Tag: Music Podcast

The Show on the Road – Parker Millsap

Posted on by Shelby Williamson

This week, we feature a conversation with one of the rising stars in our current roots music renaissance: Parker Millsap, a gifted Oklahoma-born singer-songwriter who grew up in a Pentecostal church and creates a fiery gospel backdrop for his tender then window-rattling rock ‘n’ roll voice.


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When you’ve been touring hundreds of days a year down southern backroads from Tulsa to Tallahassee since you were a teenager like Parker Millsap has, you know a thing or two about how to keep your head when things go off the rails. But it was the forced year-long break during the pandemic that really made him stop and accept how far he’s come from his intense, anxious, folky debut Palisade in 2012, which was released when he was 19. His soulful, self-assured new record Be Here Instead displays a relentlessly hard-working performer who no longer has to chase the next gig for gas money, or has to worry if the world will accept his work. Holed up outside of Nashville with his wife, Millsap let the songs do the talking.

His brawnier, self-titled record from 2014 showed his rebellious electric side coming to the fore, followed by his beloved, fire-and–brimstone bopping breakout The Very Last Day two years later, which confronted our country’s obsession with destruction. Then there was the toothier, glossier, pop-leaning Other Arrangements, which finally brings us to his soulful newest record, Be Here Now. It’s not hard to see that this young songwriter is coming into his prime years. With a new maturity and wisdom behind his writing, standout, incendiary songs like “Dammit” are allowed to unfold in a distortion-dipped, John Lee Hooker meets U2 slow-burn build; never resolving, never relenting while he confronts the tough truths and hypocrisies that are threaded into our modern lives. What is our purpose? What can we do about the violence and greed all around us? Without pushing or preaching, the song is trying to convince its listener to never give up in making our broken world a little better every day.

What always set Millsap’s songwriting apart, though, isn’t just his ability to get us fired up with stomping roots-n-roll hysterics (though he’s pretty great at that), it’s the tender left-turns he takes when he goes acoustic, bringing the volume down and the emotion up. Reminiscent of a southern Paul McCartney, his scratchy, soulful tenor shines most on his gorgeous ballads — think “Jealous Sun” (from The Very Last Day) as his own “Yesterday” or on the newest record, the psychedelic and heart-string pulling “Vulnerable,” which asks us all to try and see our own weaknesses and past wounds as potential strengths.

While it is bittersweet to not be able to kick off his new record release this April with a typical cross-country tour, on April 23 Parker will be playing Be Here Instead in its entirety with his longtime band live on Mandolin — which you can stream from anywhere.

Photo credit: Tim Duggan

Harmonics with Beth Behrs: Margo Price

Posted on by Shelby Williamson

It’s Americana April here on Harmonics, and this week brings a conversation with one of host Beth Behr’s all-time favorite artists — Americana or otherwise — Nashville’s very own Margo Price.

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This past year may have temporarily pulled Price off the never-ending road of touring, but that doesn’t mean the pace has slowed down; being a mother is a never-ending rush of another kind. She and Beth talk about this time spent at home, from spending time with her children and attempting to instill in them a respect for the earth and for others, to navigating the complexities of a songwriting relationship with her husband, singer-songwriter Jeremy Ivey.

Price also shares her feelings on becoming the first female artist on the board of Farm Aid (a full-circle, bittersweet moment after her family lost their farm when she was young,) the advice she’s gleaned from the greats like Willie Nelson and Emmylou Harris, working with longtime friend Sturgill Simpson as the producer on her latest album That’s How Rumors Get Started, and so much more.

Hear our first installment of Americana April with last week’s episode featuring Fiona Prine, and stay tuned next week for a conversation with singer-songwriter and poet Courtney Marie Andrews.

Listen and subscribe to Harmonics through all podcast platforms and follow Harmonics and Beth Behrs on Instagram for series updates!

This episode of Harmonics is brought to you by BLUblox: blue light blocking glasses, backed by science. Reclaim your energy and block out the unhealthy effects of blue light on your mental and physical health. Take 15% off your order with code “HARMONICS”

The BGS Radio Hour – Episode 205

Posted on by Shelby Williamson

Welcome to the BGS Radio Hour! Since 2017, this weekly radio show and podcast has been a recap of all the great music, new and old, featured on the digital pages of BGS. This week, we bring you new music from Sara Watkins featuring her old bandmates from Nickel Creek, newly released tracks from Shakey Graves’ archive, and so much more! Remember to check back every Tuesday for a new episode of the BGS Radio Hour.

