Tag: playlist

The BGS Radio Hour – Episode 216

Posted on by Shelby Williamson

Welcome to the BGS Radio Hour! Since 2017, this weekly radio show and podcast has been a recap of all the great music, new and old, featured on the digital pages of BGS. This week, David Crosby and Sarah Jarosz join up for a Joni Mitchell number, husband-and-wife duo Darin and Brooke Aldridge bring us some beautiful bluegrass harmonies, LA’s own Los Lobos share their rendition of a favorite Jackson Browne tune, and much more.

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The Wallflowers – “Maybe Your Heart’s Not In It Anymore”

25 years after their breakout hit and almost a decade after their most recent release, The Wallflowers are back with a new album, Exit Wounds. In our interview with Jakob Dylan we talk about the project, singing with Shelby Lynne, the documentary Dylan executive produced, Echo in the Canyon, and more.

Ric Robertson – “Carolina Child”

We spoke with Ric Robertson about playing a popcorn kernel in a musical as a kid, his kite surfing aspirations, his new album Carolina Child, and more in a recent edition of 5+5.

Amy Ray Band – “Chuck Will’s Widow”

Amy Ray of The Indigo Girls finds herself often haunted by the song of the nocturnal songbird, the Chuck-will’s-widow: “I find that I witness the most profound moments in the midst of their songs, when everyone else is asleep. While I am often in need of rest, the respite I find in being awake under a miraculous and melodic night sky is too tempting for me to sleep. It’s a conundrum that inspires me, but also leaves me bleary-eyed.”

Darin and Brooke Aldridge – “Once In A While”

Bluegrass husband-and-wife duo Darin & Brooke Aldridge hope that every aspect of their music makes you smile — even more than “Once in a While!”

Matt the Electrician – “Home Again”

Folk singer-songwriter Matt The Electrician will return with a new album called We Imagined an Ending in November. A new track, “Home Again,” takes inspiration from the point of view of his teenage daughter. “The conundrum of parenthood, that as you finally start to figure some things out, and try to pass along some of that hard won wisdom, you’re greeted with your own teenage face staring balefully back at you.”

Tobacco City – “AA Blues”

Says Chris Coleslaw of Tobacco City’s latest single, “The character in the song is trapped between working in a brewery and staring at beers all day and trying to walk a sober line. I think regardless of your sobriety status we can all relate to those kind of blues.”

Jesse Daniel – “Clayton Was A Cowboy”

Jesse Daniel spoke with us about his new album, Beyond These Walls, about growing up catching crawdads and fishing, the chills-inducing feeling when a crowd sings along with his lyrics, and more in a recent 5+5.

Joy Oladokun – “Judas”

Joy Oladokun is able to do more with just an acoustic guitar and her voice than many artists can in an entire discography of work. And going from Arizona to L.A. then across country to Nashville with a new outlook and perspective, her music stands on a plane with a unique vantage point.

Luke LeBlanc – “Same Blues”

A new video for Luke LeBlanc’s co-written tune with Roy August, “Same Blues,” attempts to capture what the song is about: the tug of war between the status quo and what you’re currently doing versus that thing you really want to do.

Midnight North – “Silent Lonely Drifter”

“Silent Lonely Drifter” is an original folk melody reminiscent of timeless Appalachian string band music. Each verse references a different full moon, speaking to the natural balance that exists in the universe.

Los Lobos – “Jamaica Say You Will”

The Jackson Browne tune “Jamaica Say You Will” always resonated for the fellas of Los Lobos and the narrative and storytelling were attractive, too. So, they recorded their own rendition of the track on their latest project, Native Sons.

Aoife O’Donovan ft. Milk Carton Kids – “More Than We Know”

New music from Aoife O’Donovan is here and we’re loving it! Hear tracks created with Joe Henry and the Milk Carton Kids — one inspired by the modern classic re-telling of Peter Pan, the movie Hook.

John R. Miller – “Shenandoah Shakedown”

Depreciated, the new Rounder Records release from singer-songwriter John R. Miller, combines many of his string band and bluegrass influences with a satisfyingly melancholy and dark mood — plus plenty of fiddle.

David Crosby ft. Sarah Jarosz – “For Free”

Legendary singer, guitar picker, and songwriter David Crosby keeps his love for collaboration alive on his new album, For Free, which features guests and co-writers such as Sarah Jarosz, Michael McDonald, his son James Raymond, and more.

Photos: (L to R) Joy Oladokun by Nolan Knight; Aoife O’Donovan courtesy of Shorefire Media; David Crosby by Anna Webber

The BGS Radio Hour – Episode 215

Posted on by Shelby Williamson

Welcome to the BGS Radio Hour! Since 2017, this weekly radio show and podcast has been a recap of all the great music, new and old, featured on the digital pages of BGS. This week, the Radio Hour features a song that reclaims the image of the magnolia tree, we enjoy some blues and southern rock from folks like Charlie Parr, Christone “Kingfish” Ingram, and Larkin Poe, plus hear a “Wichita Lineman” cover by Colin Hay, and much more.

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Gregory Alan Isakov – “Salt And The Sea”

To celebrate the birthday of Dualtone Music Group, Gregory Alan Isakov covers The Lumineers’ “Salt And The Sea” on a new compilation record, Amerikinda: 20 Years of Dualtone, which features many of Dualtone’s artists from the past and the present performing each other’s songs in a whimsical, jovial tribute to the work and achievements of this beloved record company.


Adia Victoria – “Magnolia Blues”

On a new track inspired by the last year and its intentional pausing, Adia Victoria explores the magnolia as a symbol of the South: “The magnolia has stood as an integral symbol of Southern myth making, romanticism, the Lost Cause of the Confederates and the white washing of Southern memory. ‘Magnolia Blues’ is a reclaiming of the magnolia…”

Jim Lauderdale – “Memory”

One of the most eloquent tracks on Jim Lauderdale’s new album Hope — a collection reminiscent of dreamy ‘70s folk rock records — celebrates the legendary Grateful Dead lyricist Robert Hunter, a longtime friend and collaborator of Lauderdale’s who died in 2019. As one of the final songs they wrote together, “Memory” arrived on June 22, just one day before what would’ve been Hunter’s 80th birthday.

Carrie Newcomer – “A Long Way Up”

We caught up with singer-songwriter Carrie Newcomer for a 5+5 — that’s five questions and five songs — on growing up creative, writing stories, poetry, and essays, taking comfort in nature and its imagery, and more.

