Artist of the Month: Laurie Lewis

Generously sharing her gifts as a fiddler, singer, and songwriter, Grammy nominee Laurie Lewis has remained a beacon on the West Coast bluegrass landscape for more than 30 years. While she’s considered a seminal figure for women in bluegrass, today she’s creating music that’s just as vital as her acclaimed albums of the ’80s, ’90s, and early 2000s.

For her newest album, and Laurie Lewis, she gathers a new generation of admirers and longtime cohorts alike for a mix of covers and originals that draw on her folk and bluegrass roots.

“There are things that you can communicate musically together, which are hard to put into words,” she has said. “To have those conversations with people I love and who have been so significant throughout my career is a beautiful thing.”

An IBMA Award-winning vocalist and an advocate for equality, Lewis possesses a compelling voice that commands attention.  Read our two-part interview with our May Artist of the Month, Laurie Lewis, here: Part one. Part two. And while you do, enjoy our Essentials playlist.


Photo credit: Jeff Fasano

Artist of the Month: Watkins Family Hour

Sean Watkins and Sara Watkins have factored into some of the most accomplished and creative ensembles of the last two decades, while building a cool catalog of their own solo albums, too. Familiar to many as co-founders of Nickel Creek (with Chris Thile), the California siblings are once again teaming up as a duo for brother sister, their second album as Watkins Family Hour.

“From the beginning, our goal was to work on these songs to be as strong as they could be, just the two of us,” Sara says. “And with a few exceptions on the record, that’s really how things were. It was a tight little group of us, working dense days where we could squeeze them in.”

Sara won a Grammy earlier this year for “Call My Name” as a member of I’m With Her (with Aoife O’Donovan and Sarah Jarosz). In addition to producing, Sean has recorded with collectives such as Fiction Family, Mutual Admiration Society, and Works Progress Administration. Their appearances at the Los Angeles club Largo have inspired a number of impromptu collaborations on stage as well. Together, however, the siblings make a powerful unit, capturing a band sound with essentially two people — but incorporating a fresh perspective through producer Mike Viola.

“Mike brings a diverse musical history to his production work,” Sean says. “He’s worked with a lot of people [from The Figgs to Fall Out Boy] that surpass just bluegrass or folk, but his sense of the songwriting craft and melody is right in line with us. He was bringing ideas that we would have never had, and vice versa.”

Enjoy new tracks from Watkins Family Hour in our BGS Essentials playlist, plus choice cuts from throughout their brilliant careers.

Our Artist of the Month interviews are here! (Read part one here. Read part two here.)


Photo credit: Jacob Boll

Artist of the Month: The Secret Sisters

The secret is out, as the Secret Sisters have finally issued their newest album, Saturn Return. Time is a through line of the project, heard in songs like “Late Bloomer,” as well as the album title, which is an astrological reference to Saturn returning to the same location in the sky as it was when you were born. Motherhood also informs the music, as sisters Lydia and Laura Rogers were new mothers at the time, but also grieving the recent loss of their grandmothers.

Produced by Brandi Carlile and Phil and Tim Hanseroth (aka “The Twins”), Saturn Return positions the sisters as solo vocalists to some degree, as both Lydia and Laura recorded separately for the first time. And in contrast to their other albums, they wrote all of the material here themselves. A sweet celebration of the women who came before them can be found in the opening track, “Silver,” while the final track, “Healer in the Sky” is poignant, vivid, and simply beautiful.

Look for a two-part interview with the Secret Sisters — our BGS Artist of the Month for March — in the weeks ahead. (Read part one here. Read part two here.) In the meantime, enjoy our Essentials playlist, comprising choice covers (including one of Carlile’s songs), rare and interesting collaborations, and new music you’ll want to hear from Saturn Return.


Photo credit: Alysse Gafkjen

Artist of the Month: Anaïs Mitchell

The world has finally caught up with Anaïs Mitchell. With sold-out runs in London and New York, near-constant critical acclaim, and a sweep of eight Tony Awards, the Vermont native was quite literally center stage last summer accepting the award for Best Original Musical for her creation Hadestown.