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Sara Watkins (feat. Nickel Creek) – “Blue Shadows on the Trail”

Sara Watkins recently sat down with BGS to talk about the set of film classics that defined her childhood, and are featured on her new album. With songs like “Pure Imagination” and “Moon River,” this album isn’t just for kids, even if it was first imagined as a collection of lullabies. Instead, it’s a meditative look at these songs which have impacted more than just one generation. And who could forget this classic from the 1980s classic comedy Three Amigos?

The Ladles – “Pages”

Here’s a song about the experience of reading through an old journal and being confronted with your past self — not a particularly comfortable experience. However, for Katie Martucci of The Ladles, it’s a reminder that at any given moment, we only know what we know, and we’re all doing the best we can.

The Antlers – “Porchlight”

“Porchlight” is about a powerful partnership, “knowing somebody so well as to recognize when they’re lost, and helping them find their way back home.”

Andrew Adkins – “This Old Knife”

When asked to be a part of a tribute album to singer-songwriter John Lilly, Andrew Adkins knew exactly what song he wanted to sing: one that he’d had a remarkably personal connection to the first time he heard it.

Shakey Graves – “Roll the Bones”

It’s hard to believe that Shakey Graves’ debut album Roll the Bones came out 10 years ago. Since the album’s quiet 2011 release, he’s emerged from the shadows, releasing multiple albums and garnering a substantial following. In celebration of the decade since, Shakey brings us Roll the Bones 10, a deluxe edition which also features 15 unheard songs from the same era as the original album.

Bridget Rian – “Trailer Park Cemetery”

Inspired by a trailer park cemetery seen while driving through Florida, this song is more a commentary on life than it is death. Bridget Rian says she has a “fear of being forgotten, of not making a difference” with her life – and this song was a mode of expressing this fear.

Jason Davis (feat. Dan Tyminski) – “Modern Day Jezebel”

Dan Tyminski sings lead and plays guitar on this tasty modern bluegrass tune from Jason Davis.

Peggy Seeger – “Gotta Get Home By Midnight”

Folk legend Peggy Seeger is our Artist of the Month for April here at BGS, and we’re so grateful to have been able to speak with her on her new album First Farewell, her lifelong career in folk music, her hopes for social justice and peace, and much more.

Garrison, Gordy, Hargreaves, Walsh – “Sports”

Bluegrass instrumental supergroup Garrison, Gordy, Hargreaves, Walsh have set their fun, rollicking instrumental tune “Sports” to a zany, hand-drawn music video by banjoist Danny Barnes.

Donovan Woods – “Whatever Keeps You Going”

Canadian singer-songwriter Donovan Woods recently joined BGS for 5+5 on reading lots of fiction, a memorable London show, writing with Lori McKenna, and more.

The Sweet Lillies – “My Brother’s Hill”

Boulder’s The Sweet Lillies bring us their version of a tune originally released by The Stray Birds, a song they chose because they were deeply inspired by its stunning vocal harmonies, its beautiful and meaningful lyrics, and its old-timey structure.

Giri Peters – “Fallin'”

Those who frequent bluegrass festivals in the south may already be familiar with the young savant Giri Peters. Giri and his sister Uma quickly gained popularity in the last number of years for their impeccable musical skills, not to mention at such a young age. Giri, originally known as an up-and-coming mandolinist, has continued to grow as a songwriter and solo artist. His most recent single is a testament to his musical and artistic growth, and brings much promise of an exciting career ahead.

June Star – “I Don’t Wanna Know”

“Human beings are messy emotional creatures,” says June Star’s Andrew Grimm. “Sometimes when we struggle to communicate in relationships it’s because there’s the voice we speak with and that voice in our head. ‘I Don’t Wanna Know’ bounces between a professed love to another person and a confessed loneliness on the inside.”