Larkin Poe & Nu Deco Ensemble – “Every Bird That Flies”

Larkin Poe grew up drawing inspiration from a wide range of genres, so they always dreamt of honoring their classical upbringing with orchestral arrangements of their music. Their first ever live album features Nu Deco Ensemble combining those classical elements with Larkin Poe’s Americana, blues, and Southern rock songs.”In hearing our Roots Rock ‘n’ Roll repertoire reinterpreted through an orchestral lens, it felt like a creative circle was being completed.”

Christone “Kingfish” Ingram – “Too Young to Remember”

Christone “Kingfish” Ingram seemed to come out of nowhere with his 2019 Alligator Records debut, Kingfish. At 20 years old, the native of Clarksdale, Mississippi, emerged as a fully-formed guitarist, vocalist, and songwriter and was quickly hailed as a defining blues voice of his generation. Now his new record, 662, pays tribute to his upbringing and his home turf.

Jesse Lynn Madera – “Revel”

Jesse Lynn Madera has written a lot of sad, emotional songs, but writing “Revel” changed the way she approaches songwriting, recognizing the opportunity artists have to positively impact a person. She reflects, “Being human is rollercoaster enough without a pandemic to further complicate the experience. We’ve all suffered through our share, and hopefully we’ve all experienced the sun coming up over the horizon of despair. This will be no exception. The glow shall return, and we’ll all be reveling in it.”

Charlie Parr – “Last of the Better Days Ahead”

Blues picker Charlie Parr reflects on the days he’s currently living in on “Last of the Better Days Ahead.” As he tells us: “I’m getting on in years, experiencing a shift in perspective that was once described by my mom as ‘a time when we turn from gazing into the future to gazing back at the past…'”

Colin Hay – “Wichita Lineman”

“Wichita Lineman” was the first song where Colin Hay (of Men at Work) realized the importance of the written song, in and of itself. He tells us the song “spoke of things I could only wonder at. The geographical vastness of the land, the hopes and dreams of the man working the line, and indeed of all people who inhabit this country. And, a love story contained within achingly beautiful music and melody. I can’t think of a better song.”

Dillbilly – “Countries”

For a big part of their life, Dillbilly grew up feeling like country and bluegrass were genres that they could never be a part of even though the music has always felt like home. But in writing “Countries,” it felt so good for them to lean into those roots.

The Isaacs – “Turn, Turn, Turn”

Powerhouse bluegrass (and beyond) family The Isaacs have returned with new music, including their rendition of a Pete Seeger classic that Lily Isaacs recalls from her days of growing up as a folk music fan in 1960s New York City.

Photos: (L to R) Larkin Poe by Josh Kranich; Charlie Parr by Shelly Mosman; Adia Victoria by Huy Nguyen

Take the Journey: 17 Songs for a Sunny and Warm Summer Vacation

Posted on by Justin Hiltner

In July we put together a playlist of bluegrass songs for summer vacation and once the inspiration was flowing, it was difficult to stop! We thought we should return to the theme, but slightly zoomed out, to include songs from across the roots music landscape. With the summer still shining, enjoy these 17 folk, Americana, and country songs perfect for your road trip playlist.

“Ride Out in the Country” – Yola

Yola was a 2020 Best New Artist nominee at the Grammys and she’s just returned with a new, full-length album on Easy Eye Sound, Stand For Myself. The entire project is lush and resplendent, like the glory days of orchestral, big-sound country-pop in the ‘60s and ‘70s. For this playlist, though, we return to her prior release, Walk Through Fire, and the perfectly country track, “Ride Out in the Country.” Take the scenic byways and crank the volume!

“I Like It When You’re Home” – Della Mae

One of the nicest silver linings of vacation is missing home – and that delicious feeling of returning to your own space and your own bed after being away. And your loved one(s), too! Della Mae captures that sentiment in this jammy, rootsy track from their album, Headlight. Take the day off, drive north, sit by a lake.

“A Little Past Little Rock” – Lee Ann Womack

A truly quintessential driving song. A must-add even if your vacation route comes nowhere near Arkansas. The baritone guitar intro, the shout-along-with-the-lyrics chorus, the whimsically late ‘90s production. A banger. A bop.

“Sunny and Warm” – Keb’ Mo’

Keb’ Mo’ is a master of vibes. His single “Sunny and Warm” showcases the acoustic blues musician in a more traditional R&B light – and the impact and result are simply golden. This track will have you craving your happy place, wherever that warm and sunny locale may be.

“Heavy Traffic Ahead” – Bill Monroe

Look, we’re The Bluegrass Situation! We’ve gotta get our bluegrass kicks in somewhere – bluegrass is roots music, after all. Given that we left this classic by the Big Mon himself off our Bluegrass Songs for Summer Vacation we felt it was worth inclusion here. And worth a mention so that you’ll go check out the entirely bluegrass playlist, too!

“Country Radio” – Indigo Girls

Finally a country song about country radio – and cruising around aimlessly listening to it – that is enjoyable and free of the guilt associated with the false nostalgia, conservative politics, authenticity signalling, and post-2000s country. Especially the kind most often played on the radio! This Indigo Girls track is testament to all the folks out there who love country music, even if it doesn’t always love them back. Don’t worry, it will. Eventually! (Read the BGS interview.)

“White Noise, White Lines” – Kelsey Waldon

If you catch yourself daydreaming, in a dissociative or meditative trance as you keep it between the lines, Kentucky-born singer-songwriter Kelsey Waldon has the exact soundtrack for you. “Whie Noise, White Lines,” the title track of her most recent album, speaks to that near-trope-ish phenomenon of losing oneself amid the countless miles traveled while living the life of a traveling musician. Waldon, as in most of her music, accomplishes this motif without stereotypes or clichés, and the result is a song that will be a staple on vacation playlists for decades to come.

“Table For One” – Courtney Marie Andrews

A variation on the same theme, this time from Courtney Marie Andrews, “Table For One” is gauzy and lonesomely trippy. “You don’t wanna be like me / this life ain’t free,” the singer pleads, seeking a sense of reality in a life almost entirely abided within liminal spaces. Find peace in the redwoods, but try to hold on to it. You might lose it twenty miles later.

“Two Roads” – Valerie June

Cosmic and longing, Valerie June distills Kermit the Frog’s “the lovers, the dreamers, and me” into album form with her latest outing, The Moon and Stars: Prescriptions For Dreamers. Whatever bug you’ve been bitten by – rambling, restlessness, cabin fever, listlessness – let this song and this album scratch that itch. And as you let the miles fade behind you, on whichever of the two roads you take, don’t forget to look up… at the moon and stars and beyond.