But Anaïs Mitchell has been center stage for a very long time — it’s the size and location of the venue and audience that has changed. With five solo records under her belt, a growing collection of collaborative projects ranging from a record of obscure English ballads (Child Ballads with Jefferson Hamer) to a new supergroup Bonny Light Horseman (with Eric D Johnson of Fruit Bats and guitarist Josh Kaufman), and the decade-long evolution of her now-famous folk opera Hadestown, Mitchell is profound not only in her turnout, but in the indisputable quality and beauty of everything she touches.

That’s why we’re excited to present her as BGS‘ first Artist of the Month for 2020. Throughout the month, we’ll be digging deeper into her career with an exclusive interview feature by Stephen Deusner. After all she’s accomplished in the last decade alone, we can’t wait to see what’s next for her in the one to come. For now, enjoy our Essentials playlist and prepare yourself for the Month of Anaïs Mitchell.


Photo credit: Shervin Lainez

Artist of the Month: Dailey & Vincent

Dailey & Vincent have ventured well beyond bluegrass by paying respect to musical tradition, singing like siblings (although they aren’t), and delivering their signature goofy one-liners. Year in and year out, they bring an entertainment value to their show, whether it’s on a tour of performing arts centers, starring in their RFD-TV series, or appearing at the Grand Ole Opry.

Although Jamie Dailey and Darrin Vincent came from highly regarded bands before forming their duo, they are now certainly trailblazers in their own right. For example, Dailey delivered an insightful IBMA keynote address in 2018 about branding bluegrass. And they have shown the ropes to a decade’s worth of rising talent.

Coming up later in the week, BGS will post exclusive, one-on-one interviews with both Jamie Dailey and Darrin Vincent, shining a year-end spotlight on their remarkable career. In the meantime, please enjoy our brand new BGS Essentials playlist.


Illustration: Zachary Johnson

The Shift List – Duncan Holmes, Allison Anderson (Beckon | Call) – Denver

This week, Chef Duncan Holmes and Allison Anderson, Director of Experience, at Beckon | Call in Denver, Colorado.

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Chef Duncan Holmes and Allison Anderson have incorporated music and a guest’s entire experience at Beckon | Call in a way that is completely holistic and natural. Perhaps it’s because it’s baked into Anderson’s title — as the Director Of Experience, she takes the role of what would normally be considered General Manager and elevates it to a master class in hospitality.

Consider the music at Beckon – the evening’s answer to their popular all-day dining option over at Call. Beckon is a ticketed chef’s table dining experience with ever-changing, seasonal menus. It seats 34 people in a U-shape with Chef Duncan and his team serving you from the center of the intimate dining room, and the entire meal takes about two and half hours. Because the meal happens in phases, each evening’s soundtrack is a hand-picked selection of albums played in their entirety, allowing the staff at Beckon to play through about three records of their choosing over the course of a meal. In the age of playlists and streaming, the decision to play through albums at Beckon is an extension of the meal itself, forcing you to slow down and pay closer attention to each of your senses throughout the experience.

Call was named one of Bon Appetit’s Hot Ten Best New Restaurants of 2018, described as an all-day hang where you may arrive at 10am and end up staying until 2pm — with all of the spritzes and endless selection of unique items to snack on, like their smoked salmon tartine, roasted carrot salad with peas, and Scandinavian-inspired bites.

Call is now on a brief hiatus as Holmes, Anderson, and the team complete some renovations, but Beckon is now a year in and has topped multiple must-eat lists in Denver and beyond.

Artist of the Month: Old Crow Medicine Show

From their earliest days of busking and playing to capacity crowds at the Station Inn, Old Crow Medicine Show has shown they know how to pull in a crowd. Now they’ve captured that raucous, captivating energy in their newest release, Live From the Ryman, recorded during the group’s numerous headlining performances at the landmark Nashville venue.

