Tag: podcast

Harmonics with Beth Behrs: Episode 4, Brandi Carlile

Posted on by Shelby Williamson

Harmonics with Beth Behrs is the newest show from the BGS Podcast Network, which delves into the intersection of music and wellness. The podcast’s third week features Brandi Carlile, Americana icon and advocate for the empowerment of women and the LGBTQ+ community.

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Harmonics host Beth Behrs talks with Carlile about spirituality and wisdom found through horses and nature, performing the album Blue for Joni Mitchell, the joy and connection of live music, anxiety, and singing with Dolly Parton at the Newport Folk Festival.

For many folks, the first time they heard of Brandi Carlile was during her show-stopping performance of “The Joke” at the 2019 Grammy awards. Carlile walked away with three trophies that night for her record, By The Way, I Forgive You (including Best Americana Album). She’s been honing her distinctive voice and building a dedicated audience for over twenty years, all the while staying committed to building a family and community with her band and team.

That commitment has made her a godmother of modern American roots music — as a curator of festival stages, interpreter of the legendary artists who came before, and producer and collaborator for a whole new generation of female artists.

Listen and subscribe to Harmonics through all podcast platforms and follow BGS and Beth Behrs on Instagram for series updates!

The Show on the Road – Gary Louris (The Jayhawks)

Posted on by Shelby Williamson

This week on The Show On The Road, we feature a conversation with Gary Louris, co-founder and leading songwriter of longtime Americana favorites The Jayhawks — who launched out of Minneapolis in 1985 and celebrated the release of their harmony-rich, 11th studio album, XOXO, this July.


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Any band that has managed to stick together for a generation (their self-titled debut dropped when host Z. Lupetin was in diapers) clearly has kept a fervent fanbase intrigued; their signature shoegaze-y, electric roots has endured through personnel changes, bouts of addiction, and the upheaval of the music industry that often leaves fading rock and rollers behind. While Louris will be first to admit that for many years he didn’t think it would be “cool” to keep a rock band together this long, he has grown to appreciate the band’s defiant longevity.

Indeed, their newest collaboration, XOXO, doesn’t show The Jayhawks softening at all, even as they have become respected Americana elder statesmen. Instead it shows off some of their sharpest rock-guitar-inspired records yet — with tunes like the Uncle Tupelo-, sepia-tinted “This Forgotten Town” staying at the top of Americana single charts for months, getting near-constant radio play nationwide.

Seminal Americana records like Smile and Rainy Day Music in the early 2000s finally launched The Jayhawks into international notoriety — they played late night TV and enjoyed (or endured) packed bus tours across North America and Europe — but the success was often bittersweet and they never quite tipped the scale like other roots-adjacent groups like Wilco and Jason Isbell and the 400 Unit.

As host Z. Lupetin discovered while remote recording, Louris can now laugh about an infamous New York Times review of their album Smile that, despite being quite positive, lead with an unfortunate headline noting the band’s lack of widespread acceptance: “What If You Made a Classic and No One Cared?”

Louris is often cited as leading the charge behind the band’s shift from jangly alt-country toward a more catchy, rock-pop sound, but there are plenty of roots still showing — especially Louris’ noted love of British Invasion rock energy and 1970s AM radio layered harmony. After some years that took Louris away from the supportive twin city hub for other ventures (he was also in supergroup group Golden Smog) the band’s core group of Louris, Marc Perlman, Karen Grotberg, and Tim O’Reagan are now happily back together in their original Minneapolis home-base, grateful to still be creating new rock ‘n’ roll with a devoted audience that is waiting patiently for touring to open up again.

Stick around to the end of episode to hear Louris share an intimate acoustic performance of The Jayhawks’ all too fitting new song, “Living A Bubble.”

Photo credit: Sam Erickson

Harmonics with Beth Behrs: Episode 3, Mickey Guyton

Posted on by Shelby Williamson

Harmonics with Beth Behrs is the newest show from the BGS Podcast Network, which delves into the intersection of music and wellness. The podcast’s second week features country artist Mickey Guyton, who released “Black Like Me” — a song about her pain and struggles growing up as a Black woman in America — earlier this summer amidst protests against police brutality across the nation.

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In episode three, actor, comedian, banjo enthusiast and Harmonics host Beth Behrs talks with Guyton about country artists speaking out against racism and injustice, the power and importance of three chords and the truth in the midst of Music Row fluff, lifting other women up as a form of therapy, and, of course, Dolly Parton.

Originally from Arlington, Texas, Guyton has made a name for herself as a powerhouse vocalist and impressive songwriter, being called “one of the most promising new voices in country in recent years.” In 2015, she released her self-titled EP featuring her debut single, “Better Than You Left Me,” and the following year she was nominated for her first ACM Award for New Female Vocalist. On September 11 she released her new EP Bridges, which has solidified her as “the unapologetic voice country music needs right now.”