“Christine” – Lucy Dacus

Whether or not you’ve experienced the beautiful, transcendent, and heart-rending forbidden love of being queer — on the outside looking in on love that society has constructed to which you’ll never have access — Lucy Dacus’ fantastic, alt/indie roots pop universe will give you a crystalline window into this very particular iteration of unrequited love on “Christine.” The song feels almost as though you’ve woken from a warm, sunny, time-halting afternoon nap in the back seat of a car yourself.

“It’s a Great Day to Be Alive” – Darrell Scott

Darrell Scott goes two for two, landing on both our bluegrass summer vacation round-up and our rootsy list, too! “It’s a Great Day to Be Alive” is THE song for the moment you realize you’re out of the office, away from your chores, without a care in the world — whether you have rice cooking in your microwave or not.

“Hometown” – Lula Wiles

For those summers when all you can muster is a trip home. Lula Wiles don’t just trade in nostalgia and hometown praise, though, they take on the subject with a genuine, measured perspective that picks up paradoxes, turns them over, and places them back down for listeners. It’s a subtly charming earworm, too.

“Heavenly Day” – Patty Griffin

“Oh heavenly day / All the clouds blew away / Got no trouble today…” The exact intention to be channeling during vacation! Don’t let your summer getaway be one of those vacations from which you end up needing a vacation. Leave your troubles behind, have a heavenly day.

“Midnight in Harlem” – Tedeschi Trucks Band

Your travels may not bring you even within the same state as Harlem, but this song had still better be on your road trip playlist. There’s almost no song better to put on at midnight, wherever you may be roaming, than Tedeschi Trucks’ “Midnight in Harlem.”

“Outbound Plane” – Suzy Bogguss

Every time I step into an airport my anxiety seems to sing, “I don’t want to be standing here with this ticket for an outbound plane.” It’s always true. This writer has not yet returned to the jetways post-COVID, so we’ll see how that goes. At least there will be the security and comfort of this jam (composed by Nanci Griffith and Tom Russell) from Suzy Bogguss’ heyday.

“455 Rocket” – Kathy Mattea

There are plenty of modern versions of muscle cars available and on the road today, but not a single one is an Oldsmobile 455 Rocket! Kathy Mattea represents the rockabilly/Americana tradition of paeans to automobiles and gearhead culture with this loping tribute to a 455 Rocket, an early cut for Gillian Welch and David Rawlings. If you happen to take your country drives in a muscle car, regardless of brand, this track is for you.

“Take the Journey” – Molly Tuttle

What better way to conclude our playlist than with this always-timely reminder from Molly Tuttle? It might be a cliché, though it really is true: It’s about the journey, not the destination. So take the journey! Enjoy its twists, turns, and be in the moment. And take some clawhammer guitar along with you.

16 Bluegrass Songs for Summer Vacation

Posted on by Justin Hiltner

It’s summer, our second in the “after times,” where road trips, national parks, and scenic byways are king. As you head off on your COVID-aware vacations this summer, don’t leave all the driving music to indie, easy listening, country & western, or rock ‘n’ roll. The chop of the mandolin, thump of the doghouse bass, and rapid-fire roll of the five-string banjo are just as suited to soundtrack your sunny forays. To prove that point, here are 16 bluegrass songs perfect for inclusion on your summer vacation playlists. (Listen to the full playlist on Spotify below.)

“Highway” – Claire Lynch

Bluegrass being an itinerant livelihood and a nomadic community, traveling songs are just as expected a feature as murder ballads, train tunes (a form of travel song unto themselves!), and moonshine running tales. This modern classic via Claire Lynch — written by Lynch and Irene Kelley — is a perfect example of the form, more ‘90s country offered by a string band than a traditional, four-on-the-F-style grassy track. It’s delightful — and perfectly winsome and longing when you find yourself listening while traveling down the highway.

“Handsome Molly” – Tim O’Brien

Our July 2021 Artist of the Month Tim O’Brien’s rendition of this bluegrass classic is a far cry from, say, a Flatt & Scruggs’ cut. O’Brien’s has a slight transatlantic bent — with a distinct island detour, perhaps through the sunny Caribbean. If you’ve found a craving to set your foot on a steamboat and sail the ocean ‘round deep inside your soul, this one’s for you.

“1952 Vincent Black Lightning” – Del McCoury Band

Another track with a transatlantic story, this ever-popular, most-requested number covered by the Del McCoury Band is a road trip staple — whether you get in or on your vehicle to hit the highway. It would be a sin to make a bluegrass summer vacation playlist and not include “1952 Vincent Black Lightning!”

“Val’s Cabin” – Laurie Lewis

A rare example of a bluegrass song actually about summer vacations, this Laurie Lewis original, “Val’s Cabin,” begins as a simple retelling of childhood memories — nostalgia being a common rhetorical device (and when attempted by many other writers, a well-worn trope) in bluegrass. But Lewis, a veteran through-hiker, wilderness excursioner, and backpacker as well as a Grammy-nominated bluegrass singer and songwriter, tinges the story with melancholy and the existential questions raised by the ever-worsening climate crisis. The song is as evocative as it is gorgeous; though the singer can’t find the way to “Val’s Cabin” any longer, every listener can.

“Paddy on the Turnpike” – Vassar Clements

If you ever happen to find yourself Crossing the Catskills on a summery jaunt, “Paddy on the Turnpike” must be in your listening rotation. Avoid the tolls, but still go for a ride on the turnpike with Vassar Clements’ wild, unpredictable, jaw-dropping, wonky fiddling. “Paddy” is a blank canvas for Clements and a study in bluegrass’ unending affinity for flat seven chords.

“Don’t Give Your Heart to a Rambler” – Tony Rice

A hit in nearly every jam circle that ever circled, “Don’t Give Your Heart to a Rambler” is almost as if “Gentle on My Mind” had been written by a much less kind or compassionate protagonist. Tony’s solo vocal stylings are as iconic as his six-string licks, nearly obliterating any memory of this song ever having been sung by anyone else. What’s more, the titular advice of the track still stands. Just don’t.

“Highway 40 Blues” – Larry Cordle & Lonesome Standard Time

Because “Interstate 70 Blues” just doesn’t roll off the tongue. And that melodic hook should go down in history as one of the best country licks to ever lick! Cordle wrote one built for the long haul with “Highway 40 Blues.” It’ll keep you good company as you go wherever and back.