The band has seen its share of setbacks and lineup changes over the years, but their catalog is surprisingly limber. In other words, the songs from Eutaw and O.C.M.S. blend seamlessly with tracks from newer releases like Remedy and Volunteer.

It’s a testament to the vision of band founder Ketch Secor, who tells BGS, “If they had tried to stop us a long time ago, they probably would have been able to, but they never tried. We were never curtailed. We were asked to be quiet and to clean up, but nobody ever said ‘no’ enough times for us to pay attention.”

Look for a two-part interview with Old Crow Medicine Show coming up on BGS this month, and enjoy our Essentials playlist.

Photo credit: Crackerfarm; (L-R): Charlie Worsham, Cory Younts, Critter Fuqua, Ketch Secor, Joe Andrews, Morgan Jahnig

Artist of the Month: Vince Gill

Who doesn’t love Vince Gill? His pristine tenor fits beautifully into bluegrass, country, Western Swing, and even classic rock, as he tours as a member of the Eagles. Still, the good-natured Opry star tells BGS that bluegrass remains close to his heart.

“You get the right band, the right drive and the right thing — I tell people it rocks as hard as the Rolling Stones. When it’s right — it’s really, really right — it’s like a freight train coming at you,” he observed during a visit in his Nashville home, just a few days after his annual summer appearance at Bluegrass Nights at the Ryman.

He continues, “It’s awesome — even in the middle of it. I don’t know that it translates far away like it does in a circle of it. We practiced over here the other night, and just being in this room and being this close to everybody was so much fun.”

Gill’s childhood memories shape a large part of Okie, his exquisite new album — an acoustic-oriented project that puts his voice and songwriting at the forefront. Look for our two-part interview this month with this member of the Country Music Hall of Fame, and in the meantime, enjoy our Essentials playlist.


Photo credit: John Shearer

Artist of the Month: Buddy & Julie Miller

Buddy & Julie Miller have assembled one of Nashville’s most satisfying songwriting catalogs — and although their songs have been covered by a multitude of artists, there is something undeniably ethereal about hearing them sing together. As our Artist of the Month in July, Buddy and Julie continue to prove they’ve still got it. Don’t miss “I’m Gonna Make You Love Me” and “Secret” from their latest album, Breakdown on 20th Avenue South, in the playlist below. And check back later this month for much more content, including our in-depth BGS interview.


Illustration: Zachary Johnson

Glen Hansard: A Career in 12 Songs

Glen Hansard is a world traveler, a trait that is reflected in his tour calendar as well as his catalog of music. With his new album, This Wild Willing, he incorporates the textures of Iranian musicians he met while in Paris, where he decided to hunker down for a few weeks and record. Admittedly tired and under the weather, his singing voice is quieter and lower than usual on the album, although there are moments when he roars. And when he does, it’s as thrilling as his live show – like an electrifying moment in a listening room.

With his European tour dates now behind him, Hansard will embark on an American tour on May 29. His career stretches from rock bands to movie soundtracks to confessional songwriting, so it’s hard to predict a set list from an artist as prolific as Hansard. If you asked BGS to create one for this iconic Irish musician, though, we’d respectfully submit this one.

“Don’t Settle”

A highlight from This Wild Willing, “Don’t Settle” stands as an anthem to persistence, especially when you’ve been criticized from every angle. Rather than dwelling on the negative, though, “Don’t Settle” is uplifting and a reminder that, as he puts it, “You’ve worked hard for your luck.” Listen for Marketa Irglóva, his co-star of Once, whose earthy harmony underscores Hansard’s delivery here.

“Why Woman”

This song from 2018’s Between Two Shores would have fit right into The Commitments, with its moody lyric and “Dark End of the Street” vibe. It’s about that moment where the woman wants to leave and the man wonders why she’s giving up so easily. Lyrics like “You’re talking about a change now / but those changes aren’t with me” are particularly stinging, soothed only by a horn section that comes afterwards.