Miles Gannett – “Thunder River, Tumbling Down”

Miles Gannett heard the melody and some lyrics of this song, including the lines “Thunder River, tumbling down; catch your babes before they drown” in a dream — and it kind of creeped him out. He sat with it for a couple of years before it all came together in this final semi-apocalyptic song.

Photos: (L to R) Shakey Graves by Magen Buse; Sara Watkins by Jacob Boll; Peggy Seeger by Vicki Sharp

The BGS Radio Hour – Episode 204

Posted on by Amy Reitnouer

Welcome to the BGS Radio Hour! Since 2017, the weekly show has been a recap of all the great music, new and old, featured on BGS. This week, we bring you old bluegrass newly recorded by the Infamous Stringdusters, music from our Artist of the Month, Peggy Seeger, and so much more! Remember to check back every Monday for a new episode of the BGS Radio Hour.

The Brother Brothers – “Circles”

Celebrating their upcoming Calla Lily (available April 16), Adam and David Moss of the Brother Brothers joined us on a recent 5+5. We talked John Hartford, writing music for dance, and the inspirations and songwriting techniques behind these two brothers and their new album.

Johnny Chops – “Trouble With the Truth”

Austin-based Johnny Chops brings us a song this week from his upcoming Yours, Mine and the Truth EP. This song pretty much fell out of the sky and onto Chops’ paper in his writing room one morning. The video continues to tell the story of the song, building a dark and bleak vibe through dramatic and abandoned filming locations.

Sinner Friends – “Unforgivable You”

Sinner Friends don’t just sound like vintage bluegrass: they record like it too, down to just a few microphones, no editing, everything done right then and there. Recorded and released by Bigtone Records, the result is on par with those early bluegrass recordings that defined the genre. This week, they bring us a song from their newly released Sinner Friends Miss You (The Quarantine EP). 

Keb’ Mo’ – Yamaha x BGS Artist Session

For 2021’s Folk Alliance International and SXSW conferences, BGS teamed up with Yamaha to film performances from some of the artists we’re most excited about. Our first segment is from none other than Keb’ Mo’, playing a Yamaha FGX5 – modeled after the vintage FG180, Keb’s first guitar which he unfortunately lost in the Nashville flood of 2010. Aren’t we all just waiting on the medicine man these days? Keb’ performs two songs for us, “Every Morning” and “The Action.”

The Gina Furtado Project – “Kansas City Railroad Blues”

Gina Furtado brings us the “magic fire” of the banjo on this new single, finding the sound that first made her fall in love with the instrument. It’s the latest single in an exciting and excellent batch from Furtado and Mountain Home Music Company, produced by banjo phenom Kristin Scott Benson, and accompanied by Drew Matulich, Wayne Benson, and siblings Malia and Lu Furtado.

Ervin Stellar – “Nothing to Prove”

From Grand Rapids, Michigan, Ervin Stellars joined us on a 5+5 last week – that is, 5 questions, 5 songs. We talked everything from Wes Anderson and the Coen Brothers to waves and mountains. And let’s not forget his new album, Nothing to Prove.

Mimi Naja – “All You Know of Me”

Known for her work with Fruition, Mimi Naja recently dropped Nothing Has Changed, her first solo release since 2014. We caught up with Naja to talk about songwriting, inspirations, and a dream meal pairing of Thai with Khruangbin.

Peggy Seeger – “The Invisible Woman”

Peggy Seeger is our Artist of the Month for April here at BGS! Her just-released First Farewell is a goodbye to recording and the road, but she is not leaving that lineage behind. Coming from a musical family including the likes of Pete and Mike Seeger, the traditional continues, as Seeger enlists her sons Neill and Callum MacColl on the new album. Stay tuned all month long where we’ll be featuring Peggy Seeger!

The Alex Leach Band – “The Turntable”

Alex Leach has been adored by the Eastern Tennessee bluegrass community since he first started appearing at the WDVX radio station in Knoxville as a small child. Through the years, he’s played with Ralph Stanley, hosts a weekly show on WDVX, and now has his newest endeavor, The Alex Leach Band, who just released their latest album (produced by Jim Lauderdale), I’m the Happiest When I’m Moving. 

Acoustic Syndicate – “Sunny”

Acoustic Syndicate has been making music in Western North Carolina’s jamband scene for over two decades, but their latest studio endeavor is the first in seven years. “Sunny” is a promising first release with Organic Records, the band joined by Brian Felix on piano and Lyndsay Pruett on violin.