“Banjo Pickin’ Girl” – Annie Staninec

Is there any better reason to go around this world than being a banjo picker? There are never enough banjo pickin’ girls and this anthem, no matter how many times it’s picked up, studied, and retooled by another banjo pickin’ girl, always SLAPS. (Clawhammer pun intended.) Fiddler and multi-instrumentalist Annie Staninec, who’s traveled around the world making music quite a bit herself, gives an excellent old-time rendition of this favorite.

“A Crooked Road” – Darrell Scott

Darrell Scott turns a literary device pretty common in songwriting on its ear, with a tender eye for detail and emotion that he brings into all of his musicmaking. Life is, after all, about the journey — not the destination. Why not take the crooked, and thereby, the road less traveled? 

Plus, take this song as suggestion: The Crooked Road, Virginia’s Heritage Music Trail, is well worth a visit. Put this song on and take the Crooked Road.

“Up and Down the Mountain” – David Parmley & Continental Divide

Work life doesn’t suit you? Does “paradise” mean a fiddle and the open road? If so, “Up and Down the Mountain” is for you and your road trip playlist. Especially if you’re planning on trekking through the Rockies, Sierras, Ozarks, Applachians, or what-have-you. Turn off cruise control, watch for the runaway truck ramps, and go up and down those mountains! David Parmley & Continental Divide know something about geography and topography, after all…

“Roving Gambler” – The Country Gentlemen


Not sure why you’d be headed to Las Vegas during one of the hottest summers on record, but if you’ve got your sights set on a casino — wherever it may be — crank up “Roving Gambler” and hope your 2 a.m. slot machine binge or your evening “re-learning” blackjack ends more amiably than with gunfire. Speaking of which, perhaps “Blackjack” deserves a slot on this playlist…

“Travelin’ Prayer” – Dolly Parton

The kick-off of one of Dolly Parton’s masterpieces, her 1999 bluegrass album The Grass Is Blue, “Travelin’ Prayer” was actually written by Billy Joel. Yes, that Billy Joel. The original, from 1973’s Piano Man, featured banjo playing by Eric Weissberg and Fred Heilbrun. So of course the tune stands up to the bluegrass treatment and then some, between Stuart Duncan’s haunting fiddle cadenza to begin the track, the rip roarin’ tempo and train whistle harmonies, and the lonesome feeling of being away from your baby while he travels the world. We’re gonna assume Dolly’s blessed pen and ink added the lyric: “And keep him away from planes / cause my baby hates to fly!”

“Road to Columbus” – Kenny Baker

Growing up this writer frequented a bluegrass jam in Granville, Ohio, about 25 miles east of the state’s capital, Columbus. Like clockwork, every week as the jam wound down around noon on Wednesdays, Troy Herdman — a local bluegrass community stalwart, Doc Watson-style flatpicker, and mentor of many who lived in or around Columbus — would call this tune. Everyone would chuckle, and we’d play “Road to Columbus” as everyone, but especially Troy, hit the road to Columbus. 

Herdman passed away last week at the age of 91. I certainly wouldn’t be the musician I was today if it wasn’t for Troy, and I know quite a few others who would say the same. So no matter where I travel, I always keep “Road to Columbus” nearby. Especially when I’m headed home to Ohio.

Many pickers speculate over whether Kenny Baker and Bill Monroe were referencing Columbus, Ohio, or Columbus, Indiana. But, according to Roland White — who introduces the song with an anecdote from his time on the road with Monroe — it’s about Ohio. For this Ohioan, that’s confirmation enough!

“That’s How I Got to Memphis” – Tom T. Hall

His own recording of one of his most popular hits may sound more like straight up and down country than ‘grass, but even the most casual fan of Tom T. Hall knows that this Bluegrass Hall of Famer is bluegrass to his core. If you’re headed down I-40 from Nashville — or, really, towards Memphis from any direction, no matter how direct or circuitous, this song is a must-add for your road trip playlist.

“Where Rainbows Never Die” – The SteelDrivers

This song is about a decidedly different kind of journey, not often referred to as a “vacation,” but even so it’s a poignant, encouraging, and downright delicious song to background any journey. If you’re road weary — or life weary — “Where Rainbows Never Die” is a certified pick-me-up that doesn’t shy away from reality, like the grit and coarseness in Chris Stapleton’s lead vocal wrapping you in its warmth. There’s a comfort in life not being sugar-coated — and in knowing somewhere, west of where the sun sets, rainbows never die.

“Home Sweet Home” – Flatt & Scruggs

Home never feels so sweet as when you’ve just returned after a long, restful, relaxing vacation. So we’ll close our summer vacation playlist with Flatt & Scruggs’ rendition of this tune pulled directly from the American songbook, “Home Sweet Home.” We hope a banjo roll always greets you at your door, and if not, this playlist will at least cover that for you. Wherever you roam, there’s no place like home! And no music like bluegrass.

Editor’s Note: Check out our follow up playlist, Take the Journey: 17 Songs for a Sunny and Warm Summer Vacation

Artist of the Month: Tim O’Brien

Posted on by Editor

Tim O’Brien is putting his best foot forward with He Walked On, a new collection of eight originals and five carefully chosen covers. Through his music he shares his worldview, by channeling significant figures like Thomas Jefferson and Sally Hemings, Congressman John Lewis, and John Prine. The topics on this self-produced record may be heavy, yet O’Brien believes that the music offers an opening for reflection.

“When you sing something, it kind of sneaks in, in that music is a powerful medium,” he says. “It’s a language that’s mysterious on its own — it tugs on the emotions. It grabs people’s attention in a certain way and prepares them to hear things, and music kind of draws people together.” O’Brien wrote the album’s lead single, “I Breathe In,” which BGS proudly premiered in May. He relied on longtime band members like Mike Bub on bass, Pete Abbott on drums, and fiancée Jan Fabricius on vocals to round out the record.

“The project is about what you need to do to survive in America,” he told BGS. “We all need a roof over our head and something to eat, of course, but we also need love. I’ve been grateful to have Jan beside me during the pandemic. The song stresses the need to take things one step or one breath at a time, and to keep those you love close as you do so.”

O’Brien’s own journey has carried him from his birthplace in West Virginia, through the Colorado bluegrass scene, and ultimately to Nashville, where he’s been a key figure in the roots music community since the ’90s. In some ways, He Walked On reads like a map, with distinctive songs like “Five Miles In and One Mile Down,” about the Upper Big Branch Mine disaster in West Virginia in 2010. (The banjo adds some serious mood to this narrative, too.) In addition, “El Comedor” was written with Fabricius after they joined a grassroots humanitarian effort to provide water and food to immigrants at the border near Tucson, Arizona.