“When Your Mind’s Made Up”

The acoustic guitar intro still gives me all the feels. It’s a catharsis and a therapy session, wrapped up in a vocal workout. The dynamics are incredible, particularly the emotions that crest near the end of the song. When you can’t live with somebody, and yet can’t live without them, this is pretty much an anthem. I’ve included a breathtaking version from The Swell Season’s 2006 self-titled album, also worth seeking out.

“Mary”

This Wild Willing takes its name from a lyric in “Mary,” a love song that captures that moment of finding yourself open to a new relationship – in other words, turning your wildness of independence into a willingness to share your life. The string section gives it a sweeping, dramatic feel, and the delivery is subdued. This Wild Willing is an album that reveals itself over time, and this is one of its gems.

“High Hope”

You know, it’s next to impossible to sing with Glen Hansard, as his range soars and falls away at a whim. This track from the 2012 album Rhythm and Repose is the exception, thanks to the lay, lay, lay… that weaves through the lyrics. Rhythm and Repose may be the most approachable album in Hansard’s solo catalog, with moody gems like “Love Don’t Keep Me Waiting,” “This Gift,” and “You Will Become.”

“Cry Me a River”

Hansard isn’t shy about a cover song. Dig around and you’ll find him singing Dylan’s “Pressing On” as well as a particularly rousing “You Ain’t Goin’ Nowhere” with Irglóva. He’s also sung “Coyote” for Joni Mitchell and “People Get Ready” for Mavis Staples. And let’s not forget The Commitments. But… a sarcastic Justin Timberlake pop smash with Hansard’s explosive delivery? Yes please.

“Falling Slowly”

This Oscar-winning song inevitably winds up in Hansard’s set list, but the last time I saw him play, it was close to the middle of the set. It’s the crowd-pleaser that will help him attract audiences in the decades to come and it’s sure had plenty of exposure in the Once musical and on prime-time singing competitions. Still there’s no denying the chemistry between Hansard and Irglóva on this modern masterpiece.

“Good Life of Song”

A celebration of the joy that music can bring you, “Good Life of Song” brings a beautiful sentiment to This Wild Willing. His near-whispered vocals give it an intimacy and warmth. In some ways it’s a message of thanksgiving, and approaching eight minutes long, it’s also entrancing. When it comes to touring, performing, and writing about the human experience, one gets the feeling that Hansard is a lifer.

“Star Star”/ “Pure Imagination”

I first Hansard sing live at ACL Fest in 2005, during a set by The Frames that I happened to encounter. Enthralled by their stage presence and straightforward rock ‘n’ roll sound, I became an instant fan, tracking down all the albums I could. “Star Star” has been a favorite since then, but it’s especially sweet in a live setting, with a few lines of “Pure Imagination” from Willy Wonka and the Chocolate Factory.

“Winning Streak”

This track from 2015’s Didn’t He Ramble reminds me of an Irish blessing, with messages of positive reinforcement and hope. Hansard is a master of dynamics, bringing listeners to devastating lows, only to uplift them with an exhilarating melody and full-throttle voice. While these lyrics work as kind words to a friend, in a live setting, they could also serve as a stirring benediction to a night of splendid music.

“Step Out of the Shadows”

Hearing Glen singing unaccompanied is a powerful experience. This selection from the 2013 EP Drive All Night proves his expressive abilities as a singer, and carries the right imagery for an encore. He’s not singing only to “my little one” who needs encouragement; he’s also beckoning those folks who can join “a new wave rising strong.” Think of it as a universal statement sung by just one magnetic voice.

“Into the Mystic”

We all have our heroes, and for Hansard it’s Van Morrison. Hansard has performed “Into the Mystic” innumerable times — and it’s not an easy song to sing. However, it’s essentially part of Hansard’s canon now. Long may he rock our gypsy souls.