Elizabeth King – “Living in the Last Days”

Memphis-based Elizabeth King brings us this deeply thought number this week from her latest album of the same title. “Living in the Last Days” is about the trouble that so casually surrounds our current days, and King sings about it with a lot of conviction. The song should inspire us all to look a little more closely at what surrounds us, and what we can do to make this world a better place for all.

Bobby Osborne – “White Line Fever”

“White Line Fever” was a hit for Merle Haggard in the 60s, but had never been cut as a bluegrass song. That is, until Alison Brown and Bobby Osborne got a hold of it. One thing leading to another, and Jeff Tweedy wrote a second verse about Bobby (being the voice of Rocky Top) and his 60 years on the road as a musician. Mixing all of this with some A-list bluegrass musicians like Sierra Hull and Stuart Duncan, well… this is the result! As Brown says, “it was hard to believe the song hadn’t been a bluegrass standard all along.”

Cha Wa – “My People”

Joseph Boudreaux Jr, vocalist for Cha Wa, teaches us about ‘ancestral recall’ with this song, a phenomenon where people consciously or subconsciously draw on the experiences and lives of their ancestors to perpetuate a certain lifestyle or culture. “‘My People’ reminds us that no matter who you are — rich or poor, big or small — we’re all in this together as humans,” Boudreaux told BGS. “Cause one day we gon’ all be in the same boat.”

Photos: (L to R) Keb’ Mo’; Gina Furtado by Sandlin Gaither; Peggy Seeger by Vicki Sharp

Harmonics with Beth Behrs: Fiona Prine

Posted on by Shelby Williamson

This week on Harmonics, we kick off our Americana April series with a conversation with Fiona Prine, President of Nashville’s Oh Boy Records, and wife and former manager of the late great songwriter John Prine.

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Fiona and Beth talk about John’s recent posthumous Grammy wins (and Fiona’s experience accepting the award on his behalf) as well as their love story, mental health, growing up in Ireland, her work with non-profit Thistle Farms, and so much more.

Fiona is undoubtedly a well-respected figure in the Nashville community in her own right: As a role model in the music business, as an activist, in fostering community, and in her loving spirit, and as an extremely successful manager and industry professional. She has also been able to keep the spirit of John’s incredible legacy alive a year after his passing.

Listen and subscribe to Harmonics through all podcast platforms and follow Harmonics and Beth Behrs on Instagram for series updates!

This episode of Harmonics is brought to you by BLUblox: blue light blocking glasses, backed by science. Reclaim your energy and block out the unhealthy effects of blue light on your mental and physical health. Take 15% off your order with code “HARMONICS”

The Show on the Road – Caroline Spence

Posted on by Shelby Williamson

This week on The Show On The Road, we feature a conversation with an admired and sharp-witted singer-songwriter in the fertile Nashville Americana scene, Caroline Spence.


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A sought-after lyricist who mines her own vulnerabilities and lovelorn past to tell delicately crafted story-songs, Caroline Spence’s voice seems to always hover angelically above the page, bringing to mind new-wave country pop heroine Alison Krauss or her vocal hero, Emmylou Harris.

Growing up in Charlottesville, VA daydreaming to Harris’ signature twangy honey-toned records like Wrecking Ball, Spence admittedly was a bit starstruck when the silver-maned lady herself came on board to sing harmonies on the title track of Spence’s newest LP, Mint Condition. It quickly became a critic’s darling and an Americana radio staple nationwide.

As a conversationalist, she usually leads with cheerful southern modesty, but beginning with her 2015 debut, Somehow, Spence wasn’t afraid to push at country music’s guy-centric boundaries. She brought aboard a talented group of genre-defining collaborators like blue-eyed soul hero Anderson East and pop-folk favorite Erin Rae to give the songs new heft. Her follow-up Spades And Roses brought more lush atmospherics to her yearning acoustic stories, elevating the clear-eyed feminine power behind emotive songs like “Heart Of Somebody.”

While Spence will tell you she is just furthering the empowered spirit of roots songwriter pioneers who came before her, during this time of high anxiety, her deeply felt love songs like “Sit Here and Love Me” and “Slow Dancer” seem especially fitting, touching on her bouts of depression and her inability to connect with the ones who are trying to help her through.