“You talk about the music, where would we be in America if we didn’t have this mix of people from Africa and Europe and Native Americans,” he says. “We’re family, but we’re estranged, and we’ve never learned to be family in so many ways. And it’s crazy, and we’re still suffering from that. If you read James Baldwin — America’s insane. And until we figure out how to actually deal with reality here, we’re just going to stay insane.”

With a multi-tasking musician like Tim O’Brien, who plays mandolin, fiddle, guitar, mandola, and mandocello on this record, his creative path could carry him almost anywhere. And his comic timing is impeccable on songs like “Nervous” and “See You at the Funeral.” Until he brings us on his next adventure, let’s enjoy a few songs from He Walked On, mixed in with some classics, on our BGS Essentials playlist. Read part one of our Artist of the Month interview here. Read part two here.

Photo credit: Michael Lewis

MIXTAPE: Lowland Hum’s Songs for Dusk

Posted on by Editor

We’ve put together a group of songs that feel related to dusk: the transition moments between day and night. Included in our thinking about dusk are the days in between each season.. winter to spring, spring to summer, summer to fall and fall to winter days. We all need help in our times of transition, as we are being stretched, strained, or pressed between what was and what is to come. The songs that assist us in these travels seem to have an unplaceable quality, both disorienting and comforting like a sweet, warm drink with salt scattered on its surface.

The unique combination of anticipation and farewell allows these songs to occupy paradoxical thematic and sonic space. We need songs like these so we can bring more of ourselves into the present. So, we humbly offer this grouping of songs to accompany you in transitions of all kinds, whether they be literal dusks, the days between seasons, or simply moments where this particular tone may be soothing, cathartic, comforting or augmenting. To paraphrase something we read on The Milk Carton Kids’ Mixtape… “we include our songs aspirationally and for self-promotion here.” — Lowland Hum 

Aldous Harding – “Zoo Eyes”

We love Aldous Harding’s ability to shapeshift, morph, and play in her music while remaining vulnerable and human. It reminds us that those are all options we can choose as well when creating. Her most recent album, Designer, is delicious.

Bob Dylan – “He Was a Friend of Mine”

This song has always stood out to us as a deeply compassionate and humanizing song that packs so much into its few and deceptively simple words. It reminds me of the wordlessness that comes with deep grief. At the anniversary of George Floyd’s death I think of the great losses our nation has experienced this year and the way all words felt clumsy and insufficiently small in the face of such dumbfounding, dark and evil things.

Big Thief – “Open Desert”

We’re having a hard time finding what’s not to like about anything and everything coming from Adrianne Lenker (and her band) these days.

The Beatles – “Julia”

This melody is so wistful, dreamlike, sad, and lovely. “When I cannot sing my heart I can only speak my mind, Julia, sleeping sand, silent cloud, touch me so I sing a song of love, Julia.”

Radiohead – “You and Whose Army?”

The beginning of this song makes us feel like we are suspended in shimmering stardust thick enough to hold a person’s weight. The arrangement blooms so patiently until you suddenly tumble down a flight of stairs. That a recording can do that is one of the main reasons we organize our life around music.

Antonio Carlos Jobim – “Look to the Sky”

I mean, are you not slow dancing by yourself on a terra cotta tile patio, barefoot, with a cocktail in hand when you hear this?

Labi Siffre – “Cannock Chase”

The combination of this picked guitar and gently shuffling percussion sounds like being in the car at dusk with the windows down, scenery flying by.

The Zombies – “Beechwood Park”

We’ve listened to this album so much in the past few years, but somehow only really noticed this song and its magnificence in the past week. Now we are obsessed.

Nick Drake – “Free Ride”

To us Nick Drake always sounds like sunlight filtering through the leaves of trees. Although this one carries a bit more urgency and pep than some of his other songs, this one is no exception.

Myriam Gendron – “Solace”

This song comes from an album of Dorothy Parker poems put to music by Myriam Gendron. The whole album is like a friend sitting silently beside you when you’re feeling a lot. You probably need it in your life.

Keur Mossa – “Quand le fils de l’homme viendra”

This song comes from an album that has been an immense comfort to us in times of transition. When far from home, while working on building our studio in early morning light, while in labor with our first child… It’s a beautiful treasure of humanity reaching toward divinity.

Tiny Ruins – “One Million Flowers (solo)”

This album is all solo guitar and voice versions of Tiny Ruins’ full-band album Olympic Girls. Hearing these songs stripped to their skeletons showcases how strong her songwriting and voice are. Though we were fans of the full-band album first, we prefer these versions hands down. We aspire to make songs that can stand on their own naked or dressed up.

Lowland Hum –”We Do What We’re Told (Milgram’s 37)”

This is our cover of Peter Gabriel’s “We Do What We’re Told (Milgram’s 37)” from his album, So. We covered that album in its entirety, calling our version So Low. Our version came out on the 35th anniversary of the original’s release.

Lou Reed – “Perfect Day”

This song is a cocktail of equal parts bummed-out and triumphant. How he does it we don’t know, but we love it.

Frank Sinatra – “Mood Indigo”

The strings and reeds in this song are like sitting on a fire escape in the warm balmy breeze of a summer evening. Sinatra’s delivery is so subtle and masterful. You can’t go wrong with any song on In the Wee Small Hours.

The Weather Station – “Trust”

We have long been fans of Tamara Lindeman. Her songwriting is like a window into the unspoken dialogue of real relationships.

Arthur Russell – “Close My Eyes”

This song is so visual to me (Lauren). It reads in the mind like a bedtime story complete with dark oil pastel illustrations. I dare you to close your eyes and not see it all.

Gold Connections –”Confession”

Will Marsh of Gold Connections is a dear friend of ours but we promise we aren’t biased. They just released this single and we can’t get enough of it. This song has it all: city and desert; neon signage and the kind of starry sky that can only be seen when you are far from civilization.

Bruce Springsteen – “Nebraska”

Tragic, startling, beautiful. Daniel always says he believes in this album because it gave him compassion for a mass murderer. That’s some power right there.

Paul Simon – “Night Game”

What a stunning and mournful number. Who knew a song about baseball could feel so mystical? Hold out for the otherworldly harmonica solo by Jean-Baptiste Frédéric Isidor. This one has comforted us on many a late-night drive.

Adrianne Lenker – “forwards beckon rebound”

This whole album is a treasure. This song has such a great momentum while remaining quiet.

