a fresh yet familiar feeling. The upcoming album, titled The Moon and Stars: Prescriptions for Dreamers, was produced by June and Jack Splash, whose resume includes powerhouse names like Kendrick Lamar, Alicia Keys, and John Legend.

“With this record, it finally became clear why I have this dream of making music,” says June, who was raised in Tennessee and now lives in Brooklyn. “It’s not for earthly reasons of wanting to be awarded or to win anybody’s love — it’s because dreaming keeps me inquisitive and keeps me on that path of learning what I have to share with the world. When we allow ourselves to dream like we did when we were kids, it ignites the light that we all have within us and helps us to have a sort of magic about the way we live.”

Embracing an experimental approach, Valerie June and Jack Splash recorded the project at Los Angeles and Miami studios. She notes, “For this album I wanted to see how we could bring some modern elements into that band-in-the-room approach I’ve taken with my records in the past.” To compound that marriage between old school and new, “Call Me a Fool” features none other than the Queen of Memphis Soul, Stax legend Carla Thomas. Crisp yet warm, sleek yet comfortable, Valerie June’s new music is everything we’ve been waiting for and then some. The Moon and Stars: Prescriptions for Dreamers will be available on March 12 on Fantasy Records.

Upon releasing the video, she wrote on Instagram, “Have you ever been a fool for a dream? It might have been a little dream like a kiss from a lover or a big one like the dream of peace that Dr. King, John Lennon, and so many others have had for humanity. No matter how big or how small your dream may be, keep believing, and let the world call you a fool!”

Photo credit: Renata Raksha

Harmonics with Beth Behrs: Episode 9, The Brothers Koren

Posted on by Shelby Williamson

This episode almost didn’t happen. I thought long and hard about taking this step to not only be vulnerable with listeners, but also to put out some music into the world that I never intended to be shared — music that was strictly intended as therapy. But, the reason I started this podcast was to explore how creativity is healing, and also to have creatives be open and honest about the messy bits: everything that forms the human experience. None of us get through life without the messy bits. How could I interview everyone else and hear their open and vulnerable takes on healing and the process of their creativity, and not let you hear the same?


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I am so grateful to the Brothers Koren. They have an incredible program called the Songwriter’s Journey, where they help folks to reclaim their “Big Voice” — and to reclaim their power, creativity, and truth through that voice. As musicians they’ve toured with the likes of Coldplay, Pink, and Rod Stewart, but they decided that after so many years in the music industry, they wanted to use their voices, their music and their incredible talents to help others. In this special, co-interview episode we discuss our creative process as we worked together for the past year and a half, after they came into my life at one of the most difficult times for me, especially regarding my relationship to art.

We lost my grandmother at the beginning of the pandemic last year, and even though my grandfather is suffering from dementia, at our family’s memorial service (held via Zoom) he once again became the man we all knew and loved — the man who, at a young age, had instilled in me his deep love of nature — who was now soothing and bringing our family together in our grief. I hope you’ll stay tuned to the end of this episode for the premiere of our song “The Moon Will Stay,” which is a collaboration between a poem I wrote for my grandfather and the beautiful music it inspired in Thorald and Isaak Koren. There are incredible studies about the healing power of music, especially for those with Alzheimer’s and dementia, and I’m so glad I was able to write this for my grandfather and for him to have heard it before we someday will inevitably lose him. But not today — because the moon will stay, and we will always have that. — Beth Behrs

More music from Beth Behrs and the Brothers Koren will be available on Bandcamp later this month. All proceeds will benefit mental health-focused charities.

Follow @harmonicspodcast on Instagram for more updates on how you can download this music and support these important causes!