Sometimes sad songs truly do make people happy, and if you’re feeling a bit low, maybe pop on her newest single “The Choir,” about finding your people when you need them most.

Photo credit: Angelina Castillo

Harmonics with Beth Behrs: Carly Stein

Posted on by Shelby Williamson

This week on Harmonics, host Beth Behrs speaks with entrepreneur Carly Stein, founder and CEO of wellness brand Beekeeper’s Naturals.


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Stein talks with Beth about the journey that brought her to the founding of the company, from a childhood and young adult life afflicted with chronic illness and an allergic reaction to Western medicine, to a seemingly miraculous discovery of propolis (a substance created by honeybees) as an aid for said illness, and her subsequent endeavors in bringing authentically organic, high quality, natural bee products to North America through her own beekeeping. Carly’s story is an eye-opening look into the sometimes murky world of wellness, and an inspiring tale of determination and vision.

Listen and subscribe to Harmonics through all podcast platforms and follow Harmonics and Beth Behrs on Instagram for series updates!

The BGS Radio Hour – Episode 203

Posted on by Amy Reitnouer

Welcome to the BGS Radio Hour! Since 2017, the Radio Hour has been our weekly recap of all the great music, new and old, featured on the pages of BGS. This week, we’ve got music from CeeLo Green to Loretta Lynn! Remember to check back every week for a new episode.

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Loretta Lynn feat. Margo Price – “One’s On The Way”

Loretta Lynn’s original cut of this song made it to No. 1 on the charts in 1971. When Margo Price teamed up with Lynn to celebrate the latter’s 50th anniversary of “Coal Miner’s Daughter,” Price chose this song specifically, suggesting how legendary it was for Lynn to have sung about women’s rights and birth control in the country music of the ’70s. It’s still legendary today.

Todd Snider – “Turn Me Loose (I’ll Never Be the Same)”

“Turn me loose, I’ll never be the same!” is a phrase that rodeo cowboys used to yell when they were ready – something Snider first heard from Jerry Jeff Walker, but fitting himself perfectly. He asked the cosmos to provide a rock to put is foot on, and so the story goes, the new album from Todd Snider: First Agnostic Church of Hope and Wonder. 

DL Rossi – “Tumbling”

From Grand Rapids, Michigan, DL Rossi brings us a song from his upcoming album, Lonesome Kind. It’s a kind of youthful innocence, warming up to the harsher realities of life. And while we can’t opt out of our hurtful experiences, as Rossi suggests, we can share them to encourage one another.

Aaron Burdett – “Arlo”

North Carolina-based singer and songwriter Aaron Burdett compiled this song by noting quotes that his friend Arlo would say, collecting them for over 10 years. Arlo isn’t necessarily the character in the song, Burdett says, but a character, someone who always has a bold thing to say.

CeeLo Green – “Slow Down”

CeeLo Green brings us a video for “Slow Down” from his latest album, CeeLo Green is… Thomas Calloway. From the writing of the song, to the recording and then making of the video, it was a completely expressive process for Green, who called it an “out of body experience.” Ironically titled, the song pulls the listener even closer into the climactic height of the record.

Natalie D-Napoleon – “Gasoline & Liquor”

Driving through the rural Mojave, D-Napoleon passed a sign that read “Gasoline and Liquor.” While she knew it would be a song, she thought it sounded like a man’s song, one written via passing lines back and forth with her husband. The video reflects the landscape of the “Wild Wests” of both the American desert and Western Australia, the places between which this artist splits her time.

Danny Paisley and the Southern Grass – “Date With an Angel”

Danny Paisley is the current reigning prince of Baltimore-D.C.-area bluegrass, a scene with rich history dating back to the 1950s. This week, Paisley and his band the Southern Grass bring us a song from their upcoming release, Bluegrass Troubadour. 

Aoife O’Donovan feat. Kris Drever – “Transatlantic”

Aoife O’Donovan is no stranger here at BGS, or anywhere in the roots community for that matter! Her work with artists like Crooked Still, I’m With Her, and the Goat Rodeo Sessions proves why that is. This week on BGS, she teams up with Scottish artist Kris Drever to bring us a message that we’ll all be together again.