Listen and subscribe to Harmonics through all podcast platforms and follow BGS and Beth Behrs on Instagram for series updates!

 

The String – Matt Rollings

Posted on by Chris Jacobs

Matt Rollings says his role as the leading studio piano playing sideman in Nashville from the late 1980s onward made it hard for him to forge his own taste and sensibility as an artist.


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Now that he’s slowed that work and broadened his projects, he’s made his first album as a leader in 30 years, Matt Rollings Mosaic, with a bunch of friends and collaborators who happen to be superstars, including Alison Krauss, Lyle Lovett and Willie Nelson. Our talk covered the fascinating ways and means of the A Team Nashville session players and much more. Also in the hour, emerging singer songwriter Shannon LaBrie, who’s about to release an album produced by the guy who brought us The Judds and SHEL among many others.

The Show On The Road – Nicole Atkins

Posted on by Chris Jacobs

This week on The Show On The Road, a conversation with Nicole Atkins, a singer/songwriter  out of Neptune City, New Jersey who has become notorious for making her own brand of theatrical boardwalk soul. 

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The Show On The Road host Z. Lupetin fell in love with Atkins’ newest, harmony-rich record, Italian Ice, which came out spring 2020 and was recorded in historic Muscle Shoals, Alabama. Both rumblingly ominous and joyously escapist, standout songs like “Domino” make the record a perfectly David Lynch-esque summer soundtrack of an uneasy 2020 scene that vacillates between fits of intense creativity and innovation and deep despair. Toiling below the radar for much of her career, Atkins is finally enjoying nationwide recognition as a sought-after writer and producer; Italian Ice was co-produced by Atkins and Ben Tanner of Alabama Shakes.

While some may try to shoehorn Nicole Atkins into the Americana and roots-rock categories, one could better describe her as a new kind of wild-eyed Springsteen, who also mythologized the decaying beauty of New Jersey’s coastal towns like Asbury Park, or a similarly huge-voiced, peripatetic Linda Ronstadt who isn’t afraid to mix sticky French-pop grooves with AM radio doo-wop, ’70s blaxploitation R&B and airy jazz rock like her heroes in the band Traffic. If you watch her weekly streaming variety show, “Live From The Steel Porch” (which she initially filmed from her parents’ garage in NJ, but now does from her new home in Nashville), you’ll see her many sonic tastes and musical friends gathering in full effect. Italian Ice features a heady collection of collaborators including Britt Daniel of Spoon, Seth Avett, Erin Rae, and John Paul White.

After playing guitar and moving in and out of hard-luck bar bands in Charlotte and New York — many of which that would find any way to get rid of their one female member — Atkins’ bold first solo record Neptune City dropped in 2007 and three more acclaimed LPs followed, including her twangy, oddball breakout, Goodnight Rhonda Lee in 2017 on John Paul White’s Single Lock Records.

Much like the tart and brain-freezing treat sold on boardwalks around the world, Atkins’ newest work is a refreshing and many-flavored thing and demonstrates that, in a lot of ways, the show-stopping performer, producer, and songwriter has finally embraced all the sharp edges of her personality.

Photo credit: Anna Webber

The String – Daniel Donato and Jake Blount

Posted on by Chris Jacobs

This week, two remarkable emerging artists who’ve put in a quarter century and found unique pathways.


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Daniel Donato landed a plum guitar gig in downtown Nashville at age 16 and now he’s building a new world of twangy jam with his debut LP ‘A Young Man’s Country’. Jake Blount is re-defining old-time music with banjo and fiddle out of his DC base. His anti-racist push is forcing bluegrass and Americana to investigate its origins and its audience. His new album Spider Tales is a showcase of the Black roots of our shared music.

The Show On The Road – Chicano Batman

Posted on by Chris Jacobs
This week, The Show On The Road features a conversation with members of LA’s Latin roots-rock heroes Chicano Batman. The band came together in 2008 and is comprised of Eduardo Arenas (bass, guitar, vocals), Carlos Arévalo (guitars), Bardo Martinez (lead vocals, keyboards, guitar) and Gabriel Villa (drums).

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Host Z. Lupetin was able to catch up with Bardo Martinez and Eduardo Arenas while they sheltered in place at home in LA. In the past you may have seen Chicano Batman at music festivals like Coachella dressing up in matching Mariachi outfits or crooning in a colorful mashup of Spanish and English on previous standout records like the dreamy Cycles of Existential Rhyme and the rebellious Freedom Is Free.  