Martin Denny – “Trade Winds”

This exotica album is a staple in our household during our newborn son’s bathtimes. But we find it perfectly appropriate for listeners of all ages and stages. It is perfectly campy and yet transportive.

Lowland Hum – “Waite”

We felt that we needed to include at least one original Lowland Hum song, so here’s our duskiest. This song was written while on tour in Europe in 2017. We were playing a house concert in a landscape painter’s home studio and gallery (Andy Waite is the name of the painter and now friend) and the guitar part mysteriously came to Daniel while we were setting up in the space. Something about being in a home so steeped in one person’s creative life and flow was magical. There was a very real substance in the air that mysteriously found its way into Daniel’s fingertips as he was messing around on guitar.

Photo credit: Tristan Williams

MIXTAPE: The Foreign Landers’ Transatlantic Story

Posted on by Editor

Each of us having grown up on either side of the Atlantic, our common interests and musical influences could not have been more similar. All of these tracks hold sweet memories in our years of being a couple, and each artist has definitely influenced our sound as The Foreign Landers. David and I thought we’d share some of our transatlantic story together through a few of our favorite songs. — Tabitha Benedict, The Foreign Landers

Paul Brady – “The Lakes of Pontchartrain”

This is one of our favorite tracks of all time. This version of the popular ballad is from Paul’s album Nobody Knows: The Best of Paul Brady rereleased in 2002. With Paul’s flawless storytelling ability and tasteful guitar playing, it makes it a joy to come back for a re-listen.

Crooked Still – “It’ll End Too Soon”

David and I have been big Crooked Still fans for a long time and they will often be our first choice of car music on any long journeys. Here’s a beautiful song written by banjoist Greg Liszt for Aoife O’Donovan that is just so sweet to the ears. This was one of the last songs they recorded before the band stopped touring in 2012 and it appears on their EP Friends of Fall.

Tatiana Hargreaves – “Foreign Lander”

This is where the inspiration for our band name “The Foreign Landers” was drawn from. Aside from having more of a story behind our name than just that, we both love this old song and especially love this version from Tatiana Hargreaves debut album Started to Ramble released back in 2009.

Alison Brown – “Fair Weather”

This title track of Alison Brown’s album Fair Weather released back in 2000 is a common favorite of ours. Vince Gill features on lead vocals and guitar, Alison on banjo, Stuart Duncan on fiddle, mandolin, and vocals and Gene Libbea on Bass and vocals.

Ron Block – “Ivy”

Well, we knew we had to involve some of Ron’s writing and performing in this mixtape. We love this track, “Ivy,” off his album Walking Song. This is a perfect album for all year round, with guest appearances from a host of our favorite players.

The Weepies – “I Was Made for Sunny Days”

I first was introduced to The Weepies through hearing them on the radio back in Northern Ireland many years ago. My family instantly fell in love with their songs and sound, so I was so delighted to introduce David to their catalog when we were dating. Another favorite for long drives and singing along in the car. Here’s a real feel good song of theirs called “I Was Made for Sunny Days” from their album Be My Thrill released back in 2010.

The Boxcars – “You Took All the Ramblin’ Out of Me”

We just had to stick some good bluegrass in this mix of songs, and we’re so glad we chose this one. When David and I started dating, we would sing this to each other, and it has to be one of our favorites from the Boxcars album It’s Just a Road released in 2013.

Hot Rize – “You Were on My Mind This Morning”

At one of our first-ever performances about three years ago at the well-loved Cantab Lounge in Cambridge, Massachussetts, David sang lead vocals on this track written by Hot Rize. They recorded this on their 2014 release When I’m Free.

Dori Freeman – “If I Could Make You My Own”

We are big fans of Virginia-based singer-songwriter Dori Freeman, and especially love this track of hers from her 2017 release Letters Never Read. We recorded a cover of this song on our honeymoon on the Isle of Skye about two years ago now, so it holds a sweet spot in our relationship!

John Reischman – “Little Pine Siskin”

One of our favorite tunes off John’s album Walk Along John! John had been touring with the wonderful Greg Blake in Ireland back in January/February 2018, right when David took his first visit to Northern Ireland, and right when we started dating. We went to see them at a wonderful show at the Red Room in Cookstown. It was just a couple of days prior to making things “official.” I remember David playing this tune on that visit and it brings back happy memories!

The Foreign Landers – “I’m Not Sayin’”

We discovered this Gordon Lightfoot song from the late great Tony Rice on his album Tony Rice Sings Gordon Lightfoot. We have both loved this song for many years, and knew that when he would start a duo we would definitely be covering this one. We recorded this version on our EP Put All Your Troubles Away that we released in May 2021. We’re so thankful we did and hope you enjoy it!

David Benedict – “Colonna & Smalls”

David released this tune on his solo project The Golden Angle in 2018, named after the specialty coffee shop in Bath, England, back when we were dating. He has the amazing David Grier and Mike Barnett playing on this track with him.

Cup O’Joe – “Till I Met You”

David and I also tour and record with my two brothers in Cup O’Joe, our band based out of Northern Ireland. I wrote this song back in 2018, and recorded it on Cup O’Joe’s most recent album, In the Parting. I wrote this one with David in mind, not thinking that he would be playing mandolin on it a few months later!

Photo courtesy of The Foreign Landers

The BGS Radio Hour – Episode 208

Posted on by Shelby Williamson

Welcome to the BGS Radio Hour! Since 2017, this weekly radio show and podcast has been a recap of all the great music, new and old, featured on the digital pages of BGS. This week, we bring you new music from both our Artist of the Month, Allison Russell, off of her brand new album Outside Child, and from the late Tony Joe White, too — plus much more! Remember to check back every week for a new episode of the BGS Radio Hour.

APPLE PODCASTS, SPOTIFY

Maia Sharp – “Things to Fix”

Moving across the country is stressful enough on its own. At the end of a 21-year marriage, Maia Sharp put her energy directly into working on her new Nashville home — painting one room, then another, and another. She took the idea to her co-writer on “Things to Fix,” relating the things that could have been fixed in her relationship to what she was fixing in the house.

Last Year’s Man – “Still Be Here”

Singer-songwriter Last Year’s Man (Tyler Fortier) explained his new track “Still Be Here” to BGS, relating, “I think we’re all eager for life to get back to what it was in some way or another and this is a love song built out of the idea that it will.”