WATCH: Rod Abernethy, “My Father Was a Quiet Man”

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Artist: Rod Abernethy
Hometown: Raleigh, North Carolina
Song: “My Father Was a Quiet Man”
Album: Normal Isn’t Normal Anymore
Release Date: February 5, 2021

In Their Words: “About two years ago around the holidays, I had a dream that my dad called me and we were talking on the wall-hanging, rotary dial phone in the kitchen. He was talking up a storm, like a teenager… funny thing was he never really talked that much in real life. We had a great talk on the phone that night and he asked me how I was doing and how the family was getting along. It was so unlike him to be so upbeat, asking me about things — I’ll never forget that dream.” — Rod Abernethy

Photo credit: Neilson Hubbard

The BGS Radio Hour – Episode 196

Posted on by Shelby Williamson

Welcome to the BGS Radio Hour! Since 2017, the show has been a weekly recap of all the great music, new and old, featured on BGS. This week, we reflect on artists lost in 2020 and look forward to some upcoming releases from the biggest names in roots music. Remember to check back every Monday for a new episode.

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Tony Rice – “Shadows”

Tony Rice’s passing on Christmas Day 2020 was an unexpected loss for the entire world of roots music. Fortunately for all of us, he leaves behind an enormous legacy of recordings from his career, which began in 1971 with Sam Bush and the Bluegrass Alliance. Our most recent Toy Heart episodes dive into Rice’s personality and music, crafted through conversation with those closest to him.

Saugeye – “Keystone Lillie”

From Tulsa, Oklahoma Jared Tyler of Saugeye brings us this tribute to his late pup, from the band’s self-titled album. After Lillie passed, he was observing all of the holes she dug in the yard. Did she ever find China?

Selwyn Birchwood – “I Got Drunk, Laid, and Stoned”

Tampa-based blues artist Selwyn Birchwood proves to BGS this week that you can party to blues music. “When I look back at all of the blues songs that I really loved growing up, a lot of them were about drinking, f#%^ing or smokin’,” Birchwood told us…”So I wrote a song about all three!!”

The Dead South – “In Hell I’ll Be in Good Company (Live)”

So many artists, the Dead South included, have missed performing live more than we can imagine. So, why not put out a live album? This week, we’ve got this Dead South hit from Served Live. 

Alabama Slim – “Someday Baby”

Alabama-born and New Orleans-based artist Alabama Slim brings us a single from The Parlor. A mere four hours of recording – straight to tape – at the Parlor studio, alongside Little Freddie King and Ardie Dean, and the result is a master class in deep, soulful blues.

Allison de Groot w/ Quinn Bachand – “Tom Billy’s/Trip to Athlone”

Our bi-weekly Tunesday Tuesday feature is changing in 2021, from an artist spotlight to a monthly roundup of instrumental music and the themes which connect several recordings. This week, we look at modern Irish banjo styles, and artists like Allison de Groot who add their own unique contributions.

Hardened & Tempered – “Counting the Cars”

Texas duo Hardened & Tempered are our recent guest on 5+5 – that is, 5 questions, 5 songs. We talked inspirations, rituals, and a dream musician and meal pairing. Their new album Hold the Line, is out now!

Amanda Shires & Jason Isbell – “The Problem”

Regular viewers of The Tonight Show Starring Jimmy Fallon may have seen Shires and Isbell grace the stage recently. The power-couple stopped by the show to perform Shires’ new single, “The Problem,” just another example of her impeccable songwriting.

Joe Mullins & the Radio Ramblers – “Readin’, Rightin’, Route 23”

From Joe Mullins and Smithsonian Folkways. We’re looking forward to Industrial Strength Bluegrass, an album honoring the rich bluegrass history of Southwestern Ohio, created by an influx of mid-century migrants from Appalachia in search of factory jobs.

David Starr – “These Days”

Surely, one thing we’re all missing are the endless hours on the highway accompanied by a favorite mixtape. Singer-songwriter David Starr brings us just that this week, featuring this classic Jackson Browne song, which Starr does himself.

The Cox Family – “I Am Weary (Let Me Rest)”

As we wind down our January Artist of the Month – the complete soundtrack to O Brother, Where Art Thou? – we’ll leave the first month of 2021 with this soothing melody from the Cox Family, featured in the film.

Margo Price – “Hey Child”

From her new album, That’s How Rumors Get Started, Margo priced brings us this resurrected song from her former band, Buffalo Clover. Coping with losing a child, Price and her husband began hanging around a rough crowd of musicians, and “partying harder than the Rolling Stones.” Hence, this song about drinking and partying your talents away – something Price wrote of her friends but later recognized in her own actions.