Brigitte DeMeyer – “Salt of the Earth”

BGS caught up with Brigitte DeMeyer from San Francisco this week on a 5+5 – that is, 5 questions, 5 songs. We talked musical inspirations, songwriting techniques, and her mission statement: being herself.

Will Orchard – “Rita”

For Boston-based Will Orchard, this song is about trusting impulses, and the constant questioning of whether or not those feelings are valid. Written on tour in two parts separated by almost year, Orchard was able to combine them with the perspective of time, earning a place on his newly released album, I Reached My Hand Out. 

Helena Rose – “What’s Killing You is Killing Me”

Helena Rose wrote this song while struggling to tell a loved one how she felt about their addiction. Rose offers this song to others who have loved ones battling addiction, giving hope to the struggle, and showing that there is a light at the end of the tunnel.

Valerie June – “Smile”

As March has slipped away and we welcome April, we bid farewell to our March Artist of the Month, Valerie June. This song comes from her latest album, The Moon and the Stars: Prescriptions for Dreamers.

The Bones of J.R. Jones – “Bad Moves”

In celebration of his latest album, A Celebration, we caught up with the Bones of J.R. Jones for a 5+5, talking about performance memories, art forms, and songwriting techniques. Jones’ curated playlist brings us everything from Nina Simone to Bruce Springsteen to the White Stripes.

John Smith – “Friends”

The pandemic was hard on us all, no doubt, but for Wales-based John Smith, it just kept bringing the punches. Trying to make sense of it all, Smith brings us The Fray, his latest album in a 15-year career, teaming up with artists and friends like Sarah Jarosz and Bill Frisell.

Photos: (L to R) Margo Price by Bobbi Rich; Aoife O’Donovan by Rich Gilligan; Todd Snider by Stacie Huckeba

The Show on the Road – Bettye LaVette

Posted on by Shelby Williamson

This week on The Show On The Road, we feature an intimate conversation with beloved soul and R&B singer, Bettye LaVette.

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Covering her remarkable six decades in show-business, we dive deep into LaVette‘s beginnings as a Detroit hit-making teenager during Motown’s heyday (her neighbor was Smokey Robinson), to her early career touring with Otis Redding and James Brown, and the hard times that followed, as a music industry steeped in racist and sexist traditions largely turned its back on her.

While other soulful song stylists like Sharon Jones, Tina Turner, Mavis Staples and others saw their status and popularity rise with time, LaVette remains an underrated, best kept secret on the Americana circuit, with younger listeners just discovering her remarkable work covering anyone and everyone from The Beatles to Neil Young to Billie Holiday.

After nearly dropping out of music, her remarkable comeback began in 2005 with a string of acclaimed records — bringing her from half-filled bars to singing “Blackbird” at The Hollywood Bowl with a 32-piece orchestra, being nominated for five Grammy awards, and being inducted into the Blues Hall of Fame.

One thing you’ll notice immediately is her fiery laugh, which punctuates the episode — even when telling the darkest stories, like her early manager getting shot and her 1960s hits being recorded by white artists, leaving her versions largely forgotten. Her Grammy-nominated newest LP Blackbirds, produced by legendary drummer Steve Jordan, shows her at her most vulnerable best.

Photo credit: Mark Seliger

Harmonics with Beth Behrs: Dr. Tara Swart

Posted on by Shelby Williamson

Dr. Tara Swart is a neuroscientist, medical doctor, Senior Lecturer at MIT, and author of best-seller The Source.


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Dr. Swart and host Beth Behrs have an in-depth conversation on neuroplasticity and how we can physically change the structure of our brains through our thoughts, and therefore, change our lives. Following a full career in medicine, Dr. Tara was surprised to realize the scientific evidence supporting the Law of Attraction, and has since committed her work to helping others use science-backed practices to live their fullest lives.

Listen and subscribe to Harmonics through all podcast platforms and follow Harmonics and Beth Behrs on Instagram for series updates!

This episode of Harmonics is brought to you by BLUblox: blue light blocking glasses, backed by science. Reclaim your energy and block out the unhealthy effects of blue light on your mental and physical health. Take 15% off your order with code “HARMONICS”