Casey Driessen featuring Taro Inoue – “Little Cabin Home on the Hill”

Casey Driessen’s recent project Otherlands: A Global Music Exploration, is a self-produced travelogue of on-location recordings, short films, and essays that documents collaborations with masters of regional music in Spain, Ireland, Scotland, India, Finland, and Japan, where he recorded this bluegrass standard with his friend and mandolinist Taro Inoue.

Tony Joe White – “Smoke From the Chimney”

Legendary country singer and songwriter Tony Joe White, who penned hits like “Polk Salad Annie” and “Rainy Night in Georgia,” passed away in 2018, leaving behind quite a legacy of music. However, the material didn’t quite stop after he died. His new posthumous record, Smoke From the Chimney, was recorded a year later in 2019, as producer Dan Auerbach built the music around voice and guitar demos that White had left behind.

Carsie Blanton – “Mercy”

Carsie Blanton wrote “Mercy” for her husband Jon, who helped her find out that love can be a gentle force that allows us to become more ourselves: “Once I discovered that, I was able to envision a whole world of love; a world that’s less about control and more about compassion.”

Angela Autumn – “Sowin’ Seeds”

“Sowin’ Seeds,” the latest track from Americana singer-songwriter Angela Autumn, explores the could-be life of a musician, one of imagined ease and free from sacrifice.

Danny Paisley and the Southern Grass – “Date With an Angel”

Up next is Baltimore bluegrass royalty Danny Paisley with a track off of his newest record, Bluegrass Troubadour. Paisley started out performing in the Southern Mountain Boys with his father, Bob Paisley, and Ted Lundy. Years later, Danny formed the Southern Grass and performs with his own son as well as the sons of Ted Lundy. They’re a two-family, three generation band! Paisley is the most recent IBMA Male Vocalist of the Year, an award he’s received more than once. Listening to Bluegrass Troubadour, you can see why.

Beth Whitney – “I Go”

Singer-songwriter Beth Whitney wrote “I Go” inspired by her family’s tradition of taking backpacking trips and her favorite Wendell Berry poem, “The Peace of the Wild Things.” While she’ll be the first to admit that she doesn’t backpack gracefully, though as blisters and bug bites take hold, “as the wilderness takes me in, it starts to heal me somehow and I come into focus.”

Amy Helm – “Sweet Mama”

“Sweet Mama” is a rock and roll track made with love in Woodstock, NY by Amy Helm with one and only Phil Cook on harmonica!

Allison Russell – “Montreal”

Our current Artist of the Month, Allison Russell, has just released her stunning solo debut, Outside Child, an album that delves deeply into the extreme trauma she experienced in her youth spent in Montreal. We recently spoke with Russell about her experience making the record and the relief that songwriting, music and art can bring.

Mike Barnett featuring Alex Hargreaves – “Piece O’Shrimp”

Mike Barnett, a Nashville-based fiddle player who recently released +1, an album of duets with friends and heroes, had originally slated the album for release in late summer 2020, but was delayed when he suffered a cerebral hemorrhage, putting his career and life on hold. Undergoing extensive rehabilitation, he posted a welcome update in February on his GoFundMe (support here) that a full recovery is still possible and likely! While we’re wishing Mike the best, and supporting his recovery through his GoFundMe, we’re also enjoying a “Piece O’ Shrimp” from his new album, featuring Alex Hargreaves.

Christina Alden & Alex Patterson – “Hunter”

UK-based folk duo Christina Alden & Alex Patterson wrote “Hunter” inspired by an unlikely friendship between a grey wolf and a brown bear, as captured by Finnish photographer Lassi Rautiainen.

Charlie Marie – “El Paso”

Country singer-songwriter Charlie Marie recently joined BGS for a 5+5, that is 5 questions and 5 songs. She talks growing up listening to Patsy Cline, meditating before “big” shows, listening to Frank Sinatra at old school Italian restaurants, and more.

Photos: (L to R) Amy Helm by Ebru Yildiz; Allison Russell by Marc Baptiste; Tony Joe White by Leann White

MIXTAPE: Rising Appalachia’s Love Songs for Blooming Spring

Posted on by Justin Hiltner

This is a collection of the BEST love songs in my life, the heartbreakers and the heart menders. The ones that make your heart burst and bloom. Because hey, it’s spring, and who doesn’t want a damn good love song or two in their lives? — Leah Song, Rising Appalachia

John Prine – “Angel From Montgomery”

This song brought me to my knees when I heard it live at the Kate Wolf Music Festival years ago. A hardened kind of love song, a love long changed and still just barely holding. But still, even the love between John Prine and Emmylou Harris is precious…

The Roots, Erykah Badu – “You Got Me”

I have listened to this song since my teenage years and it is rich, passionate, and real amid the throes of what life on the road looks like. What longing feels like. How to show up.

Hozier – “Almost (Sweet Music)”

The most joyful and epic lyricist around. And such a bright and catchy melody, this one is contagious.

Keb’ Mo’ – “Kindhearted Woman Blues”

Such a rich treatment of this classic. Got that salty form of simple, front porch, storytelling love.

Arouna & Biko – “Doubabu”

Nothing sings to the heart like the sweetness of this melodic instrumental by our dear friends, Arouna & Biko.

James Blake – “A Case of You”

I mean, this needs no additional telling. It just SLAYS.

Ray LaMontange – “Shelter”

The tamber of LaMontange’s voice is so insane, it’s another delicate one, but it reaches into the pain and pleasure of love.

Lankum – “What Will We Do When We Have No Money?”

A gentle, Irish look at love and the long haul. How to piece it together with your beloved when times are tough.

Beyoncé – “Drunk in Love”

Riddles with unapologetic passion.

Jorge Cafrune – “La atardecida”

Classic heart strings, plus the guitar just makes you swoon.

Rising Applachia – “Novels of Acquaintance”

Our favorite love song.

Polecat Creek – “That I Should Know Your Face”

A traditional Appalachian love ballad. “That I should know your face,” the depths of loyal love.

Maggie Koerner – “Shades of Grey”

Simple, open-hearted love song from the young vulnerability of the road.

Trevor Hall – “Chapter of the Forest”

A love song to the divine.

Hypnotized – “Ani DiFranco”

The classic bass line of this song plus the simplicity of the imagery. Sometimes, you are just brought to your knees by the wafting breathlessness of love.