Their newest work, Invisible People, is their most personal, political, and downright danceable release to date. The traditional Mariachi outfits may be tucked away in storage, but their playful vibe remains, even as the musicianship and pop-tightness took a big jump forward.

After twelve years of expanding and fine-tuning their sound and finding a devoted national audience, Chicano Batman is no longer the oddball, upstart band. While they now focus mainly on English lyrics, they know as songwriters and performers that they’ve become role models for Los Angeles’s vibrant Latin-roots rock renaissance, acting as springboards to a whole new scene that may not have a genre or name yet.

 

‘Harmonics with Beth Behrs’ Debuts on BGS Podcast Network on September 8

Posted on by Editor

The Bluegrass Situation is thrilled to announce the newest addition to the BGS Podcast Network: Harmonics With Beth Behrs. The eight-episode podcast explores the intersections of music, creativity, wellness, and healing. (Subscribe here.)

Hosted and produced by actress, comedian, and banjo lover Beth Behrs (The Neighborhood, 2 Broke Girls) each episode features a deep dive conversation into topics such as mental health, sound healing, songwriting as therapy, ancient musical traditions, and the power of the creative process on our physical bodies and emotional selves.

The first two episodes of the series premiere on Tuesday, September 8, kicking off with guests Glennon Doyle (New York Times bestselling author of Untamed) and renowned sound healer Geeta Novotny. Other featured season one guests include Brandi Carlile, Mary Gauthier, Mickey Guyton, Tichina Arnold, and Allison Russell.

Behrs says, “Songs are simple ways of telling stories, you can find a song to fit any mood you’re in. That’s because music bypasses the intellect and goes straight to the heart. I’ve always felt that healing is creative and creativity is healing. Maybe it’s magic? I want to feel closer to the magic. I want all of you to feel closer to the magic. Harmonics was born so we could explore the intersection between music, healing, creativity, and spirituality- and in doing so, makes ourselves feel a part of something bigger. Less alone. More connected.”

Amy Reitnouer Jacobs, co-founder and executive director of BGS, says, “Developing this show with Beth was a dream — we’ve wanted to do something together for a long time. During this time when we’re all refocusing our lives and constantly assessing the state of the world, creating a space where women could be honest and vulnerable about so many topics — such as maintaining creative processes under stress and maintaining mental and physical health at home — seemed more relevant and necessary than ever before. We’re honored to feature so many incredible talents from the roots music world, but I think the breadth of our guests will show our audience that so many of these themes are universal and relevant across the creative spectrum.”

 

The String – Heidi Newfield and Mac McAnally

Posted on by Chris Jacobs

Two guests this show who both have careers straddling Nashville’s hit-driven Music Row and art-driven Americana scenes.


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Heidi Newfield had a run of country hits in the 2000s w a band and as a soloist. Now she’s reinventing and going gritty with her songwriting and blues harp on her first new album in more than a decade, The Barfly Sessions, Vol 1. Mac McAnally is a legend on the Row – a Hall of Fame songwriter and a 10-time CMA Musician of the Year. His own music displays real independence and countless skills as a singer, writer and producer. His new one is called Once In A Lifetime.

The Show On The Road – David Bromberg

Posted on by Chris Jacobs
This week, The Show On The Road features living folk-blues legend and underground guitar icon David Bromberg.


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Host Z. Lupetin got to speak with the now 74-year-old Bromberg in a hotel room before the pandemic shutdown, prior to Bromberg playing a show at the El Rey Theatre in Los Angeles back in February, 2020.

Coming out of the fertile Greenwich Village scene on the heels of Bob Dylan, Ramblin Jack Elliot and other shaggy troubadour-storytellers, Bromberg’s encyclopedic knowledge of American songwriting traditions made him a coffee house wunderkind who refused to be pigeonholed in one genre. By the age of thirty, Bromberg was the go-to guitarist for Dylan, Willie Nelson, John Prine and Ringo Starr, and he could be found jamming at dinner parties with George Harrison.

A man of many interests and talents, Bromberg actually stepped away from performing for nearly two decades at the height of his notoriety, moving to Chicago to learn how to build and then appraise violins. He became obsessed with identifying the best instruments just by sight, and even opened a respected instrument shop in Wilmington, Delaware called David Bromberg Fine Violins.

He returned after twenty two years off the road with the triumphant and Grammy-nominated Try Me One More Time in 2006, and has assembled an energetic band of friends that continues to join him on his new, high energy offerings.

Bromberg’s muscular and ever genre-bending 2020 release, Big Road pays homage to his heroes like Charlie Rich and 1930’s bluesman Tommy Johnson, but also injects heavy doses of swampy rock, horn-heavy funk, and good-humored, folk storytelling along the way.

Stick around to the end of the episode to hear him play a new acoustic tune called “Buddy Brown’s Blues.”