Wolf van Elfmand – “Sweet Regret”

From Edwards, Colorado, Wolf van Elfmand sings about the lessons we learn from loss. Rathering than basking in the anger or loneliness that follows, he pursues what he considers the only other option: acceptance.

Nathaniel Rateliff – “Redemption”

From Justin Timberlake’s new film, Palmer, Nathaniel Rateliff brings us “Redemption.” The film tells the story of a small-town high school hero turned ex-convict, humbly returning to his roots. After Rateliff’s previous release, And It’s Still Alright, grew his popularity in 2020, he was tasked with writing this song for the film – and it came naturally.

Photos: (L to R) Margo Price by Bobbi Rich; Tony Rice by Heather Hafleigh; Amanda Shires by Alysse Gafkjen

Artist of the Month: Black Pumas

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Even without continuing to tour the world, Black Pumas have lost very little momentum since the arrival of breakout singles like “Black Moon Rising,” “Fire,” and “Colors.” The duo of Eric Burton and Adrian Quesada were shocked to land on the 2019 Grammy ballot as a contender for Best New Artist, and in 2020, they picked up nominations in three more categories: Best American Roots Performance and Record of the Year for the irresistible “Colors,” and overall Album of the Year for Black Pumas (Deluxe Edition). That expanded edition collects several new tracks, a few live versions of familiar favorites, and a must-hear cover of Tracy Chapman’s “Fast Car” — a favorite song of Burton’s to sing while he was busking on the Santa Monica Pier, and later in Austin, Texas.

Drawing on folk songwriting as much as soul groove, both men agree that the term American Roots fits their sound well. The Americana Music Association seconds that notion, as Black Pumas picked up that organization’s Emerging Act of the Year in late 2020. And in January, the band performed a dazzling and powerful rendition of “Colors” on the soundstage of Austin City Limits in recognition of the historic win of President Joe Biden and Vice President Kamala Harris.

“The first thing people think of when they say ‘Americana’ is not always music that’s influenced by soul music, but it’s great to be recognized by people that are open-minded music fans,” Quesada tells BGS. “This is every bit as much American music as country music, you know?” Burton adds, “Soul music is just as a part of American music as folk music and country music. This country is a massive melting pot of the different cultures… so we’re honored to be a part of the conversation as we make music in America.”

The two musicians met through a mutual friend as Quesada sought an exceptional singer to add lyrics and a voice to the instrumental tracks he was creating. Little did he know that Burton was around the corner, literally, where Sixth Street meets Congress Avenue. In our two-part interview (Read part one here. Read part two here.), they shared their influences, their first impressions of each other’s talent, and their hopes for the year ahead as our Artist of the Month. Meanwhile, enjoy our BGS Essentials playlist below.

Photo credit: Jackie Lee Young

Peter Rowan, Béla Fleck, Sharon Gilchrist, Josh Williams – Toy Heart: Remembering Tony Rice

Posted on by Shelby Williamson

Host Tom Power speaks with Peter Rowan, Béla Fleck, Sharon Gilchrist, and Josh Williams all former bandmates, collaborators, and peers of Tony Rice, in the second edition of our special tribute, Toy Heart: Remembering Tony Rice.

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On episode 2 of our limited series, Toy Heart: Remembering Tony Rice, host Tom Power begins with Béla Fleck, talking about the making of two legendary albums: Drive and The Bluegrass Sessions: Tales from the Acoustic Planet, Vol.2. Fleck relates what it was like to work with Tony in studio and some wild stories about their touring together.

Also in the episode, mandolinist and instructor Sharon Gilchrist displays a rare perspective on Tony’s life. Something of a recluse, Tony would often drive by himself after gigs, hours and hours overnight. Gilchrist had the rare opportunity to join him for some of these drives and tells some stories of what she learned on those trips to and from Quartet shows. Later in the episode, a conversation with Peter Rowan about his early memories of Tony – and how he compared with his mentor Clarence White. To conclude, Josh Williams talks about being Tony Rice’s “voice” in his band, the Unit, how Tony helped him get through one of the darkest periods in his life, and why Tony was and is his hero.

Editor’s note: Heart part three of our special tribute to Tony Rice here

Photo credit: Michael Sheehan