Photo credit: Savannah Lauren

MIXTAPE: Jeffery Straker’s “How the Heck Did I Get Here?” Playlist

Posted on by Editor

It’s been a year and a month since I got back from my last tour in pre-pandemic times (as we now refer to it). I was winding through the Okanagan Valley in British Columbia, Canada, performing a run of seven shows. The month of March in the Okanagan usually has summer-like weather and the temperatures on this trip delivered and then some. Even though I was working, the mountains, valleys, and blue skies reflected in lakes made it feel like a vacation during those long drives with music humming along on the car stereo.

Working full-time as a touring musician is a really busy lifestyle. If you’re not writing new material you’re getting ready to release songs, you’re promoting songs, planning a tour, going on tour — the cycle is endless. As a result, some of the only time I have for my mind to rest somewhat idle is on the long drives between gigs. I see it as a bit of a gift. The music accompanying my travels helps me get a little lost for just a little while. Sometimes I arrive at the next place wondering “how the heck did I get here?” Here are some of the songs that I’ve enjoyed getting lost in. — Jeffery Straker

Jason Isbell – “Traveling Alone”

Often when I’m out on the road I’m traveling alone, or with a side-musician who is asleep in the passenger seat. Isbell sings about being a traveler missing someone he loves, and about reflections on some of the life decisions he’s made. “So high the street girls wouldn’t take my pay, they said come see me on a better day, she just danced away.” It’s perfect fodder for a freed up mind to wander within.

Joni Mitchell – “A Case of You”

Joni released this in 1971. When I first heard it I just loved that within the first few seconds of the song she sang “if you want me I’ll be in the bar”. Who writes like that? She does. I’ve never figured out the meaning of “I could drink a case of you and I would still be on my feet”. It’s perfectly vague. Does it mean “I could never get enough of you”, or does it mean “I’ll never be drunk on your love because it’s not enough”?

John Prine – “Egg & Daughter Nite, Lincoln Nebraska, 1967 (Crazy Bone)”

This is such a visual romp for me. Prine sings about how farmers would bring their daughters with them to town to sell eggs and the gals would head to the local roller rink. It’s so specific, but he delivers this great universal ponderance through chronicling this quirky event: “When you got hell to pay, put the truth on layaway, and blame it on that ol’ crazy bone.”

George Jones – “He Stopped Loving Her Today”

My grandma and grandpa loved this song and so many of the songs like this from the same era of country. It’s such a “story-song.” It’s so sad and the steel guitar with the string section accompanying it is such a perfect pairing. That ascending string line at the start of the chorus really heightens the emotions too; I hear it and wonder who thought of that line? George? The producer? George breaks into a spoken-word second verse and brings even more intimacy — you literally lean in closer to the speaker. Those feelings for the one he loves never go away until the day he dies. It just grabs you and doesn’t let go.

Brandi Carlile – “The Joke”

Stratospheric vocals, brooding piano, and a riveting story. It’s all here. Carlile is passing along some advice to young children who don’t quite fit in. They’re probably from the LGBTQ community, but certainly from any marginalized group. “Let ’em laugh while they can. Let ’em spin, let ’em scatter in the wind. I have been to the movies, I’ve seen how it ends, and the joke’s on them.” Riveting stuff and you want to hit repeat.

Lori McKenna – “The Lot Behind St. Mary’s”

In the wake of my mom passing away just over two years ago, I discovered Lori through her song, “A Mother Never Rests.” It’s perfect. And through that song I found this one that really struck me; it’s from the same album. She very fluidly goes back and forth between “younger days” and the present, both longing for the past and accepting the present.

Jeffery Straker – “Play That Song Again”

This is the latest single I released from my upcoming album; it’s a waltz. This song, like the album, is lyrically reflective. I figured that the waltz-time would add to that feeling — I find waltzes take me back in time. Lyrically the singer looks back at life’s ups and downs, but ultimately lands in a place of contentment with where he’s landed. I think that’s all we want to eventually be able to do — be comfortable with the path we’ve taken.

Leon Russell – “It Takes a Lot to Laugh, It Takes a Train to Cry”

This is a Dylan tune that Leon Russell recorded in 1971. Dylan recorded it in ’65. It’s the vibe that I love here, though I don’t actually know what it’s about. It’s got all sorts of sexual allusions in its swagger. Russell approaches it slower than Dylan and for me this tempo suits it perfectly.

Harry Nilsson – “Everybody’s Talkin’”

I moved to Belfast, Northern Ireland, for part of my university studies and lived in a house with some great singers. At late-night song and drink sessions this song was a favorite for two harmony-singing gals, Carol and Loraine. Every time I hear this I’m transported back to that old Georgian row house and I’m standing in the kitchen listening to them.

Dolly Parton – “My Tennessee Mountain Home”

There’s such beauty in the simplicity that Dolly conjures up with her words. In the very first verse you see her “Watch the kids a’ playin’ with June bugs on a string.” It’s lovely, and now I want to do that. It’s a different time and Dolly paints an idyllic picture of her roots. When I think back to my home, thankfully I have good memories of it too — and she sort of takes me there even though she grew up in a two-room log cabin and I did not. But that’s Dolly — taking something specific and making it wonderfully universal.


Gordon Lightfoot – “If You Could Read my Mind”

I wasn’t a huge Gordon Lightfoot fan in my teens and 20s, but once I hit my 30s I became rabidly into his poetry. This song is quite simply about the failure of a marriage but the language he uses to describe it just takes me somewhere else when I listen. All his talk of “ghosts from wishing wells,” “a paperback novel, the kind the drugstore sells,” and “a movie star getting burned in a three way script.” It just grabs me and doesn’t let go.

Paul Simon – “American Tune”

I once had the chance to sing this in a variety show in a big theatre in Toronto. I had to memorize the lyrics and chords for the performance so I got to know it really well. The chord progressions are just stunning and the melody sails along on top of it like the sun dancing across water. “I don’t know a dream that’s not been shattered or driven to its knees, but it’s all right, it’s all right, for we’ve lived so well so long.”

Madison Violet – “No Fool for Trying”

I’ve always loved these two gals from the first time I saw them in concert. Their chemistry is really magical through both their musicianship and their vocal harmonies. The arrangement on this song is really simple and the chug-chug-chug rhythm seems to pull me down the highway on long drives. It opens with the lyric: “There’s trouble on this road…” and you’re left curious as to what’s happened. It pulls you in like a good book.

David Francey – “Blue Sorrow and Then Some”

It’s a longing song and the title says it all. I really like the 6/8 feel. The tempo he’s chosen keeps it kind of light and almost cheerful, but with such a sad sentiment in the story being told. “…but sometimes I wonder, do you think of me?” His vocal performance helps you feel the fragility of it all.

Photo credit: Ali Lauren